Relevant bibliographies by topics / Brazilian fiction Naturalism in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Brazilian fiction Naturalism in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Brazilian fiction Naturalism in literature"

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McElrath, Joseph R., and John J. Conder. "Naturalism in American Fiction: The Classic Phase." American Literature 57, no. 4 (December 1985): 681. http://dx.doi.org/10.2307/2926380.

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James T. Farrell. "Some Observations on Naturalism, So Called, in Fiction." Antioch Review 74, no. 3 (2016): 528. http://dx.doi.org/10.7723/antiochreview.74.3.0528.

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Bueno, Eva Paulino. "Brazilian Naturalism and the Politics of Origin." MLN 107, no. 2 (March 1992): 363. http://dx.doi.org/10.2307/2904744.

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Garramuño, Florencia. "La opacidad de lo real." Aletria: Revista de Estudos de Literatura 18, no. 2 (December 31, 2008): 199–214. http://dx.doi.org/10.17851/2317-2096.18.2.199-214.

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Resumo: Este trabalho investiga as possibilidades de uma literatura que trabalha com “restos do real”, analisando práticas de escrita experimentadas desde os anos 1970, na Argentina e no Brasil.Palavras-chave: poesia brasileira; ficção brasileira; ficção argentina.Abstract: This paper examines the possibilities of a literature that works with the “remains of the real”, analyzing experimental literary practices since the 1970s in Argentina and Brazil.Keywords: Brazilian poetry; Brazilian fiction; Argentinean fiction.
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Haberly, David T., and Robert E. DiAntonio. "Brazilian Fiction: Aspects and Evolution of the Contemporary Narrative." Hispanic Review 58, no. 4 (1990): 552. http://dx.doi.org/10.2307/473681.

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Neimneh, Shadi Saleh. "POSTCOLONIAL ARABIC FICTION REVISITED: NATURALISM AND EXISTENTIALISM IN GHASSAN KANAFANI’S MEN IN THE SUN." Indonesian Journal of Applied Linguistics 7, no. 2 (September 30, 2017): 238. http://dx.doi.org/10.17509/ijal.v7i2.8356.

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This article looks into the postcolonial Arabic narrative of Ghassan Kanafani to examine its underplayed existential and naturalistic aspects. Postcolonial texts (and their exegeses) deal with the effects of colonization/imperialism. They are expected to be political and are judged accordingly. Drawing on Kanafani’s Men in the Sun (1963), I argue that the intersection among existentialism and naturalism, on the one hand, and postcolonialism, on the other, intensifies the political relevance of the latter theory and better establishes the politically committed nature of Kanafani’s fiction of resistance. In the novella, the sun and the desert are a pivotal existential symbol juxtaposed against the despicable life led by three Palestinian refugees. The gruesome death we encounter testifies to the absurdity of life after attempts at self-definition through making choices. The gritty existence characteristic of Kanafani's work makes his representation of the lives of alienated characters more accurate and more visceral. Kanafani uses philosophical and sociological theories to augment the political nature of his protest fiction, one acting within postcolonial parameters of dispossession to object to different forms of imperialism and diaspora. Therefore, this article explores how global critical frameworks (naturalism and existentialism) enrich the localized contexts essential to any study of postcolonial literature and equally move the traditional national allegory of Kanafani to a more realist/unidealistic level of political indictment against oppression.
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Schøllhammer. "The Predicament of Contemporary Brazilian Fiction and its Spatiotemporal Modalities." Portuguese Studies 37, no. 1 (2021): 75. http://dx.doi.org/10.5699/portstudies.37.1.0075.

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Lajolo, Marisa. "The Role of Orality in the Seduction of the Brazilian Reader: A National Challenge for Brazilian Writers of Fiction." Poetics Today 15, no. 4 (1994): 553. http://dx.doi.org/10.2307/1773100.

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Paulino Bueno, Eva. "Brazilian Fiction: Aspects and Evolution of the Contemporary Narrative de Robert E. DiAntonio." Revista Iberoamericana 56, no. 151 (June 2, 1990): 604–6. http://dx.doi.org/10.5195/reviberoamer.1990.4744.

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Jacobowitz, Seth. "A BITTER BREW: COFFEE AND LABOR IN JAPANESE BRAZILIAN IMMIGRANT LITERATURE." Estudos Japoneses, no. 41 (June 13, 2019): 13–30. http://dx.doi.org/10.11606/issn.2447-7125.v0i41p13-30.

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Transoceanic passage brought nearly 189,000 immigrants from Japan to Brazil between 1908 and 1941. They were often geographically isolated in Japanese “colonies” as coffee plantation workers and thus able to maintain their Japanese linguistic and cultural identity. A new imagined community coalesced in the several Japanese-language immigrant newspapers that also published locally produced serial fiction. This paper reads two representative works by Sugi Takeo, pen name of Takei Makoto (1909-2011), who was a prolific contributor of original content to the Burajiru Jihô newspaper. In the short stories, “Kafé-en o uru” (Selling the coffee plantation, 1933) and “Tera Roshya” (Terra rossa, 1937), it is the moonshine sellers who see steady profits from every race and type of immigrant laborer while the Japanese newcomers who naively dream of riches by bringing coffee to market reap only a bitter brew of poverty for their efforts.
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Dissertations / Theses on the topic "Brazilian fiction Naturalism in literature"

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Souza, Ariane Carvalho. "Presença do naturalismo francês no romance epistolar "O marido da adúltera", de Lúcio de Mendonça /." Assis [s.n.], 2012. http://hdl.handle.net/11449/94054.

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Orientador: Daniela Mantarro Callipo
Banca: Marcos Antonio de Moraes
Banca: Ana Maria Carlos
Resumo: No romance epistolar O marido da adúltera, publicado em 1882 pelo escritor e jornalista Lúcio de Mendonça, encontram-se traços marcantes e inequívocos da estética naturalista desenvolvida, sobretudo, por Émile Zola. Neste trabalho, pretende-se verificar de que modo o idealizador da Academia Brasileira de Letras recebeu as ideias do Naturalismo e as inseriu em sua obra, verificando o processo de adaptação executado pelo autor brasileiro, que soube dialogar com a estética naturalista em voga na época, aplicando muitos de seus princípios, discordando de alguns deles. Cabe observar, igualmente, o fato de que Lúcio de Mendonça optou pelo romance epistolar, gênero pouco utilizado no Brasil do século XIX, mas fundamental para a construção desta obra. Esta pesquisa visa, portanto, analisar de que maneira o autor de O marido da adúltera utilizou-se do naturalismo francês para criar um romance epistolar brasileiro, publicado, originalmente, no periódico O Colombo, em forma de folhetim; característica, aliás, que se conserva no momento da publicação do romance em livro, em 1882
Abstract: On the epistolary novel The adulterer's husband, published in 1882 by the writer and journalist Lúcio de Mendonça, it‟s found distinctive features and unequivocal from the naturalist theory developed, especially, by Émile Zola. In the present paper, it‟s intended to verify what way the creator from the Brazilian Academy of Letters received the ideas of Naturalism and put them into his work, checking the adaptation process performed by the Brazilian author, who knew how to dialog with the naturalist aesthetics in common use that time, enforcing lots of his principles, disagreeing with some of them. It must be noted, equally, the fact that Lúcio de Mendonça chose the epistolary novel, a not very used gender in Brazil in XIX century, but something fundamental to this work to be made. Therefore, this research aims to analyze what way The adulterer's husband's author used the French naturalism to create the Brazilian epistolary novel, published, at first, by Colombo journal, as a soap opera; characteristics that, by the way, are preserved at the book‟s publishing moment, in 1882
Mestre
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Mendes, Leonardo Pinto. "O retrato do Imperador : negociação e sexualidade no romance naturalista brasileiro /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Souza, Ariane Carvalho [UNESP]. "Presença do naturalismo francês no romance epistolar O marido da adúltera, de Lúcio de Mendonça." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/94054.

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Made available in DSpace on 2014-06-11T19:26:52Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-12-05Bitstream added on 2014-06-13T18:30:46Z : No. of bitstreams: 1 souza_ac_me_assis.pdf: 1174886 bytes, checksum: 71ccb3bc9aca9694db8e3c26d9bde717 (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
No romance epistolar O marido da adúltera, publicado em 1882 pelo escritor e jornalista Lúcio de Mendonça, encontram-se traços marcantes e inequívocos da estética naturalista desenvolvida, sobretudo, por Émile Zola. Neste trabalho, pretende-se verificar de que modo o idealizador da Academia Brasileira de Letras recebeu as ideias do Naturalismo e as inseriu em sua obra, verificando o processo de adaptação executado pelo autor brasileiro, que soube dialogar com a estética naturalista em voga na época, aplicando muitos de seus princípios, discordando de alguns deles. Cabe observar, igualmente, o fato de que Lúcio de Mendonça optou pelo romance epistolar, gênero pouco utilizado no Brasil do século XIX, mas fundamental para a construção desta obra. Esta pesquisa visa, portanto, analisar de que maneira o autor de O marido da adúltera utilizou-se do naturalismo francês para criar um romance epistolar brasileiro, publicado, originalmente, no periódico O Colombo, em forma de folhetim; característica, aliás, que se conserva no momento da publicação do romance em livro, em 1882
On the epistolary novel The adulterer’s husband, published in 1882 by the writer and journalist Lúcio de Mendonça, it‟s found distinctive features and unequivocal from the naturalist theory developed, especially, by Émile Zola. In the present paper, it‟s intended to verify what way the creator from the Brazilian Academy of Letters received the ideas of Naturalism and put them into his work, checking the adaptation process performed by the Brazilian author, who knew how to dialog with the naturalist aesthetics in common use that time, enforcing lots of his principles, disagreeing with some of them. It must be noted, equally, the fact that Lúcio de Mendonça chose the epistolary novel, a not very used gender in Brazil in XIX century, but something fundamental to this work to be made. Therefore, this research aims to analyze what way The adulterer’s husband’s author used the French naturalism to create the Brazilian epistolary novel, published, at first, by Colombo journal, as a soap opera; characteristics that, by the way, are preserved at the book‟s publishing moment, in 1882
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Rosso, Ana. "Female sexuality in French naturalism and realism, and British new woman fiction, 1850-1900." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/14126.

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The Victorian need to compartmentalise and define women’s sexuality in terms of opposing binaries was paralleled by the vague idea that the period’s French and British literatures were at odds with one another. Elucidating the deep connections between, and common concerns shared by, French Naturalist and Realist and British New Woman authors, this thesis shatters the dichotomies that attempted to structure and define women’s sexuality in the mid- to late- nineteenth century. The thesis focusses on novels and short stories by French authors Émile Zola and Guy de Maupassant, and New Woman authors Sarah Grand, Ménie Muriel Dowie and Vernon Lee. In a time during which the feminist movement was gaining momentum, and female sexuality was placed at the heart of a range of discourses, and scrutinised from a number of different angles – not only in literature, but in medicine, psychology, sexology, criminology – the consideration of the female sexual self and her subjectivity brings together the work of authors whose oeuvres have been largely considered as antithetical. Previous work has indeed shown the centrality of female sexuality to both literatures, yet never compared them. This thesis rediscovers the significance of both literatures’ investment in a discourse revolving around female sexuality by contrasting the French male authors with the British female writers, and uncovering unexpected parallels in their claims about the contemporary situation of women. Simone de Beauvoir’s Le Deuxième Sexe’s feminist philosophy frames the thesis’s comparative analysis, questioning and re-examining these authors’ representations of female sexuality. The ideas of sensuality and rationality, motherhood, reproduction, marriage, and prostitution thus become recurring concerns throughout it. The thesis’s first chapter considers the female as sexual subject and/or object of the male gaze, in a range of New Woman and French literature. The second and third chapters are organised around the themes of marriage and prostitution, and the final chapter considers issues of female sexuality within the fantastic short story.
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Littlejohn, Amonte. "HOPEFUL HOSTILITY:AN ANALYSIS OF THE EVOLUTION OF AMERICAN NATURALISM." Cleveland State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=csu1313609535.

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JESUS, RICARDO JOSÉ HOFSTETTER DE. "BRAZILIAN FICTION LITERATURE WRITERS AND READERS: MISMATCH, DIVERGENT INTERESTS OR MARKET PROBLEM?" PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25565@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Causa estranheza que as listas de livros de ficção mais vendidos no Brasil, publicadas em jornais e revistas nos últimos anos, sejam frequentadas quase que exclusivamente por autores estrangeiros, especialmente quando observamos que a situação não se repete nas listas de livros de não-ficção: nestas, autores brasileiros são maioria. Onde se encontra a explicação para este fenômeno? Será que os autores nacionais de ficção, com suas histórias e formas narrativas, não conseguem despertar o interesse dos leitores brasileiros como fazem os autores de não-ficção? Ou o problema se encontra nas editoras, que preferem investir em livros com sucesso já testado em outros países? E os leitores: por que preferem a ficção estrangeira? Pesquisa como esta daria um romance policial. E deu...
Causes strangeness that best-selling fiction books lists published in Brazilian newspapers and magazines in the last years are almost exclusively frequented by foreign authors, especially when we observe that the situation doesnt repeat at the lists of no-fiction books. What explains this phenomenon? Will it be that national authors of fiction, with its histories and narrative forms, dont gather Brazilian readers interest, as non-fiction authors does? Or the problem lies on publishers, that prefers to invest in books with success already tested in other countries? And the readers: why do they prefer foreign fiction instead of national? This research intends to analyze the situation and to look for answers to all those subjects. I could write a novel with a research like this. And I did…
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Stanley, Rachael Anne. "‘A clear-sighted, sickly literature’ : the legacies of naturalism in twentieth- and twenty-first-century British fiction." Thesis, University of Nottingham, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.716367.

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This thesis examines the legacies of literary naturalism in twentieth- and twenty- first-century British fiction. My work aims to look beyond the reductive summation of naturalism as an offshoot of realism, to demonstrate that the innovative developments in the construction of narrative and the reassessments of novelistic subject-matter often associated with modernism and postmodernism can actually be traced back to naturalism. My extended introduction discusses the dialogues that have effaced the relevance of naturalism to British literature and seeks to provide a working definition of the genre that can account for the paradoxical definitions offered by naturalism’s founder, Emile Zola. I go on to delineate the characteristics particular to naturalism and argue that the genre opens up new methods for experimentation that have been vital to the development of British literature during the past hundred years. My work attends to a survey of twentieth-century writing and comprises three extended single-author case studies. Each study matches a generic feature of naturalism to a text or texts — James Joyce’s Dubliners with the notion of naturalist entropy, George Orwell’s Burmese Days and Keep the Aspidistra Flying with naturalism’s tendency to create paranoid narratives, J.G. Ballard’s The Atrocity Exhibition and Crash with the naturalist gaze — to draw out the diverse ways that these writers have used naturalist principles as means for portraying their cultures. I conclude by examining how naturalism’s legacy has endured into the twenty-first century, observing how the fiction of Ian McEwan negotiates an engagement with the genre by returning to its interest in evolutionary biology. The key finding of my research is that British writers have turned to naturalism as providing the best means for problematizing the notion of endings and of looking at the world like a naturalist in order to access ‘truth’.
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MAGDALENO, RENATA FERNANDES. "IN THE COUNTRY OF FICTION: TRAVEL AND NARRATIVE IN BRAZILIAN AND ARGENTINE CONTEMPORARY LITERATURE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17825@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
Os relatos de viagem marcaram a história da América Latina e, consequentemente, a literatura e os escritores da região. A presente pesquisa procura pensar se a viagem continua sendo um tema recorrente na literatura contemporânea produzida no local. Nesses relatos o deslocamento veloz e a mobilidade constante são traços pertinentes, que alguns teóricos consideram como marcas da contemporaneidade. Tais características afetariam de forma diferente os escritores latino-americanos e seus escritos, já acostumados a um ponto de vista periférico, a ter como referência outras culturas? Ainda é possível detectar resquícios e heranças da tradição dos relatos de viagem na produção contemporânea? Para pensar esta questão, quatro diários de viagem ficcionalizados foram selecionados, de escritores argentinos e brasileiros: Una luna, de Martín Caparrós; Nove noites, de Bernardo Carvalho; Mis dos mundos, de Sergio Chejfec, e Lorde, de João Gilberto Noll. Todos os textos tratam de autoficções, em que o protagonista, com as mesmas características do autor do livro, cruza fronteiras em uma viagem a trabalho. Assim como os escritos dos navegantes e muitos dos relatos de viagem que marcaram a região, há um outro que estimula e pauta aquele deslocamento. A construção de uma figura de escritor, o lugar ou a forma de inserção encontrados pelo autor latino-americano no mundo contemporâneo são alguns temas recorrentes dessas narrativas.
The travel texts are a mark for the history of Latin America, and, consequently, the literature and the writers from there. This work analyses if the travel still a recurring theme in contemporary latin america literature. In this narratives the displacement and the mobility are relevant characteristics, that some thinkers consider as a brand of the contemporanity. The latin american writers feel it in a diferent way? It is still possible to detected remnants and legacies of the tradition of travel accounts in contemporary production? To think about that, four fictionalized travel diaries were analyses, from brazilian and argentine writers: Una luna, from Martín Caparrós; Nove noites, from Bernardo Carvalho; Mis dos mundos, from Sergio Chejfec, and Lorde, from João Gilberto Noll. In all of them the character seems like the author of the book, and go to other countries in a work travel. Like many travel texts that marks the latin america, there is an other that estimulate the displacement. The construction of a writer figure, the place of the latin america writer in the contemporary world are some recurring themes of those narratives.
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Pettersson, Bo. "The world according to Kurt Vonnegut moral paradox and narrative form /." Åbo [Finland] : Åbo Akademi University Press, 1994. http://books.google.com/books?id=lXlbAAAAMAAJ.

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Lang, Robert J. "McCarthy's God : determining a worldview from Cormac McCarthy's fiction." Honors in the Major Thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1283.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Humanities
English
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Books on the topic "Brazilian fiction Naturalism in literature"

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Resisting boundaries: The subject of naturalism in Brazil. New York: Garland Pub., 1995.

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Bulhões, Marcelo Magalhães. Leituras do desejo: O erotismo no romance naturalista brasileiro. São Paulo: EDUSP, 2003.

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O retrato do Imperador: Negociação, sexualidade e romance naturalista no Brasil. Porto Alegre: EDIPUCRS, 2000.

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Sodré, Nelson Werneck. O naturalismo no Brasil. 2nd ed. Belo Horizonte: Oficina de Livros, 1992.

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Mitchell, Lee Clark. Determined fictions: American literary naturalism. New York: Columbia University Press, 1989.

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The femme fatale in American naturalism. Amherst, NY: Cambria Press, 2008.

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Resisting regionalism: Gender and naturalism in American fiction, 1885-1915. Athens: Ohio University Press, 1997.

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American literary naturalism: Recent and uncollected essays. Bethesda [Md.]: Academica Press, 2002.

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Filho, Juarez Moreira. Mangaratiba: Peões, boiadas, tropas & bruacas. 4th ed. Goiânia, GO: Gráfica e Editora Bandeirante, 2009.

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Women, compulsion, modernity: The moment of American naturalism. Chicago: University of Chicago, 2004.

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Book chapters on the topic "Brazilian fiction Naturalism in literature"

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Dalcastagnè, Regina. "Brazilian Contemporary Fiction and the Representation of Poverty." In Literature and Ethics in Contemporary Brazil, 15–44. New York: Routledge, 2016. | Series: Routledge studies in comparative literature; 4: Routledge, 2017. http://dx.doi.org/10.4324/9781315386386-3.

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"BRAZILIAN LITERATURE AND THE MARKET." In Affect and Realism in Contemporary Brazilian Fiction, 61–70. Anthem Press, 2020. http://dx.doi.org/10.2307/j.ctv1brr958.7.

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"Nature and Naturalism in Steinbeck’s Labor Fiction." In Nature, Class, and New Deal Literature, 161–82. Routledge, 2011. http://dx.doi.org/10.4324/9780203803226-17.

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Daniel, Mary L. "Brazilian fiction from 1800 to 1855." In The Cambridge History of Latin American Literature, 127–36. Cambridge University Press, 1996. http://dx.doi.org/10.1017/chol9780521410359.008.

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Daniel, Mary L. "Brazilian fiction from 1900 to 1945." In The Cambridge History of Latin American Literature, 157–88. Cambridge University Press, 1996. http://dx.doi.org/10.1017/chol9780521410359.010.

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"THE CONTEMPORARY IN CURRENT BRAZILIAN LITERATURE." In Affect and Realism in Contemporary Brazilian Fiction, 1–24. Anthem Press, 2020. http://dx.doi.org/10.2307/j.ctv1brr958.4.

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"Sonia Coutinho’s Short Fiction:." In Gender, Discourse, and Desire in Twentieth-Century Brazilian Women's Literature, 93–112. Purdue University Press, 2004. http://dx.doi.org/10.2307/j.ctt6wq4tx.9.

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Bines, Rosana Kohl. "Samuel Rawet’s Wandering Jew: Jewish-Brazilian Monologues of Home and Displacement." In Jews at Home, 217–40. Liverpool University Press, 2010. http://dx.doi.org/10.3828/liverpool/9781904113461.003.0008.

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This chapter discusses the wandering Jew motif outside its usual European centre in an analysis of Samuel Rawet's fiction of home and displacement in Brazil. In the tales written by this Brazilian Jewish writer, one can distinctly hear the struggle between incompatible ideas of ‘home’ and ‘away’, of ‘mother tongue’ and ‘foreign tongue’, of ‘Brazilianness’ and ‘Jewishness’. The diaspora experience is never a happy celebration of deracination or an exercise in the freedom of unattachment. There is little room for mystification here. Hence, this chapter seeks to argue that his literature is a restless testimony to the risks of imagining home in a language not one's own.
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Pinho, Davi. "From Julia Kristeva to Paulo Mendes Campos: Impossible Conversations with Virginia Woolf." In The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature, 96–114. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448475.003.0006.

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This chapter discusses the concept of the name ‘Virginia Woolf’ as a ‘signature’. While Julia Kristeva uses Woolf's name in About Chinese Women as a signature for the summation of depression and suicide, Brazilian cronista Paulo Mendes Campos's lyrical review of Virginia Woolf's Orlando presents the name as a signature that gestures towards interminable movements of life and makes fiction an element of permanent novelty. In this sense, Campos finds contemporaneity with Woolf, thus momentarily escaping the limiting reality of his own place in time. Campos’s essay ends with the word ‘life’. Even when death is at the heart of a sentence (‘I can’t go on’), life is its final word. The task of this chapter is to bring Kristeva and Campos into coexistence with Woolf’s final philosophy, as presented in Woolf’s autobiographical essay ‘A sketch of the past’, and also to make Kristeva and Campos our contemporaries in an undulant conversation about writing and life, not death – for it is interesting that conversation implies coexistence in its etymological roots: -con (with) -versari (to turn), which together form the Latin verb conversare, to turn round and round and round, and its deponent conversari, to live with, dwell together.
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