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Relevant bibliographies by topics / Breakfast at Tiffany's

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Journal articles

Academic literature on the topic 'Breakfast at Tiffany's'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 April 2022

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Journal articles on the topic "Breakfast at Tiffany's"

1

Pugh, Tison. "Capote's Breakfast at Tiffany's." Explicator 61, no. 1 (2002): 51–53. http://dx.doi.org/10.1080/00144940209597753.

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2

Boschetti, Egisto, and Pier Giorgio Righetti. "Breakfast at Tiffany's? Only with a low-abundance proteomic signature!" ELECTROPHORESIS 33, no. 15 (2012): 2228–39. http://dx.doi.org/10.1002/elps.201200003.

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3

Kamysheva, Olga Sergeevna. "Musical metaphors in the story “Breakfast at Tiffany's” by T. Capote." Вестник Шадринского государственного педагогического университета, no. 1 (2021): 110–12. http://dx.doi.org/10.52772/25420291_2021_1_110.

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4

Branco, Sinara De Oliveira, and Mariana Assis Maciel. "A Tradução Intersemiótica na construção da personagem Holly Golithly em Breakfast at Tiffany’s: entre o romance e o cinema." Revista da Anpoll 1, no. 44 (2018): 246–59. http://dx.doi.org/10.18309/anp.v1i44.1140.

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The purpose of this text is to analyze the intersemiotic construction of Holly Golithly in two contexts: the novel and the film Breakfast at Tiffany's (1961). Along the film adaptation, the focus will be on the observation of how people and places influence her behaviour, taking into consideration the relationship between the imagetic and the verbal contexts (word-image relationship). The theoretical framework used is based on the Theory of Adaptation; the Intersemiotic Translation; Subtitling; Image Analysis and Film Narrative. The multimodal corpus compiled involves the selected scenes from

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5

Nayar, Kavita I. "Sam Wasson: Fifth Avenue, 5 a.m.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman." American Journal of Psychoanalysis 71, no. 2 (2011): 174–78. http://dx.doi.org/10.1057/ajp.2011.7.

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6

Amelchenko, Anastasia Andreevna. "The translation of realities in a literary text (based on the story “Breakfast at Tiffany's” by T. Capote)." Вестник Шадринского государственного педагогического университета, no. 2 (2021): 237–39. http://dx.doi.org/10.52772/25420291_2021_2_237.

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7

Neumann Garcia, Rosalia. "THE MIRROR OF SENSIBILITY: STYLE AND TRUMAN CAPOTE IN BREAKFAST AT TIFFANY’S." Cadernos do IL, no. 43 (February 27, 2012): 266–73. http://dx.doi.org/10.22456/2236-6385.25305.

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Em entrevista para The Paris Review, em 1957, o escritor americano Truman Capote revela idéias sobre estilo literário que serão aplicadas em uma de suas obras mais conhecidas, Breakfast at Tiffany’s, de 1958. A precisão e a objetividade utilizadas para escrever essa obra abrem caminho para seu projeto posterior, In Cold Blood, de 1965, onde o estilo jornalístico tem como objetivo revelar da forma mais neutra possível a “verdade” dos fatos. Tiffany’s, ainda, demonstra a habilidade de Capote para a descrição mais exata de seus personagens, ao mesmo tempo em que desvela a cidade de Nova York a pa

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8

이형숙. "The Flaneuse in Postwar Hollywood: A Study on Breakfast at Tiffany’s." Feminist Studies in English Literature 20, no. 2 (2012): 227–51. http://dx.doi.org/10.15796/fsel.2012.20.2.010.

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9

Canavan, Brendan. "Breakfast, lunch and dinner at Tiffany’s: Existentialism and consumption in Capote’s novella." Marketing Theory 18, no. 4 (2018): 571–78. http://dx.doi.org/10.1177/1470593117753982.

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Existentialism has been used within marketing to enrich understanding of consumer motivations and behaviour. Consumption may be used as a means of existential avoidance or facilitator of existential authenticity. However the overlap, mutual support, limitations and nuances of the relationships between existentialism and consumption are underdeveloped. Drawing on the literary tradition of the philosophy, this think piece explores the themes of existentialism and consumption within Truman Capote’s classic fiction. Breakfast at Tiffany’s provides a succinct, engaging and holistic depiction of exi

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10

Krämer, Peter. "The Many Faces of Holly Golightly: Truman Capote, Breakfast at Tiffany‘s and Hollywood." Film Studies 5, no. 1 (2004): 58–65. http://dx.doi.org/10.7227/fs.5.5.

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This essay examines some of the literary and biographical models Truman Capote drew on in the creation of Holly Golightly, the heroine of his 1958 novella Breakfast at Tiffany‘s. Making use of Paramount studio records, the essay also explores the complex process of adapting the story to the big screen. Numerous changes were made so as to transform Capotes story into a romantic comedy, and thus to contain Holly‘s liberated sexuality while also erasing any doubts about the male protagonists heterosexuality. Casting Hepburn as the female lead helped to neutralize Holly‘s sexual transgressiveness,

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