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Books on the topic 'Brazilian References'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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1

García-Cantera, José. Brazilian bank reference guide: December 1994. [New York]: Salomon Brothers, 1995.

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2

Jones, Victoria. Consumer response to models as reference group symbols in Brazilian advertising. [São Paulo, Brazil]: Escola de Administração de Empresas de São Paulo, Fundação Getulio Vargas, Núcleo de Pesquisas e Publicações, 2001.

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3

Reisler, Darin. Move-a-day BJJ: A daily Brazilian jiu-jitsu desktop reference. West Hartford, Conn: D. Reisler, 2011.

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4

Simões, Antônio R. M. Pois não: Brazilian Portuguese course for Spanish speakers, with basic reference grammar. Austin: University of Texas Press, 2008.

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5

Simões, Antônio R. M. Pois não: Brazilian Portuguese course for Spanish speakers, with basic reference grammar. Austin: University of Texas Press, 2008.

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6

Lemos, Cláudia De. Ser and estar in Brazilian Portuguese: With particular reference to child language acquisition. Tübingen: G. Narr, 1987.

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7

Chamberlain, Bobby J. Portuguese language and Luso-Brazilian literature: An annotated guide to selected reference works. New York, N.Y: Modern Language Association of America, 1989.

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8

Lindsey, Shawn. The Afro-Brazilian organization directory: A reference guide to Black organizations in Brazil. Parkland, Fla: Universal Publishers, 1999.

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9

Furley, Peter A. Land development in the Brazilian Amazon with particular reference to Rondonia and the Ouro Preto colonization project. Edinburgh: University of Edinburgh Department of Geography, 1987.

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10

Dave, Treece, and Hyland Paul, eds. The Babel guide to the fiction of Portugal, Brazil & Africa in English translation. London: Boulevard, 1995.

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11

Lainer, Rüdiger, Sabina Riss, Dieter Spath, and R. Kohoutek. Brazilian Conditions: Complex and Simple. Springer, 2006.

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12

1949-, Lainer Rüdiger, Riss Sabina 1971-, Spath Dieter, and Kohoutek Rudolf 1941-, eds. Brazilian conditions: Complex and simple : Integrated Design Studio. Wien: Springer, 2006.

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13

Carpenedo, Manoela. Becoming Jewish, Believing in Jesus. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190086923.001.0001.

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This book investigates a growing religious movement fusing beliefs and rituals deriving from Charismatic Evangelicalism and Judaism. Unlike analogous phenomena found in the West, such as Messianic Judaism (where Jewish-born people identify as believers in Jesus) or Christian Zionism (Evangelicals who emphasize the role of the Jews living in Israel by embracing Zionist activism), it addresses a different dimension of this trend emerging from the Global South. Based on an ethnography conducted during 2013–2015 within a religious community in Brazil, this book explains why former Charismatic Evangelicals (with no Jewish background) are adopting Jewish tenets and lifestyles. Focusing particularly on women’s conversion narratives, it investigates the reasons why Brazilian Charismatic Evangelicals are embracing rules derived from Orthodox Judaism, such as strict dress codes, eating kosher food, and observing menstrual taboos, while believing in Jesus as the Messiah. The analysis indicates that Judaizing Evangelical communities should be understood as a revival seeking to restore Christianity. The incorporation of Jewish elements aims to rebuild the authenticity of Christianity while distinguishing them from Charismatic Evangelicalism and its perceived scriptural inaccuracy, moral permissiveness, and materialism. This revival also involves recovering a collective past. References to a hidden Jewish heritage and a “return” to Judaism are mobilized for justifying strict adherence to Jewish practices. Drawing upon a sociocultural analysis, this study examines the historical, theological, religious, and subjective reasons behind this emerging Judaizing trend in Charismatic Evangelicalism. This book also engages with the literature of religious conversion, cultural change, and debates examining religious hybridization processes.
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14

Barros, Sulivan Charles. Carnaval e cidade – usos e apropriações de espaços urbanos: Recife e Olinda em perspectiva. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-277-3.

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Carnival is one of the most important manifestations of Brazilian culture. On festival days, the carnival locus is occupied by antagonistic social actors, producing a unique image of the sensitive movements that the city experiences throughout the year and that end up in the unequal processes of power and space - one of the multiple readings that the carnival phenomenon offers. Understanding this complex moment of polyphonies and polysemias requires a review of its historical development process, aiming at a broader understanding of how it was (and continues to be) forged as an entirely Brazilian social fact, an element that makes up a part of the nation's identity formation. In this direction, the city becomes a privileged place for carnival production based on evocation of memory, symbolizing the idea of public spaces to be activated and reconstructed. In order to build an articulation between past, present and future, commercial investments have been integrating multiple strategies in the search to dynamize old uses of urban space, associated with contemporary forms of carnival consumption. In this sense, this research proposes to analyze the relationship between carnival and the city from the uses and appropriations of public spaces and that will present the cities of Recife and Olinda as an empirical reference.
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15

Ferreira, Aline Santos. Universitários Negros: Um desafio diário de permanência. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-87836-95-9.

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The objective of this research is to present the factors that enabled black students to continue their studies in Centro de Formação de Professores (CFP) at Universidade Federal do Recôncavo da Bahia (UFRB). We discuss issues such as the deciding factors for those black students insertion in UFRB. What were the conditions so that those students could keep themselves in higher education? Our analytical delimitation was the existing interface between subject and their sense of belonging, which relates itself to the multiple implications in identity construction and their sense of belonging, widened to the African descendants struggle in academic space. This issue made it possible to confirm that the association between black people and university students will not remain unnoticed among ethno-racial relations and academic institutions, once along the centuries the relation established between university and those students was one between the researcher and the study object, creating this way a link between their life trajectories and their African descendants conditions inside the institutions, making it clear the existence of social, cultural and economic factors towards the perception of themselves as African descendants in the Brazilian society. This is, for those reasons, a qualitative exploratory research, using as techniques for data gathering and analysis the broader reference of life histories that also includes testimonials, interviews, biographies and autobiographies.
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16

Abreu, Andrea Vicente Toledo. Cinema e Memória em Cataguases: de Humberto Mauro ao Polo Audiovisual. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-307-7.

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This work articulates empirical and theoretical elements in the understanding of relational and intergenerational experiences of knowledge construction having as reference the tradition of studies that analyze the links between cinema and education. It was important to understand how a historical tradition of learning by and for cinema was configured in Cataguases / MG. The Cinema Cycle in Cataguases (1920s) had a significant impact on the constitution of the original bases of Brazilian cinema not only because it instituted a certain way of making cinema, but also because it created ways to bring together people from different origins, interests and perspectives around creation and dissemination of cinematographic works. Thus, it was possible to identify and analyze possible connections between experiences, memories and ways of transmitting knowledge generated by these people and the contemporary creation (2010) of an audiovisual production pole in the same city. The study sought to understand the structure of this Pole which took up the story of filmmaker Humberto Mauro to consolidate itself as a cultural experience; how the people who were / are in front of it seek the past to refer to a powerful cinema present; what were the conditions of possibility that caused the cinema to reappear in Cataguases almost 100 years later; and why there are concerns at the Pole in an attempt to build relationships with the school. The cataguasenses are heirs of the knowledge built in a process whose internal convergence is given by the cinema and continues configuring new knowledge and new ways of producing it.
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17

Ferreira, Maria Helena Alves, Alice de Mello, and Elayne Oliveira Silva. Passeios a pé em Belo Horizonte: Um ciclo formativo aos guias de turismo. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-340-4.

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A city that arose already modern, welcoming, and rich in experiences, affectionately called "Belô" or "Beagá" by some of its most intimate citizens. Every tourist easily feels welcomed in Belo Horizonte, a city that was planned to be the capital of Minas Gerais – with tree-lined streets and alleys that breathe art, stories, and charm. Despite being a Metropolis and home to approximately 2,600,000 (two million six hundred thousand) inhabitants, it still keeps secrets as a country town valuing its origins, which means not refusing a delicious coffee with "pão de queijo" (Brazilian cheese bread), and some chitchat in its squares and gardens. The best way to get to know and experience a city as a whole is to walk through it and experience its daily life, thus, connecting with the city and people. Walking around the city makes you notice details that you may have never noticed before. In this work, we present “UAI a PÉ” tours through Belo Horizonte, so that you can be familiar with and experience each one of them. Itineraries that will make you even more enchanted by our beautiful capital. Walk freely through the “Belo Horizonte Cultural: Circuito Liberdade” amid gardens and many stories and tales. Walk around the streets of the downtown, enjoying our “Belo Horizonte Urbana: Visual Arts,” which is an opportunity to experience our Urban Art that is a worldwide reference. Have a conversation at “Praça da Estação Circuito Cultural”, the gateway to our city since its foundation – many stories are kept in museums and mansions there. “Cultura e Política Mineira”, which is an itinerary from Praça da Assembeia (Assembly Square) to Praça da Estação (Station Square), to understand our history and culture. Fresh breeze and sunset in the beautiful “Pampulha: Patrimônio da Humanidade” (cultural heritage of humanity) where modernism is present in every detail of this picturesque place.
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18

Pontiero, Giovanni, Dave Treece, Ray Keenoy, Caroline Shaw, Marina Coriolano-Lykourezos, Maria-Amelia Dalsenter, Maria-Manuela Lisboa, et al. The Babel Guide to the Fiction of Portugal, Brazil & Africa in English Translation (Babel Guides to Literature in English Translation). Boulevard, 2002.

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