Relevant bibliographies by topics / Brazilian Art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Brazilian Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Brazilian Art"

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Ribeiro da Silva Bevilacqua, Juliana. "Afro-Brazilian Art." Critical Interventions 9, no. 2 (May 4, 2015): 73–76. http://dx.doi.org/10.1080/19301944.2015.1110967.

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Alvarez, Mariola V. "Minor Transnational Brazilian Art." Third Text 30, no. 1-2 (March 3, 2016): 76–89. http://dx.doi.org/10.1080/09528822.2016.1265746.

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AP, Moreno. "Brazilian Contemporary Art in the International Art Market." World Journal of Social Science Research 10, no. 4 (October 14, 2023): p74. http://dx.doi.org/10.22158/wjssr.v10n4p74.

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With changes in the art world, the Brazilian Contemporary art becomes an interesting subject to be analyzed in its relationship to the art market dynamics. The international art market has been growing since late 90s thanks to globalization. In this sense, the problematization of the research lies in an economical perspective of the art market to understand Brazilian Contemporary art internationalization through art fairs, biennials, art galleries and auction houses. With this analysis, the objective is to present an opinion about the panorama of Brazilian Contemporary art and its international market insertion.
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Machado, Arlindo. "Video Art: The Brazilian Adventure." Leonardo 29, no. 3 (1996): 225. http://dx.doi.org/10.2307/1576251.

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Gullar, Ferreira. "An Overview of Brazilian Art." Diogenes 48, no. 191 (September 2000): 109–14. http://dx.doi.org/10.1177/039219210004819109.

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Marques, Luiz, Claudia Mattos, Mônica Zielinsky, and Roberto Conduru. "Is there a brazilian art?" PORTO ARTE: Revista de Artes Visuais 22, no. 36 (December 30, 2017): 263. http://dx.doi.org/10.22456/2179-8001.80119.

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Cardoso, Rafael. "The Brazilianness of Brazilian Art." Third Text 26, no. 1 (January 2012): 17–28. http://dx.doi.org/10.1080/09528822.2012.647643.

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Araujo, Emanoel. "Thirty Years of Afro-Brazilian Art." Critical Interventions 9, no. 2 (May 4, 2015): 149–55. http://dx.doi.org/10.1080/19301944.2015.1111001.

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Chiarelli, Tadeu. "The object in emerging Brazilian art." Review: Literature and Arts of the Americas 25, no. 44 (January 1991): 45–53. http://dx.doi.org/10.1080/08905769108594308.

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Xavier, Rafael Branco. "A desconsideração na arbitragem? O consentimento atrás do véu." Revista Brasileira de Arbitragem 17, Issue 66 (June 1, 2020): 35–66. http://dx.doi.org/10.54648/rba2020075.

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The purpose of this article is to discuss the possibility of the application of the disregard doctrine in arbitration. The intent is to answer two questions regarding the application of art. 50 of the Brazilian Civil Code in arbitral proceedings. The first, whether the doctrine could be used to bound a third party which had not consented to the arbitration clause. The second, whether the disregard doctrine could be applied by the arbitrators when ruling on substantive issues of the dispute. The conclusion is negative to the first, as the consent is essential to the enforceability of the arbitration process, in light of art. 3 and 4 of the Brazilian Arbitration Act, and positive to the second, because the disregard doctrine contemplates a rule of liability determination that is applicable when the abuse of legal entity occurs. In sum, Brazilian Law does not admit the abuse of the legal entity as a criterion to make the arbitral process binding, as the analysis about the consent cannot be mixed with the requirements of the disregard doctrine. Disregard doctrine; Civil Code, art. 50; criteria; liability determination; party and third-party; consent; Brazilian Arbitration Act, arts. 3 and 4.
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Dissertations / Theses on the topic "Brazilian Art"

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Fidelis, Gaudêncio C. "The reception and legibility of Brazilian contemporary art in the United States (1995-2005)." Diss., Online access via UMI:, 2008.

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Pedrosa, Sebastiano Gomes. "The influence of English art education upon Brazilian art education from 1941." Thesis, Birmingham City University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332216.

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Asbury, Michael. "Hélio Oiticica : politics and ambivalence in 20th century Brazilian art." Thesis, University of the Arts London, 2003. http://ualresearchonline.arts.ac.uk/8953/.

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This study investigates the presence of ambivalence as a strategy of cultural politics from modern to contemporary art in Brazil. It focuses on the development of modern art leading to the work of Hélio Oiticica, whose approach to avant-garde practice in Brazil was concurrent with intense articulations between the forces of social change and re-evaluations of the legacy of Modernism. The thesis has a strong historiographical emphasis and is organised in three parts: Part one attempts to view the emergence of Modernism in Brazil beyond the prevailing interpretations that emphasise its inadequacy compared to canonical paradigms. Part two discusses the development of abstraction in Brazil, particularly that associated with the constructivist tradition and its relationship with the prevailing positivism of a nation that saw modernity as its inevitable destiny. Such a relationship, between art and ideology, implicitly questions the purported autonomous nature of modern art. Again, what emerged were definite regional distinctions, themselves based on seemingly universal theoretical propositions. The context of Hélio Oiticica's emergence as a constructivist-oriented artist is discussed in order to establish the theoretical foundation for his subsequent articulations between notions of avant-garde and Brazilian popular culture. Part three deals with Oiticica's theoretical and artistic proposals. It centres on the artist's transition from a position concerned primarily with the aesthetic questions of art, to one in which art became engaged on a social, ethical and ultimately political level. Oiticica's relationship with concurrent developments in theatre and later in music and cinema is given particular attention. The artist's questioning of the divides between such fields of specialisation, socio-cultural borders or categories of creative production is argued to have arisen out of Oiticica's lessons from Neoconcretism as well as his individual creative approach to relations of friendship. The latter integrated the wider concept of participation that eventually drove the work through the apparent equivocation between national culture and avant-garde practice. The study concludes with an analysis of the artist's posthumous dissemination and its relation with today's contemporary Brazilian art.
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Shtromberg, Elena. "Conceptual encounters art and information in Brazil (1968-1978) /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1741085621&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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SILVA, RAPHAEL MARTINS DA. "THE BARBARITY AS ART: TRENDS OF LITERATURE AND CONTEMPORARY BRAZILIAN MOVIES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7210@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
O propósito desta dissertação é refletir acerca das relações existentes entre literatura e cinema no que toca a representação do fenômeno da violência nas obras literárias e suas respectivas versões cinematográficas. Para isso foram utilizados três livros que apresentam a violência enfocada por diversos prismas. São eles: Estação Carandiru de Drauzio Varella, Cidade de Deus de Paulo Lins e O Invasor de Marçal Aquino. O exame feito por teóricos sobre a linha tênue que hoje divide ficção de realidade também foi abordado como um dos pontos de desenvolvimento da dissertação. O binômio violência/cultura que parece uma atual tendência na literatura contemporânea, ganhou espaço incisivo nesta análise.
The intention of this dissertation is to reflect concerning the existing relations between literature and movies in which it touches the representation of the phenomenon of the violence in the literary compositions and its respective cinematographic versions. For this, three books had been used that present the violence focused for diverse prisms. They are: Estação Carandiru by Drauzio Varella, Cidade de Deus by Paulo Lins and O Invasor by Marçal Aquino. The examination made by theoreticians on the tenuous line that today divides reality from fiction was also boarded as one of the points of the dissertation development. The binominal violence/culture that seems one current trend in contemporary literature, gained incisive space in this analysis.
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Riggs, Rawlianne. "The Brazilian Art Song and the Non-Brazilian Portuguese Singer: A Performance Guide to Nine Songs by Alberto Nepomuceno." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505176/.

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Alberto Nepomuceno (1864-1920) is considered to be the father of the Brazilian art song. With a total of seventy songs, Nepomuceno revolutionized and established a new path to the Brazilian art song. His songs were innovative because they: (1) incorporated folk elements in his songs, (2) introduced Portuguese as a language acceptable in bel canto style and (3) established Brazilian songs in the tradition of the European vanguard. His approach influenced several composers including his young student Heitor Villa-Lobos (1887-1959), one of the most significant Latin American composers. The purpose of this research is to inform singers and teachers about one of Brazil's most significant art song composers, and to provide the necessary tools--Brazilian Portuguese diction guide, IPA and poem translations of the selected songs--for effective and accurate performances and interpretations.
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Harper, Eleanor R. "Restoring Subjectivity and Brazilian Identity: Lygia Clark's Therapeutic Practice." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1275622355.

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SILVA, HUMBERTO BARROS DA. "TOY ART: PROBLEMATIZATION OF THE CONSUME: A LOOK TO THE BRAZILIAN PRODUCTION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=29513@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Esse trabalho pretende primeiramente esclarecer o que é a Toy Art, esse novo suporte expressivo de mercado que parte de designers e ilustradores e que contém em si elementos da arte urbana, a street art, como o grafite e o Hip Hop. Contém também elementos de confrontação de uma juventude ativa contra mitos e dogmas cristalizados por gerações anteriores. Um novo suporte que traz à tona uma narrativa da cidade, da rua, com sua violência e humores ácidos, que propõe uma estreita relação entre a arte e a cultura pop em seu argumento de caráter lúdico e bem-humorado e simultaneamente subversivo e violento. O Mundo desses brinquedos, inicialmente produzidos no Japão e na China, surge como um mundo de plástico e vinil em meados dos anos 1990, e outros materiais vão sendo incorporados no decorrer da expansão mundial de sua produção e consumo. Personagens da política, ou ícones da sociedade e acontecimentos atuais são alguns dos principais alvos das narrativas desses objetos. Seus temas comumente pretendem a problematização de mitos e de heróis . Lida ainda, com a frágil linha divisória que existe entre infância e vida adulta. Ao se estudar o universo do Toy Art, ou Designer Toy, o colecionismo, o consumismo e a pós modernidade serão investigados, assim como características particulares de tribos urbanas. O que é Toy Art? Como essa plataforma artística e mercadológica se desenvolveu desde seu aparecimento? Que fronteiras delimitam seu território nas artes e no design? Como se configurou sua história? E como a Toy Art atua e se desenvolve no Brasil?
This work is intended to clarify what is Toy Art. A new expressive and market support that comes from designers and illustrators minds, that contains elements of urban art, street art, graffiti and Hip Hop culture in itself. It also contains confrontational elements of an active youth against myths and dogmas crystallized by previous generations. A new medium that brings up the urban city into its narrative, the street with its violence and acid moods, which suggests a close relationship between art and pop culture in its humorous narrative, that is at the same time subversive and violent. The world of these toys, originally produced in Japan and China, appears as a vinyl and a plastic world in the mid-1990s, and other materials have been incorporated during the worldwide expansion of its production and consumption. Political characters, pop icons and day by day events are some of the main targets of these object s narratives. Its subjects often seek the overthrow of myths and heroes, and yet, it deals with the fragile dividing line between childhood and adulthood. While studying the universe of Toy Art or Designer Toy, collecting, consumerism and post-modernism will be investigated, as well as particular characteristics of urban tribes. What is Toy Art? How this artistic and marketing platform developed since their appearance? What borders delimit its territory in the arts and design? How to set up its story? And how Toy Art operates and develops in Brazil?
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Campelo, André. "SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/89.

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The articulation of Portuguese nasalized vowels poses some articulatory problems accompanied by negative acoustic effects for the performance of Brazilian art songs. The main objective was to find strategies that permit the singer to conciliate an idiomatic pronunciation of these vowels with a well-balanced resonance, a desirable quality in classical singing. In order to devise these strategies, the author examined sources dealing with nasalized vowels from varied perspectives: acoustic properties of vowel nasalization, phonetic and phonological aspects ofBrazilian Portuguese (BP), historical views on nasality in singing, and recent vocal pedagogy research. In addition to the overall loss of sonority, the main effect of nasalization is felt mainly in the first formant (F1) region of oral vowels, due to the introduction of nasal formants and antiformants, and to shifts in the tongue posture. Several sources report the existence of a nasality contour in BP, by which a nasalized vowel starts with an oral phase and transitions gradually to a nasal phase. The author concludes that the basic approach to sing nasalized vowels in BP is (1) to find the tongue posture corresponding to the oral vowel congener (the “core vowel”), and (2) to adjust the nasality contour in such a way that the oral portion remains prominent in order to keep the resonance balance consistent during the emission of the vowel. Once the core vowel is determined, standard vowel modification choices can be made according to voice type and the musical context in which the vowel is being sung. Some challenging excerpts from Brazilian art songs are examined, with suggestions for the application of the discussed strategies.
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Juarez, Marissa Marie. "Bodily Force and Rhetorical Function in the Afro-Brazilian Art Form of Capoeira." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/242431.

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Bodily Force and Rhetorical Function in the Afro-Brazilian Art Form of Capoeira examines how practitioners of capoeira, a dance-like martial art developed by African slaves in Brazil during the slave trade, enact forms of contestation, resistance, and accommodation through their performances, as well as how the practice of capoeira results in productions and interruptions of social and cultural hierarchies. Building upon historical research, interviews, and participant observations at a local capoeira site, I argue that the movements, gestures, and facial expressions that drive communicative performances between two or more practitioners elucidate intersections between rhetoric, performance, and the body. More specifically, I demonstrate that the capoeira body operates as a physical force that serves a variety of rhetorical functions, including intervening in social structures of dominance, performing identities, recording histories, establishing relational politics, and inviting self and communal transformation. Interrogating the art form's colonial past, I suggest that capoeira has the potential to teach anti-oppression practices and to serve as a locus of coalition building across multiple lines of difference.
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Books on the topic "Brazilian Art"

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Brazil. Programa do Artesanato Brasileiro. and Brazil. Ministério do Desenvolvimento, Indústria e Comercio Exterior., eds. The art of Brazilian handicraft. São Paulo: Editora Talento, 2002.

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Roza, Greg. Brazilian jiu-jitsu. New York: Rosen Central, 2012.

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Whistler, Catherine. Opulence and devotion: Brazilian Baroque art. Oxford: Ashmolean Museum, 2001.

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Ferrell, Ria Quik. J.D.R. Brazilian embroidery. Chatsworth, CA (10021 Gierson Ave., Chatsworth 91311): J.D.R. Brazilian Embroidery, 1991.

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Portugal, Claudius Hermann. Outras cores: 27 artistas da Bahia : reportagens plásticas. [Salvador, Brazil]: Fundação Casa de Jorge Amado, 1994.

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Ayala, Walmir. Notícias do Paraná: Sobre arte paranaense. Curitiba, Paraná: Imprensa Oficial do Paraná, 2002.

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Cabral, Antonio Helio. Pincelagens & debuxos = Debuxos & pincelagens. São Paulo: Ateliê Editorial, 2005.

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Ferreira, Ennio Marques. 40 anos de amistoso envolvimento com a arte. Curitiba: [s.n.], 2006.

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Morais, Frederico. Dacoleção: Os caminhos da arte brasileira. [São Paulo]: J. Bogoricin Imóveis, 1986.

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Duarte, Paulo Sérgio. Anos 60: Transformações da arte no Brasil. Rio de Janeiro, RJ: Campos Gerais, 1998.

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Book chapters on the topic "Brazilian Art"

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Dardashti, Abigail Lapin. "Negotiating Afro-Brazilian Abstraction." In New Geographies of Abstract Art in Postwar Latin America, 84–103. New York : Routledge, 2019. | Series: Routledge Research in Art History: Routledge, 2018. http://dx.doi.org/10.4324/9781351062145-6.

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Seltzer Goldstein, Ilana. "Indigenous protagonism and its impact on the Brazilian art system*." In Global Art in Local Art Worlds, 249–54. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003128908-25.

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McNee, Malcolm K. "Ecopoetry and Earth Art." In The Environmental Imaginary in Brazilian Poetry and Art, 11–35. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137386151_2.

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Carvalho, Denise. "Art as Archive: Subversive Humour and Authenticity in Brazilian Art." In Comedy in Crises, 163–80. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-18961-6_12.

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Cruz Souza, Luiz Antonio, Alessandra Rosado, Yacy-Ara Froner Gonçalves, Rita Lages Rodrigues, Humberto Farias de Carvalho, Maria Alice Sanna Castelo Branco, and Giulia Giovani. "CHAPTER 10. Judith Lauand: Art and Technology of a Brazilian Concrete Painter." In Science and Art, 208–24. Cambridge: Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781788016384-00208.

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Stewart, Danielle. "Thomaz Farkas and Mid-Century Brazilian Photographic Networks." In Historical Narratives of Global Modern Art, 167–79. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003247678-18.

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Valio, Luciana, and Benetti Marques. "Contemporary art and cosmovisions of Brazilian indigenous peoples." In Social and Cultural Aspects of the Circular Economy, 178–93. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003255246-11.

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Alvarez, Mariola V. "Calligraphic Abstraction and Postwar Brazilian Informalist Painting." In New Geographies of Abstract Art in Postwar Latin America, 25–40. New York : Routledge, 2019. | Series: Routledge Research in Art History: Routledge, 2018. http://dx.doi.org/10.4324/9781351062145-3.

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McNee, Malcolm K. "Introduction." In The Environmental Imaginary in Brazilian Poetry and Art, 1–9. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137386151_1.

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McNee, Malcolm K. "Manoel de Barros and Astrid Cabral." In The Environmental Imaginary in Brazilian Poetry and Art, 37–69. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137386151_3.

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Conference papers on the topic "Brazilian Art"

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"Cover Art." In 2014 Brazilian Symposium on Software Engineering (SBES). IEEE, 2014. http://dx.doi.org/10.1109/sbes.2014.29.

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"Cover Art." In 2014 Brazilian Conference on Intelligent Systems (BRACIS). IEEE, 2014. http://dx.doi.org/10.1109/bracis.2014.86.

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"Cover Art." In 2013 Brazilian Conference on Intelligent Systems (BRACIS). IEEE, 2013. http://dx.doi.org/10.1109/bracis.2013.56.

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"[Cover art]." In 2008 10th Brazilian Symposium on Neural Networks. IEEE, 2008. http://dx.doi.org/10.1109/sbrn.2008.46.

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"[Cover art]." In 2012 26th Brazilian Symposium on Software Engineering (SBES). IEEE, 2012. http://dx.doi.org/10.1109/sbes.2012.35.

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"Cover Art." In 2015 Brazilian Symposium on Computing Systems Engineering (SBESC). IEEE, 2015. http://dx.doi.org/10.1109/sbesc.2015.40.

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"Cover Art." In 2011 25th Brazilian Symposium on Software Engineering (SBES). IEEE, 2011. http://dx.doi.org/10.1109/sbes.2011.46.

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"Cover Art." In 2010 Second Brazilian Workshop on Social Simulation (BWSS). IEEE, 2010. http://dx.doi.org/10.1109/bwss.2010.32.

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"[Cover art]." In 2009 23rd Brazilian Symposium on Software Engineering. SBES 2009. IEEE, 2009. http://dx.doi.org/10.1109/sbes.2009.37.

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"[Cover art]." In 2010 24th Brazilian Symposium on Software Engineering (SBES 2010). IEEE, 2010. http://dx.doi.org/10.1109/sbes.2010.32.

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Reports on the topic "Brazilian Art"

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Ferrari, Maria-Aparecida, and Ana-María Durán. El estado del arte de las Relaciones Públicas y Sustentabilidad en organizaciones brasileñas y ecuatorianas / The state of the art of public relations and sustainability in Brazilian and Ecuadorian organizations. Revista Internacional de Relaciones Públicas, December 2018. http://dx.doi.org/10.5783/rirp-16-2018-08-129-150.

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Aroca, Patricio A. Microcredit: Brazilian and Chilean Cases. Inter-American Development Bank, May 2002. http://dx.doi.org/10.18235/0006757.

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This presentation was commissioned by the Poverty Reduction and Social Protection Network of the Regional Policy Dialogue for the 3rd Hemispheric Meeting celebrated on May 23rd and 24th, 2002. This presentation evaluates the direct impact of microcredit programs on the micro entrepreneurs and the economy, looking at specific cases in Brazil and Chile. The methodology and best practices of Microcredit cases are weighed with data from the study results.
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Erber, Fabio S. The Brazilian Industrial Policy. Inter-American Development Bank, November 2005. http://dx.doi.org/10.18235/0006832.

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The following presentation briefly outlines a history of Brazilian industrial policy from 1950-present and current structural issues and challenges in modern-day industrial policy. It was presented at the Latin America/Caribbean and Asia/Pacific Economics and Business Association (LAEBA)'s 2nd Annual Meeting held in Buenos Aires, Argentina on November 28th, 2005.
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Rios-Neto, Eduardo L. G. Managing Migration: The Brazilian Case. Inter-American Development Bank, April 2005. http://dx.doi.org/10.18235/0006557.

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This paper reviews some basic facts regarding Brazilian immigration and emigration, as well as looking at some policy and legal issues affecting migration management in Brazil. Based on this context, it addresses the issues required for the seminar.
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Rossi, Jose Luiz, Carlos Piccioni, Marina Rossi, and Daniel Cuajeiro. Brazilian Exchange Rate Forecasting in High Frequency. Inter-American Development Bank, September 2022. http://dx.doi.org/10.18235/0004488.

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We investigated the predictability of the Brazilian exchange rate at High Frequency (1, 5 and 15 minutes), using local and global economic variables as predictors. In addition to the Linear Regression method, we use Machine Learning algorithms such as Ridge, Lasso, Elastic Net, Random Forest and Gradient Boosting. When considering contemporary predictors, it is possible to outperform the Random Walk at all frequencies, with local economic variables having greater predictive power than global ones. Machine Learning methods are also capable of reducing the mean squared error. When we consider only lagged predictors, it is possible to beat the Random Walk if we also consider the Brazilian Real futures as an additional predictor, for the frequency of one minute and up to two minutes ahead, confirming the importance of the Brazilian futures market in determining the spot exchange rate.
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Samuels, David, Lucio Rennó, Fabiana Machado, Barry Ames, Amy Erica Smith, Cesar Zucco, and Alyssa Huberts. Brazilian Electoral Panel Study: 2014 Results. Inter-American Development Bank, February 2016. http://dx.doi.org/10.18235/0009274.

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This report provides a summary introduction to some of the questions examined in the Brazilian Electoral Panel Study (BEPS) 2014 dataset. Following up on the 2010 Brazilian Electoral Panel Study, and taking advantage of the Brazilian 2014 presidential elections, a public opinion panel study was undertaken, comprising seven waves extending from May to November 2014. This document has two goals. The first is to familiarize those interested in using the data for their own analyses with the survey's technical approach and the dataset's subject matter. The second is to provide a preliminary dissemination of the survey's findings. These results are organized thematically around the topics covered in the questionnaire, consisting mostly of summary statistics, and the codebook provides further information on the design for the questionnaires and sample. The questionnaire also includes six controlled experiments.
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7

Aroca, Patricio A. Microcredit Impact Assessment: The Brazilian and Chilean Cases. Inter-American Development Bank, May 2002. http://dx.doi.org/10.18235/0012276.

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The objective of this paper is to evaluate the impact of micro-entrepreneurs income on two Brazilian and Chilean microcredit programs. Drawing on two unique sources of data, control groups are built using the propensity score to match beneficiaries of micro-credit programs with non-beneficiaries with similar characteristics. Using propensity score and matching techniques, the authors compare the average income of individuals that received microcredit to that of control groups, formed by people with similar characteristics. The results for the Brazilian data show a high positive impact of the microcredit programs, especially for those associated with banks. In the Chilean case the evidence is weaker for bank-based programs and NGO based programs appear to have no positive impact at all.
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8

Chong, Alberto E., and Eliana La Ferrara. Television and Divorce: Evidence from Brazilian Novelas. Inter-American Development Bank, January 2009. http://dx.doi.org/10.18235/0010906.

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This paper studies the link between television and divorce in Brazil by exploiting variation in the timing of availability of the signal of Rede Globo -the network that had a virtual monopoly on telenovelas in the countryacross municipal areas. Using three rounds of Census data (1970, 1980 and 1991) and controlling for area fixed effects and for time-varying characteristics, the paper finds that the share of women who are separated or divorced increases significantly after the Globo signal becomes available. The effect is robust to controlling for potential determinants of Globos entry strategy and is stronger for relatively smaller areas, where the signal reaches a higher fraction of the population.
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Collins, Susan, Jennifer Kemp, and Isaac Farley. Introduction to Registering Book Content Webinar, Brazilian Portuguese. Crossref, November 2021. http://dx.doi.org/10.13003/wfmwrcu3sx.

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Livro é um tipo de conteúdo que tem aumentado bastante no Crossref. É uma excelente oportunidade para autores aumentarem a lista de suas publicações, além de proporcionar a disseminação do conteúdo, descoberta por outros leitores e também possibilitar citações. O Crossref tem opções para ajudar a registrar uma variedade de tipos de livros em diferentes fluxos de trabalho – então, junte-se a nós para uma visão geral de por que os livros são importantes para o Crossref e como podemos ajudá-lo. Esse webinar abrangerá: Razões pelas quais você deve registrar livros no Crossref; Melhores práticas para registro de livros; Como registrar metadados de livros; Demonstração de registro de livros e metadados usando o web deposit. Haverá um tempo para perguntas e troca de experiência. Este webinar será útil para editoras, editores, equipes de produção e para os interessados em aprender sobre registro de livros e seus metadados no Crossref. Books are one of Crossref’s fastest-growing content types and an excellent opportunity to improve the scholarly record for authors and increase the discoverability of content. Crossref has options to help register a variety of book types in different workflows so join us for an overview of why books are important to Crossref and how we can help you include yours. The webinar will cover: Reasons why you should register books with Crossref Best practice for books How to register book metadata This webinar should be useful for book publishers, editors, production staff, and anyone else interested in learning more about books and book metadata at Crossref.
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Pinheiro, Armando Castelar, Indermit S. Gill, Luis Servén, and Mark Roland Thomas. Brazilian Economic Growth, 1900-2000: Lessons and Policy Implications. Inter-American Development Bank, May 2004. http://dx.doi.org/10.18235/0008731.

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This paper examines Brazilian economic growth as part of the project "Explaining Economic Growth Performance" launched by the Global Development Network (GDN), the purpose of which is to explain economic growth performances across seven regions of the world. According to the author of this study, a better understanding of Brazil's paradoxical growth pattern during the 20th century may not only improve policy formulation but also help generate political support for its implementation. Any proposal for deepening the reform process in Brazil will not win wide acceptance if it is not perceived to respond to a credible account of how policies that are "wrong" in 2001 appeared "right," for half of the last century. With this context in mind, this paper addresses three overarching questions. First, how did Brazil manage to grow so rapidly from 1930 to 1980 while following so many "wrong" policies? Second, why did Brazil then perform so poorly in the final two decades of the century? And third, considering developments in both the domestic and international arenas, how should current public policy priorities be set to maximize Brazil's potential sustainable growth rate? Analysis will look at the aggregate performance of the Brazilian economy in 1930-2000, it will examine micro evidence from firms and households, respectively, and determine whether these patterns are consistent with the macroeconomic observations noted in our initial analysis. The study also provides an evaluation on how should current public policy priorities be set to maximize Brazil's potential sustainable growth rate.
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You might also be interested in the extended bibliographies on the topic 'Brazilian Art' for particular source types:
Journal articles Dissertations / Theses Books
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