Academic literature on the topic 'Brass instruments'

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Journal articles on the topic "Brass instruments"

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Jang Jaya, Rico Saktiawan. "Drafting a Business Plan for Brass Instrument Reparation named BrassON in Yogyakarta." Es Economics and Entrepreneurship 1, no. 02 (2022): 09–23. http://dx.doi.org/10.58812/esee.v1i02.9.

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The purpose of this research is to draft a business plan for brass instrument reparation named BrassON. The brass instruments reparation business is a business that can fix any damage to any type of brass instrument. In Yogyakarta, there is no business that focuses on brass instrument reparation. Therefore, it requires a business plan for brass instruments reparation so that the business can run well. Before drafting the business plan for brass instrument reparation BrassON, a competition analysis of the industry is conducted to know the market situation for brass instrument reparation in Yogy
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Bowsher, J. M. "Brass instruments." Physics Education 25, no. 1 (1990): 30–34. http://dx.doi.org/10.1088/0031-9120/25/1/005.

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Frederick. "Tuning Brass Instruments." International Journal of Recent Advancement in Engineering & Research 3, no. 12 (2017): 13. http://dx.doi.org/10.24128/ijraer.2017.no34gh.

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Stasney, C. Richard, Mary Es Beaver, and Margarita Rodriguez. "Hypopharyngeal Pressure in Brass Musicians." Medical Problems of Performing Artists 18, no. 4 (2003): 153–55. http://dx.doi.org/10.21091/mppa.2003.4027.

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Brass instrument players are exposed to unique health risks due to increased pharyngeal pressures necessary for performance. One such risk is development of laryngoceles, or “blowout” of the larynx. This cross-sectional observational study was performed to determine the pressure required to play different frequencies in a variety of brass instruments. The hypothesis tested was that enharmonic frequencies require the same pharyngeal pressure regardless of the instrument. The brass instruments tested were high-pressure, low-flow instruments (trumpet or French horn) or low-pressure, high-flow ins
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Jackson, Miranda. "A study of impedance of brass instruments and mouthpieces—Comparison of models and measurements." Journal of the Acoustical Society of America 153, no. 3_supplement (2023): A40. http://dx.doi.org/10.1121/10.0018078.

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The impedance of a brass instrument has an important influence on the frequencies of the notes that can be played and on the timbre of the sound. The shape of the mouthpiece has various features, such as the cup volume and shape, opening diameter, and length, that determine the characteristics of the overall impedance of the instrument-mouthpiece combination. Brass instruments, and especially mouthpieces, are designed for specific purposes, and many brass players own several different horns or mouthpieces, and choose which to use depending on their particular musical requirements at the time.
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Rusu, H. Zeynep, M. Burcin Mutlu, Volkan Kilic, Nilgun Poyraz, and Halil Eryilmaz. "Bacteria Found in Brasswind Instruments: Analyses Using Culture-Dependent Method and Culture-Independent 16 S rRNA Amplicon Sequencing Method." Medical Problems of Performing Artists 38, no. 4 (2023): 189–99. http://dx.doi.org/10.21091/mppa.2023.4023.

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BACKGROUND: In wind instrument performance, there is a constant contact between the player and the instrument, during which microorganisms in the mouth flora of the player are transferred into the instrument. The inner surface of the brass instruments provides the perfect environment for microorganisms to grow. As a result, players repeatedly interact with these micro-organisms during playing. In previous studies, different kinds of microorganisms were detected in brass instruments, some of which can carry serious health hazards. PURPOSE: Revealing the common bacterial populations of brasswind
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Simpson, Alvin F. "Inservice Music Educators’ Perceived Comfort for Teaching and Performing on Secondary Band Instruments." Update: Applications of Research in Music Education 39, no. 3 (2021): 11–19. http://dx.doi.org/10.1177/8755123321995953.

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I surveyed inservice instrumental music educators ( N = 96) to determine their comfort level for teaching and performing on secondary band instruments. Research questions included the following: (a) How comfortable do inservice music educators feel teaching and performing on secondary instruments? (b) Does grade level affect educators’ comfort levels? (c) Does the educators’ primary instrument family relate to their perceived comfort level for teaching and playing on secondary instruments? and (d) Does the format of instrument classes during preparation programs influence educators’ comfort fo
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Stepanova, Anna. "Modern brass band: its components and activities." Scientific bulletin of South Ukrainian National Pedagogical University named after K. D. Ushynsky 2022, no. 1 (138) (2022): 37–42. http://dx.doi.org/10.24195/2617-6688-2022-1-5.

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The article covers the modern composition of a brass band, the main musical instruments that make up performing groups; the features of sound, range, tessitura of traditional musical instruments. Attention is also paid to the peculiarities of brass band leadership and professional skills of the conductor. One of the main differences of a brass band is the possibility of its use outdoors. Its powerful and loud sound does not need to be amplified by various technical devices – microphones, etc. Therefore, this type of performance of wind music is used mainly to accompany the solemn processions o
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Jackson, Miranda, and Gary Scavone. "A comparison of modeled and measured impedance of brass instruments and mouthpieces." Journal of the Acoustical Society of America 155, no. 3_Supplement (2024): A109. http://dx.doi.org/10.1121/10.0026977.

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The impedance of a brass instrument has an important influence on its playability and sound timbre. The geometry of the mouthpiece has various features, such as the cup volume and shape, opening diameter, and length, that determine the characteristics of the overall impedance of the instrument-mouthpiece combination. Brass instruments, and especially mouthpieces, are designed for specific purposes, and horns or mouthpieces are chosen depending on the musical requirements. In order to investigate the relationship between the physical parameters and the impedances of instruments and mouthpieces,
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Campbell, Donald M. "Lip control of brass instruments." Journal of the Acoustical Society of America 123, no. 5 (2008): 3124. http://dx.doi.org/10.1121/1.2933052.

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Dissertations / Theses on the topic "Brass instruments"

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King, Daniel. "An analysis and comparison of the brass methods by James Stamp, Donald Reinhardt, Carmine Caruso, and Claude Gordon." Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1070918203.

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Thesis (Ph. D.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains x, 128 p.; also includes graphics. Includes bibliographical references (p. 97-107).
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Deane, Anne Margaret. "Time domain work on brass instruments." Thesis, University of Surrey, 1986. http://epubs.surrey.ac.uk/847357/.

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This work investigates brass instruments in the time domain, rather than the traditional frequency domain, and considers first, impulse measurements and secondly, their analysis. An existing apparatus for measuring the response to an acoustic impulse at the input of a brass instrument has been refined. Problems of impulse inconsistency, ambient temperature variation and source reflections have been resolved. Developments of the above equipment are used to test the quality of brass instruments on a factory production line. A prototype and a test instrument are compared by taking the arithmetica
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McGrattan, Alexander. "The trumpet in Scotland from 1488 to 1800." Thesis, n.p, 1999. http://ethos.bl.uk/.

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Ayers, Angela Gillian. "Articulation in brass playing : the tongue - friend or foe?" Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/7778.

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Bibliography: leaves 97-99.<br>This dissertation attempts to demonstrate the role the tongue plays in articulation in brass playing. It briefly examines oral anatomy, physiology and theories on motor learning, and describes the tongue's position in producing English speech sounds. It shows how these positions are used to teach different articulation techniques on the various brass instruments. Articulation styles and (tonguing) exercises, which could aid in the improvement of tongue articulation, are highlighted. It is hoped that these highlights will add insight for both present and future br
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Braden, Alistair C. P. "Bore optimisation and impedance modelling of brass musical instruments." Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/12591.

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The input impedance of a brass musical instrument is a good representation of its resonance characteristics. Methods of calculating input impedance for a known instrument shape, or bore-profile, are reviewed, and an extension to existing theory for bent waveguides is given. These input impedance methods form the basis for consideration of the inverse problem; to find a bore-profile with given impedance characteristics. Such problems can be formulated as bore reconstruction - - finding an unknown bore from its impedance, and performance optimisation - - altering certain characteristics of a kno
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Brackett, David J. "The optimisation of brass instruments to include wall vibration effects." Thesis, Loughborough University, 2011. https://dspace.lboro.ac.uk/2134/8962.

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This thesis focuses on the design optimisation of a brass instrument. The bore profile of such an instrument is known to be the primary influence on the sound of the instrument as it directly controls the shape of the air-column contained within the instruments' walls. It has long been claimed, however, that other factors, such as the wall material and wall vibrations, are also significant, although to a lesser degree. In recent years, it has been proven that wall vibrations do indeed have an audible effect on the sound (Moore et al 2005, Kausel et al 2007, Nachtmann et al 2007, Kausel, Zietlo
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Logie, Shona Mary. "Acoustical study of the playing characteristics of brass wind instruments." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7617.

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When assessing the quality of a brass instrument the player must consider a number of factors, the main consideration being the playability of the chosen instrument. The playability of an instrument is a broad term used to describe how well the instrument plays; this includes how in tune the resonant modes are, how easy it is to start and move between notes, how easy it is to bend notes and the degree of spectral enrichment during a crescendo that is able to be produced. The starting transient is known to be of crucial importance for both the musician and listener, and previous work in the fie
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Benton, Robert L. "The effect of lip-slur practice on increasing pitch range in brasswind instrument students." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1998. https://ro.ecu.edu.au/theses/988.

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Lip-slur exercises comprise part of the practice routines of many professional and serious amateur brasswind players. There are several reasons why so many players practise lip-slurs. One of those reasons is the belief that lip-slurs contribute to the development of the brasswind high register. This study argues that while there is a vast amount of anecdotal evidence from many authors widely deemed to be influential in the form of method books or writings that lip-slurs can contribute to the development of the brasswind high register, there has been little research to support this widely held
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Callahan, Gary L. "The measurement of finger dexterity in woodwind and brass instrumentalists : a developmental study /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1340907240.

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Lewis, Joseph M. Jr. "The Development of Civil War Brass Band Instruments into Modern-Day Brass Band Instruments with a Related Teaching Unit For a High School General Music Course." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431035985.

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Books on the topic "Brass instruments"

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Ganeri, Anita. Brass instruments. Franklin Watts, 2011.

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Duckett, Richard. Team brass: Brass band instruments. IMP, 1988.

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Lillegard, Dee. Brass. Childrens Press, 1988.

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Nunn, Daniel. Brass. Heinemann Library, 2012.

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Dearling, Robert. Woodwind & brass instruments. Chelsea House Publishers, 2000.

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International Historic Brass Symposium (1995 Amherst, Mass.)). Perspectives in brass scholarship: Proceedings of the International Historic Brass Symposium, Amherst, 1995. Edited by Carter Stewart. Pendragon Press, 1997.

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Dundas, Richard J. Twentieth century brass musical instruments in the United States. R.J. Dundas, 1989.

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Dundas, Richard J. Twentieth century brass musical instruments in the United States. R.J. Dundas, 1986.

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Sharma, Elizabeth. Brass. Thomson Learning, 1993.

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Zorn, Jay D. Brass ensemble methods. 2nd ed. Wadsworth, 1995.

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Book chapters on the topic "Brass instruments"

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Bowsher, J. M. "Brass Instruments." In Encyclopedia of Acoustics. John Wiley & Sons, Inc., 2007. http://dx.doi.org/10.1002/9780470172544.ch134.

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Campbell, Murray, Arnold Myers, and Joël Gilbert. "Introducing Brass Instruments." In Sounding Brass. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-86735-4_1.

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Campbell, Murray, Arnold Myers, and Joël Gilbert. "Brass Instruments of Antiquity." In Sounding Brass. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-86735-4_9.

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Campbell, Murray, Arnold Myers, and Joël Gilbert. "Brass Instruments with Toneholes." In Sounding Brass. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-86735-4_8.

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Campbell, Murray, Arnold Myers, and Joël Gilbert. "How Brass Instruments Work." In Sounding Brass. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-86735-4_2.

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Hartmann, William M. "Brass Musical Instruments." In Principles of Musical Acoustics. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_23.

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Campbell, Murray, Arnold Myers, and Joël Gilbert. "Extending the Capabilities of Brass Instruments." In Sounding Brass. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-86735-4_10.

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Fletcher, Neville H., and Thomas D. Rossing. "Lip-Driven Brass Instruments." In The Physics of Musical Instruments. Springer New York, 1991. http://dx.doi.org/10.1007/978-1-4612-2980-3_14.

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Eargle, John M. "Acoustics of Brass Instruments." In Music, Sound, and Technology. Springer US, 1995. http://dx.doi.org/10.1007/978-1-4757-5936-5_7.

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Fletcher, Neville H., and Thomas D. Rossing. "Lip-Driven Brass Instruments." In The Physics of Musical Instruments. Springer New York, 1998. http://dx.doi.org/10.1007/978-0-387-21603-4_14.

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Conference papers on the topic "Brass instruments"

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Inomata, Ukyo, Naoto Wakatsuki, Tadashi Ebihara, and Yuka Maeda. "Evaluation of Oscillation Characteristics by Changing Cross-Sectional Area Profiles of Brass Instruments with Numerical Simulation." In 2024 IEEE 13th Global Conference on Consumer Electronics (GCCE). IEEE, 2024. https://doi.org/10.1109/gcce62371.2024.10760481.

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Rocchini, Gabriele, and Alfredo Colombo. "Monitoring of Corrosion State of Aluminium Brass Condenser Tubes." In CORROSION 1992. NACE International, 1992. https://doi.org/10.5006/c1992-92419.

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Abstract After a concise survey of the two theories, suggested by North and Pryor and by Gasparini et al., for explaining the formation of a protective lepidocrocite layer on the surface of copper and its alloys when they come in contact with sea water conditioned with ferrous salts, the existence of another possibility based on the development of a heterogeneous reaction through an electrochemical path is suggested. The authors' opinions on the physical meaning of monitoring the corrosion state of aluminium brass tubes and on its technological validity and usefulness when dealing with problem
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Soundararajan, Sudharsanan. "Ammonia Stress Corrosion Cracking of Admiralty Brass Heat Exchanger Tubes in Refinery Cooling Water System." In CONFERENCE 2024. AMPP, 2024. https://doi.org/10.5006/c2024-20970.

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Abstract Instrument air (IA) system is one of the critical systems in the utilities section of a refinery complex. IA system of this refinery consists of compressor package and dryer package to supply air to refinery header at 0.9Mpa (128 psi) with dew point less than -20degC (-4degF). The 3 stage compressors have intercoolers with extended plate surface fin type tubes. The metallurgy of the tubes is Admiralty brass SB-111 C44300. In this cooler, compressed air is in the shell side and fresh cooling water on the tube side. All 8 intercoolers in the compressor package leaked in a period of 1 mo
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CAMPBELL, DM. "WHY DO BRASS INSTRUMENTS SOUND BRASSY?" In IOA 40th Anniversary Conference 2014. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/16271.

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Chick, John, Shona Logie, Lisa Norman, and Campbell Murray. "Transient phenomena in brass instruments." In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4799601.

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Moore, Thomas, Wilfried Kausel, Vasileios Chatziioannou, Nikki Etchenique, and Britta Gorman. "Axial vibrations of brass wind instruments." In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4799447.

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Worland, Randy. "Measuring brass instruments: A 'Physics of Music'." In 167th Meeting of the Acoustical Society of America. Acoustical Society of America, 2014. http://dx.doi.org/10.1121/1.4898416.

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CAMPBELL, DM. "INPUT IMPEDANCE MEASUREMENTS ON HISTORIC BRASS INSTRUMENTS." In Acoustics '87 1987. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/21947.

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Gibson, David AJ. "Novel Designer Plastic Trumpet Bells for Brass Instruments." In Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.3.

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Young, Frederick J. "Optimization of valve tube lengths for brass instruments." In 157th Meeting Acoustical Society of America. ASA, 2009. http://dx.doi.org/10.1121/1.3186797.

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