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1

Rauschenberg, Robert. Robert Rauschenberg: Transfer drawings from the 1960s. Jonathan O'Hara Gallery, 2007.

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2

Flower power: Prints from the 1960s. Schiffer Pub., 1998.

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3

Ileana, Sonnabend, Sonnabend Michael, and Princeton University Art Museum, eds. Selections from the Ileana and Michael Sonnabend collection: Works from the 1950s and 1960s. Art Museum, Princeton University, 1985.

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4

Riley, Bridget. Bridget Riley: Paintings from the 1960s and 70s. Edited by Corrin Lisa G and Serpentine Gallery. Serpentine Gallery, 1999.

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5

G, Corrin Lisa, Kudielka Robert, Spalding Frances, and Serpentine Gallery, eds. Bridget Riley: Paintings from the 1960s and 70s. Serpentine Gallery, 1999.

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6

Peter, Cartwright, and Karsten Schubert Ltd, eds. Alison Wilding: Art school drawings from the 1960s and 70s. Ridinghouse, 2011.

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7

Art of the postmodern era: From the late 1960s to the early 1990s. IconEditions, 1996.

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8

Art of the postmodern era: From the late 1960s to the early 1990s. Westview Press, 1998.

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9

England, Arts Council of. Art unlimited: Multiples of the 1960s and 1990s from the Arts Council collection. South Bank Centre, 1994.

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10

Neistein, José. A arte no Brasil, dos primórdios ao século vinte : bibliografia seleta, anotada =: Art in Brazil, from its beginnings to modern times : a selected, annotated bibliography. Brazilian-American Cultural Institute, 1997.

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11

1959-, Wiehager Renate, Robinson Michael, and Daimler Contemporary (Berlin), eds. Conceptual tendencies 1960s to today: Werke der Daimler-Kunst-Sammlung = works from the Daimler Art Collection. Daimler, 2011.

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12

Women of flowers: Botanical art in Australia from the 1830s to the 1960s. National Library of Australia, 2009.

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13

Burschel, Carlo. WMF Ikora-Metall, 1920er bis 1960er Jahre =: WMF Ikora metalwork from the 1920s to the 1960s. Arnoldsche, 2006.

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14

Art, Elvehjem Museum of, ed. Imagery of dissent: Protest art from the 1930s and 1960s : March 4 - April 16, 1989, Elvehjem Museum of Art, University of Wisconsin-Madison. The Museum, 1989.

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15

Casa do Pontal (Rio de Janeiro, Brazil), ed. Brasilianische Volkskunst: Werke aus der Sammlung Casa do Pontal = Brazilian popular art : exhibits from the Casa do Pontal collection. Câmara Brasileira do Livro, 1994.

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16

Ana, Maria Pacheco in the National Gallery :. New Painting and Sculpture (1999-2001 National Gallery London etc). Ana Maria Pacheco in the National Gallery. National Gallery Publications, 1999.

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17

Emison, Patricia. Moving Pictures and Renaissance Art History. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724036.

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Film, like the printed imagery inaugurated during the Renaissance, spread ideas – not least the idea of the power of visual art – across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, from the 1920s to the mid-1960s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, between the demands of narrative and those of visual composition, spurred new ways of addressing the compelling nature of the visual. The twentieth century also saw the development of the discipline of art history; transfusions between cinematic practice and art historical postulates are part of the story told here.
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18

Mika, Briški, and Moderna galerija (Ljubljana Slovenia), eds. 2000+ Arteast Collection: Umetnost Vzhodne Evrope v dialogu z Zahodom : od 1960. let do danes : razstava del za nastajajočo zbirko, Moderna galerija Ljubljana, novi muzejski prostori na Metelkovi-v nastajanju, 24. junij-24 september 2000 = the art of Eastern Europe in dialogue with the West : from the 1960s to the present : exhibition of works for an emerging collection, Museum of Modern Art, new museum premises at Metelkova-site under construction, 24 June-24 September 2000 / urednica kataloga, Mika Briški. Moderna galerija Ljubljana, 2000.

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19

Heinz, Scheiffele, and Württembergische Metallwarenfabrik, eds. WMF Ikora-Metall: 1920er bis 1960er Jahre, externe Künstler und Designer der NKA der WMF AG, Fritz August Breuhaus de Groot ... = WMF Ikora metalwork : from the 1920s to the 1960s, external artists and designers for NKA at WMF AG, Fritz August Breuhaus de Groot ... Arnoldsche, 2006.

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20

Felicity, Lunn, New Art Gallery Walsall, and Sainsbury Centre for Visual Arts., eds. Vivências: Dialogues between the works of Brazilian artists from 1960s-2002 : the New Art Gallery, Walsall, 5 April-9 June 2002 : Sainsbury Centre for Visual Art, University of East Anglia, Norwich, 2 July-1 September 2002. New Art Gallery, 2002.

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21

Contemporary Drawing: From the 1960s to Now. Tate Publishing, 2015.

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22

Francis, Sam. Sam Francis: Works from the early 1960s. Lawrence Rubin, Greenberg Van Doren, Fine Art, 2000.

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23

artist, Moses Ed 1926, and Los Angeles County Museum of Art, eds. Ed Moses: Drawings from the 1960s and 70s. Los Angeles County Museum of Art, 2015.

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24

Kudielka, Robert, and Lisa G. Corrin. Bridget Riley Paintings From the 1960s and 70s. Serpentine Gallery, 1999.

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25

Made in Calgary: An Exploration of Art from the 1960s to The 2000s. Glenbow Museum Shop, 2016.

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26

The Bay Area school: Californian artists from the 1940s, 1950s and 1960s. Lund Humphries Pub Ltd, 2013.

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27

Zdenka, Badovinac, and Moderna galerija Ljubljana, eds. Body and the east: From the 1960s to the present. Museum of Modern Art, 1998.

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28

Learning from Madness: Brazilian Modernism and Global Contemporary Art. University of Chicago Press, 2018.

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29

(Editor), Stephen Patrick Foery, David Sprigle (Editor), Mark Harvey (Introduction), and Mel Roberts (Photographer), eds. California Boys : Photographs from the 1960s and 1970s. Fotofactory Pr, 2000.

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30

Badovinac, Zdenka. Body and the East: From the 1960s to the Present. The MIT Press, 1999.

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31

Art, Chazen Museum of, and Mary Lee Muller. Imagery of Dissent: Protest Art from the 1930s and 1960s (Chazen Museum of Art Catalogs). Chazen Museum of Art, 2002.

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32

Downey, Greg. Learning Capoeira: Lessons in Cunning from an Afro-Brazilian Art. Oxford University Press, USA, 2005.

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33

Sandler, Irving. Art of the Postmodern Era: From the Late 1960s to the Early 1990s (Icon Editions). Westview Press, 1997.

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34

On Reflection: Modern Irish Art 1960s-1990s: A Selection from the Bank of Ireland Art Collection. Bank of Ireland, 2005.

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35

Ernesto Neto: From Sebastian to Olivia. Holzwarth Publications, 2008.

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36

Skinner, Tina. Flower Power: Prints from the 1960s (Schiffer Book for Designers & Collectors). Schiffer Publishing, 1999.

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37

San Francisco State University. College of Creative Arts., ed. Black power, black art: Political imagery from the Black Arts Movement of the 1960s and 1970s. SFSU, 1994.

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38

Zdenka, Badovinac, Briški Mika, and Moderna galerija (Ljubljana Slovenia), eds. Body and the East: From the 1960s to the present : Moderna galerija Ljubljana = Museum of Modern Art. MIT Press, 1999.

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39

Comradely Objects: Design and Material Culture in Soviet Russia, 1960s-80s. Manchester University Press, 2020.

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40

James, Ryan, Christopher Breward, and Yulia Karpova. Comradely Objects: Design and Material Culture in Soviet Russia, 1960s-80s. Manchester University Press, 2020.

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41

James, Ryan, Christopher Breward, and Yulia Karpova. Comradely Objects: Design and Material Culture in Soviet Russia, 1960s-80s. Manchester University Press, 2020.

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42

Phelps de Cisneros, Patricia, collector and Royal Academy of Arts (Great Britain), eds. Radical geometry: Modern art of South America from the Patricia Phelps de Cisneros Collection. 2014.

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43

Learning Capoeira: Lessons in Cunning from an Afro-Brazilian Art (Aar Teaching Religious Studies Series). Oxford University Press, USA, 2005.

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44

Cullerne, Bown Matthew, and Museum of Modern Art (Oxford, England), eds. Soviet socialist realist painting 1930s-1960s: Paintings from Russia, the Ukraine, Belorussia, Uzbekistan, Kirgizia, Georgia, Armenia, Azerbaijan and Moldova. Museum of Modern Art, 1992.

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45

Mika, Briški, Badovinac Zdenka, and Moderna galerija (Ljubljana Slovenia), eds. Body and the East: Od šestdesetih let do danes = from the 1960s to the present : Moderna galerija Ljubljana, Museum of Modern Art. Moderna galerija Ljubljana, 1998.

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46

Ana Maria Pacheco in the National Gallery. National Gallery Co Ltd, 2000.

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47

My First Three Books: Interview by Leo Edelstein with 12 Poems from the 1960s a CD of the Poet Reading Them and 18 Photographs. Vehicle Editions, 2020.

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48

Holanda Barbosa, Fernando de. Experiences of Inflation and Stabilization, 1960–1990. Edited by Edmund Amann, Carlos R. Azzoni, and Werner Baer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190499983.013.6.

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This chapter analyzes the Brazilian inflation and stabilization experiences during a period spanning three decades, from 1960 to 1990. It focuses on five stabilization plans. The first is the PAEG Plan, a neo-orthodox stabilization plan, which did not eliminate inflation but reduced its trend rate. The PAEG Stabilization Plan started as a fully orthodox plan, but later, as the social cost imposed by the inertial component of inflation became apparent, an indexation mechanism was devised with a forward component in wages readjustment, decreasing the backward component. This mechanism, which intended to preserve the average real worker’s wage, became a standard tool of stabilization plans in Brazil, despite the criticism it received at that time. The other four are heterodox plans, Cruzado, Bresser, Summer, and Collor, implemented during the so-called lost decade.
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49

Iwona, Blazwick, ed. An Endless adventure-- an endless passion-- an endless banquet: A Situationist scrapbook : the Situationist International selected documents from 1957 to 1962 : documents tracing the impact on British culture from the 1960s to the 1980s. ICA, 1989.

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50

Poets, Desirée, and Max O. Stephenson Jr. Maré from the Inside: Art, Culture and Politics in Rio de Janeiro, Brazil. Edited by Nicholas Barnes. Virginia Tech Publishing, 2021. http://dx.doi.org/10.21061/mare.

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Complexo da Maré is a group of 16 contiguous favelas and housing projects in the northern zone of Rio de Janeiro. Home to an estimated 140,000 individuals, Maré is Brazil's largest agglomeration of favelas. Often depicted in a negative light, these favelas are in fact vibrant and diverse communities, as revealed in this remarkable book. Maré from the Inside: Art, Culture and Politics in Rio de Janeiro, BrazilMaré Brazil is a companion to the exhibition of the same name (Portuguese: Maré de DentroDentro), which was developed by an international team of Brazilian and US academics, activists and artists. The exhibition documents the lives of residents of Complexo da Maré through family portraits, street photographs, documentary films and written works. Featured in this book is a selection of the exhibition's photographs by Italian photojournalist Antonello Veneri, who worked closely with Maré resident and activist Henrique Gomes over the period from 2013 to 2019, during which Rio was home to the 2014 World Cup and 2016 Olympic Games. These photographs, simultaneously personal and deeply humane, counter long-standing and powerful stigmatizing narratives, demonstrating instead the diversity and resilience of these communities and exposing the barriers residents confront in their everyday lives. Providing context to the photographs are essays by the exhibition's creators, curators and collaborators, including Maré resident and scholar Andreza Jorge, who asks what it is about the Maré de DentroMaré Dentro exhibition that has made it so compelling for so many people from very different parts of the world. The answer lies in the power of art to make us rethink prevailing social frames and, in turn, embrace fresh political and cultural strategies for integrating previously marginalized communities more fully into political and social life.
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