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Journal articles on the topic 'Brazilian writers'

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1

Foster, David William, Monica Rector, and Fred M. Clark. "Brazilian Writers." Chasqui 35, no. 2 (2006): 136. http://dx.doi.org/10.2307/29742106.

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Félix, Regina R., and Renata Mautner Wasserman. "Central at the Margin: Five Brazilian Women Writers." Revista de Crítica Literaria Latinoamericana 33, no. 66 (2007): 336. http://dx.doi.org/10.2307/25485846.

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Afolabi, Niyi. "Beyond the Curtains: Unveiling Afro-Brazilian Women Writers." Research in African Literatures 32, no. 4 (2001): 117–35. http://dx.doi.org/10.2979/ral.2001.32.4.117.

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Afolabi, Niyi. "Beyond the Curtains: Unveiling Afro-Brazilian Women Writers." Research in African Literatures 32, no. 4 (2001): 117–35. http://dx.doi.org/10.1353/ral.2001.0084.

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Rinhaug, Aino. "Embodied voices: embedding contemporary Afro-Brazilian women writers." African and Black Diaspora: An International Journal 5, no. 2 (2012): 163–78. http://dx.doi.org/10.1080/17528631.2012.695219.

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Reimão, Sandra. "Trends on Brazilian book market – fiction best sellers by Brazilian writers (2000-2009)." Matrizes 5, no. 1 (2011): 194. http://dx.doi.org/10.11606/issn.1982-8160.v5i1p194-210.

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Fitz, Earl E. "EÇA, MACHADO, AND WORLD LITERATURE." Revista de Estudos Literários 6 (December 27, 2017): 359–68. http://dx.doi.org/10.14195/2183-847x_6_16.

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This essay discusses Machado and Eça in the context of “World Literature,” the advent of which is of great importance for the promotion of Luso-Brazilian writers on the global stage. It emphasizes that Luso-Brazilianists have many outstanding writers to offer this new approach to Goethe’s old idea of Weltliteratur. This study argues that, by working with Portuguese language texts, scholars of Portuguese and Brazilian literature must work harder and more strategically than most to gain for these writers the exposure and international respect that they deserve. This essay highlights prominent Po
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Avila, Myriam. "BEYOND THE WORLD REPUBLIC OF LETTERS." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 71, no. 2 (2018): 165–73. http://dx.doi.org/10.5007/2175-8026.2018v71n2p165.

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This paper draws on a research focused on Brazilian literary life in the first half of the 20th century. Taking up the idea that Brazilian culture and Brazilian literature must be approached as a language in itself, it aims to contribute to throw light upon the crucial decades in which Europe’s influence as trendsetter begins to fade. A survey of letters sent from abroad by Brazilian writers to their colleagues in that period will show how displacement influenced their views on literature and life and the depth of their dependence on keeping up dialogue with home-staying literary friends. Most
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Rodrigues, João Paulo Coelho de Souza. "Diplomacia cultural y circulación literaria: dos escritores brasileños en Buenos Aires entre los centenarios." Catedral Tomada. Revista de crítica literaria latinoamericana 6, no. 11 (2019): 74–101. http://dx.doi.org/10.5195/ct/2018.336.

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This paper analyses the travels of two writers, Paulo Barreto (1915) and Julia Lopes de Almeida (1922), to Argentina in the context of the cultural diplomacy developed by Buenos Aires and Rio de Janeiro newspapers, trying to understand the possible impact they had in the penetration of Brazilian literature in Argentine reviews and magazines. The article focuses the press and these writers rhetoric about journalism, and their travels, and discusses the role played by Buenos Aires market for readers to the formation of the Brazilian literary field.
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Guerini, Andréia, and Ingrid Bignardi. "Leopardi nas Crónicas Jornalísticas Brasileiras de 1881 a 1916." Cadernos de Literatura Comparada, no. 44 (2021): 135–51. http://dx.doi.org/10.21747/2183-2242/cad44a8.

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The crônica is a literary genre that became widespread in Brazilian newspapers and magazines pages in the 19th century. These short pieces were responsible for the circulation and insertion of foreign writers in the Brazilian cultural system, such as the Italian writer Giacomo Leopardi (1798-1837). The present article analyses, based on Cultural Translation Theory (Burke/Hsia 2009), how Leopardi was represented in Brazilian crônicas published between the end of the 19th century and the first half of the 20th century, specifically from 1881 to 1916, and available at the Brazilian Digital Newspa
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De Souza Sutter, Luana. "Serendipitous Encounters with Texts: Errantry and Decentralization in Ana Maria Gonçalves’s Um Defeito de Cor (2006)." Brasiliana: Journal for Brazilian Studies 8, no. 1-2 (2019): 190–208. http://dx.doi.org/10.25160/bjbs.v8i1-2.114783.

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 Since the turn of the century, several Afro-Brazilian writers have taken to engage critically with Brazil’s colonial past and the absence of Afro-Brazilian voices in historical and literary discourses. Ana Maria Gonçalves’s 2006 published novel Um Defeito de Cor is a paradigmatic example of this emerging corpus as it recuperates the history of the Malê Revolt in Salvador (1835) and envisions the life of its leading figure, Luísa Mahin. This article looks into the representation of hegemonic spaces of centre and periphery in Um Defeito de Cor and the intertextual relatio
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Ramos, Donald. "Community, Control and Acculturation: A Case Study of Slavery in Eighteenth Century Brazil." Americas 42, no. 4 (1986): 419–51. http://dx.doi.org/10.2307/1007059.

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Interest in the nature of Brazilian slavery has increased dramatically during the last ten years. In part this interest has been stimulated by the desire of North American social scientists to examine what was initially viewed to be the striking differences between patterns of race relations and slavery as they developed in the United States and Brazil. Among Brazilians the interest in slavery is older, beginning as an aspect of the larger evolution of cultural nationalism which sought to demonstrate the unique nature of the Brazilian solution to a multiracial society. Among both North America
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Chidester, Phil, John R. Baldwin, and Joseph P. Zompetti. "Protesto diário: uma análise singela por meio de narrativas de três forasteiros informados." Comunicação & Sociedade 39, no. 3 (2017): 131. http://dx.doi.org/10.15603/2175-7755/cs.v39n3p131-160.

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Although both research and real historical events attest to the power of social media in facilitating social change, recent writers challenge the effectiveness of such media, at least in isolation of other communicative efforts at change. Here, we present three narratives, as outsiders to the current Brazilian social and economic situation, of interactions in Brazil and with Brazilians about social reform efforts in their own country. We hope that these naïve reflections will lead to future discussions of effective everyday efforts at social change.
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Ramos, Leonardo Recski. "[NO TITLE AVAILABLE]." Trabalhos em Linguística Aplicada 44, no. 1 (2005): 19–35. http://dx.doi.org/10.1590/s0103-18132005000100003.

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This article uses computer learner corpora to compare the variety and frequency of some modal expressions in the writing of university-level EFL students and native speakers. Even though the prime focal point of the investigation is Brazilian EFL writers, the author recurrently relies on comparisons with Spanish and Czech EFL writers in an effort to determine whether certain characteristics of Brazilian EFL writing are likely to stem from mother tongue interference, or are, by and large, shared by EFL writers of different language settings. The study is based on four 33,000-word sub-corpora an
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Reis, Eliana Lourenço de Lima. "Descentrando a crítica: a literatura das minorias." Estudos Germânicos 9, no. 1 (1988): 22. http://dx.doi.org/10.17851/0101-837x.9.1.22-29.

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Partindo do conceito de "literatura menor" de Deleuze e Guattari, este trabalho procura mostrar como a literatura e a crítica são encaradas por autores pertencentes ao Terceiro Mundo e a grupos minoritários dentro dos grandes centros. Ao comparar as opiniões do martiniquense Edouard Glissant e do crítico negro americano Henry Louis Gates Jr. com as idéias de autores brasileiros contemporâneos, podemos perceber como, embora originários de culturas diversas, estes autores se aproximam em seus pontos de vista, principalmente na defesa do direito à diferença. Writers and critics of the Third World
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Wang, Siwei. "Transcontinental Revolutionary Imagination: Literary Translation between China and Brazil (1952–1964)." Cambridge Journal of Postcolonial Literary Inquiry 6, no. 1 (2019): 70–98. http://dx.doi.org/10.1017/pli.2018.35.

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This paper investigates the literary translation between China and Brazil from 1952, when Jorge Amado visited China for the first time, to 1964, when the Brazilian military government detained and expelled Chinese diplomats after the coup d’état. It is mainly focused on Chinese and Brazilian writers who traveled between the two countries, and the role they played in literary translation as part of the hot battles in the cultural Cold War. I will show how important literary translation, assisted by writers’ lectures and travel writing, were in the construction of a revolutionary China and Brazi
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Lajolo, Marisa. "The Role of Orality in the Seduction of the Brazilian Reader: A National Challenge for Brazilian Writers of Fiction." Poetics Today 15, no. 4 (1994): 553. http://dx.doi.org/10.2307/1773100.

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Rossotto Ioris, Rafael. "Which America? Brazilian intellectual formulations about Latin America at the turn of the century and their impacts on the constructions of national identity." Revista História: Debates e Tendências 16, no. 2 (2017): 426. http://dx.doi.org/10.5335/hdtv.16n.2.6928.

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At the turn of the 20th century, with the coming of a new political regime in the country, Brazilians intellectuals actively engaged in a creative reflection about the historical relation of their nation with its surrounding Spanish-speaking neighbors. And although no unified view was to emerge, as a whole these works and ensuing debates offered an opportunity for these publicly engaged writers to reinsert, under a new yet still largely critical light, the regional context into much needed discussions on national identity and associated national projects. How this new dynamic operated and how
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Rebechi, Rozane, and Stella Tagnin. "Brazilian cultural markers in translation: A model for a corpus-based glossary." Research in Corpus Linguistics 8 (2020): 65–85. http://dx.doi.org/10.32714/ricl.08.01.05.

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Translations in the Brazilian culinary domain are often characterized by the use of inaccurate equivalents, a lack of fluency, and adaptations that lead to a mischaracterization of cultural references. This is due to a lack of reliable reference materials in that area which usually only offer a translation, without any context or explanation. To address these issues, this paper draws upon a corpus-informed methodology to devise a three-level entry – term/equivalent, appositive explanation and encyclopedic information – for Brazilian cooking terms in a Portuguese-English glossary aimed at trans
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Bade, David. "Imaginary Travels in Post- Socialist Mongolia." Inner ASIA 15, no. 1 (2013): 135–64. http://dx.doi.org/10.1163/22105018-90000059.

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Until recently, when the Mongols have appeared in the world’s literature, they have usually appeared in the persons of chinggis Khaan or Khubilai, or as ‘Mongolian hordes’. Some recent writings are unlike earlier works of the twentieth century, regardless of the political orientation and situation of the writers. In this paper I examine three works published between 1992 and 2003 that exemplify radically different instances of that difference: Mongolski bedeker by Serbian novelist Svetislav Basara; Paměť mojí babičce by czech author Petra Hůlová; and Mongólia by the Brazilian writer Bernardo c
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Carmona, Ronaldo G. "The strategic planning of the National Power: a vision from the National Defense." Revista de Estudos e Pesquisas Avançadas do Terceiro Setor 2, no. 2 (2019): 153. http://dx.doi.org/10.31501/repats.v2i2.10721.

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The key elements of national power is a recurring theme in the debate on international relations, appearing in classical writers such as Morgenthau and Kenneth Walt. In Brazil, the theme of the elements of National Power was formulated mainly within the scope of the Brazilian War College (ESG). The following text seeks, firstly, to introduce the reader into the planning system structured by the Brazilian State as of the 1930 Revolution. Next, he specifically addresses the geopolitical contribution to this debate for a third and last part, to discuss the evolution of Brazilian Defense policies
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22

Saint-Loubert, Laëtitia. "Variable Frames: Women Translating Cuban and (Afro-) Brazilian Women Writers for the French Literary Market." Mutatis Mutandis. Revista Latinoamericana de Traducción 13, no. 2 (2020): 401–20. http://dx.doi.org/10.17533/udea.mut.v13n2a10.

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This article seeks to examine how contemporary works of fiction and non-fiction by women from Cuba and Brazil are translated and marketed for Francophone readers. It will focus on Wendy Guer­ra’s novels, translated into French by Marianne Millon, and on contemporary Brazilian (non) fic­tion translated into French by Paula Anacaona, the head of Anacaona Éditions, a publishing outlet specialized in Brazilian literature for Francophone readers. The contribution will start with a brief presentation of the French publishing sector and some of the recurring patterns observed in what is often labeled
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23

SILVA, MAURÍCIO. "O "Grande Mundo": mundanismo e sociabilidade na literatura academicista brasileira durante o Pré-Modernismo * "The Big World": worldliness and sociability in academic brazilian literature during Pre-Modernism." História e Cultura 3, no. 1 (2014): 204. http://dx.doi.org/10.18223/hiscult.v3i1.1194.

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<p><strong>Resumo:</strong> O presente artigo analisa o contexto cultural do Pré-Modernismo brasileiro, destacando alguns aspectos estéticos e literários da Literatura Brasileira. Além disso, este artigo analisa as possíveis relações entre autores Pré-Modernistas e a Academia Brasileira de Letras, durante a passagem do século XIX para o XX.</p><p><strong>Palavras-chave:</strong> Pré-Modernismo – Literatura Brasileira – Mundanismo – Historiografia Literária.</p><p> </p><p><strong>Abstract:</strong> The present article
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24

Vidal, Diana, and José Cláudio Sooma Silva. "Interpreters of the past and of the present: the art of historians of education and archivists." History of Education in Latin America - HistELA 3 (May 19, 2020): e20951. http://dx.doi.org/10.21680/2596-0113.2020v3n0id20951.

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Interpreting former times is not the sole province of historians. It is a constitutive act of the arts performed by writers, exhibition curators, docufilm directors, film writers and scenographers, re-enactors. But not only, it is also an element of the practice of historians of education and archivists, of people who throughout their lives collect records, of the exercise of patrimonial education on the part of teachers and of the organizers of school museums. Framing the discussion on the craft of historians of education and archivists, we structured the article into two parts. The first par
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Ginzburg, Jaime. "Cegueira e Literatura." Aletria: Revista de Estudos de Literatura 10 (December 31, 2003): 53–64. http://dx.doi.org/10.17851/2317-2096.10.0.53-64.

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Resumo: Este artigo procura examinar a cegueira, em perspectiva estética e epistemológica, como um campo em que, na literatura brasileira, é elaborada uma reflexão sobre a problemática da constituição do sujeito. A leitura, considerando ideias de Theodor W Adorno, parte de uma escultura de Cildo Meire les para se deter em dois escritores, Paulo Mendes Campos e Lara de Lemos.Palavras-chave: cegueira; sujeito; literatura brasileira.Abstract: This article tries to examine blindness, in an aesthetic and epistemological perspective, as an imagetic field, where are developed reflections referring to
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Ginzburg, Jaime. "Cegueira e Literatura." Aletria: Revista de Estudos de Literatura 11 (December 31, 2003): 53. http://dx.doi.org/10.17851/2317-2096.11.0.53-64.

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Resumo: Este artigo procura examinar a cegueira, em perspectiva estética e epistemológica, como um campo em que, na literatura brasileira, é elaborada uma reflexão sobre a problemática da constituição do sujeito. A leitura, considerando ideias de Theodor W Adorno, parte de uma escultura de Cildo Meire les para se deter em dois escritores, Paulo Mendes Campos e Lara de Lemos.Palavras-chave: cegueira; sujeito; literatura brasileira.Abstract: This article tries to examine blindness, in an aesthetic and epistemological perspective, as an imagetic field, where are developed reflections referring to
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Goulart, Larissa. "Register variation in L1 and L2 student writing." Register Studies 3, no. 1 (2021): 115–43. http://dx.doi.org/10.1075/rs.20012.gou.

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Abstract While there have been many studies describing L2 academic writing, most of these studies have used corpora of first year or assessment writing (Crosthwaite 2016; Weigle & Friginal 2014). The present study seeks to describe linguistic variation in L2 writing for content classes and to compare these linguistic patterns to those found in L1 writing. A multi-dimensional (MD) analysis was conducted in two corpora, BAWE and BrAWE, extracting five dimensions. The L2 corpus contained 379 texts written by Brazilian students doing part of their undergrad in the UK and the L1 corpus containe
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Miranda, José Américo. "Joaquim Norberto de Souza Silva: palestra brasileira." Aletria: Revista de Estudos de Literatura 13, no. 1 (2005): 33–58. http://dx.doi.org/10.17851/2317-2096.13.1.33-58.

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Resumo: O texto aqui apresentado, preparado para publicação por José Américo Miranda, é obra de um dos mais operosos literatos do Romantismo brasileiro: Joaquim Norberto de Sousa Silva. Mais conhecido por sua crítica literária e sua contribuição à história da literatura brasileira, assim como por seus estudos biográficos e pelas edições que preparou dos poetas árcades e românticos brasileiros, Joaquim Norberto foi também historiador, poeta e teatrólogo. Nesta “Palestra Brasileira”, que publicou nas páginas da Revista Popular, no primeiro semestre de 1862, sob o pseudônimo de Fluviano, o autor
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Hollanda, Diogo de. "Considerações Sobre o Olhar no Jornalismo Literário." Cadernos de Literatura Comparada, no. 44 (2021): 111–18. http://dx.doi.org/10.21747/2183-2242/cad44a6.

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This article aims to analyze a recurring aspect in books that explore the boundaries of journalism and literature. It is a double gesture regarding the look. A gesture that, in different ways, values the narrator's gaze (“What I saw, nobody could see”), but at the same time recognizes its limitations. This simultaneous declaration of potency and insufficiency can be observed in a wide spectrum of authors from the most diverse origins, but here I propose to examine it in three Latin American writers: the Brazilian Eliane Brum and the Argentine Leila Guerriero and Selva Almada.
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Siqueira, Samanta Vitória, and Karina De Castilhos Lucena. "Aquela que diz não à sombra: biografia e obra da escritora martinicana Françoise Ega / The One Who Denies Her Shadow: Life and Work of the Martinican Writer Françoise Ega." Caligrama: Revista de Estudos Românicos 25, no. 3 (2020): 57. http://dx.doi.org/10.17851/2238-3824.25.3.57-75.

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Resumo: Este artigo apresenta a biografia e as obras da escritora, empregada doméstica e militante social martinicana Françoise Ega (1920-1976) buscando dar visibilidade para sua trajetória de vida e para suas publicações ainda pouco conhecidas nos círculos acadêmicos e literários brasileiros. Primeiramente, apresentamos a biografia da autora com foco em seus deslocamentos e atuação política. Depois, comentamos brevemente suas obras Le temps de madras (1966), Lettres à une noire (1978) e L’Alizé ne soufflait plus (2000), relacionando-as com a vida da autora e com a sociedade martinicana. Por f
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Lorenz, Karl M. "School hygiene and eugenics: the role of physical education in regenerating the “brazilian race”." Revista HISTEDBR On-line 9, no. 35 (2012): 19. http://dx.doi.org/10.20396/rho.v9i35.8639611.

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From 1870 to 1930, physicians, writers, anthropologists and educators discussed therelationship between education and the less-privileged segments of the Brazilianpopulation. Among ideas circulating in the late nineteenth century were precepts of SchoolHygiene, such as physical exercise could promote personal health and, in a broader sense,the total development of the child. In discussions of eugenic themes in the early decades ofthe twentieth century, Physical Education was further promoted as a corrective measure forthe negative effects of miscegenation; that is, the physical, intellectual a
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Schröder, Ulrike. "Metaphorical blends and their function in discourse on society." Cognitive Linguistic Studies 2, no. 1 (2015): 50–78. http://dx.doi.org/10.1075/cogls.2.1.03sch.

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This article examines two corpora composed of four discourse genres — oral interviews, written interviews, newspaper articles, and non-fiction books — to explore the ways in which ‘society’ is discussed metaphorically in current German and Brazilian discourse. It discusses culture-specific ‘mixed metaphors’ (Lakoff & Johnson 1980) which can be seen as ‘metaphorical scenarios’ (Musolff 2004) or ‘integration networks’ (Fauconnier & Turner 2002, 2008). The results reveal that the Brazilian metaphors tend to incorporate the idea that SOCIETY AS A PERSON has didactic and poetic functions to
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Freitas, Marcus Vinicius. "O escritor e seu ofício: em busca da Teoria da Literatura." Aletria: Revista de Estudos de Literatura 20, no. 2 (2010): 183–98. http://dx.doi.org/10.17851/2317-2096.20.2.183-198.

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Resumo: O presente artigo constitui a formulação das hipóteses e das linhas de análise de uma pesquisa sobre os elementos de teoria da literatura constantes das reflexões de diversos escritores da literatura brasileira sobre o ofício de escritor. O corpus da pesquisa inclui tanto poetas quanto prosadores de ficção, num arco temporal que vai do século XIX à contemporaneidade, com vista ao levantamento de reflexões e posições autorais sobre temas que se agrupam em dois campos, correspondentes à poesia e à prosa de ficção, respectivamente: a) inspiração poética, uso de formas fixas e ritmos, vers
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Ferreira, Rafael Rodrigo. "O Jornalismo de Sylvio Floreal em A Coragem de Amar: Texto, Contexto e Pretextos." Cadernos de Literatura Comparada, no. 44 (2021): 209–26. http://dx.doi.org/10.21747/2183-2242/cad44a12.

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The moment referred to as the First Republic (1889-1930) by the brazilian political periodization marked, as is known, in a transversal way the professionalization process of the writers, as well as the literary sphere in general. Journalism, in turn, when making way as an economic instance, making news, often incorporated by literature, an object of consumption, becomes, not without contradictions, one of the most important tools for the autonomous exercise of creative writing. It is from this context that we approach the trajectory of the writer, from Santos, Sylvio Floreal, pseudonym of Dom
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Bignardi, Ingrid, and Andréia Guerini. "“Pontos de vista de uma mulher”: Giacomo Leopardi "traduzido" por Bruna Becherucci n’O Estado de São Paulo / “A Woman’s Points of View”: Giacomo Leopardi "Translated" by Bruna Becherucci in O Estado de São Paulo." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (2019): 13. http://dx.doi.org/10.17851/2358-9787.28.3.13-40.

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Resumo: A presença do escritor italiano Giacomo Leopardi (1798-1837) na imprensa brasileira é constante desde meados do século XIX até os dias atuais. Há um vasto material produzido por escritores, intelectuais e jornalistas, que está “escondido” nas hemerotecas, bibliotecas e acervos físicos e digitais. No rastro desses materiais e com o objetivo de contribuir com o delineamento de uma história da recepção de Leopardi no Brasil, este artigo analisa o conjunto de ensaios sobre Leopardi, publicado no período de 1949 a 1967, na coluna “Pontos de vista de uma mulher”, do jornal O Estado de São Pa
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Roncador, S. "Mautner Wasserman, Renata R. Central at the Margin: Five Brazilian Women Writers. Lewisburg: Bucknell UP, 2007. Index. 214 pp." Luso-Brazilian Review 45, no. 1 (2008): 211–12. http://dx.doi.org/10.1353/lbr.0.0015.

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Martins, Milena Ribeiro. "O livro brasileiro nos anos 1920: aspectos gráficos e atuação dos escritores / The Brazilian Book in the 1920’s: Graphic Aspects and Writers’ Performance." O Eixo e a Roda: Revista de Literatura Brasileira 29, no. 1 (2020): 218. http://dx.doi.org/10.17851/2358-9787.29.1.218-236.

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Resumo: Este artigo analisa textos e paratextos da literatura brasileira da década de 1920 a fim de caracterizá-la como um momento de transformações determinantes para a história do livro brasileiro. Observa-se no período um processo de nacionalização da produção livreira, em consonância com uma progressiva nacionalização da linguagem e dos temas. Com o crescimento significativo do número de editores brasileiros atuando na publicação de literatura, tornaram-se mais estreitos os vínculos entre diferentes agentes do processo de produção, venda e recepção de livros, propiciando, como consequência
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Kukuryk, Agnieszka. "Les motifs de l’eau dans Ludo de Conrad Detrez." Lublin Studies in Modern Languages and Literature 42, no. 3 (2018): 125. http://dx.doi.org/10.17951/lsmll.2018.42.3.125.

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<p>Conrad Detrez is undoubtedly one of Belgium’s most important writers of the 70s of the 20th century. After having translated Brazilian revolutionary authors, he resumed the review of his provincial past, named «hallucinating autobiography». His first autofictional novel Ludo (1974) bring to life his first Belgian years in his native land where the inundation invades everything, the incessant rain causes floods and the river enters the houses. With excellent wit, Detrez’s scalpel-pen dissects characters and situations through which such topics as friendship, everyday marginal life and
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Puñales-Alpízar, Damaris. "sobre Dawn Duke, Literary Passion, Ideological Commitment. Toward a Legacy of Afro-Cuban and Afro-Brazilian Women Writers." Revista Iberoamericana 77, no. 234 (2011): 269–72. http://dx.doi.org/10.5195/reviberoamer.2011.6807.

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Silva, Claudicélio Rodrigues da. "Espelho de Narciso ou de Oxum? A poesia erótica negro-brasileira antologizada." Elyra, no. 16 (2020): 89–105. http://dx.doi.org/10.21747/21828954/ely16a6.

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This article discusses the representation of sexuality and eroticism in the poetry made by black Brazilian writers, having the anthology Pretumel de chama e gozo (2015), organized by Cuti and Akins Kintê, as its subject of study. What’s the point of producing a black erotic writing when the conservative and excludent political environment demands from black activism the fight for racial equality and black people’s insertion in several social instances? Isn’t eroticism in the service of violence and sexual exploitation of black bodies? How is it possible to think about a different kind of eroti
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Camarneiro, Fabio. "Tropical Purgatory: Brazil Through the Lenses of Stefan Zweig and Elizabeth Bishop." Comparative Cinema 9, no. 16 (2021): 75–92. http://dx.doi.org/10.31009/cc.2021.v9.i16.05.

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Writers Stefan Zweig and Elizabeth Bishop both lived in Brazil, although in very different circumstances. Their stories served as basis for two films: Maria Schrader’s Stefan Zweig: Farewell to Europe (Vor der Morgenröte, 2016), and Bruno Barreto’s Reaching for the Moon (Flores raras, 2013). This article aims to describe the differences between these two films, and how they can be connected to Brazilian authors such as Gilberto Freyre and Sérgio Buarque de Holanda, whose works attempt to understand Brazil’s social dynamics from the perspective of its violent colonial past. Furthermore, this ar
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Pinto, Bruna Carolina de Almeida. "Incursões do livro brasileiro: Ribeiro Couto e a diplomacia literária com Portugal e Cabo Verde." O Eixo e a Roda: Revista de Literatura Brasileira 27, no. 1 (2018): 25–40. http://dx.doi.org/10.17851/2358-9787.27.1.25-40.

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Resumo: O diálogo epistolar de Ribeiro Couto com intelectuais brasileiros, portugueses e cabo-verdianos registrado entre os anos de 1920, período de sua mudança para Portugal, a 1963, ano de sua morte, revela a atmosfera de um importante momento da história das relações intelectuais e literárias no âmbito da língua portuguesa. Inserido no Movimento Modernista brasileiro, Couto se posicionou ativamente e na linha de frente da divulgação internacional das “novas” obras nacionalistas produzidas no Brasil a partir dos anos 1920, encarando-a como uma missão pessoal e um projeto complementar ao proc
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McNeil, Rhett. "Just How Marginal Was Machado de Assis? The Early Translations and the Borges Connection." TranscUlturAl: A Journal of Translation and Cultural Studies 5, no. 1-2 (2014): 80. http://dx.doi.org/10.21992/t9kk8f.

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Brazilian literature is traditionally understood to have developed in relative isolation from the literatures of Hispanophone Latin America, inhabiting a peripheral cultural space within the already peripheral sphere of Latin American literature. Perhaps the most striking example of this traditional conception is the commonly held assumption of the complete literary-historical separation of two of Latin America’s most renowned fiction writers: the Brazilian Joaquim Maria Machado de Assis and the Argentine Jorge Luis Borges. Machado de Assis, in particular, is often regarded as inhabiting a dou
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Marinho, Janice Helena Chaves, and Gustavo Ximenes Cunha. "INVESTIGATING THE ROLE OF PRAGMATIC CONNECTIVES IN JOURNALISTIC TEXTUAL GENRES." Linguagem em (Dis)curso 18, no. 3 (2018): 545–63. http://dx.doi.org/10.1590/1982-4017-180306-12717.

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Abstract This paper examines the use of pragmatic connectives in journalistic texts, aiming at understanding issues involved in discourse articulation. The data we are working on is composed by opinion texts and news (written in Brazilian Portuguese) produced by proficient writers and published in a diary newspaper. Based on the Modular Approach to Discourse Analysis, we assume that the study of pragmatic connectives must be integrated in a global model of the complexity of the discourse organization. Thus, we present the description of the relational organization form of these texts, since th
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Bastos, Herzila Maria De Lima. "Aspectos culturais de povos desenvolvidos e subdesenvolvidos como caracterizadores dos seus contatos com línguas estrangeiras: uma correlação possível." Estudos Germânicos 8, no. 2 (1987): 40. http://dx.doi.org/10.17851/0101-837x.8.2.40-44.

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Este trabalho pretende ser uma investigação sociológica, bibliográfica, quanto às características de auto-imagem (identidade) de povos desenvolvidos e subdesenvolvidos no contexto do neocolonialismo ocidental no qual vivemos. Tal trabalho objetiva elucidar determinadas hipóteses de reações diversificadas desses povos frente a línguas estrangeiras, por exemplo, a) brasileiros que carregam para o aprendizado da língua inglesa o seu sentimento de admiração pela cultura americana ou inglesa ou, exatamente por não concordar com seus valores, não aceitam tal aprendizagem; b) americanos e ingleses qu
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Timm, Mateus Robaski. "Conhecendo o passado: relações entre a literatura brasileira contemporânea e a escrita da história." Navegações 11, no. 1 (2018): 57. http://dx.doi.org/10.15448/1983-4276.2018.1.33019.

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A compreensão que a capacidade de aportar conhecimento sobre o passado não é exclusiva dos textos historiográficos proporcionou à literatura um novo estatuto, que lhe assegura pertinência epistemológica para recontar o passado. Neste artigo são analisadas diferentes formas em que o discurso literário configura o tempo histórico. Num primeiro momento, a potencialidade da literatura em rever criticamente os traumas do passado visa mostrar como é necessário que mais escritores se debrucem sobre situações terríveis como a escravidão e a ditadura para que estes traumas sejam passados a limpo. Na se
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Stabile, Lua da Mota. "Sex work abolitionism and hegemonic feminisms: Implications for gender-diverse sex workers and migrants from Brazil." Sociological Review 68, no. 4 (2020): 852–69. http://dx.doi.org/10.1177/0038026120934710.

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This article investigates and analyses the main characteristics and issues involving Western hegemonic feminisms, especially so-called ‘radical feminism’, on the topic of sex work and trafficking in persons/migration, to understand how these discussions have influenced the main conventions, regulations and legislation on this global subject. In particular, it enables understanding of how these regulations invisibilize and, sometimes, criminalize trans* and gender-diverse people in migratory contexts. The contributions to decolonial feminism and transfeminism made by decolonial trans writers ar
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Souza, Roberto Acízelo de. "Francisco de Paula Meneses: discursos de 1848 a 1853." Aletria: Revista de Estudos de Literatura 13, no. 1 (2005): 7–32. http://dx.doi.org/10.17851/2317-2096.13.1.7-32.

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Resumo: Francisco de Paula Meneses (1811-1857), médico e professor de retórica e poética no Colégio Pedro II, foi um dos primeiros mestres a lecionar literatura brasileira, nas décadas de 1840 e 1850. Os discursos ora reproduzidos foram pronunciados por ocasião das solenidades de colação de grau dos bacharéis de 1848 e 1853. No primeiro, defende concepções românticas então na ordem do dia, sobretudo a natureza institucional da literatura e seu vínculo constitutivo com as sociedades nacionais, propondo-se demonstrar genericamente “a influência das letras sobre o estado moral e social de um povo
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Antelo, Raúl. "El terror de la inmunidad: Brasil, años 60 / Inmunity terror: Brazil in the sixties." Kamchatka. Revista de análisis cultural., no. 10 (December 29, 2017): 227. http://dx.doi.org/10.7203/kam.10.10635.

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Resumen: El ensayo busca comprender la relación entre política y cuerpo humano, la así llamada biopolítica, en textos de Lucio Cardoso, Clarice Lispector y otros escritores contemporáneos brasileños, en que se verifica la convergencia de biología y política en un sistema unificado que somete el cuerpo a la violencia directa del orden político. Cuanto más amenazada de ser infectada por elementos extraños se sintió la sociedad brasileña, tanto más los individuos y la sociedad se recluyeron en fronteras protectivas, forzando la elección entre una respuesta auto-destructiva y una alternativa radic
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Hamilton, Norma Diana, and Israel Victor De Melo. "The critical enterprise in translating Black women writers’ authorship: a description on Who slashed Celanire’s throat? and The Women of Tijucopapo." Mutatis Mutandis. Revista Latinoamericana de Traducción 13, no. 2 (2020): 445–67. http://dx.doi.org/10.17533/udea.mut.v13n2a12.

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This paper is focused on the critical enterprise involved in the translation of Black female authorship from Afro-Caribbean and Latin American contexts into the English language. More specifically, it looks at the circumstances of the translation of the fictional narratives Célanire cou-coupé (2000) by the Guadeloupian Maryse Condé and As mulheres de Tijucopapo (1982) by the Brazilian Marilene Felinto, as well as the publications of the versions in English: Who slashed Celanire’s Throat? (2004) and The Wo­men of Tijucopapo (1994), respectively. We take on a cultural perspective within the fiel
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