Log in

Relevant bibliographies by topics / Brazilian Dance music / Books

To see the other types of publications on this topic, follow the link: Brazilian Dance music.

Books on the topic 'Brazilian Dance music'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 28 books for your research on the topic 'Brazilian Dance music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Bruckner, Karl, and Edith Prodinger. Brazilian folk tunes: Songs and dances from Brazil for guitar = Lieder und Tänze aus Brasilien für Gitarre. Wien: Universal Edition, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Alves, Teodora de Araújo. Herdanças de corpos brincantes: Saberes da corporeidade em danças afro-brasileiras. Natal: EDUFRN, Editora da UFRN, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Alves, Teodora de Araújo. Herdanças de corpos brincantes: Saberes da corporeidade em danças afro-brasileiras. Natal: EDUFRN, Editora da UFRN, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ricardo, Pessanha, ed. The Brazilian sound: Samba, bossa nova, and the popular music of Brazil. Philadelphia: Temple University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

McGowan, Chris. The Brazilian sound: Samba, bossa nova, and the popular music of Brazil. Philadelphia: Temple University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Ricardo, Pessanha, ed. The Brazilian sound: Samba, bossa nova, and the popular music of Brazil. Philadelphia: Temple University Press, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ricardo, Pessanha, ed. The Brazilian sound: Samba, bossa nova, and the popular music of Brazil. New York: Billboard Books, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

McGowan, Chris. The Brazilian sound: Samba, bossa nova, and the popular music of Brazil. Philadelphia: Temple University Press, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Primitive modernities: Tango, samba, and nation. Stanford, California: Stanford University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Júnior, Wilson Rogério Penteado. Jongueiros do Tamandaré: Devoção, memória e identidade social no ritual do jongo em Guaratinguetá, SP. São Paulo, SP, Brasil: FAPESP, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

The mystery of samba: Popular music & national identity in Brazil. Chapel Hill: University of North Carolina Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Garramuño, Florencia. Primitive modernities: Tango, samba, and nation. Stanford, California: Stanford University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Bezerra-Perez, Carolina dos Santos. Saravá jongueiro velho!: Memória e ancestralidade no Jongo do Tamandaré. Juiz de Fora [Brazil]: Editora UFJF, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Jongo da Serrinha (Musical group). Jongo da Serrinha. Rio de Janeiro: Prefeitura do Rio e Programa de Bolsas da RioArte, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Biel, William Scott, Randall S. Humm, Wendy S. Lader, Beate Anne Ort, Ricardo Pessanha, Martin Mazen Anbari, and Chris McGowan. The Brazilian Sound. Temple University Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Choro: A Social History Of A Brazilian Popular Music (Profiles in Popular Music). Indiana University Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Choro: A Social History Of A Brazilian Popular Music (Profiles in Popular Music). Indiana University Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

1955-, Lara Silvia Hunold, and Pacheco Gustavo, eds. Memória do jongo: As gravações históricas de Stanley J. Stein, Vassouras, 1949. [Campinas, Brazil]: CECULT, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

1955-, Lara Silvia Hunold, and Pacheco Gustavo, eds. Memória do jongo: As gravações históricas de Stanley J. Stein, Vassouras, 1949. [Campinas, Brazil]: CECULT, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Vianna, Hermano. Mystery of Samba: Popular Music and National Identity in Brazil. University of North Carolina Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Vianna, Hermano. The Mystery of Samba: Popular Music and National Identity in Brazil. University of the West Indies Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Cocos: Alegria e devoção. Natal: Editora da UFRN, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Mestiço, Associação Brasil, ed. Quilombo São José. [Brazil]: Associação Brasil Mestiço, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Mestiço, Associação Brasil, ed. Quilombo São José. [Brazil]: Associação Brasil Mestiço, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Goldschmitt, K. E. Bossa Mundo. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190923525.001.0001.

Full text

Abstract:

Bossa Mundo chronicles how Brazilian music has been central to Brazil’s national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music’s international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This book fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries. With subject matter as varied as jazz, film music, dance fads, DJ/remix culture, and new models of musical distribution, the book demonstrates how the mediation of Brazilian music in an increasingly crowded transnational marketplace has had lasting consequences for the creative output celebrated by Brazil as part of its national brand. Through a discussion of the political meaning of mass-mediated music in chronologically organized chapters, the book shifts the scholarly focus on the music’s transnational popularity from the scholarly framework of representing Otherness to broader considerations of a media environment where listeners and intermediaries often have differing priorities. The book provides a new model for studying music from culturally rich countries in the Global South where local governments often leverage stereotypes in their national branding project.

APA, Harvard, Vancouver, ISO, and other styles

26

Loveless, Megwen. Between the Folds of Luiz Gonzaga’s Sanfona. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037207.003.0014.

Full text

Abstract:

This chapter focuses on the fascinating life story of the Brazilian accordionist Luiz Gonzaga, while examining Brazil's national musical and political context that allowed this extraordinary musician to come forth as the creator of a new accordion-driven music and dance genre called forró. With his “unwieldy” instrument in his hands, the bohemian Gonzaga shaped a quintessentially Brazilian music—one that, unlike the urban samba and the cosmopolitan bossa nova, stands for the rural roots of the nation. Part of Gonzaga's success was due to his ability to create a credible onstage persona, to portray a “country bumpkin” identity with a unique performance style and musical accent—the accordion undoubtedly underlined his hinterlandishness. His creativity and originality made him into one of Brazil's most successful recording artists.

APA, Harvard, Vancouver, ISO, and other styles

27

Silva, Maria Patrícia. Pesquisas sobre Currículos e Culturas: tensões, movimentos e criações. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-87836-56-0.

Full text

Abstract:

The book Research on Curricula and Cultures: tensions, movements and creations, organized by Marlucy Alves Paraíso and Maria Patrícia Silva, it consists of 17 chapters, one of which is an interesting work by a Canadian scholar who investigates state anti-feminism. The other chapters bring results from 16 researches developed by researchers from the Study and Research Group on Curricula and Cultures (GECC), created and coordinated by Marlucy Alves Paraíso, which has researchers from several Brazilian universities and states. The articles in the book combine the post-critical perspectives used to investigate curricula and cultures in their different nuances, addressing silences, power relations, modes of subjectivation and the movements that prevent their fixity. The book brings research results that discuss the possibilities of creating possibilities at school and in other cultural spaces that also have curricula and develop pedagogies, such as: cyberspace, city, health care programs, teacher training programs, educational policies, etc. In addition, curricula are investigated with emphasis on different practices and aspects: childhood, art, music, dance, gender, sexuality, ethnicity, corporality, politics, with research that also innovates methodologically when operating with openings, experiments, do-it-yourself and compositions in different ways. to research curricula without rigidity, although with the necessary rigor in academic research. O livro reconhece de diferentes modos as possibilidades de conexões entre currículos e culturas, e mostra movimentos capazes de operar transgressões apostando em uma cultura porvir.

APA, Harvard, Vancouver, ISO, and other styles

28

Díaz, Juan Diego. Africanness in Action. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197549551.001.0001.

Full text

Abstract:

This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians’ African roots.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!