Relevant bibliographies by topics / Brennan, Michael (Fictitious character)

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Academic literature on the topic 'Brennan, Michael (Fictitious character)'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Brennan, Michael (Fictitious character)"

1

Krsmanovic, Bojana, and Ninoslava Radosevic. "Legendary genealogies of Byzantine Emperors and their families." Zbornik radova Vizantoloskog instituta, no. 41 (2004): 71–98. http://dx.doi.org/10.2298/zrvi0441071k.

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Theoretically, the Byzantine Emperor was, just like in the times of the Roman Empire, chosen on the basis of his personal qualities and merits ? by the grace of God, of course. Practically, the factors which determined the ascension of a person to the throne were much more complex, the methods of gaining power being multifarious. In consequence, the political philosophy was confronted with the question of whether it is virtue (aret?) or origin (g?noz) that defines an Emperor. Independently of this rather theoretical question, however, and despite the claims that the personal qualities are deci
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2

Csepeli, György. "THE FAITHFUL KNIGHT OF THE KING WITH NO KINGDOM. THE CASE OF LÁSZLÓ ALMÁSY. (THE ENGLISH PATIENT)." World Complexity Science Academy Journal 2, no. 1 (2021). http://dx.doi.org/10.46473/wcsaj27240606/17-05-2021-0001//full/html.

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The paper will present the sociological and psychological complexities behind the encounter of Charles, last Emperor and King of the Austro-Hungarian Monarchy and his young admirer, László Almásy at Easter, 1921. The King, withdrawing from power in 1918, and the young man Almásy met in the palace of the Bishop of Szombathely in 1921 in the night hours of Great Saturday. The following morning the King was to make a journey to Budapest to meet Miklós Horthy, Regent of Hungary, whom he had made Admiral three years before. Almásy was the driver of the car bringing the King to Budapest. Horthy and
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3

Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi
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4

Piatti-Farnell, Lorna, and Angelique Nairn. "The Magic of Media and Culture." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3018.

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The Magic of Media and Culture In his book The History of Magic (2020), Chris Gosden contends that magic is a product of human connection with the universe, offering answers to questions of meaning and reality, and surviving for centuries because of its capacity for constant renewal. Furthermore, magic has been, and continues to be, tied to the activities and beliefs of a myriad of cultural groups, guiding their understandings of, for example, transcendence, transformation, and transactions – cultural, social, political, or otherwise. Yet, despite magic accounting for any extraordinary occurre
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5

Pikner, Tarmo. "Contingent Spaces of Collective Action: Evoking Translocal Concerns." M/C Journal 14, no. 2 (2010). http://dx.doi.org/10.5204/mcj.322.

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Collectives bring people and their concerns together. In the twenty-first century, this assembly happens across different material and virtual spaces that, together, establish connective layers of society. A kind of politics has emerged that seeks new forms of communication and expression and proposes new modes of (co)existence. Riots in the suburbs of metropolitan areas, the repair of a public village centre, railway workers’ strikes, green activists’ protests, songs in support of tsunami victims… These are some examples of collective actions that unite people and places. But very often these
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6

Starrs, Bruno. "Hyperlinking History and Illegitimate Imagination: The Historiographic Metafictional E-novel." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.866.

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‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Linda Hutcheon in 1988, and which refers to the postmodern practice of a fiction author inserting imagined--or illegitimate--characters into narratives that are intended to be received as authentic and historically accurate, that is, ostensibly legitimate. Such adventurous and bold authorial strategies frequently result in “novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages” (Hutcheon, A Poetics 5). They can be so entertaining and
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7

Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th
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Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha
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Books on the topic "Brennan, Michael (Fictitious character)"

1

Gur, Batya. Murder in Jerusalem: A Michael Ohayon mystery. HarperCollins Publishers, 2006.

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2

Reichs, Kathy. Devil bones. Scribner, 2008.

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Reichs, Kathy. Bare bones. Pocket Star Books, 2004.

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Reichs, Kathy. Bare bones. Scribner, 2003.

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Reichs, Kathy. Bare bones. BCA, 2003.

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6

James, Patterson. I, Michael Bennett. Little, Brown and Co., 2012.

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7

Gur, Batya. Murder duet: A musical case. HarperCollinsPublishers, 1999.

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Reichs, Kathy. Deja dead. Mpact, 1999.

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9

Reichs, Kathy. Bare bones. W. Heinemann, 2003.

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Reichs, Kathy. Bare bones. BCA, 2003.

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