Relevant bibliographies by topics / Brazilian Panel painting

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Academic literature on the topic 'Brazilian Panel painting'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Brazilian Panel painting"

1

Páscoa, Luciana Viana Barros. "ÚLTIMOS DIAS DE CARLOS GOMES, DE DOMENICO DE ANGELIS E GIOVANNI CAPRANESI: UMA ABORDAGEM ICONOGRÁFICA-MUSICAL." Arteriais - Revista do Programa de Pós-Gradução em Artes, no. 12 (May 20, 2022): 76. http://dx.doi.org/10.18542/arteriais.v0i12.12678.

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ResumoO presente artigo aborda a pintura acadêmica histórica Últimos dias de Carlos Gomes (1899), de Domenico de Angelis e Giovanni Capranesi. Esta obra de aspecto narrativo apresenta personagens reais num ambiente ficcional e alegórico, representa o momento da morte do compositor, rodeado por vinte e duas figuras masculinas que são identificadas como personagens históricos, tais como jornalistas, músicos, políticos, militares, um representante da Igreja e os próprios artistas que assinam a obra e se autorretratam. Na composição pictórica, além do retrato de Carlos Gomes, observam-se mais três
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2

Neto, Alda H. "‘Brazilians’1 houses’: an example of nostalgia and a proposal of touristic empowerment." Tourism and Hospitality Research 16, no. 3 (2016): 294–307. http://dx.doi.org/10.1177/1467358415602956.

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On the second half of the 19th century, Portuguese emigration to Brazil was a major historical and sociological phenomenon. After an arduous path, the Portuguese returned and became part of the political, economical, social and artistic lives of their hometowns, causing a change on the architectural landscape in the north of the country. These emigrants built houses that became hugely important as social buildings; they represented the way in which each one of them inserted himself in the community that saw him leave. The taste printed by each one of the emigrants in their houses made them a l
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3

Motta, Gustavo. "A TEMPORALIDADE MESSIÂNICA DE TRAMA (ANTONIO DIAS, 1977)*." Palíndromo 5, no. 9 (2013). http://dx.doi.org/10.5965/2175234605092013227.

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RESUMO Trama, de Antonio Dias, é uma coleção de xilogravuras, exposta, aludindo à série The Illustration of Art (1972-77), como um painel semi-retangular que se apresenta em lapso. As estampas expõem estruturas gráficas retomadas às pinturas “diagramadas” realizadas pelo artista entre 1968-71. Em cada estampa há diferentes proposições escritas, formando uma série de “plantas baixas”, propositoras de “monumentos” geométricos – calcados na participatividade da arte ambiental de H. Oiticica, e… impossíveis de serem realizados. Proposições de ação futura ou descrições do espaço experimentado? Ao c
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4

Denise, Levy, and J. Khoury Helen. "The Nuclear Energy Museum in Brazil: Creative Solutions to Transform Science Education into Meaningful Learning." November 3, 2016. https://doi.org/10.5281/zenodo.1128185.

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Nuclear technology is a controversial issue among a great share of the Brazilian population. Misinformation and common wrong beliefs confuse public’s perceptions and the scientific community is expected to offer a wider perspective on the benefits and risks resulting from ionizing radiation in everyday life. Attentive to the need of new approaches between science and society, the Nuclear Energy Museum, in northeast Brazil, is an initiative created to communicate the growing impact of the beneficial applications of nuclear technology in medicine, industry, agriculture and electric power g
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Books on the topic "Brazilian Panel painting"

1

Guignard, Alberto da Veiga, 1896-1962, Mourão Gerardo Mello, RIOARTE (Organization), and Fundação Nacional Pró-Memória (Brazil), eds. A Olinda de Guignard na casa de Barros Carvalho. RIOARTE, 1985.

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Emília, Mattos Maria, ed. Milagres: Os ex-votos de Angra dos Reis. Casa da Palavra, 2001.

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