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Journal articles on the topic 'Breakfast at Tiffany's'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 April 2022

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1

Pugh, Tison. "Capote's Breakfast at Tiffany's." Explicator 61, no. 1 (2002): 51–53. http://dx.doi.org/10.1080/00144940209597753.

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2

Boschetti, Egisto, and Pier Giorgio Righetti. "Breakfast at Tiffany's? Only with a low-abundance proteomic signature!" ELECTROPHORESIS 33, no. 15 (2012): 2228–39. http://dx.doi.org/10.1002/elps.201200003.

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3

Kamysheva, Olga Sergeevna. "Musical metaphors in the story “Breakfast at Tiffany's” by T. Capote." Вестник Шадринского государственного педагогического университета, no. 1 (2021): 110–12. http://dx.doi.org/10.52772/25420291_2021_1_110.

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4

Branco, Sinara De Oliveira, and Mariana Assis Maciel. "A Tradução Intersemiótica na construção da personagem Holly Golithly em Breakfast at Tiffany’s: entre o romance e o cinema." Revista da Anpoll 1, no. 44 (2018): 246–59. http://dx.doi.org/10.18309/anp.v1i44.1140.

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The purpose of this text is to analyze the intersemiotic construction of Holly Golithly in two contexts: the novel and the film Breakfast at Tiffany's (1961). Along the film adaptation, the focus will be on the observation of how people and places influence her behaviour, taking into consideration the relationship between the imagetic and the verbal contexts (word-image relationship). The theoretical framework used is based on the Theory of Adaptation; the Intersemiotic Translation; Subtitling; Image Analysis and Film Narrative. The multimodal corpus compiled involves the selected scenes from
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5

Nayar, Kavita I. "Sam Wasson: Fifth Avenue, 5 a.m.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman." American Journal of Psychoanalysis 71, no. 2 (2011): 174–78. http://dx.doi.org/10.1057/ajp.2011.7.

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6

Amelchenko, Anastasia Andreevna. "The translation of realities in a literary text (based on the story “Breakfast at Tiffany's” by T. Capote)." Вестник Шадринского государственного педагогического университета, no. 2 (2021): 237–39. http://dx.doi.org/10.52772/25420291_2021_2_237.

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7

Neumann Garcia, Rosalia. "THE MIRROR OF SENSIBILITY: STYLE AND TRUMAN CAPOTE IN BREAKFAST AT TIFFANY’S." Cadernos do IL, no. 43 (February 27, 2012): 266–73. http://dx.doi.org/10.22456/2236-6385.25305.

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Em entrevista para The Paris Review, em 1957, o escritor americano Truman Capote revela idéias sobre estilo literário que serão aplicadas em uma de suas obras mais conhecidas, Breakfast at Tiffany’s, de 1958. A precisão e a objetividade utilizadas para escrever essa obra abrem caminho para seu projeto posterior, In Cold Blood, de 1965, onde o estilo jornalístico tem como objetivo revelar da forma mais neutra possível a “verdade” dos fatos. Tiffany’s, ainda, demonstra a habilidade de Capote para a descrição mais exata de seus personagens, ao mesmo tempo em que desvela a cidade de Nova York a pa
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8

이형숙. "The Flaneuse in Postwar Hollywood: A Study on Breakfast at Tiffany’s." Feminist Studies in English Literature 20, no. 2 (2012): 227–51. http://dx.doi.org/10.15796/fsel.2012.20.2.010.

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9

Canavan, Brendan. "Breakfast, lunch and dinner at Tiffany’s: Existentialism and consumption in Capote’s novella." Marketing Theory 18, no. 4 (2018): 571–78. http://dx.doi.org/10.1177/1470593117753982.

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Existentialism has been used within marketing to enrich understanding of consumer motivations and behaviour. Consumption may be used as a means of existential avoidance or facilitator of existential authenticity. However the overlap, mutual support, limitations and nuances of the relationships between existentialism and consumption are underdeveloped. Drawing on the literary tradition of the philosophy, this think piece explores the themes of existentialism and consumption within Truman Capote’s classic fiction. Breakfast at Tiffany’s provides a succinct, engaging and holistic depiction of exi
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10

Krämer, Peter. "The Many Faces of Holly Golightly: Truman Capote, Breakfast at Tiffany‘s and Hollywood." Film Studies 5, no. 1 (2004): 58–65. http://dx.doi.org/10.7227/fs.5.5.

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This essay examines some of the literary and biographical models Truman Capote drew on in the creation of Holly Golightly, the heroine of his 1958 novella Breakfast at Tiffany‘s. Making use of Paramount studio records, the essay also explores the complex process of adapting the story to the big screen. Numerous changes were made so as to transform Capotes story into a romantic comedy, and thus to contain Holly‘s liberated sexuality while also erasing any doubts about the male protagonists heterosexuality. Casting Hepburn as the female lead helped to neutralize Holly‘s sexual transgressiveness,
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11

Payri, Blas. "‘Moon River and Me’: The film-song as leitmotiv in Breakfast at Tiffany’s." Soundtrack 4, no. 2 (2011): 137–52. http://dx.doi.org/10.1386/st.4.2.137_1.

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12

BABATAŞ, Başar. "CINEMATOGRAPHIC ANALYSIS OF BREAKFAST FILM AND HOLLY GOLIGHTLY CHARACTER IN TIFFANY." Journal of Communication Science Researches 1, no. 2 (2021): 97–108. http://dx.doi.org/10.7456/100102100/002.

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13

Hilton, Deborah J. "A Youtube Showing that it is not Cool nor Healthy to Smoke - An Online Typeform Survey Analysis." Shanlax International Journal of Arts, Science and Humanities 9, no. 4 (2022): 6–12. http://dx.doi.org/10.34293/sijash.v9i4.4661.

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Background The Centers for Disease Control & Prevention cite a WHO report, on the Global Tobacco Epidemic [2019] stating it causes more than 7 million deaths globally/year. MethodsA YouTube was created based upon the Audrey Hepburn Breakfast at Tiffany’s theme. Paramount Pictures Aust/NZ were contacted asking permission to utilise the theme, but didn’t reply. The TouTube has Audrey smoking, while another woman makes comments to convey the health dangers & smoking unacceptability. A Typeform online survey created in August 2021 allowed accessibility to the general public enabling genera
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14

Kaur, Jasleen. "Allure of the Abroad: Tiffany & Co., Its Cultural Influence, and Consumers." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1153.

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Introduction Tiffany and Co. is an American luxury jewellery and specialty retailer with its headquarters in New York City. Each piece of jewellery, symbolically packaged in a blue box and tied with a white bow, encapsulates the brand’s unique diamond pieces, symbolic origin story, branded historical contributions and representations in culture. Cultural brands are those that live and thrive in the minds of consumers (Holt). Their brand promise inspires loyalty and trust. These brands offer experiences, products, and personalities and spark emotional connotations within consumers (Arvidsson).
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15

Astrachan, James B. "Breakfast at Ebay’s (Or How Ebay Ate Tiffany’s Lunch)." SSRN Electronic Journal, 2008. http://dx.doi.org/10.2139/ssrn.1621853.

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16

Barghani, Zahra Sonia. "Independence, Relationships and Transience: A Comparative Study of Truman Capote’s “Breakfast at Tiffany’s” and Vladimir Nabakov’s “Spring in Fialta”." Academic Journal of Interdisciplinary Studies, December 30, 2016. http://dx.doi.org/10.5901/ajis.2016.v5n3s1p342.

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