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Books on the topic 'Brazilian writers'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Literary passion, ideological commitment: Toward a legacy of Afro-Cuban and Afro-Brazilian women writers. Bucknell University Press, 2008.

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2

Fernando, Lobo. À mesa do Vilariño. Editora Record, 1991.

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3

Fernando, Lobo. A mesa do Vilariño. Editora Record, 1991.

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4

Baden, Nancy T. The muffled cries: The writer and literature in authoritarian Brazil, 1964-1985. University Press of America, 1999.

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5

Studies in the literary achievement of João Guimarães Rosa, the foremost Brazilian writer of the twentieth century. Edwin Mellen Press, 2011.

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6

Ferrari, Patricio, and Pizarro Jer©đnimo. Fernando Pessoa as English reader and writer. Tagus Press at UMass Dartmouth, 2015.

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7

Mônica, Rector, ed. Brazilian writers. Thomson Gale, 2005.

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8

Rector, Monica. Brazilian Writers. Thomson Gale, 2004.

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9

Mônica, Rector, ed. Brazilian writers. Thomson Gale, 2004.

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10

Wasserman, Renata R. Mautner. Central at the Margin: Five Brazilian Women Writers. Rowman & Littlefield Publishers, Incorporated, 2007.

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11

Central at the Margin: Five Brazilian Women Writers. Bucknell University Press, 2007.

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12

Sesselberg, Martha F. In Amazon Land:: Adaptations from Brazilian Writers, with Original Selections. Athena Books, 2004.

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13

Enfim--nós: Escritoras negras brasileiras contemporâneas = Finally--us : contemporary Black Brazilian women writers. Three Continents Press, 1995.

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14

Alves, Miriam, and Carolyn Richardson Durham. Enfim...Nos = Finally...Us: Escritoras Negras Brasileiras Contemporaneas = Contemporary Black Brazilian Women Writers (Three Continents Press). Three Continents Press, 1995.

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15

Enfim...Nos/Finally...Us: Escritoras Negras Brasileiras Contemporaneas/Contemporary Black Brazilian Women Writers (Three Continents Press). Three Continents Press, 1995.

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16

Autores: Histórias da teledramaturgia. Editora Globo, 2008.

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17

Lilian, Arruda, Torres Mariana Campello, Frias, Ana Cristina Figueiredo de., and Projeto Memória das Organizações Globo (Brazil), eds. Autores: Histórias da teledramaturgia. Editora Globo, 2008.

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18

Lilian, Arruda, Torres Mariana Campello, Frias, Ana Cristina Figueiredo de., and Projeto Memória das Organizações Globo (Brazil), eds. Autores: Histórias da teledramaturgia. Editora Globo, 2008.

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19

1934-, Graham Richard, ed. Machado de Assis: Reflections on a Brazilian master writer. University of Texas Press, 1999.

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20

Graham, Richard. Machado de Assis: Reflections on a Brazilian Master Writer (ILAS Critical Reflections on Latin America Series). University of Texas Press, 1999.

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21

Graham, Richard. Machado de Assis: Reflections on a Brazilian Master Writer (ILAS Critical Reflections on Latin America Series). University of Texas Press, 1999.

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22

Sharp, Daniel B. “I Go Against the Grain of Your Memory”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0004.

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This chapter charts the artistic trajectory of northeastern Brazilian poet, singer, writer, playwright and actor José Paes de Lira, known as Lirinha, situating his experiments as a long-standing attempt to reject and revise the regional folklorism within which audiences and critics often received his performances. The chapter examines Lirinha’s work, both as the visionary behind the nationally acclaimed group Cordel do Fogo Encantado (1998–2010) and in his subsequent musical and theatrical efforts. It also traces Lirinha’s turn away from folklorism as a reaction against narratives of “cultural

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23

Domínguez, Virginia R., and Jane C. Desmond, eds. Ana Mauad on Bán and Ellis. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040832.003.0023.

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This essay asks whether the world could be (or could become) its own imagined community in the 21st century. Thinking with and through Benedict Anderson’s Imagined Communities, Mauad contemplates Anderson’s shift from defining the “nation” from a political perspective to defining it in cultural and symbolic ways, and uses that to examine both Ban’s essay and Ellis’ essay in the book Global Perspectives on the United States. Mauad is interested in the large gap that has opened up between the kinds of global emphasis one sees nowadays and the relatively established “new American intra- and conti

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24

Oliveira, José Claudio Alves de, Ana Helena da Silva Delfino Duarte, Fabiano Lopes de Paula, Genivalda Cândido da Silva, and Gilson Magno dos Santos. Ex-votos do Brasil: Arte e folkcomunicação. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-221-6.

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The present work, published in 2016, comes from the Ex-Voto do Brasil Project, developed from 2005 to 2011, and sponsored by CNPq. It aimed at researching and analyzing ex-votos at the main Brazilian chapels of miracles, churches and museums in order to study the typology, iconography, iconology, grammar, discourse, social memory and multiple forms that, as testimonies or media, ex-votos carry messages and information from individual and collective issues. In this second revised edition, there are six narratives authored by researchers from Bahia, Goiás and Minas Gerais. They analyze ex-votos

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25

O'Shea, Janet. Risk, Failure, Play. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190871536.001.0001.

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Decried as mere brutality on display and celebrated as viscerally real, combat sport has escaped nuanced reflection. Risk, Failure, Play addresses this gap, signaling the many ways in which competitive martial arts differentiate themselves from violence through risk-based play. Despite its association with frivolity and ease, play is not the opposite of danger, rigor, or failure. Indeed, Risk, Failure, Play demonstrates the ways in which physical recreation allows us to manage the complexities of our current social reality. This book suggests that play gives us the ability to manage difficult

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26

Paiva, Wilson Alves de. A Fontana de Lutécia: Contos Virais. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-566-8.

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A fictional book with five short stories that address the main pandemics in the world. The first story takes place in Ancient Greece, in 428 BC at the time of the Peloponnesian War. Tavros, the main character flees the plague by traveling to Gaul and discovers a mysterious water spring near the village of the Parisii. In AD 166, when Rome, is devasted by the plague, Marcus Aurelius sends out soldiers to the North. One of them, Lucius, arrives in the region of Lutecia and finds the same fountain that Tavros had been to. The water from this spring gives him strength to escape from the persecutio

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27

Narradores de Jave: Roteiro, 17a Vers~ao (Colec~ao Aplauso Cinema Brasil). Cultura Fundac~ao Padre Anchieta, 2004.

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