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1

Bristol (England). Planning Department. An evaluation of Bristol Development Corporation: Two years on. Bristol: Bristol City Council, 1991.

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2

Baker, Jane. Bristol Lives: Volume Two,1852. Bristol: Jane Baker, 1991.

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3

Bowyer, Chaz. Bristol F2B fighter: King of two-seaters. London: I. Allan, 1985.

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4

Wakefield, Kenneth. Target Filton: The two Luftwaffe attacks in September, 1940. 2nd ed. Bristol: Redcliffe, 1990.

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5

Penny, John. Bristol's civil defence during World War Two. Bristol: Bristol Branch of the Historical Association, 1998.

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6

Bristol. Bristol TPP submission for 97/98: Transport policies and programme : incorporating Avon Area Package. Bristol: Bristol City Council, 1996.

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7

Mack, Thomas J. Hydrogeology, simulated ground-water flow, and ground-water quality at two landfills in Bristol, Vermont. Bow, N.H: U.S. Dept. of the Interior, U.S. Geological Survey, 1995.

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8

Mack, Thomas J. Hydrogeology, simulated ground-water flow, and ground-water quality at two landfills in Bristol, Vermont. Bow, N.H: U.S. Dept. of the Interior, U.S. Geological Survey, 1995.

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9

Knocking Bristol off the top. Bristol: Bristol Wheels Project, 1995.

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10

Bristol open top guided bus tour. Bristol: Rubicon Classic Travel, 1995.

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11

Bristol Royal Society for the Blind., ed. A time of transition: BRSB the first two hundred years. Bristol: Bristol Royal Society for the Blind, 1993.

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12

Two Cemeteries From Bristols Northern Suburbs. Cotswold Archaeological Trust, 2006.

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13

Jackson, Reg. Two groups of nineteenth century pipe waste from Bristol. Clay Pipe Research, 1991.

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14

Preston, Katherine K. George Frederick Bristow. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043420.001.0001.

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George Frederick Bristow (1825-1898), a pillar of the nineteenth-century New York musical community, was educated, lived, and worked in New York for his entire life. A skilled performer (piano, organ, violin, conducting), he was a decades-long member of the Philharmonic Societies of New York and Brooklyn, and conducted the Harmonic Society, Mendelssohn Union, numerous church choirs, and pickup choral and instrumental ensembles organized for special events. He taught music privately and in the public school system. Bristow’s professional activities were those of a highly skilled urban journeyman musician--typical of many who worked in America during the period. Bristow was a steadfast and outspoken supporter of American composers throughout his career. This started in 1854 with his participation--along with William Henry Fry and editor Richard Storrs Willis--in a months-long journalistic battle that centered on the Philharmonic Society’s lack of support for American composers, an activity that has dominated his historical reputation. But he was also a prolific composer: of five symphonies, two oratorios, an opera, many secular and sacred choral pieces, chamber music, songs, and works for piano and organ. As a quiet and self-effacing individual, Bristow was not a self-promoter. But many of his contemporaries regarded him as a skilled performer, a generous colleague, and the most important American classical composer during much of the mid-century period.
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15

Moore, Geoff. Virtue Ethics in Non-Business Organizations. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793441.003.0009.

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This chapter is the second of two which provide a summary of, and draw lessons from, the academic work which has been conducted using the framework which Alasdair MacIntyre’s work provides. The chapter focuses on non-business organizations. It considers examples from the performing arts: symphony orchestras, circuses, and jazz. It then considers other examples from the health sector: a case study from the UK’s National Health Service (NHS) which became known as the ‘Bristol Babies’ case, surgery, nursing, and a further study in the NHS of managers working in mental health. It concludes with two further examples: churches and journalism.
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16

Burke, Lucy. On (Not) Caring: Tracing the Meanings of Care in the Imaginative Literature of the ‘Alzheimer’s Epidemic’. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474400046.003.0034.

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The immediate context of this paper is the so-called ‘crisis in social care’ that finds its most prolific and unsettling expression in news reports about the verbal, emotional and physical abuse of elderly people with dementia in care homes. In April 2014, BBC One’s Panorama reported on the abuse of residents at the Old Deanery care home in Essex and Oban House in Croydon. In June 2014, one care worker was jailed and two others were given suspended sentences and community service for the ill treatment of women with dementia at the Granary Care Home near Bristol.
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17

Kiddey, Rachael. Homeless Heritage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746867.001.0001.

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Homeless Heritage describes the process of using archaeological methodologies to collaboratively document how contemporary homeless people use and experience the city. Drawing on fieldwork undertaken in Bristol and York, the book first describes the way in which archaeological methods and theory have come to be usefully applied to the contemporary world, before exploring the historical development of the concept of homelessness. Working with homeless people, the author undertook surveys and two excavations of contemporary homeless sites, and the team co-curated two public heritage exhibitions - with surprising results. Complementing a growing body of literature that details how collaborative and participatory heritage projects can give voice to marginalised groups, Homeless Heritage details what it means to be homeless in twenty-
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18

University of Texas at Austin. Center for American History, ed. Comfort & glory: Two centuries of quilts from the Briscoe Center. 2016.

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19

Fair, Alistair. ‘At the End of a Boom?’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807476.003.0008.

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This chapter discusses theatre-building in Britain in the 1970s and 1980s. The 1970s has often been characterized as a period of economic and political crisis in British history in which the welfare state project was challenged. Yet theatre-building continued throughout the decade: in Scotland the late 1970s saw significant progress in several key projects. The chapter discusses the extent to which contextualism and economy were significant themes in the conception and design of such examples as Bristol Theatre Royal’s studio, Eden Court (Inverness), Pitlochry Festival Theatre, and Dundee Repertory Theatre. It also continues the narrative into the 1980s, showing how the likes of Plymouth Theatre Royal and the West Yorkshire Playhouse represent an evolution of ideas established during the previous two decades. The chapter concludes by aligning the history of theatre architecture in these decades with a recent trend to advance more positive narratives of their history generally.
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20

Artspace, ed. Bristol-Hannover art exhibition celebrating the 40th twinning anniversary of the two cities ...: [catalogue and informative brochure on Artspace]. Bristol: Artspace, 1987.

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21

Sheppard, John. On Trees, Their Uses and Biography: Being the Substance, with Additions, of Two Lectures Delivered Before the Frome Institution, and in Bristol. HardPress, 2020.

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22

Glancy, Mark. Cary Grant, the Making of a Hollywood Legend. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190053130.001.0001.

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Archie Leach was a poorly educated, working-class boy from a troubled family living in the backstreets of Bristol. Cary Grant was Hollywood’s most debonair film star—the embodiment of worldly sophistication. Cary Grant: The Making of a Hollywood Legend tells the incredible story of how the sad, neglected boy became the suave, glamorous star. The first biography to be based on Grant’s own personal papers, the book takes the reader on a fascinating journey from his difficult childhood through years of struggle in music hall and vaudeville, a hit-and-miss career in Broadway musicals, and three decades of film stardom during Hollywood’s golden age. For the first time, the bitter realities of Grant’s impoverished childhood are revealed, including his mother’s mental illness and his expulsion from school at the age of fourteen. New light is shed on his trailblazing path as a film star who defied the studio system and took control of his own career. His genius as an actor and a filmmaker is highlighted through identifying the crucial contributions he made to classic films such as Bringing Up Baby (1938), The Philadelphia Story (1940), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959), Charade (1963) and Father Goose (1964). His own search for happiness and fulfilment, which led him to having his first child at the age of sixty-two and embarking on his fifth marriage at the age of seventy-seven—is explored with new candor and insight. Cary Grant: The Making of a Hollywood Legend is the definitive account of the professional and personal life of an unforgettable star.
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