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1

Johannes Brahms und der Leipziger Musikverlag Breitkopf & Härtel. Göttingen: V&R Unipress, 2009.

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2

Peter, Gülke, ed. Festbroschüre anlässlich des 275jährigen Bestehens des Buch- und Musikverlages Breitkopf [&] Härtel, 1719-1994: Mit einer Betrachtung von Peter Gülke und einer Zeittafel über die Jahre 1719 bis 1994. Wiesbaden: Breitkopf & Härtel, 1994.

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3

Beethoven, Ludwig van. Ein Brief an den Musikverlag Breitkopf & Härtel in Leipzig vom 18. November 1806: Faksimile, Übertragung und Kommentar = A letter to the Leipzig music publishers Breitkopf & Härtel, dated 18 November 1806 : facsimile, transcription and commentary. Bonn: Verlag Beethoven-Haus, 2007.

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4

1763-1827, Härtel Gottfried Christoph, and Biba Otto, eds. Eben komme ich von Haydn--: Georg August Griesingers Korrespondenz mit Joseph Haydns Verleger Breitkopf & Härtel, 1799-1819. Zürich: Atlantis Musikbuch-Verlag, 1987.

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5

1947-, Stauffer George B., ed. J.S. Bach, the Breitkopfs, and eighteenth-century music trade. Lincoln: University of Nebraska Press, 1995.

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6

Ernst, Suchalla, ed. Briefe von Carl Philipp Emanuel Bach an Johann Gottlob Immanuel Breitkopf und Johann Nikolaus Forkel. Tutzing: H. Schneider, 1985.

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7

Beethoven und der Leipziger Musikverlag Breitkopf & Härtel: "ich gebe Ihrer Handlung den Vorzug vor allen andern" : Begleitbuch zu einer Ausstellung des Beethoven-Hauses Bonn. Bonn: Verlag Beethoven-Haus, 2007.

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8

Probst, Heinrich. Breitkopf und Härtel in Paris: The letters of their agent Heinrich Probst between 1833 and 1840. Stuyvesant, NY: Pendragon Press, 1990.

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9

Grieg, Edvard. Der Briefwechsel mit dem Hause Breitkopf & Härtel, die Briefe von Frederick Delius an Nina und Edvard Grieg und andere ausgewählte Schreiben. Egelsbach: Hänsel-Hohenhausen, 1997.

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10

Grieg, Edvard. Edvard Griegs Briefwechsel. Frankfurt A. M: Hänsel-Hohenhausen, 2005.

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11

1955-, Oelmann Klaus Henning, ed. Edvard Grieg's Briefwechsel. Egelsbach: Hänsel-Hohenhausen, 1994.

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12

Grieg, Edvard. Julius Röntgen og Edvard Grieg: Et musikalsk vennskap. Bergen: Alma mater, 1994.

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13

Finn, Benestad, ed. Brev i utvalg 1862-1907. Oslo: Aschehoug, 1998.

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14

Grieg, Edvard. Edvard Grieg und Julius Röntgen: Briefwechsel, 1883-1907. Amsterdam: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1997.

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15

Finn, Benestad, and Brock Hella, eds. Briefwechsel mit dem Musikverlag C.F. Peters: 1863-1907. Frankfurt/M: C.F. Peters, 1997.

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16

Grieg, Edvard. Edv. Grieg's Briefwechsel. Egelsbach: Hänsel-Hohenhausen, 1994.

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17

1851-1918, Beyer Frants, Benestad Finn, and Kortsen Bjarne, eds. Brev til Frants Beyer, 1872-1907. Oslo: Universitetsforlaget, 1993.

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18

Blanken, Christine. Recently Rediscovered Sources of Music of the Bach Family in the Breitkopf Archive. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041488.003.0005.

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This chapter treats newly discovered Bach manuscripts found in the archive of the Leipzig firm Breitkopf & Härtel, which was the most influential music publisher in eighteenth century Europe. Highlights include J. S. Bach’s autograph entries in early Weimar keyboard sources (Toccatas BWV 913/914); sources copied during J. S. Bach’s Leipzig period; and important new sources of instrumental works by three Bach sons. The manuscripts not only illustrate the performance repertoire of Leipzig music societies, such as the Gewandhaus concerts, during the mid-eighteenth century and after Sebastian Bach’s death, but also document the Breitkopf firm’s music distribution activities.
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19

Schubert, Franz. Complete Sonatoas for Pianoforte Solo : From the Breitkopf and Hartel. Peter Smith Pub Inc, 1985.

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20

Härtel, Brietkopf und. Verzeichnis des Bücher-Verlages Von Breitkopf & Härtel in Leipzig: 1828-1898. Creative Media Partners, LLC, 2018.

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21

Streichquartett Nr. 2 - Alexander Borodin - BREITKOPF & HARTEL - String Quartet - String Quartet - 914-00023. BREITKOPF & HARTEL, 2008.

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22

SIELING, ANDREAS. EDITION BREITKOPF BERLINER ORGELMUSIK DES 19. JAHRHUNDERTS - ORGAN Partition classique Piano - instrument à clavier Orgue. Breitkopf & Härtel, 2000.

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23

J. S. Bach, the Breitkopfs, and eighteenth-century musical trade. Lincoln, NB: University of Nebraska Press, 1996.

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24

Perspectives, Bach. Bach Perspectives, Volume 2: J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade (Bach Perspectives). University of Nebraska Press, 1996.

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25

Oleskiewicz, Mary, ed. Bach Perspectives, Volume 11. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041488.001.0001.

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This volume investigates topics surrounding Johann Sebastian Bach and his five musically gifted sons. Robert Marshall takes on a deeply psychological perspective by examining how each of the Bach sons personally dealt with Sebastian’s imposing legacy. Mary Oleskiewicz investigates the Bach family’s connections to historical keyboard instruments and musical venues at the Prussian court of Frederick “the Great.” David Schulenberg argues that Emanuel Bach’s most significant contribution to European music is the large and diverse body of keyboard music he composed for harpsichord, fortepiano, organ and the clavichord. Evan Cortens’s chapter takes a detailed view of Emanuel Bach’s singers, vocal performance materials, and pay records in Hamburg and concludes that, as in most other parts of Germany at that time, one singer per part was the norm for Emanuel’s liturgical music after 1767. Finally, Christine Blanken’s essay continues research into Breitkopf’s publishing firm. Her discovery of unknown manuscripts by several members of the Bach family demonstrates much about what we can still learn about musical transmission, performance practice, and concert life in Bach’s Leipzig.
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