Academic literature on the topic 'Bridesmaids, fiction'

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Journal articles on the topic "Bridesmaids, fiction"

1

Mr., Vitthal Gangaram Shinde. "Reflection of Social Norms in Ruth Rendell's Mystery Fiction." International Journal of Advance and Applied Research S6, no. 36 (2025): 67–73. https://doi.org/10.5281/zenodo.15544197.

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<em>The present paper is an attempt to focus on the social norms which are reflected in the mystery&nbsp;&nbsp; with specific reference in fictional work of the acclaimed British Woman Novelist. Ruth Rendell is known as the second queen of mystery fiction. Rendell uses her mystery literature to illustrate a number of issues. She employs enigma, suspense, crime, and murder in her novels. Even though she was a female novelist, she was just as adept at expressing today's societal themes as male novelists. She often made the Sunday Times bestseller list. Her best-selling books include standalone p
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Mar Rivas-Carmona, María del. "Reading Information in Crime Fiction: A Linguistic Analysis of Ruth Rendell’s The Bridesmaid (1989)." Journal of Social Sciences Research, no. 512 (December 25, 2019): 1908–13. http://dx.doi.org/10.32861/jssr.512.1908.1913.

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Crime fiction is a popular genre which deserves a close analysis of its overall communicative devices. It is the aim of this paper to analyse Ruth Rendell’s The Bridesmaid (1989), allegedly considered one of the masterpieces of this well-known genre. Our study endeavours to identify, on the one hand, features which characterize this kind of fiction and, on the other hand, passages where the reader may feel in that state of disappointment due to the author’s provision of unrequired information. The latter is undoubtedly one of the basic standpoints typically employed to deny the literary status
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3

Bessen, Mark. "Drag Brunch." After Dinner Conversation 4, no. 11 (2023): 17–37. http://dx.doi.org/10.5840/adc2023411103.

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Are drags shows modern minstrel shows for straight party girls? Can defense of values be compromised for special occasions? In this work of philosophical short story fiction, Hannah is getting married and off to Miami for a girl’s weekend bachelorette party. Her longtime gay friend Kyle, is not invited. Hannah’s mother has budgeted $100,000 for the wedding and bachelorette party on the condition Kyle not be invited. Hannah’s wedding is her special day, the money will make it perfect, so she has her bridesmaid (who should have been Kyle!) message Kyle, last minute, to uninvite him. Of course, s
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4

Mr., Vitthal Gangaram Shinde. "Representation of Criminal Women Characters in Ruth Rendell's Mystery Fiction." Literary Enigma 1, no. 2 (2025): 58–65. https://doi.org/10.5281/zenodo.15315978.

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Abstract &nbsp; The present paper is an attempt to analyze the criminal women characters which are represented in the mystery and crime with specific reference in fictional work of the acclaimed British Woman Novelist. Ruth Rendell is known as the second queen of mystery fiction. Rendell uses her mystery literature to illustrate a number of issues. She employs enigma, suspense, crime, and murder in her novels. Even though she was a female novelist, she was just as adept at expressing today's societal themes as male novelists. She often made the Sunday Times bestseller list. Her best-selling bo
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5

Bond, Sue. "Heavy Baggage: Illegitimacy and the Adoptee." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.876.

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Teichman notes in her study of illegitimacy that “the point of the legitimate/illegitimate distinction is not to cause suffering; rather, it has to do with certain widespread human aims connected with the regulation of sexual activities and of population” (4). She also writes that, until relatively recently, “the shame of being an unmarried mother was the worst possible shame a woman could suffer” (119). Hence the secrecy, silences, and lies that used to be so common around the issue of an illegitimate birth and adoption.I was adopted at birth in the mid-1960s in New Zealand because my mother
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6

Baird, Barbara. "Before the Bride Really Wore Pink." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.584.

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Introduction For some time now there has been a strong critical framework that identifies a significant shift in the politics of homosexuality in the Anglo-oriented West over the last fifteen to twenty years. In this article I draw on this framework to describe the current moment in the Australian cultural politics of homosexuality. I focus on the issue of same-sex marriage as a key indicator of the currently emerging era. I then turn to two Australian texts about marriage that were produced in “the period before” this time, with the aim of recovering what has been partially lost from current
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Books on the topic "Bridesmaids, fiction"

1

Costello, Jane. Bridesmaids. Pocket, 2008.

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Cannell, Dorothy. Bridesmaids revisited. Viking, 2000.

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Hopkins, Cathy. Bridesmaids' club. Kingfisher, 2009.

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M, Martin Ann. Here come the bridesmaids. Scholastic, 1994.

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5

Laurens, Stephanie. Royal Bridesmaids: An original anthology. Center Point Large Print, 2013.

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Colter, Cara. Just married! Harlequin, 2010.

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Abbott, Hailey. The bridesmaid. Delacorte Press, 2005.

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Abbott, Hailey. The Bridesmaid. Delacorte Press, 2005.

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Abbott, Hailey. The bridesmaid. Delacorte Press, 2005.

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Parkhurst, Kat. Here comes the bride. Thorpe, 2011.

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