Relevant bibliographies by topics / Brecht

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Brecht'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 June 2025

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Journal articles on the topic "Brecht"

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Schechter, Joel. "Brecht After Brecht." Theater 17, no. 2 (1986): 4. http://dx.doi.org/10.1215/01610775-17-2-4.

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Bornheim, Gerd. "Brecht ainda hoje?" Pandaemonium Germanicum, no. 4 (November 5, 2000): 47. http://dx.doi.org/10.11606/1982-8837.pg.2000.64137.

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Der vorliegende Aufsatz versucht, Argumente für die Aktualität Berltolt Brechts zu finden. Es werden Parallelen zwischen Brechts epischem Theater und der Musik, insbesondere der Oper, aufgezeit. Dabei spielt die für Brecht so wichtige Ästhetik der Form eine zentrale Rolle, die entscheidend für seine Modernität ist.
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Zurbach, Christine. "Homem = Homem? Brecht = Brecht?" Sinais de cena, no. 8 (December 2007): 93–95. http://dx.doi.org/10.51427/cet.sdc.2007.0054.

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MARKELL, PATCHEN. "POLITICS AND THE CASE OF POETRY: ARENDT ON BRECHT." Modern Intellectual History 15, no. 2 (November 22, 2016): 503–33. http://dx.doi.org/10.1017/s1479244316000366.

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Hannah Arendt's essay on Bertolt Brecht has often been understood as an indictment of Brecht's postwar accommodation with the Stalinist regime in East Germany, in line with Arendt's supposed commitment to a firm separation between poetry and politics. Offering the first full reconstruction of the transnational history of Arendt's writing on Brecht, this article shows instead that Arendt's essay was a defense of Brecht against the polemics it is often taken to exemplify. Joining poetry to politics by holding both at a distance from philosophy, Arendt assigned poetry the vocation of disruptive f
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Hillesheim, Jürgen. ""IN THE JUNGLE OF RELATIONSHIPS." BRECHT, CASPAR NEHER AND THE WEST GERMAN POST-WAR CULTURAL INDUSTRY." Brecht-Magazine: Articles, Essays, Translations, no. 8 (February 28, 2023): 43–51. http://dx.doi.org/10.35433/brecht.8.2022.43-51.

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The article deals with little-known or unknown facts from the biography of Bertolt Brecht in the first post-war decade, when he began to be transformed into an icon in the art of the German Democratic Republic. But in reality, the writer, as throughout his life, continues to look for different ways to realize his own creative plans and popularize his work in both parts of Germany: in socialist East Germany and in capitalist West Germany. Bertolt Brecht resumes quite active cooperation with Caspar Neher. This talented artist, with whom Bertolt Brecht had been friends since his youth and had a n
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Westermann, Bernd. "Hundert Jahre Brecht – Brechts Jahrhundert?" Informationen Deutsch als Fremdsprache 27, no. 2-3 (June 1, 2000): 238–41. http://dx.doi.org/10.1515/infodaf-2000-2-363.

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Ankhym, O., and M. Ankhym. "BERTOLT BRECHT AND THE TRANSNATIONAL THEATRE." Brecht-Magazine: Articles, Essays, Translations, no. 9 (December 26, 2023): 14–24. http://dx.doi.org/10.35433/brecht.9.2023.14-24.

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Transnationality and transculturality, which have been attracting increasing attention within the scientific community in recent decades, have become an integral part of modern literature. Decolonization and globalization, as well as the mobility and migration caused by them, have become triggers for the blurring of ethnic, national, and cultural boundaries. These processes have also found their embodiment in literature. The transnational turn observed in literature since the 1990s shows that the understanding of literary works within national frameworks no longer corresponds to modern reality
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Martin, Carol. "Brecht, Feminism, and Chinese Theatre." TDR/The Drama Review 43, no. 4 (December 1999): 77–85. http://dx.doi.org/10.1162/105420499760263543.

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American feminist theatre theorists have taken to Brecht's “Alienation Effects in Chinese Acting”. But what did Brecht know about Chinese acting? Could feminists benefit by looking past Brecht to the Chinese theatre itself?
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Sousa, Celeste H. M. Ribeiro de. "Da imagem do Brasil ao teatro de Brecht: A peça Baal." Pandaemonium Germanicum, no. 4 (November 5, 2000): 109. http://dx.doi.org/10.11606/1982-8837.pg.2000.64165.

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Das Stück Baal des jungen Brecht enthält eine Anspielung auf Brasilien. Aus der Interpretation des dort vermittelten Brasilienbildes kann sich eine nützliche Diskussion entwickeln, um das Theater Brechts im Unterricht einzuführen und den Schüler zur Beschäftigung mit ihm zu motivieren. Der vorliegende Aufsatz will dazu anregen, die Auseinandersetzung mit Brecht mit seinem Erstlingsstück zu beginnen, und skizziert dazu einen möglichen Weg.
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Rao, Beilei. "Wei Zhang: Chinese adaptations of Brecht: appropriation and intertextuality. Cham: Palgrave Macmillan 2020, 200 S." Jahrbuch für Internationale Germanistik 56, no. 1 (January 1, 2024): 232–36. http://dx.doi.org/10.3726/jig561_232.

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Der Titel der Arbeit Chinese adaptations of Brecht: appropriation and intertextuality benennt bereits präzise den Forschungsgegenstand: In dieser Arbeit wird die Rezeption der Brechtschen Stücke in China vom Ende der Kulturrevolution bis heute untersucht. Bei der Studie aus dem Jahr 2020, die auf einem Dissertationsprojekt basiert, geht es vor allem darum, wie Brechts Stücke von chinesischen Dramaturginnen adaptiert oder angeeignet wurden, um die soziopolitischen, wirtschaftlichen und kulturellen Entwicklungen in China seit 1979 zu thematisieren. Dabei legt die Autorin den Fokus auf die Verfle
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Dissertations / Theses on the topic "Brecht"

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Wood, Jesse Cannon. ""Aber das Geistige, das sehen Sie, das ist nichts." Collisions with Hegel in Bertolt Brecht's Early Materialism." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1345231617.

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Bonnaud, Irène. "Brecht, période américaine." Paris 3, 2001. http://www.theses.fr/2001PA030007.

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Bertolt brecht, en exil a los angeles de 1941 a 1947, n'a cesse d'ecrire pour l'industrie culturelle americaine. Scenarios pour hollywood ou pieces de theatre concues pour conquerir broadway, ses oeuvres d'alors empruntent aux genres populaires du cinema ou du theatre americains des armes nouvelles contre la tradition du drame. Mais la polemique continuee contre l'identification et l'illusion mimetique est accompagnee d'une autocritique permanente. Brecht met son propre theatre en crise et l'examine avec mefiance. Chaque piece devient reflexion sur l'art de la scene et ce dernier doit plus que
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Ďurik, Andrej. "Bertolt Brecht Život Galileiho (možnosti interpretace B. Brechta v současném divadle)." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78664.

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In my thesis I endeavoured to document the development of the view of Brecht?s works in our countries. It means mapping the interpretation attempts in the Czech Republic, coping with Brecht?s theoretical work, and last but not least with Brecht as a political man with social feeling due to what he remained many times miscomprehended. It is certain that the history mentions a large-minded, talented, educated personality, a strongly up to self-destructively hard-working one. On the one hand, he is artistically sensitive and fine, however, on the other hand he is a disintegrated and a very compli
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Siljeholm, Olof. "Die Funktion der Bibel in Brechts Parabelstück Der gute Mensch von Sezuan und in zwei seiner Vorlagen." Tönning Lübeck Marburg Der Andere Verl, 2009. http://d-nb.info/997031301/04.

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Miranda, Rita Alves. "O teatro experimental de Brecht." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/11641.

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Made available in DSpace on 2016-04-27T17:27:05Z (GMT). No. of bitstreams: 1 Rita Alves Miranda.pdf: 2197473 bytes, checksum: 27e1b604e4f02f387a522aa42435e2a0 (MD5) Previous issue date: 2013-10-23<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This master s thesis aims to approach the passage of Bertolt Brecht through the theater history and the influence of his proposal for the contemporary art. Initially, we analyzed Brecht s criticism towards some traditional conceptions of theater and the path taken by the author to think the crisis of drama that had settled times be
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Baker, Clara Martha. "Bertolt Brecht and the Bible." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3436.

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This thesis presents evidence which supports Bertolt Brecht's oft-quoted statement that the Bible was the book which exerted the greatest influence upon his writings. While Brecht's early works, Die Bibel (1913), and Die Dreigroschenoper (1928), serve as the main examples, there are also references to biblical allusions from a number of his other writings and some of his poetry. There is general information on Brecht's religious background and en his extensive biblical knowledge which enabled him to use the Bible as one of his principal sources. Brecht's manner of usage and adaptation of relig
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Neureuter, Hans-Peter. "Brecht in Finnland : Studien zu Leben und Werk, 1940-1941 /." Frankfurt am Main : Suhrkamp, 2007. http://catalogue.bnf.fr/ark:/12148/cb41341779d.

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Lang, Joachim. "Episches Theater als Film : Bühnenstücke Bertolt Brechts in den audiovisuellen Medien." Würzburg Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2864715&prov=M&dokv̲ar=1&doke̲xt=htm.

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Schmidt, Thomas. "Brechts Dreigroschenroman ein Kriminalroman? /." [S.l. : s.n.], 2003. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB10605127.

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Bai, Rongning. "Brecht and China : a mutual response." Thesis, University of Warwick, 1996. http://wrap.warwick.ac.uk/4493/.

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This thesis deals with the cross-cultural relations between Brecht and China through an analysis of how Brecht responded to the traditional Chinese theatre and how his drama was received in turn by modern Chinese theatre. It attempts to examine the respective socio-cultural or political contexts wherein such kind of crosscultural contacts were needed, and the consequent aesthetic-theatrical as well as socio-cultural or political changes brought about by these contacts that have produced two distinctively independent yet related forms of theatre. It is argued that Brecht's search for a theatre
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Books on the topic "Brecht"

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1942-, Knobloch Hans-Jörg, Koopmann Helmut, and Johannesburger Germanistentreffen (4th : 1998), eds. Hundert Jahre Brecht-Brechts Jahrhundert? Tübingen: Stauffenburg, 1998.

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Frank-Michael, Raddatz, ed. Brecht frisst Brecht. [Berlin]: Henschel, 2007.

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Gibson, Cima Gay, ed. Brecht/"Brecht": A symposium. New Haven, CT: Yale School of Drama/Yale Repertory Theater, 1994.

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Brecht, Bertolt. Brecht. [s.l.]: Y Colegiwm Cymraeg, 1987.

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Hayman, Ronald. Brecht. Barcelona: Editorial Argos Vergara, S.A., 1985.

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Jones, G. L. Brecht. Dinbych: Gwasg Gee, 1985.

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Hans, Mayer. Brecht. Frankfurt am Main: Suhrkamp, 1996.

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Inge, Gellert, and Brecht-Zentrum der DDR, eds. Brecht 85: Zur Ästhetik Brechts : Fortsetzung eines Gesprächs über Brecht und Marxismus : Dokumentation. Berlin: Henschelverlag Kunst und Gesellschaft, 1986.

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1959-, Müller Harald, ed. Müller Brecht Theater: Brecht-Tage 2009. Berlin: Theater der Zeit, 2010.

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Marc, Silberman, ed. Essays on Brecht =: Versuche über Brecht. Madison, Wis: University of Wisconsin for the International Brecht Society, 1990.

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Book chapters on the topic "Brecht"

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O'Brien, Nick, Annie Sutton, and Mikhaela Mahony. "Brecht." In Theatre in Practice, 48–83. 3rd ed. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003361121-4.

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Dehner, Anne, and Jan Knopf. "Brecht, Bertolt: Bertolt Brechts Hauspostille." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6060-1.

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Lehmann, Jürgen. "Bertolt Brecht." In Russische Literatur in Deutschland, 199–220. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05373-2_7.

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Catani, Stephanie. "Bertolt Brecht." In Handbuch Kriminalliteratur, 123–26. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05430-2_15.

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Banghard, Melanie, and Jan Knopf. "Bertolt Brecht." In Kindler Kompakt: Lyrik des 20. Jahrhunderts, 139–42. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04504-1_26.

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Widmaier, Michael, Nicole Welz, Petra Haubner, Ann Christine Zuber, Rebekka Braun, and Jan Knopf. "Bertolt Brecht." In Kindler Kompakt: Drama des 20. Jahrhunderts, 85–94. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_15.

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Hayman, Ronald. "Bertolt Brecht." In The Craft of Literary Biography, 186–98. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07452-5_12.

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Prateek. "Politicising Brecht." In Brecht in India, 90–110. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003030317-4.

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Knopf, Jan. "Brecht, Bertolt." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6041-1.

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Haubner, Petra, Ann Christine Zuber, Jan Knopf, Manuela Dietz, and Denise Kratzmeier. "Bertolt Brecht." In Kindler Kompakt: Deutsche Literatur, 20. Jahrhundert, 78–86. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05520-0_10.

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Conference papers on the topic "Brecht"

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Nana, Jian. "Song of the Dark Ages: Brecht in Exile and “Chinese Role Model”." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8192.

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Abstract A close reading of the 20th-century German writer Brecht's works on Chinese elements, themes and subjects during his exile (1933-1947) shows that the “Chinese role model” had an important influence on Brecht's artistic creation and thinking about his life during his exile. The substance of Brecht's relationship with Chine-se culture remains to be examined in depth. Using comparative lite-rary methods such as figurative studies, this paper divides Brecht's references to Chinese culture into three specific ways: creative translations of the “exiled poet” Bai Juyi, imaginative manipulati
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Sameti, Mozhdeh. "DIALOGUE AND DIALOGISM IN DIEGETIC DRAMA." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages, 134–42. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.134s.

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Diegetic drama is between a purely narrative text and a purely dialogical text. Diegesis (narrative) is a concept taken from Plato’s theories, usually opposed to mimesis (imitation). This type of drama became an established genre in the modern era in opposition to the classical Aristotelian drama. Brecht’s “epic theatre” is one of the well-known types of diegetic theatre and drama, whose purpose was to combat the audience’s passivity and invite them to activate their thinking. After Brecht, other dramatists, such as Beckett, created diegetic dramas combining third-person, abstract narratives (
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Ermicioi, Nina, and Svetlana Tirtau. "Ancient Chinese philosophy and the categories of Asiatic theatre in Bertolt Brecht’s dramaturgical dimension." In Cultura și arta: cercetare, valorificare, promovare, 112–21. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.14.

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There is an opinion that the way Bertolt Brecht created his theatre is comparable to the construction of the Great Wall of China. This article interprets the nature of this analogy in a special way. In fact, Brecht's dramaturgical dimension is inconceivable without an Eastern component. Cases of quoting ancient Chinese thought are found in the work «The Good Person of Szechwan». At the same time, the aesthetics, stylistic uniqueness and methods of stage expression inherent in the play of Chinese artists are partly reflected in the dramaturgical material.
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Carvalho, Ricardo. "BRECHT: UMA ABORDAGEM PEDAGÓGICA NO CENÁRIO CONTEMPORÂNEO DO ENSINO- APRENDIZAGEM." In Colóquio Internacional De Pedagogia Do Teatro. Campinas - SP, Brazil: Galoa, 2018. http://dx.doi.org/10.17648/colipete-2018-86091.

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"The Symbolic Representation of the Female Body in the Poems by Bertolt Brecht." In International Conference on Humanities, Literature and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed0115091.

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Seth, R. S. "Plane Stress Fracture Toughness and its Measurement for Paper." In Products of Papermaking. Fundamental Research Committee (FRC), Manchester, 1993. http://dx.doi.org/10.15376/frc.1993.3.1529.

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Fracture toughness is a material’s ability to resist propagation of a preexisting crack. In most end uses where fracture,toughness can be an important performance parameter for paper, stresses are applied in the plane of the sheet. Therefore, like tensile strength and elastic modulus, the fracture toughness of paper should be measured under in ‘ -plane loading. Our current industry practice of measuring the out-of plane tearing resistance by the Elmendor for Brecht-Imset tests seems inappropriate. Several techniques of fracture mechanics have been applied in recent years to characterize the pl
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Cimpoi, Mihai. "Folclorul și valorile imaginației." In Conferința științifică națională "Sergiu Moraru: 75 de ani de la naștere". “Bogdan Petriceicua-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/sm.75.2021.02.

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The author demonstrates in this approach that folklore, unlike cult literature, values the essential richness of the imaginary, being closer to the world, which Eminescu said he „ thought in fairy tales and spoke in poetry”. Folklore was must also conceived as literary art, the interference between it and cult literature was the aesthetic program of the German romantics, of the Romanian classics Eminescu, Alecsandri and Anton Pann, of the contemporary authors Brecht and Auden. Folklore works have the same principles of elaboration as cult literature, they being social and documentary documents
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Dong, Xiao. "POPULARITY OF STANISLAVSKY IN CHINA." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.26.

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Konstantin Sergeevich Stanislavsky is the most influential theater director of the Soviet era in the first half of the 20th century. The system he created, which is based on the “art of experiencing”, had a profound impact on the performing arts of the 20th century. Since it was introduced into China in the 1940s, it has played a very important role in the development of contemporary Chinese drama performance art in the 1950–1960 years. In the 1960–1970, Stanislavsky was criticized in China. Since the late 1970s, although Stanislavsky has been vindicated in China, his importance has correspond
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López Roldán, Mariana, Miguel David Rojas López, and Laura Marcela Londoño Vásquez. "Diseño de un juego serio para el aprendizaje de temáticas de brecha de género en la facultad de minas." In Ingeniería: una transición hacia el futuro, 1–11. Asociación Colombiana de Facultades de Ingeniería - ACOFI, 2024. http://dx.doi.org/10.26507/paper.3714.

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El propósito de este estudio es desarrollar y validar un juego que aborde las brechas de género, una problemática relevante a nivel global que impacta significativamente en la educación y en áreas STEM, utilizando los juegos serios como herramienta de enseñanza-aprendizaje. Se comienza con una revisión bibliográfica para identificar los conceptos, elementos y variables que contribuyen a la existencia de la brecha de género en la sociedad y en entornos educativos, con un enfoque particular en la formación y comprensión de estas disparidades en áreas STEM entre estudiantes universitarios de la F
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Rodríguez Pulecio, Laura Sofía, and Sara Aída Rodríguez Pulecio. "EFECTO SOBRE LA BRECHA ECONÓMICA ENTRE HOMBRES Y MUJERES DE LA BAJA PARTICIPACIÓN DE LAS MUJERES EN INGENIERÍA EN COLOMBIA." In Mujeres en ingeniería: empoderamiento, liderazgo y compromiso. Asociacion Colombiana de Facultades de Ingeniería - ACOFI, 2021. http://dx.doi.org/10.26507/ponencia.1597.

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Algunos de los factores que explican la brecha económica entre hombre y mujeres son: la cantidad de horas de trabajo no remunerado, las diferencia salarial entre las carreras típicamente masculinas y las típicamente femeninas, la desigualdad salarial entre hombres y mujeres en los mismos cargos y misma responsabilidades, las limitaciones para las mujeres en la consecución de promociones y asensos en las organizaciones y finalmente el efecto del COVID-19 en la empleabilidad de mujeres. En este articulo se analiza como la baja participación de mujeres en ingeniería impacta en la brecha económica
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Reports on the topic "Brecht"

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Baker, Clara. Bertolt Brecht and the Bible. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5319.

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Patrick, Brigitte. Der Verfremdungseffekt von Brecht bis Handke. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2412.

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DeWolfe, Brigitte. Aspekte des Charakterbegriffs im Werk von Bertolt Brecht. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2862.

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Folk, Robert. Illusion und Verfremdung: Begriff, Form und Wirkung; Bezogen auf Bertolt Brecht: "Der gute Mensch von Sezuan,". Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.953.

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Libertun de Duren, Nora Ruth. ¿Existe una brecha de género en la tenencia de hipotecas en América Latina? Inter-American Development Bank, June 2024. http://dx.doi.org/10.18235/0013074.

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Este ensayo explora la brecha de género en el acceso a hipotecas -créditos bancarios para compra de vivienda- en la región de América Latina y el Caribe (ALC) y en particular en el caso de Chile. El estudio se basa en un análisis empírico basado en encuestas de hogares con representación global y específicas para Chile. El análisis de estos datos identifica una brecha de género a favor de los hombres en la posesión de hipotecas. No obstante, estas brechas disminuyen significativamente al controlar las características socioeconómicas de los hogares. Las diferencias en las características indivi
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Hernández Peña, Daniel. Mujer rica, mujer pobre: brecha ocupacional de género a lo largo de la distribución de la riqueza en países de ingreso bajo y mediano. Fundación Carolina, May 2024. http://dx.doi.org/10.33960/issn-e.1885-9119.dte12.

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Este trabajo estudia la brecha de género en la ocupación, en la media y a lo largo de la distribución de riqueza, en países de ingreso bajo y mediano; aspecto poco analizado hasta ahora, a pesar de que los mayores diferenciales del planeta pertenecen a estas naciones. Usando datos de panel provenientes de la Jobs-of-the-World-Database, analizamos brechas de género en tres dimensiones: ocupación blue collar, white collar y de alta cualificación. Estimamos un modelo de panel con dobles efectos fijos para analizar la relación entre los diferenciales ocupacionales y aspectos macroeconómicos vincul
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Weeks, Julie R., and Danielle Seiler. Actividad empresarial de la mujer en América Latina: Una exploración del conocimiento actual. Inter-American Development Bank, November 2001. http://dx.doi.org/10.18235/0009767.

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Este informe pretende introducir la discusión de la brecha de género en el desarrollo de las empresas así como explorar posibles acciones que pudieran fomentar de manera efectiva el empresariado de las mujeres. Con este propósito en mente, hemos buscado resultados de recientes trabajos de campo sobre mujeres empresarias en América Latina y el Caribe y encontramos estudios cuantitativos muy útiles para un número limitado de países que nos permiten comenzar el análisis de las brechas de género existentes entre los empresarios. Este estudio se enfoca en mujeres propietarias de pequeñas empresas f
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Aguerrevere, Gabriela, María Caridad Araujo, Mariano Bosch, Mariángela Mendoza, Andrea Ortega, Pablo Picón, Laura Ripani, and María Teresa Villanueva. La gran oportunidad: De la crisis a la transformación del empleo femenino. Inter-American Development Bank, April 2021. http://dx.doi.org/10.18235/0003222.

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Desde una perspectiva macro, el empleo femenino en América Latina y el Caribe ha vivido cambios positivos a lo largo del siglo XXI. Sin embargo, la incorporación de la mujer al mercado laboral se venía dando en un contexto de desigualdad que se manifestaba en mayor desempleo, segregación ocupacional, y brecha salarial, entre otras desventajas. A esto se suma la pandemia del COVID-19, que ha destruido el empleo como ninguna otra crisis y ha impactado especialmente a las mujeres, exponiendo las vulnerabilidades de los mercados de trabajo de la región y amenazando con deshacer los avances logrado
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9

García Zaballos, Antonio, and Enrique Iglesias Rodriguez. Informe anual del Índice de Desarrollo de la Banda Ancha: IDBA 2020: Brecha digital en América Latina y el Caribe. Inter-American Development Bank, June 2021. http://dx.doi.org/10.18235/0003337.

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¿Está avanzando la región América Latina y el Caribe (ALC) en cerrar las brechas de acceso a la Banda Ancha? Esta actualización del Índice de Desarrollo de la Banda Ancha (IDBA), conformado de 44 variables, muestra brechas persistentes y progreso lento en relación a cuatro pilares: “Políticas públicas y visión estratégica”, “Regulación estratégica”, “Infraestructuras” y “Aplicaciones y capacitación”. El IDBA es una herramienta potente, actualizada cada año, que permite identificar la magnitud de la brecha digital en dos enfoques geográficos diferentes (estado de un país frente al clúster al qu
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Novella, Rafael, and David Rosas-Shady. Estudio talento digital en el Perú 2023: la demanda insatisfecha de talento digital en el Perú. Banco Interamericano de Desarrollo, December 2023. http://dx.doi.org/10.18235/0005310.

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El documento presenta los principales resultados de una encuesta innovadora a empresas que ha desarrollado el Banco Interamericano de Desarrollo para apoyar a los países de la región con la mejora de su talento digital. La encuesta analiza el nivel de transformación digital de un grupo de empresas peruanas; pone en evidencia la existencia de una importante brecha entre la demanda de habilidades digitales de las empresas y la oferta de habilidades digitales de la fuerza laboral; cuantifica la demanda por perfiles TI; e identifica las principales estrategias y dificultades que enfrentan las empr
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