Relevant bibliographies by topics / Brazilian Lithography

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Academic literature on the topic 'Brazilian Lithography'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Brazilian Lithography"

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Santos de Araújo, Flavia. "Rosana Paulino and the Art of Refazimento: Reconfigurations of the Black Female Body in the Land of Racial Democracy." Brasiliana: Journal for Brazilian Studies 8, no. 1-2 (2019): 63–90. http://dx.doi.org/10.25160/bjbs.v8i1-2.114869.

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 This essay analyzes the historical and aesthetic significance of the visual art project Assentamento(s) (2012-2013) by Rosana Paulino. Her work re- inscribes the black female body into the historical narrative of Brazil, complicating long-established notions of “Brazilianness”. By using art techniques and materials that combine lithography, digital printing, drawing, sewing, video, and sculpting, Paulino develops a multi-layered artistic assembly that she describes as a process of refazimento (“remaking”). Paulino pushes the boundaries of the historical archives, highlight
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Levine, Robert M. "Faces of Brazilian Slavery: The Cartes de Visite of Christiano Júnior." Americas 47, no. 2 (1990): 127–59. http://dx.doi.org/10.2307/1007369.

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Photographs probably expanded more horizons and redefined more ways of knowing the world than any other product of nineteenth-century technology. The first daguerreotypes appeared in the Western Hemisphere merely months after the triumphal announcement of Daguerre's process by the French Academy in 1839. In the next three decades, millions of photographic images were produced. Three distinct categories predominated: studio portraits, scenic views for collectors and, after the early 1850s, photographic images transferred to woodcuts and, later, lithographs for publication as line sketches in il
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Meneses, Patricia D. "Negotiating Empathy." Latin American and Latinx Visual Culture 6, no. 4 (2024): 28–44. http://dx.doi.org/10.1525/lavc.2024.6.4.28.

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This article proposes an ecocritical reading of two lithographs by Italian Brazilian artist Angelo Agostini to shed light on the tensions between the abolitionist movement and the animal rights movement in Brazilian visual culture. This question is never discussed in scholarship about nineteenth-century Brazil. Moreover, studies on the history of animal rights in the country focus on the republican period, when the first associations and laws for the protection of animals were created. This article, conversely, reconstructs the history of a seldom-remembered Society for the Protection of Anima
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Slenes, Robert W. "African Abrahams, Lucretias and Men of Sorrows: Allegory and Allusion in the Brazilian Anti-slavery Lithographs (1827-1835) of Johann Moritz Rugendas." Slavery & Abolition 23, no. 2 (2002): 147–68. http://dx.doi.org/10.1080/714005238.

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Koledov, V. V., V. G. Shavrov, S. V. von Gratovsky, et al. "Fundamentals of the mechanical assembling “bottom-up” of individual nanoobjects and nanodevices for the investgations of the quantum non-local phenomena, nanoelectronics and biomedical diagnostics." Journal of Radio Electronics 2020, no. 12 (2020). http://dx.doi.org/10.30898/1684-1719.2020.12.18.

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In this work we give an overview of researches, conducted in the framework of the project RFBR-BRICS, together with groups from Brazil, Russia, India, China and South Africa on the development of new technology nanoassembly «bottom-up» various devices for nanoelectronics, nanosensors, biomedicine and basic research based on the use of new functional materials with phase transitions and new physical effects. The Russian group carried out work on improving the nanomanipulation system based on nanotweezers made of Ti2NiCu alloy with shape memory effect. A new design of the control system is propo
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Roca, Andrea. ""Imagens construtoras de nação: Rugendas e seus desenhos sobre indígenas no Brasil e na Argentina"." ILUMINURAS 18, no. 43 (2017). http://dx.doi.org/10.22456/1984-1191.72875.

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Este trabalho identifica e analisa as imagens ‘nacionalizadas’ sobre os índios dos atuais territórios brasileiros e argentinos, a partir de dois conjuntos iconográficos elaborados pelo artista-viajante alemão Johann Moritz Rugendas em ambos os países: as 16 litografias sobre os indígenas reunidas no seu álbum Viagem Pitoresca através do Brasil e as 25 ilustrações vinculadas ao poema La Cautiva, do escritor romântico argentino Esteban Echeverría. Comparando ambos os conjuntos, demonstro que os contextos e as redes sociais do artista lhe deram a oportunidade de ‘ver’ o que ‘se podia’ pintar. A a
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Books on the topic "Brazilian Lithography"

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editor, Marinho Beth, Campos Pompéia, and Rutman Jacques editor, eds. Joao Câmara: Litografias. J.J. Carol Editora, 2015.

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Pedrosa, Patrícia. Maria Bonomi com a gravura: Do neio como fim ao meio como princípio. Rio Books, 2021.

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Santos, Délio Freire dos, 1923-, ed. Cabrião: Semanário humorístico editado por Angelo Agostini, Américo de Campos e Antônio Manoel dos Reis, 1866-1867. 2nd ed. Editora UNESP, 2000.

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editor, Laudanna Mayra, ed. Marcello Grassmann. SESI-SP Editora, 2013.

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(Professor), Tavares André, and Kühl Paulo M, eds. Marcello Grassmann. Editora UNICAMP, 2010.

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Salles, Instituto Moreira, ed. Marcello Grassmann: Desenhos. Instituto Moreira Salles, 2005.

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Godoy, Ana, writer of added text, Molino, Denis Donizeti Bruza, writer of added text, Kossovicth, Leon, 1942-, writer of added text, Grassmann Marcelo 1925-2013, and Nucleo Marcello Grassmann, eds. Marcello Grassmann: Livro dos afetos. Nucleo Marcello Grassmann, 2019.

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