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Journal articles on the topic 'Brigands and robbers in literature'

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Published: 4 June 2021
Last updated: 26 July 2024

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1

Votruba, Martin. "Hang Him High: The Elevation of Jánošík to an Ethnic Icon." Slavic Review 65, no. 1 (2006): 24–44. http://dx.doi.org/10.2307/4148521.

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In this paper, Martin Votruba traces the evolution of the Jánošík myth. The highwayman Jánošík is a living legend in Czech, Polish, and Slovak cultures. Contrary to common claims, the modern celebratory myth of the brigand hanged in the eighteenth century is at odds with the traditional images of brigandage in the western Carpathians. Folk songs and The Hungarian Simplicissimus of the seventeenth century often anathematize highway robbery. High literature of the mostly Slovak counties of the Kingdom of Hungary in the Habsburg empire similarly cast Jánošík as a criminal. Yet some intellectuals,
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2

Lane, Kris. "The sweet trade revived." New West Indian Guide / Nieuwe West-Indische Gids 74, no. 1-2 (2000): 91–97. http://dx.doi.org/10.1163/13822373-90002571.

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[First paragraph]Women Pirates and the Politics of the Jolly Roger. ULRIKE KLAUSMANN, MARION MEINZERIN & GABRIEL KUHN. New York: Black Rose Books, 1997. x + 280 pp. (Paper US$ 23.99)Pirates! Brigands, Buccaneers, and Privateers in Fact, Fiction, and Legend. JAN ROGOZINSKI. New York: Da Capo Press, 1996. xvi + 398 pp. (Paper US$ 19.95)Sir Francis Drake: The Queens Pirate. HARRY KELSEY. New Haven: Yale University Press, 1998, xviii + 566 pp. (Cloth US$ 35.00)A General History of the Robberies and Murders of the Most Notorious Pirates. CAPT. CHARLES JOHNSON (edited and with introduction by DA
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3

Iya, Palmo. "PATỦK: Caviteño Brigands’ Legacy in History". Academia Lasalliana Journal of Education and Humanities 4, № 2 (2023): 133–48. http://dx.doi.org/10.55902/qdvi6818.

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Patúk is the term of the Ivatans for hammer which is a certain tool used for beating metals or driving nails. It is also similar with the words “pukpok” (beat/hit), “bayo” (pound), or “dikdik” (smash) which denote hitting or beating something with force in order to bury or fix it. The term patúk was used to draw the acronym of the study on Pamana ng mga Tulisang Kabitenyo sa Kasaysayan (Caviteño Brigands’ Legacy in History). Cavite is known not only as a province of gallant revolutionaries who fought for Philippine independence but as a province with the widest record of banditry in Philippine
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4

Lovell-Smith, Rose. "Peter, Potter, Rabbits, Robbers." Papers: Explorations into Children's Literature 19, no. 1 (2009): 17–29. http://dx.doi.org/10.21153/pecl2009vol19no1art1154.

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Critical discourses about realism and fantasy in children's literature have in the past included discussion of the merits, and demerits, of these conventions as they differently engage child readers. Beatrix Potter's works, situated at an intersection of the two literary conventions, seem to me rather to invite a useful complication of the distinction commonly made between them. Potter is clearly a fantasist. Yet aspects of her work support a scholarly tendency to claim her for realism, and this is often done by connecting Potter's life and works. In this essay I join those who have turned Pot
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5

I Made Oka Wiradharma, Anak Agung Sagung Laksmi Dewi, and Ni Made Sukaryati Karma. "Sanksi Pidana terhadap Pelaku Begal Bersepeda di Masa Pandemi Covid-19." Jurnal Konstruksi Hukum 3, no. 1 (2022): 24–28. http://dx.doi.org/10.22225/jkh.3.1.4229.24-28.

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The act of violent theft carried out by forcibly seizing other people's property rights, acts of theft accompanied by coercion are regulated in the Criminal Code (Civil Law Book) article 365. The purpose of this study is to analyze the legal arrangements against cycling robbers during a social pandemic. covid-19 and to examine sanctions against cycling robbers during the covid-19 pandemic. The use of the case study methodology for this study is in the categorization of normative legal studies where the study is carried out through the collection of legal materials through the application of li
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6

FENOALTEA, D. "Brigands and Bears in the Prologue to the Heptameron." French Studies 39, no. 4 (1985): 395–407. http://dx.doi.org/10.1093/fs/39.4.395.

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7

FENOALTEA, DORANNE. "BRIGANDS AND BEARS IN THE PROLOGUE TO THE HEPTAMÉRON." French Studies XXXIX, no. 4 (1985): 395–407. http://dx.doi.org/10.1093/fs/xxxix.4.395.

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8

FOLAJIMI, PELUMI. "Incorporating the Audience into Performance." Matatu 47, no. 1 (2016): 113–26. http://dx.doi.org/10.1163/18757421-90000398.

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The audience is an essential component of theatre performance. While actors perform on stage, the audience often contribute to the actions and activities of the performance by clapping, singing, and dancing (rhythmically shaking the body) or wooing the performers, as the case may be, or in other ways. Beyond these levels of participation, the audience can be fully incorporated into theatre performances. They can be made to perform, almost like the actors and actresses, in the play. Therefore, using Femi Osofisan’s Once Upon Four Robbers, the study investigates how the audience can be incorpora
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9

Anderson, Kris, and Christina Accomando. ""The Regulations of Robbers": Legal Fictions of Slavery and Resistance." Antioch Review 60, no. 2 (2002): 345. http://dx.doi.org/10.2307/4614337.

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10

Anderson, Kris, and Christina Accomando. ""The Regulations of Robbers": Legal Fictions of Slavery and Resistance." Antioch Review 60, no. 3 (2002): 532. http://dx.doi.org/10.2307/4614380.

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11

Decourt, Laetitia. "Brigands et chansons : l’altérité slave dans le transfert culturel de l’époque romantique." Revue des études slaves 89, no. 1-2 (2018): 119–31. http://dx.doi.org/10.4000/res.1727.

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12

Mortensen, Peter. "Robbing the Robbers : Schiller, Xenophobia and the Politics of British Romantic Translation." Literature & History 11, no. 1 (2002): 41–61. http://dx.doi.org/10.7227/lh.11.1.3.

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13

Bührle, Iris Julia. "Brigands in Pointe Shoes and Selfless Spirits: Salvage and Salvation in Nineteenth-Century Ballets." Comparative Critical Studies 14, no. 2-3 (2017): 169–86. http://dx.doi.org/10.3366/ccs.2017.0234.

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This paper deals with scenes of salvage and salvation in a number of nineteenth-century ballets which were mostly inspired by works of literature, and their afterlives. The term ‘salvage’ will be used in several metaphorical senses here. By tracing back ‘salvage’ to its wider etymological origins in the Latin word ‘saluus’, which refers to both physical and spiritual salvation, I will employ this term to describe the saving of the bodies and souls of ballet protagonists. I will argue that the evolution of ballet costumes and technique was linked to the appearance of a number of unconventional
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14

Hart, Gail. "Robbers, Readers, and Security: Christian August Vulpius and the Art of Mass Appeal." Seminar: A Journal of Germanic Studies 44, no. 3 (2008): 318–33. http://dx.doi.org/10.3138/seminar.44.3.318.

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15

Starkey, David J. "Voluntaries and Sea Robbers: A review of the academic literature on privateering, corsairing, buccaneering and piracy." Mariner's Mirror 97, no. 1 (2011): 127–47. http://dx.doi.org/10.1080/00253359.2011.10709036.

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16

I, Saranya Devi. "The Worship of Goddess Kotravai in Silappathikaram and the Life of the Eyinars." International Research Journal of Tamil 4, S-17 (2022): 6–10. http://dx.doi.org/10.34256/irjt224s172.

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Kotravai worship is the most important place in the worship of the mother goddess of the ancient Tamils. Kotravai is an ancient goddess. In Sangam literature, Kotravai is referred to by the names Pazhayol, Ganamar Selvi, and Ayirai. Literature indicates that the Eyinars worshipped the Goddess Kotravai. Ilangovadigal in the Madurai chapter has explained in detail the worship of the Kortavai of the Eyinars in the Vettuvavari story. The Eyinars have lived as an ethnic group. The leadership was not mentioned to them. The Eyinars lived as ethnic groups and made their living under the rule of chieft
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17

Melón Jiménez, Miguel Ángel. "‪La frontera entre rejas de papel‪." Mélanges de la Casa de Velázquez Tome 44, no. 2 (2014): 139–60. http://dx.doi.org/10.3917/mcv.442.0139.

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Au cours de l’époque moderne, l’État espagnol manifesta un intérêt croissant pour la surveillance et le contrôle des frontières sur lesquelles s’appuyait sa souveraineté. Ses zones limitrophes, instables la plupart du temps, furent peuplées de personnages qui se livraient au trafic illégal de marchandises comme simple mode de vie ou pour s’enrichir. Leur poursuite fut confiée en Espagne au Resguardo de rentas responsable du contrôle des douanes et, exceptionnellement, à l’armée, quand les violations provoquées par les contrebandiers et les brigands nécessitaient de prendre des mesures exceptio
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18

Nurhandono, Furqon, Darius Hariono Garda Perkasa, and Tri Kurniawan Yulianto. "KAJIAN AKADEMIS PERATURAN PELAKSANAAN CARA LAIN UNTUK MENGHITUNG PEREDARAN BRUTO YANG MENDUKUNG KEPATUHAN SUKARELA." Scientax 1, no. 2 (2020): 149–66. http://dx.doi.org/10.52869/st.v1i2.32.

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Regulation of The Minister of Finance of The Republic of Indonesia Number 15/PMK.03/2018 on Other Basis to Calculate Gross Income regulates determination of tax payable through indirect evidence other than evidence from bookkeeping. This regulation potentially become double edge sword for the tax authority's mission to collect revenues based on voluntary tax compliance. Based on the Slippery Slope Framework, if the tax authorities maintain the 'cops and robbers’' attitude, voluntary compliance tends to decrease (Kirchler, Hoelzl, and Wahl, 2008). Conversely, voluntary compliance will increase
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19

Fleming, Catherine. "The Agency of the Mob in Joseph Andrews and A True State of the Case of Bosavern Penlez." Eighteenth-Century Life 44, no. 1 (2020): 49–73. http://dx.doi.org/10.1215/00982601-7993644.

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In his novels and pamphlets, Henry Fielding promotes a hierarchical structure that suppresses the common people. But his writings, especially his novel Joseph Andrews, his pamphlets, the 1749 A True State of the Case of Bosavern Penlez and the 1751 Enquiry into the Causes of the Late Increase of Robbers, and his newspaper, the Covent Garden Journal, also display a certainty that the poor possessed both power and agency. He encouraged all citizens to take part in legal actions from policing to prosecuting. This essay argues that while he condemns citizens who attempt to change the law, he also
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20

Taudul, Anna. "Hajdamaky e Zamek kaniowski: due visioni della Kolijivščyna." Poznańskie Studia Polonistyczne. Seria Literacka, no. 39 (December 15, 2020): 167–80. http://dx.doi.org/10.14746/pspsl.2020.39.9.

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The article aims to analyse the theme of the Cossacks and the haidamaky, which was very present in the works of the great Ukrainian romantics, starting with Taras Shevchenko and Pantelejmon Kulish. It also became the object of poetic elaboration by various Polish poets including Juliusz Słowacki, and the lesser-known, but still interesting, Seweryn Goszczyński and Bohdan Zaleski. They became part of the so-called “Ukrainian school” of Polish Romanticism. In Poland, however, the poets did not interpret in a univocal way neither the historical role of the Sich of the Zaporozhye nor that of the h
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21

Moody, J. "Saints, Sinners, Saviors: Strong Black Women in African American Literature; "The Regulations of Robbers": Legal Fictions of Slavery and Resistance." American Literature 75, no. 2 (2003): 465–67. http://dx.doi.org/10.1215/00029831-75-2-465.

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22

Dyer, Gary. "Thieves, Boxers, Sodomites, Poets: Being Flash to Byron's Don Juan." PMLA/Publications of the Modern Language Association of America 116, no. 3 (2001): 562–78. http://dx.doi.org/10.1632/pmla.2001.116.3.562.

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“Flash,” the slang of the criminal and boxing subcultures, illuminates Byron's Don Juan more than critics have recognized. This slang was devised to hide meanings from most listeners, and the flash language in the scene in which robbers attack Juan exemplifies discursive encryption in general. Such encryption is not always evidence that the speakers need to conceal their meaning, but it reminds us that in Byron's Britain many groups of people needed to communicate in secret, most often because of illegal activity, including illegal sexuality. The poet's most dangerous secret was sodomy, a capi
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23

Dyer, Gary. "Thieves, Boxers, Sodomites, Poets: Being Flash to Byron's Don Juan." Publications of the Modern Language Association of America 116, no. 3 (2001): 562–78. http://dx.doi.org/10.1632/s0030812900112672.

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“Flash,” the slang of the criminal and boxing subcultures, illuminates Byron's Don Juan more than critics have recognized. This slang was devised to hide meanings from most listeners, and the flash language in the scene in which robbers attack Juan exemplifies discursive encryption in general. Such encryption is not always evidence that the speakers need to conceal their meaning, but it reminds us that in Byron's Britain many groups of people needed to communicate in secret, most often because of illegal activity, including illegal sexuality. The poet's most dangerous secret was sodomy, a capi
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24

Gregory, Justina. "The encounter at the crossroads in Sophocles'Oedipus Tyrannus." Journal of Hellenic Studies 115 (November 1995): 141–46. http://dx.doi.org/10.2307/631650.

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Toward the midpoint of theOTJocasta, in a bid to convince Oedipus of the unreliability of oracles, recalls the old prophecy that Laius was destined to die at the hands of his son. Jocasta points out that this prediction proved doubly mistaken, since Laius was killed by foreign robbers at a crossroads and his newborn child was exposed on the desolate mountainside (707–25). To Jocasta's surprise, Oedipus responds with agitation. He questions her closely about the circumstances of Laius' death and then embarks on an autobiographical narrative that touches on his early life in Corinth and his jour
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25

Sanz Mingo, Carlos. "Eric fighting in Guatemala. Adaptation and proximation of medieval Arthurian literature in Manuel Vázquez Montalbán’s Erec y Enide ." Journal of the International Arthurian Society 11, no. 1 (2023): 83–104. http://dx.doi.org/10.1515/jias-2023-0005.

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Abstract Europe boasts a large number of traditions and cultures which coexist in a relatively small space. However, despite this, different literary motifs and topics have been readapted and transformed into other different traditions. The Arthurian legend is a prime example of this. Whilst it originated in the British Isles, it rapidly expanded throughout the continent in many different cultural manifestations, from poetry to decorative arts, music to drama. The Arthurian legend acquired special importance in France, where Chrétien de Troyes’s Erec et Enide gave it a courtly touch. The Welsh
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26

Hammond, N. G. L. "The Archaeological and Literary Evidence for the Burning of the Persepolis Palace." Classical Quarterly 42, no. 2 (1992): 358–64. http://dx.doi.org/10.1017/s0009838800015998.

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Recent excavations in Macedonia have provided an analogy to the pillaging of the Palace at Persepolis. In plundered tombs at Aiani the excavators found a number of small gold discs with impressed rosettes and of gilded silver ivy leaves; at Katerini some thirty-five gold discs with impressed rosettes, a gold double pin, a gold ring from a sword-hilt, a bit of a gilded pectoral, gilded silver fittings once attached to a leather cuirass, many buttons and other fragments; and at Palatitsia (near Vergina) bits of a gilded bronze wreath and of a gold necklace, and an ivory fitting. It was suggested
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Waring, Luke. "What the Single Bamboo Slip Found in Mawangdui Tomb M2 Tells Us about Text and Ritual in Early China." T’oung Pao 106, no. 1-2 (2020): 56–86. http://dx.doi.org/10.1163/15685322-10612p03.

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Abstract A single bamboo slip was found at Mawangdui tomb M2 inside the passageway leading to the pit where Li Cang (d. ca. 186 BCE), the Marquis of Dai and Prime Minister of Changsha, was buried. Though almost entirely unnoticed in previous scholarship, the M2 slip has much to tell us about the overlapping textual, ritual, administrative, and funerary practices of early Western Han China. I offer a description of the slip, translations of its contents, a consideration of how it was used at the tomb site, and an analysis of what its archaeological context tells us about the use of talismans in
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Piliavsky, Anastasia. "The “Criminal Tribe” in India before the British." Comparative Studies in Society and History 57, no. 2 (2015): 323–54. http://dx.doi.org/10.1017/s0010417515000055.

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AbstractThis paper challenges the broad consensus in current historiography that holds the Indian stereotype of criminal tribe to be a myth of colonial making. Drawing on a selection of precolonial descriptions of robber castes—ancient legal texts and folktales; Jain, Buddhist and Brahmanic narratives; Mughal sources; and Early Modern European travel accounts—I show that the idea of castes of congenital robbers was not a British import, but instead a label of much older vintage on the subcontinent. Enjoying pride of place in the postcolonial critics' pageant of “colonial stereotypes,” the case
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Lockwood, Thomas. "An Enquiry into the Causes of the Late Increase of Robbers and Related Writings. Henry Fielding , Malvin R. Zirker." Modern Philology 87, no. 4 (1990): 410–13. http://dx.doi.org/10.1086/391808.

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30

Godlewski, Piotr, Paweł Ciszek, Robert Mruczyk, and Dariusz Skalski. "The Dangers of Travel—Banditry on the Roads: The Bibliometric Study of the Retrospective Literature." Sustainability 14, no. 24 (2022): 16944. http://dx.doi.org/10.3390/su142416944.

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Since the dawn of time, one of the main barriers to travel has been the fear of leaving one’s place of residence and travelling into a foreign unknown and dangerous space. However, at the same time, firmly rooted in human nature is the desire to know and experience travel, this archetypal inner need is the motive for undertaking travel. In the past, in ancient times, it was difficult to travel safely, not always succeeding in avoiding dangerous areas and being among the friendly inhabitants of distant countries. In modern times, too, travel is dangerous and no traveler can have the comfort of
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Пасс, Андрей Аркадьевич. "Litigation Related to Economic Offences During Great Patriotic War." ЖУРНАЛ ПРАВОВЫХ И ЭКОНОМИЧЕСКИХ ИССЛЕДОВАНИЙ, no. 4 (December 15, 2020): 129–38. http://dx.doi.org/10.26163/gief.2020.38.60.019.

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В статье с позиции неоинституционального подхода затрагивается актуальная проблема организации судебных слушаний по уголовным делам, относящимся к категории «хозяйственных». Впервые в научной литературе описаны условия, в которых приходилось проводить заседания в период 1941 - 1945 гг. Приведены сведения об образовании и стаже работы судей, их материально-бытовом обустройстве. Воспроизведена процессуальная сторона принятия решений в отношении расхитителей государственной собственности. Уделено внимание исполнению вынесенных приговоров. Автором сделан вывод о том, что реализация действовавших з
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Kundozerova, Maria V. "TYPE, MOTIF AND BASIC ELEMENT INDEX OF THE KESTENGA KARELIANS HISTORICAL PROSE." Folklore: structure, typology, semiotics 5, no. 4 (2022): 112–33. http://dx.doi.org/10.28995/2658-5294-2022-5-4-112-133.

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The article presents an index of the types, motives and basic elements of the legends recorded among the Kestenga Karelians on the territory of the modern Loukhsky district in the Republic of Karelia, and also partially in the Kandalaksha district in the Murmansk region. The identification of the legends’ motives was carried out based on the Scientific Archive of the Karelian Scientific Center RAS and the Phonogram Archive of the Institute of Linguistics, Literature and History of the Karelian Scientific Center RAS archival materials, as well as published notes and articles of travelers who vi
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Adiele, Promise. "Animist materialism in Femi Osofisan’s <i>No More the Wasted Breed (1983) </i>and <i>Once </i><i>Upon Four Robbers (1991)</i>." Research Journal in Advanced Humanities 5, no. 1 (2024): 16–30. http://dx.doi.org/10.58256/bh325w05.

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In his oeuvre, Femi Osofisan challenges class inequalities by upbraiding the materialistic predilections of the upper class. Therefore, critics view his plays as revolutionary manuscripts designed for social awakening and interpret them from a Marxist perspective. Marxist interpretation has, to a good degree, undermined other ideological potential and evident discursive engagements which abound in multiple hierarchies in his plays. This study advances the frontiers of interpretations in Osofisan’s plays by providing alternative meanings in them besides Marxism. Through the theoretical praxis o
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Imah, Rojimah, Siti Rochmiyati, and Bonifatius Sigit Yuniharto. "Telaah Nilai Gotong Royong pada Fabel untuk Pendidikan Karakter di Sekolah Dasar." Edukasi: Jurnal Penelitian dan Artikel Pendidikan 14, no. 1 (2022): 69–84. http://dx.doi.org/10.31603/edukasi.v14i1.7164.

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The type of literature that is seen as slick and useful for strengthening character education is fable. Fable is a type of fairy tale that raises the theme of animals as a play like humans who can talk, socialize, and behave like ordinary humans. In fables, the teachings of character values ​​are implicitly presented which are based on the intrinsic elements of the fable. The purpose of this research is to explore and describe the value of gotong royong contained in the fable text entitled Three Brothers, the Clever Crow, Four Friends Against Robbers, Pelican Girls, and United Fighting Crime b
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Pribadi, Tinto Sakti, and Yeny Prastiwi. "The Kind of Hedonism Life Styles Found in John Hughes’s The Home Alone Movie (1990)." Language Circle: Journal of Language and Literature 18, no. 2 (2024): 362–68. http://dx.doi.org/10.15294/lc.v18i2.49228.

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This research was conducted to analyze the types of hedonism that exist in the 1990 Home Alone film. Home Alone itself is not even a film that focuses on luxury, this film focuses on a situation where a child lives alone at home and is terrorized by a group of robbers who want the priceless stuffs in the house. Several scene on this movie feature scenes related to lifestyle. One of them is the hedon lifestyle. It also includes experiences that are intrinsically valuable, such as reading a good book. Hedonic lifestyles can be divided into 2 (two), as follows: (a) Egoistic Hedonism and (b) Unive
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Erne, Lukas. "Eighteenth-Century Swiss Peasant Meets Bard: Ulrich Bräker's A Few Words About William Shakespeare's Plays (1780)." Theatre Research International 25, no. 3 (2000): 255–65. http://dx.doi.org/10.1017/s0307883300019714.

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Britain began making Shakespeare her national poet early in the eighteenth century, and Germany followed suit a few decades later, progressively turning ‘unser Shakespeare’ into one of three national poets, with Goethe and Schiller. As early as 1773, Johann Gottfried Herder included his essay on ‘Shakespear’ in a collection entitled Von Deutscher Art und Kunst. The drama of the ‘Sturm und Drang’, which Herder's collection programmatically inaugurated, appropriated what Goethe (Götz von Berlichingen), Schiller (The Robbers) and their contemporaries (mis)understood to be Shakespeare's dramatic t
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Adkins, Evelyn. "THE SKIN OF A SWALLOW: APULEIUS, METAMORPHOSES 6.26." Classical Quarterly 69, no. 1 (2019): 457–61. http://dx.doi.org/10.1017/s0009838819000338.

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In Book 6 of Apuleius’ Metamorphoses, Lucius contemplates his possible death at the hands of the robbers. After one robber threatens to throw him off a cliff, he remarks to himself how easily such an act would kill him (Met. 6.26):‘uides istas rupinas proximas et praeacutas in his prominentes silices, quae te penetrantes antequam decideris membratim dissipabunt? nam et illa ipsa praeclara magia tua uultum laboresque tibi tantum asini, uerum corium non asini crassum, sed hirudinis tenue membranulum circumdedit. quin igitur masculum tandem sumis animum tuaeque saluti, dum licet, consulis?’‘Do yo
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Furasiev, Aleksey. "Cloisonne Zoomorphic Mounts of the Early 5th Century from Kertch: Function and Meaning." Nizhnevolzhskiy Arheologicheskiy Vestnik, no. 2 (December 2019): 181–96. http://dx.doi.org/10.15688/nav.jvolsu.2019.2.12.

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Among the finds from two vaults of the late antique necropolis of Bosporus discovered by robbers on June 24, 1904 there is a pair of zoomorphic mounts made in the technique of cloisonné inlay. In modern scientific literature, the issue of the interpretation and semantics of this zoomorphic image has not been considered so far. According to the author, the things reproduce the image of the Roman Capricorn. The composition of doubled figures or a protomes of these creatures turning their heads in different directions was first encountered on rare items of the Augustian time, most often on coins
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Ahmad Ibrahim Mohammed, Surajo Musa Yakubu, Adamu Magaji Abubakar, et al. "The Moderating Effect of Influence of Family and Friends on Awareness and Attitude towards the Acceptance of Islamic Microfinance in Kano State, Nigeria: Proposed framework." IJUS | International Journal of Umranic Studies 4, no. 1 (2021): 31–37. http://dx.doi.org/10.59202/ijus.v4i1.398.

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&#x0D; &#x0D; &#x0D; Purpose-Islamic micro-finance remain a key driver towards spreading small loan to such classes of the poor in society as it is delivering loans to small and medium enterprises (SMEs). It is also a means of curving of some social vices such as: herdsmen, cattle rustling, armed robbers and kidnappers among others. Despites all these role of Islamic micro finance to the economic growth and development, there are still inadequate awareness on Islamic microfinance which leads to insufficient investment and patronage by the people in Kano State. The objective of this research pa
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Oh, Hyundok, Moonhee Kwon, and Maksim A. Stoyakin. "Geophysical Prospection on the Ancient Tombs of Katartobe Burial Ground in Kazakhstan." Vestnik NSU. Series: History and Philology 20, no. 3 (2021): 36–45. http://dx.doi.org/10.25205/1818-7919-2021-20-3-36-45.

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Purpose. In 2015–2017, geophysical prospection (GPR survey and aerial photography) was conducted on Saka tombs of Katartobe burial ground in southeastern Kazakhstan. Modern methods of studying mounds supported new information to reconstruct tomb characteristics and supplement archaeological research of ancient nomads in Kazakhstan. Results. A GPR survey was carried out with mound and near-burial space at 27 tombs. On the radargrams, round, square, and oval shaped mounds covered with stones was traced. The centre of the mounds gave a weak reading, presumed to be the result of a wooden outer cof
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Shaw, Brent D. "C. Wolff, Les Brigands en Orient sous le haut-empire romain (Collection de l'École française de Rome 308). Rome: École française de Rome, 2003. Pp. viii + 294, 4 maps. ISBN 2-7283-0650-8. €32.00." Journal of Roman Studies 95 (November 2005): 270–71. http://dx.doi.org/10.1017/s0075435800002781.

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Zarubina, Kristina A., та Svetlana V. Sheveleva. "Professional Сrime in the Kursk Gubernia in the Second Half of the 19th – Early 20th Century: Materials from the State Archive of the Kursk Region". Herald of an archivist, № 1 (2021): 130–40. http://dx.doi.org/10.28995/2073-0101-2021-1-130-140.

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The study of regional aspects of crime in the pre-revolutionary period allows us to form a holistic view on the development of such socially dangerous criminal phenomenon as professional crime in Russia. Recent changes in Russian criminal law (2019–20), that are to protect the society from professional crime, have made studying the issue more significant. There is a gap in scientific knowledge of regional aspects of professional crime of the past. The scholarship either addresses the issue on the large scale (that of Russia as a whole), or focuses on big cities (Moscow, St. Petersburg). The ar
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Ben-Yishai, Steven. "‘BRIGANDS’ AND ‘TYRANTS’ IN JOSEPHUS’ BELLVM JVDAICVM." Classical Quarterly, September 7, 2021, 1–5. http://dx.doi.org/10.1017/s0009838821000689.

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Abstract This article argues against the long-enduring practice of Josephan scholarship to treat the terms τύραννος (‘tyrant’) and λῃστής (‘brigand’) as a collocation, or as undistinguished terms of invective employed by Josephus against various Jewish antagonists in his Bellum Judaicum (= BJ). Towards this aim, the article first examines the frequency in which these two terms appear together throughout the text of the BJ, before turning to a critical examination of particular passages that feature the terms, in order to prove that they are, in fact, not used as undistinguished terms of invect
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Koscholke, Jakob. "Robbers, pickpockets and average mutual firmness." Analysis, July 23, 2019. http://dx.doi.org/10.1093/analys/anz019.

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Abstract Mark Siebel (2004) has presented a compelling argument against Branden Fitelson’s (2003) probabilistic measure of coherence. The present paper shows how Siebel’s argument can be strengthened and thereby extended to an argument against a huge class of coherence measures from the literature including William Roche’s (2013) average mutual firmness account, which has not been challenged up to now.
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Gandolfi, Laura. "Princesa: The Textual Space Between Translation And Divergence." Journal of Lusophone Studies 8 (October 27, 2010). http://dx.doi.org/10.21471/jls.v8i0.102.

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This article examines Princesa, a testimonial text in which Fernanda Farias de Albuquerque, a Brazilian transvestite who emigrated to Italy in the early 1990s, narrates her life, from her childhood and adolescence in Brazil and through her trip to Europe. In the Roman prison of Rebibbia, Fernanda meets Maurizio Jannelli, a former member of the Italian Red Brigades sentenced to life for crimes related to the fighting of the seventies, and Giovanni Tamponi, a Sardinian shepherd imprisoned for various armed robberies. Fernanda, Maurizio and Giovanni will give life to this peculiar and hybrid text
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Vătavu, Bogdan-Vlad. "„Asemenea hoți înfrățiți cu poporul”: inventarea haiducului în cultura românească romantică." Transilvania, 2022. http://dx.doi.org/10.51391/trva.2022.11-12.16.

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In this paper I examine the discourse on banditry (haiducie) articulated by the romantic elite of 19th century Romania. By relying on the various literary productions of the era, from short stories to memoirs and travel literature, I posit that the image of the noble bandit is rather manufactured by the elite to fit their political agenda, if not actually imported from ready-made west-European bandit models. The reason behind the cosmetic treatment of robbers and highwaymen that the Romanian elites perform in their writings, is the same as that of their western counterparts: noble bandits are
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Moore, Grace. "Turkish Robbers, Lumps of Delight, and the Detritus of Empire: The East Revisited in Dickens's Late Novels." Critical Survey 21, no. 1 (2009). http://dx.doi.org/10.3167/cs.2009.210106.

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AKINRINLOLA, Temidayo, Raifu FARINDE, and Innocent ARIREMAKO. "Women in crime: a reader-response analysis of Femi Osofisan’s One upon Four Robbers." SALC, no. 57 (November 30, 2023). http://dx.doi.org/10.32690/salc57.3.

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"rarae fidei atque singularis pudicitiae femina—The Figure of Plotina in Apuleius' Novel (Metamorphoses 7.6-7)." Mnemosyne 61, no. 4 (2008): 619–33. http://dx.doi.org/10.1163/156852508x252803.

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AbstractThe character of Plotina is introduced to the reader in book 7 of Apuleius' novel in a tale told by Tlepolemus (in the disguise of the bandit Haemus) to the band of robbers in order to rescue his kidnapped fiancée Charite. Compared to most of the other female characters in the Metamorphoses this Plotina is quite unique in her chastity and marital devotion, but she also displays manly qualities. In this paper it is argued that Apuleius has chosen the name Plotina for his character on purpose, mirroring the historical model of the wife of the emperor Trajan, Pompeia Plotina, who likewise
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"Revolutionaries, Rebels and Robbers: The Golden Age of Banditry in Mexico, Latin America and the Chicano American Southwest, 1850-1950." Modern Language Review 112, no. 1 (2017): 272–74. http://dx.doi.org/10.1353/mlr.2017.0123.

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