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Dissertations / Theses on the topic 'Brecht'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Wood, Jesse Cannon. ""Aber das Geistige, das sehen Sie, das ist nichts." Collisions with Hegel in Bertolt Brecht's Early Materialism." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1345231617.

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2

Bonnaud, Irène. "Brecht, période américaine." Paris 3, 2001. http://www.theses.fr/2001PA030007.

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Bertolt brecht, en exil a los angeles de 1941 a 1947, n'a cesse d'ecrire pour l'industrie culturelle americaine. Scenarios pour hollywood ou pieces de theatre concues pour conquerir broadway, ses oeuvres d'alors empruntent aux genres populaires du cinema ou du theatre americains des armes nouvelles contre la tradition du drame. Mais la polemique continuee contre l'identification et l'illusion mimetique est accompagnee d'une autocritique permanente. Brecht met son propre theatre en crise et l'examine avec mefiance. Chaque piece devient reflexion sur l'art de la scene et ce dernier doit plus que
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3

Ďurik, Andrej. "Bertolt Brecht Život Galileiho (možnosti interpretace B. Brechta v současném divadle)." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78664.

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In my thesis I endeavoured to document the development of the view of Brecht?s works in our countries. It means mapping the interpretation attempts in the Czech Republic, coping with Brecht?s theoretical work, and last but not least with Brecht as a political man with social feeling due to what he remained many times miscomprehended. It is certain that the history mentions a large-minded, talented, educated personality, a strongly up to self-destructively hard-working one. On the one hand, he is artistically sensitive and fine, however, on the other hand he is a disintegrated and a very compli
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4

Siljeholm, Olof. "Die Funktion der Bibel in Brechts Parabelstück Der gute Mensch von Sezuan und in zwei seiner Vorlagen." Tönning Lübeck Marburg Der Andere Verl, 2009. http://d-nb.info/997031301/04.

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5

Miranda, Rita Alves. "O teatro experimental de Brecht." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/11641.

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Made available in DSpace on 2016-04-27T17:27:05Z (GMT). No. of bitstreams: 1 Rita Alves Miranda.pdf: 2197473 bytes, checksum: 27e1b604e4f02f387a522aa42435e2a0 (MD5) Previous issue date: 2013-10-23<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This master s thesis aims to approach the passage of Bertolt Brecht through the theater history and the influence of his proposal for the contemporary art. Initially, we analyzed Brecht s criticism towards some traditional conceptions of theater and the path taken by the author to think the crisis of drama that had settled times be
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6

Baker, Clara Martha. "Bertolt Brecht and the Bible." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3436.

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This thesis presents evidence which supports Bertolt Brecht's oft-quoted statement that the Bible was the book which exerted the greatest influence upon his writings. While Brecht's early works, Die Bibel (1913), and Die Dreigroschenoper (1928), serve as the main examples, there are also references to biblical allusions from a number of his other writings and some of his poetry. There is general information on Brecht's religious background and en his extensive biblical knowledge which enabled him to use the Bible as one of his principal sources. Brecht's manner of usage and adaptation of relig
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7

Neureuter, Hans-Peter. "Brecht in Finnland : Studien zu Leben und Werk, 1940-1941 /." Frankfurt am Main : Suhrkamp, 2007. http://catalogue.bnf.fr/ark:/12148/cb41341779d.

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8

Lang, Joachim. "Episches Theater als Film : Bühnenstücke Bertolt Brechts in den audiovisuellen Medien." Würzburg Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2864715&prov=M&dokv̲ar=1&doke̲xt=htm.

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9

Schmidt, Thomas. "Brechts Dreigroschenroman ein Kriminalroman? /." [S.l. : s.n.], 2003. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB10605127.

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10

Bai, Rongning. "Brecht and China : a mutual response." Thesis, University of Warwick, 1996. http://wrap.warwick.ac.uk/4493/.

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This thesis deals with the cross-cultural relations between Brecht and China through an analysis of how Brecht responded to the traditional Chinese theatre and how his drama was received in turn by modern Chinese theatre. It attempts to examine the respective socio-cultural or political contexts wherein such kind of crosscultural contacts were needed, and the consequent aesthetic-theatrical as well as socio-cultural or political changes brought about by these contacts that have produced two distinctively independent yet related forms of theatre. It is argued that Brecht's search for a theatre
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11

Tackels, Bruno. "Histoire d'aura. Benjamin, brecht, adorno, heidegger." Université Marc Bloch (Strasbourg) (1971-2008), 1994. http://www.theses.fr/1994STR20043.

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Des la premiere lecture du fameux essai de walter benjamin, l'oeuvre d'art a l'epoque de sa reproductibilite technique. J'ai percu une hesitation, un flottement, ou plutot un malaise a meme le texte. Au point que je n'ai jamais vraiment compris sur quoi se fondait sa celebrite. Je n'ai jamais vraiment pu me satisfaire des deux idees (parfaitement contradictoires9 qui structurent ce texte : la reproduction dans les oeuvres fait disparaitre l'art et l'on peut penser cette disparition comme un declin, le mal de l'occident. On en arrive donc a regretter l'age du "grand art" qui devrait etre impera
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12

Avert, Erik. "George Brecht, figure du chercheur transdisciplinaire." Thesis, Université de Lorraine, 2017. http://www.theses.fr/2017LORR0371/document.

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Nous nous sommes questionnés dans cette thèse sur les apports des paradigmes scientifiques, spirituels et philosophiques dans la pensée et les œuvres de George Brecht. À travers la synthèse de ceux-ci, nous avons tenté de voir ses travaux comme des outils à faire l'expérience de la connaissance, à l'intégrer d'une façon non mentale. Nous avons souhaité redéfinir le statut de l'artiste, et voir dans son œuvre les prémices d'une conception nouvelle de l'art en tant que recherche transdisciplinaire concrétisée en objets artistiques<br>We questionned, during this work of thesis, about the contribu
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13

Karcher, Simon. "Sachlichkeit und elegischer Ton : die späte Lyrik von Gottfried Benn und Bertolt Brecht - ein Vergleich /." Würzburg Königshausen und Neumann, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2791151&prov=M&dok_var=1&dok_ext=htm.

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14

Ropero, Adriano. "Traduzindo a tradução de Brecht no Brasil: estudo do caso brasileiro da recepção à obra de Brecht." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-14012015-113346/.

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Esta pesquisa tem como objetivo descrever e analisar a recepção da obra de Bertolt Brecht no Brasil, tendo como guia o processo de tradução, que teve início no Brasil em 1948. A teoria que norteia essa pesquisa é fundamentada nos Estudos Descritivos da Tradução, mais precisamente na Teoria dos Polissistemas de Itamar Even-Zohar, os conceitos de reescritura e patronagem de André Lefevere, as normas da tradução de Gideon Toury, somados à obra de Gérard Genette Paratextos Editoriais. Essa teoria é a base para que esta pesquisa faça a distinção entre quatro períodos de tradução observados no mater
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15

Atabavikpo, Vincent. "Sprichwörter im Volksmund und in der Literatur : eine Studie über Sprichwörter in Sáxwè-Sprichwortliedern, im Roman Things fall apart von Chinua Achebe und in den Dramen Furcht und Elend des Dritten Reiches und Die Gewehre der Frau Carrar von Bertolt Brecht /." Frankfurt am Main [u.a.] : Lang, 2003. http://www.loc.gov/catdir/toc/fy0608/2003274494.html.

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16

MacNintch, Eileen Abrams. "Four mother figures from Lessing to Brecht." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0007/NQ35972.pdf.

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17

Gerber, Doris Ottilie. "Das Bild der Frau bei Bertolt Brecht /." Title page, contents and summary only, 1994. http://web4.library.adelaide.edu.au/theses/09ARM/09armg362.pdf.

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18

Brecht, Benjamin [Verfasser]. "Engineering ultrafast quantum frequency conversion / Benjamin Brecht." Paderborn : Universitätsbibliothek, 2014. http://d-nb.info/1049981626/34.

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19

Von, Held Phoebe Annette. "Alienation and theatricality in Brecht and Diderot." Thesis, University College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251595.

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20

Breuer, Ingo. "Theatralität und Gedächtnis : deutschsprachiges Geschichtsdrama seit Brecht /." Köln ; Weimar ; Wien : Böhlau, 2004. http://catalogue.bnf.fr/ark:/12148/cb391503626.

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21

Boner, Jürg. "Dialektik und Theater die Dialektik im Theater Bertolt Brechts /." Zürich : Zentralstelle der Studentenschaft, 1995. http://catalog.hathitrust.org/api/volumes/oclc/35815830.html.

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22

Nyström, Esbjörn. "Libretto im Progress Brechts und Weills Aufstieg und Fall der Stadt Mahagonny aus textgeschichtlicher Sicht /." Bern : Lang, 2005. http://catalog.hathitrust.org/api/volumes/oclc/61766436.html.

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23

Castanheira, Carla Isabel Parreira Chora Carvalho. "A metamorfose do ator – Investigação baseada nas metodologias de Constantin Stanislavski e Bertolt Brecht." Master's thesis, Universidade de Évora, 2022. http://hdl.handle.net/10174/31710.

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Pela sua capacidade de adaptação e transformação, o trabalho do ator é, na minha opinião, um processo teatral caracterizado por várias fases - desde a construção de personagem à interpretação da mesma – e, por isso, o elemento central no exame crítico da cena teatral. A presente dissertação tem como principal objetivo investigar a fim de perceber a que meios/técnicas o ator recorre no seu processo de construção de personagem e como as metodologias utilizadas por quem o dirige influenciam o resultado do seu trabalho. Nesta minha pesquisa laboratorial, que consistia numa comparação de metodologi
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24

Van, den Heever Frieda. "Bertolt Brecht en die funksionele gebruik van musiek." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2921.

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Thesis (MDram (Drama))--University of Stellenbosch, 2009.<br>This study focuses on Bertolt Brecht`s use of music in his epic theatre. After looking at his objectives against the background of his times, certain key aspects of his dramatic theory and practice in general are discussed e.g. its epic nature, Verfremdung, Gestus and his social engagement. This is important for an understanding of his functional use of music as an important element in his productions. Music as a sign system in drama is discussed with special reference to the genres in which music plays an essential role, viz.
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25

El-Sayyid, Atef Ahmed. "The influence of Brecht on contemporary Egyptian dramatists." Thesis, University of Exeter, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294453.

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26

Haviaras, Sotirios. "La Réception de Brecht en Grèce, 1955-1981." Paris 7, 1989. http://www.theses.fr/1989PA070056.

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27

Bräuer, Gerd. "Lernen im Dialog : Untersuchungen zu Bertolt Brechts "Flüchtlingsgesprächen /." Pfaffenweiler : Centaurus-Verl.-Ges, 1991. http://catalogue.bnf.fr/ark:/12148/cb35571297c.

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28

Wilke, Judith. "Brechts "Fatzer"-Fragment : Lektüren zum Verhältnis von Dokument und Kommentar /." Bielefeld : Aisthesis Verl, 1998. http://catalogue.bnf.fr/ark:/12148/cb39282855k.

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29

Wu, Hsin-Fa. "The body motif in Bertolt Brecht's plays a study of his theatrical development /." Boston Spa, U.K. : British Library Document Supply Centre, 1992. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.243235.

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30

Atabavikpo, Vincent. "Sprichwörter im Volksmund und in der Literatur eine Studie über Sprichwörter in Sáxwè-Sprichwortliedern, im Roman Things Fall Apart von Chinua Achebe und in den Dramen Furcht und Elend des Dritten Reiches und Die Gewehre der Frau Carrar von Bertolt Brecht /." [S.l. : s.n.], 2002. http://deposit.ddb.de/cgi-bin/dokserv?idn=967086949.

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31

Grubisich, Teresa Maria [UNESP]. "A parábola teatral de Bertolt Brecht: tese ou antítese?" Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/102390.

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Made available in DSpace on 2014-06-11T19:32:07Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-04-13Bitstream added on 2014-06-13T18:43:01Z : No. of bitstreams: 1 grubisich_tm_dr_arafcl_prot.pdf: 621650 bytes, checksum: a31036a044e0c160bb04c93a8839cf33 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Ao lermos as peças brechtianas, deparamo-nos com algumas, denominadas pelo dramaturgo, parábolas, seja no título das mesmas, como A alma boa de Setsuan - parábola e A resistível ascensão de Arturo Ui - parábola, seja no corpo do texto, como é o caso de Os c
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Trovo, Maria Caroline [UNESP]. "Teatro épico no Brasil: sobre a atualidade de Brecht." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/106232.

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Made available in DSpace on 2014-06-11T19:35:18Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-12-11Bitstream added on 2014-06-13T19:05:40Z : No. of bitstreams: 1 trovo_mc_dr_arafcl.pdf: 609055 bytes, checksum: 3abd2fe04f53739dc33146aa29ffdf36 (MD5)<br>O final da década de 1950 marca o início do percurso que levou ao desenvolvimento do teatro épico de Bertolt Brecht no Brasil. No ano de 1958,a primeira encenação profissional do dramaturgo alemão e o sucesso da apresentação de Eles não Usam Black-tie, de Gianfrancesco Guarnieri, no Teatro de Arena, levaram à criação do Seminário de Dr
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Kerr, William Ryan. "Crippled transcendence, Brian Friel's use of Stanislavski and Brecht." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60312.pdf.

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34

Emslie, Barry. "Bertolt Brecht and the problem of a Marxist dramaturgy." Thesis, University of East London, 1988. http://roar.uel.ac.uk/1229/.

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It the revolutionary and humanist/ethical poles of Marxism are to be retained a crucial epistemological distinction must be made between the marxist analysis of History when it refers to class-based societies, and when it refers to the ideal of a communist collective. The normative core of Marxism is to be found, as a matter of logical necessity, in the notion of Communism, whether "primitive" or "mature", and this paradigm is the yardstick by which both class societies and "revolutionary" Marxism/Leninism are to be judged. Marxist aesthetics is privileged in that it is suggested that the lite
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35

Lugo, Joanna. "From Brecht to Butler: an Analysis of Dirty Grrrls." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700079/.

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“From Brecht to Butler: An Analysis of Dirty Grrrls” is a production centered thesis focusing on the image of the mudflap girl. The study examines the graduate production Dirty Grrrls as a form of praxis intersecting the mudflap girl, the theory of gender performativity, and Brechtian methodology. As a common yet unexplored symbol of hypersexual visual culture in U.S. American society, the mudflap girl acts as a relevant subject matter for both the performance and written portion of the study. Through the production, mudflap girl materializes at the meeting point of the terms performance and p
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36

Oliveira, Gislaine Cristina de 1982. "Desemaranhar = estudo de O método Brecht de Fredric Jameson." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269962.

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Orientador: Fabio Akcelrud Durão<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-19T03:06:15Z (GMT). No. of bitstreams: 1 Oliveira_GislaineCristinade_M.pdf: 1237032 bytes, checksum: e0439915fc28f1aea1eadc16a98391e2 (MD5) Previous issue date: 2011<br>Resumo: Este trabalho consiste em uma leitura do livro O método Brecht de Fredric Jameson. Um dos mais importantes teóricos do pós-modernismo, Jameson, discute nesse livro a validade de Brecht para os dias de hoje e demonstra como as ideias, narrativas e lingu
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Silva, Anderson de Souza Zanetti da [UNESP]. "Augusto Boal: alguns encontros e desencontros com Bertolt Brecht." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/136786.

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Made available in DSpace on 2016-04-01T17:55:16Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-09-30. Added 1 bitstream(s) on 2016-04-01T18:01:17Z : No. of bitstreams: 1 000859851.pdf: 1071534 bytes, checksum: 4b1b229e9b422570d5972fcbf79ab7be (MD5)<br>O objetivo desta pesquisa é discutir alguns aspectos da construção teatral de Augusto Boal, tendo como paradigma estético-político a poética de Bertolt Brecht. Com esse procedimento, identificam-se alguns encontros e desencontros da poética de Boal com certas perspectivas brechtianas. Para mais compreensão desses momentos, a seguinte di
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Silva, Anderson de Souza Zanetti da. "Augusto Boal: alguns encontros e desencontros com Bertolt Brecht /." São Paulo, 2015. http://hdl.handle.net/11449/136786.

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Orientador: Mario Fernando Bolognesi<br>Banca: Alexandre Luiz Mate<br>Banca: Célia Tolentino<br>Banca: Fátima Cabral<br>Banca: Sérgio de Carvalho<br>Resumo: O objetivo desta pesquisa é discutir alguns aspectos da construção teatral de Augusto Boal, tendo como paradigma estético-político a poética de Bertolt Brecht. Com esse procedimento, identificam-se alguns encontros e desencontros da poética de Boal com certas perspectivas brechtianas. Para mais compreensão desses momentos, a seguinte divisão é realizada: 1) alguns encontros e desencontros históricos; 2) alguns encontros e desencontros polí
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39

Trovo, Maria Caroline. "Teatro épico no Brasil : sobre a atualidade de Brecht /." Araraquara, 2012. http://hdl.handle.net/11449/106232.

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Orientador: Eliana Maria de Melo Souza<br>Banca: Rosângela Patrota<br>Banca: José Adriano Fenerick<br>Banca: Natália M. Fernandes<br>Banca: Renata Soares Junqueira<br>Resumo: O final da década de 1950 marca o início do percurso que levou ao desenvolvimento do teatro épico de Bertolt Brecht no Brasil. No ano de 1958,a primeira encenação profissional do dramaturgo alemão e o sucesso da apresentação de Eles não Usam Black-tie, de Gianfrancesco Guarnieri, no Teatro de Arena, levaram à criação do Seminário de Dramaturgia do Arena, aos estudos da obra de Brecht e à apropriação dos procedimentos artí
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40

Grubisich, Teresa Maria. "A parábola teatral de Bertolt Brecht : tese ou antítese? /." Araraquara : [s.n.], 2007. http://hdl.handle.net/11449/102390.

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Orientador: Wilma Patrícia Marzari Dinardo Maas<br>Banca: Maria Celeste Consolin Dezotti<br>Banca: Renata Soares Junqueira<br>Banca: Jorge Mattos Brito de Almeida<br>Banca: Marcus Vinicius Mazzari<br>Resumo: Ao lermos as peças brechtianas, deparamo-nos com algumas, denominadas pelo dramaturgo, parábolas, seja no título das mesmas, como A alma boa de Setsuan - parábola e A resistível ascensão de Arturo Ui - parábola, seja no corpo do texto, como é o caso de Os cabeças redondas e os cabeças pontudas, Quanto custa o ferro? e O preceptor, nas quais essa denominação aparece no prólogo ou no epílogo
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41

Pereira, Márcio Fransen. "Bertolt Brecht : utopia e imagem : uma narrativa do exílio." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/104357.

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Na pesquisa desenvolvemos um percurso por Bertolt Brecht na especificidade do seu exílio. Objetivamos traçar relações entre sua posição de exilado e as camadas do pensamento brechtiano verificado por Fredric Jameson (2013), no livro Brecht e a questão de método. A constituição do exílio de Brecht é entendida como um deslocamento, dentro do estado de exceção, de uma situação de exílio para uma posição de exílio (DIDI-HUBERMAN, 2008) que, entre diferentes características, evidencia a própria exceção (AGAMBEN, 2004). Ao final do percurso, trabalhamos, a partir de autores da psicanálise e do pensa
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42

Carson, David J. "Epic Tanztheater: Bausch, Brecht, and Ballet Opera." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399944052.

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43

Rice, Andrea. "Rebooting Brecht: Reimagining Epic Theatre for the 21st Century." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555688903742283.

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44

Russo, Anna. "Bertolt Brecht und Dario Fo : Wege des epischen Theaters /." Stuttgart ; Weimar : J. B. Metzler, 1998. http://catalogue.bnf.fr/ark:/12148/cb38814203m.

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45

Bočková, Paulína. "Bertolt Brecht: "Dobrý člověk ze Sečuanu" - komplexní kostýmní řešení." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202494.

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This thesis deals with the costume design for the play The Good Person of Szechwan by Bertolt Brecht. The theoretical part focuses on researching the use of costume in epic theatre, the history of Chinese clothing , Chinese mentality and philosophy, and the use and history of masks . The practical part studies the philosophical content of the play, the nature of the characters and situations, and describes the process of development of the design concept.
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46

Botelho, Letícia Olano Morgantti Salustiano. "Engajamento e refuncionalização social do teatro: um debate entre Benjamin e Brecht." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-13072018-130157/.

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Este trabalho pretende reconstituir o debate entre Benjamin e Brecht durante a década de 1930 em torno da relação entre recursos formais e engajamento político na produção teatral brechtiana do período do fim da República de Weimar. Para isto, realizaremos um estudo de textos e montagens de determinadas peças, buscando trazer à tona, então, questões presentes nos comentários teóricos e interpretações realizadas pelos autores. O percurso deste trabalho divide-se em quatro partes. Primeiramente, nas duas partes iniciais, trataremos da crítica de Brecht à instituição teatral em seu teor ideológic
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47

Westen, Daniel. "Was der Tragödie die polis, ist dem Lehrstück der Kommunismus die Werkstruktur des genrevereinenden Theaters in Kohärenz mit den gesellschaftlichen, politischen und kulturellen Veränderungen der Zeit." Tönning Lübeck Marburg Der Andere Verl, 2009. http://d-nb.info/99703114X/04.

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48

Kim, Taekwan. "Das Lehrstück Bertolt Brechts : Untersuchungen zur Theorie und Praxis einer zweckbestimmten Musik am Beispiel von Paul Hindemith, Kurt Weill und Hanns Eisler /." Frankfurt am Main ; Bern ; Bruxelles : P. Lang, 2000. http://catalogue.bnf.fr/ark:/12148/cb376284673.

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49

Kloepfer, Albrecht. "Poetik der Distanz : Ostasien und ostasiatischer Gestus im lyrischen Werk Bertolt Brechts /." München : Iudicium, 1997. http://catalogue.bnf.fr/ark:/12148/cb39057248w.

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50

Desing, Lena Katrin [Verfasser], Ines [Akademischer Betreuer] Brecht, and Ines [Gutachter] Brecht. "Detaillierte Datenerhebung des Registers für Seltene Tumoren (STEP) im Analysezeitraum November 2012 bis November 2015 / Lena Katrin Desing ; Gutachter: Ines Brecht ; Betreuer: Ines Brecht." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2021. http://d-nb.info/1232496944/34.

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