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Relevant bibliographies by topics / British and Irish literature|Science history|Philosophy / Dissertations / Theses

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Dissertations / Theses on the topic 'British and Irish literature|Science history|Philosophy'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Hanan, Rachel Ann 1978. "Words in the world: The place of literature in Early Modern England." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11156.

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ix, 268 p. : ill. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>"Words in the World" details the ways that the place of rhetoric and literature in the sixteenth and seventeenth centuries changes in response to the transition from natural philosophy to Cartesian mechanism. In so doing, it also offers a constructive challenge to today's environmental literary criticism, challenging environmental literary critics' preoccupation with themes of nature and, by extension, with representational language. Reading auth

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2

Misich, Courtney Misich. "Social and Spatial Mobility in the British Empire: Reading and Mapping Lower Class Travel Accounts of the 1790's." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1505864270348148.

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3

Ghosal, Torsa. "Books with Bodies: Experientiality in post-1980s Multimodal Print Literature." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1495399434096337.

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4

Jones, Jared. "Winging It: Human Flight in the Long Eighteenth Century." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1565963832584991.

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5

Buchsbaum, Robert Michael III. "The Surprising Role of Legal Traditions in the Rise of Abolitionism in Great Britain’s Development." Wright State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=wright1416651480.

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6

Lovelle, Taylor Patterson. "From Holocene to Anthropocene and Back Again| A Deep Ecological Critique of Three Apocalyptic Eco-Narratives in the Long Nineteenth Century." Thesis, University of Colorado at Boulder, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10809976.

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<p> This thesis utilizes concepts of the ecocritical theory of deep ecology to elucidate non-anthropocentricism and nature’s agency as depicted by three apocalyptic eco-narratives written in the long nineteenth century: Mary Shelley’s <i>The Last Man</i> (1826), Richard Jefferies’ <i> After London</i> (1885), and M. P. Shiel’s <i>The Purple Cloud </i> (1901). I offer readings of these texts as “Anthropocenic” science fiction novels, building upon Paul J. Crutzen’s work on the Anthropocene, our current geological epoch. Utilizing literary, historic, and

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7

Gall, Sethunya Mokoko. "Kingdom in the Sky." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10784968.

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<p> <i>Kingdom in the Sky</i> is a collection of ten stories that expose the impact and residues of the regime of Apartheid in the southern hemisphere of Africa, Lesotho. The stories are threaded together by their narrator—Qenehelo—a boy who takes care of his ill parents, and loses them at age twelve. Qenehelo takes an <i>English Dictionary</i> and a <i>National Geographic Magazine</i>, and teaches himself English. Assisted by a good-hearted Peace Corps volunteer, Qenehelo is saved and educated. The stories center around the orphaned narrator’s undertakings as he takes on adu

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8

Kuhn, Andrew Alan. "Networking Institutions of Literary Modernism: Technologies of Writing in Yeats, Joyce, Gissing, and Woolf." Thesis, Boston College, 2018. http://hdl.handle.net/2345/bc-ir:107980.

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Thesis advisor: Marjorie Howes<br>Networking Modernist Institutions: Technologies of Literature in Yeats, Joyce, Gissing, and Woolf explores how authors, readers, and books were linked through complex institutions that produced, distributed, organized, and manipulated literary works. More specifically, I argue that often-overlooked literary systems, such as the private press industry, postal service, and libraries, governed the interaction between books and people. In doing so, I look first to W. B. Yeats and the bookmaking traditions that shaped his notion of a sacred book of literature. By l

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9

Swanson, Michael David. ""The Vehicle of Delight and Morality": Humor and Sentiment in the Plays of John O'Keeffe as a Reflection of Late Eighteenth-Century English Theatrical Comedy." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382014382.

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10

Halamek, Julia R. "Mechanical Transformations: The Active Roles of Machines in British Industrial-Era Writings." Cleveland State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=csu1623615240511243.

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11

Horansky, Eileen A. "SEXUALIZING THE BODY POLITIC: NARRATING THE FEMALE BODY ANDTHE GENDER DIVIDE IN SECRET HISTORY." Cleveland State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=csu1431019120.

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12

Godbey, Margaret J. "Vying for Authority: Realism, Myth, and the Painter in British Literature, 1800-1855." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/81444.

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English<br>Ph.D.<br>Over the last forty years, nineteenth-century British art has undergone a process of recovery and reevaluation. For nineteenth-century women painters, significant reevaluation dates from the early 1980s. Concurrently, the growing field of interart studies demonstrates that developments in art history have significant repercussions for literary studies. However, interdisciplinary research in nineteenth-century painting and literature often focuses on the rich selection of works from the second half of the century. This study explores how transitions in English painting durin

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13

Schuler, Anne-Marie E. "Counsel, Political Rhetoric, and the Chronicle History Play: Representing Conciliar Rule, 1588-1603." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1321840691.

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14

Tann, Donovan Eugene. "Spaces of Religious Retreat in Seventeenth-Century English Literature and Culture." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/277961.

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English<br>Ph.D.<br>Religious spaces are inextricably bound to the seventeenth century's most challenging theological and epistemological questions. In my dissertation, I argue that seventeenth-century writers represent specifically religious spaces as testing grounds for contemporary theological and philosophical debates about the material foundations of religious knowledge and the epistemological foundations of religious community. By examining how religious concerns shape the period's construction of literary spaces, I contend that religion's developing privacy reflects this previously unex

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15

Washington, David. "Facing Sympathy: Species Form and Enlightenment Individualism." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1343758507.

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16

Dixon, Marzena M. "The structure and rhetoric of twentieth-century British children's fantasy." Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/14858.

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This thesis discusses twentieth century children's fantasy fiction. The writers whose creative output is dealt with include Penelope Lively, Alan Garner, Susan Cooper, Pat O'Shea, Peter Dickinson, T.H.White, Lloyd Alexander and, to a lesser extent, C.S.Lewis and J.R.R.Tolkien. These authors have been chosen because their books, whilst being of a broadly similar nature, nevertheless have a sufficient diversity to illustrate well many different important aspects of children's fantasy. Chapter I examines the sources of modern fantasy, presents the attitudes of different authors towards borrowing

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17

Mercurio, Jeremiah Romano. "Fantasy as a mode in British and Irish literary decadence, 1885–1925." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1964.

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This Ph. D. thesis investigates the use of fantasy by British and Irish 'Decadent' authors and illustrators, including Oscar Wilde, Max Beerbohm, Aubrey Beardsley, 'Vernon Lee' (Violet Paget), Ernest Dowson, and Charles Ricketts. Furthermore, this study demonstrates why fantasy was an apposite form for literary Decadence, which is defined in this thesis as a supra-generic mode characterized by its anti-mimetic impulse, its view of language as autonomous and artificial, its frequent use of parody and pastiche, and its transgression of boundaries between art forms. Literary Decadence in the Unit

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18

Maynes-Aminzade, Elizabeth. "Macrorealism: Fiction for a Networked World." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11157.

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Victorian novels were, generally speaking, big. But what forms did their bigness take? Why did a "macro" aesthetic prevail in the mid-nineteenth century? And why, after losing influence in the following century, has it returned in recent years? This dissertation identifies three distinct features - one spatial, one temporal, one intellectual - crucial to that aesthetic. Moreover, it explains why that kind of fiction, which I call macrorealism, has come into fashion at two different historical moments.

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19

Woodring, Benjamin Michael. ""Oft Have I Heard of Sanctuary Men": Fictions of Refuge in Early Shakespeare." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11670.

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This study weaves together several strands of inquiry. On the level of dramatic analysis, I look to understand how "sanctuary" spaces operate in Shakespeare's early plays and the ways in which such zones relate to genre. In tragedy, there is no escape valve, no place for retreat. The aesthetic depends on the increasing pressure and the gradual winnowing of options and possibilities. I analyze Richard III (both Thomas More's and Shakespeare's) as the preeminent example of sanctuary-breaking and generic claustrophobia. In Shakespearean comedy, on the other hand, sanctuaries allow action to conti

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20

Kondrlik, Kristin E. "(Re)Writing Professional Ethos: Women Physicians and the Construction of Medical Authority in Victorian and Edwardian Print Culture." Case Western Reserve University School of Graduate Studies / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=case1459462312.

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21

Estes, Sharon Lynn. "Inverted Audiences: Transatlantic Readers and International Bestsellers, 1851-1891." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1376042728.

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22

Richmond, Andrew Murray. "Reading Landscapes in Medieval British Romance." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1428671857.

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23

Goodman, Lesley Anne. "Indignant Reading." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10980.

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In 1871, R. H. Hutton criticized George Eliot for "unfairly running down one of her own characters": Middlemarch's Rosamond Vincy. Hutton blamed Eliot for being cruel to her own creation and used his role as a reader and a critic to lodge a public complaint on Rosamond's behalf. Indignant Reading identifies this response--dissatisfaction and even anger with an author for his/her perceived mistreatment of a fictional character--as a common occasion for literary criticism in the nineteenth century. The indignant readings found in Victorian reviews, letters, and prefaces advance conceptions of pl

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24

Petraska, Megan Nicole. "SECRET HISTORY IN CONTEMPORARY AMERICA: RE-READING ALL THE KING'S MEN AND PRIMARY COLORS." Cleveland State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=csu1461871756.

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25

Cheatle, Joseph. "BETWEEN WILDE AND STONEWALL: REPRESENTATIONS OF HOMOSEXUALITY IN TWENTIETH-CENTURY BRITISH AND AMERICAN LITERATURE." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1406501605.

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26

Harrison, Dana M. "Realism in Pain: Literary and Social Constructions of Victorian Pain in the Age of Anaesthesia, 1846-1870." Thesis, Temple University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3564812.

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<p> In 1846 and 1847, ether and chloroform were used and celebrated for the first time in Britain and the United States as effective surgical anaesthetics capable of rendering individuals insensible to physical pain. During the same decade, British novels of realism were enjoying increasing cultural authority, dominating readers' attention, and evoking readers' sympathy for numerous social justice issues. This dissertation investigates a previously unanswered question in studies of literature and medicine: how did writers of social realism incorporate realistic descriptions of physical pain, a

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27

Wagner, Christina. "James and Shakespeare: Unification through Mapping." Cleveland State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=csu1431114265.

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28

Renye, Jeffrey Michael. "Panic on the British Borderlands: The Great God Pan, Victorian Sexuality, and Sacred Space in the Works of Arthur Machen." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/214792.

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English<br>Ph.D.<br>From the late Victorian period to the early twentieth century, Arthur Machen's life and his writing provide what Deleuze and Guattari argue to be the value of the minor author: Contemporary historical streams combine in Machen's fiction and non-fiction. The concerns and anxieties in the writing reflect developments in their times, and exist amid the questions incited by positivist science, sexological studies, and the dissemination and popularity of Darwin's theories and the interpretations of Social Darwinism: What is the integrity of the human body, and what are the relev

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29

Cardwell, Emily Marie. ""To Dissolve the Barbarous Spell": The Significance of Female Education in Eighteenth-Century English Literature." Ashland University Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=auhonors1493719150574665.

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30

Joseph, James R. "Sarum Use and Disuse: A Study in Social and Liturgical History." University of Dayton / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1470048407.

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31

Sipley, Tristan Hardy 1980. "Second nature: Literature, capital and the built environment, 1848--1938." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10911.

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x, 255 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This dissertation examines transatlantic, and especially American, literary responses to urban and industrial change from the 1840s through the 1930s. It combines cultural materialist theory with environmental history in order to investigate the interrelationship of literature, economy, and biophysical systems. In lieu of a traditional ecocritical focus on wilderness preservation and the accompanying literary mode of nature writing, I bring attention to

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32

McCann, Michael Charles 1959. "Occult Invention: The Rebirth of Rhetorical Heuresis in Early Modern British Literature from Chapman to Swift." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12081.

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xiv, 234 p. : ill.<br>The twentieth-century project of American rhetorician Kenneth Burke, grounded in a magic-based theory of language, reveals a path to the origins of what I am going to call occult invention. The occult, which I define as a symbol set of natural terms derived from supernatural terms, employs a method of heuresis based on a metaphor-like process I call analogic extension. Traditional invention fell from use shortly after the Liberal Arts reforms of Peter Ramus, around 1550. Occult invention emerged nearly simultaneously, when Early Modern British authors began using occult s

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33

Senanayake, Samitha Sumanthri. "Reading the No-Self: Points of Convergence and Disjuncture Between the Concepts of the Poststructuralist No-Self and the Buddhist No-Self." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1501047392661818.

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34

Najar, Daronkolae Esmaeil. "Pam Gems: Rethinking Her Life and the Impact of Her Plays on British Stage." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523487108676837.

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35

Wardell, Kathryn Brenna. "The rake's progress: Masculinities on stage and screen." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11457.

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viii, 261 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>My dissertation analyzes the rake, the libertine male, a figure whose liminal masculinity and transgressive appetites work both to stabilize and unsettle hegemony in the texts in which he appears. The rake may seem no more than a sexy bad boy, unconnected to wider social, political, and economic concerns. However, my project reveals his central role in reflecting, even shaping, anxieties and desires regarding gender and sexuality, race and ethnicity.

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36

Schubert, Layla A. Olin 1975. "Material literature in Anglo-Saxon poetry." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10909.

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x, 208 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>The scattered instances depicting material literature in Anglo-Saxon poetry should be regarded as a group. This phenomenon occurs in Beowulf, The Dream of the Rood, and The Husband's Message. Comparative examples of material literature can be found on the Ruthwell Cross and the Franks Casket. This study examines material literature in these three poems, comparing their depictions of material literature to actual examples. Poems depicting material lit

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37

Luttrell, Eric G. "Persistent Mythologies: A Cognitive Approach to Beowulf and the Pagan Question." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12089.

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xi, 266 p.<br>This dissertation employs recent developments in the cognitive sciences to explicate competing social and religious undercurrents in Beowulf. An enduring scholarly debate has attributed the poem's origins to, variously, Christian or polytheistic worldviews. Rather than approaching the subject with inherited terms which originated in Judeo-Christian assumptions of religious identity, we may distinguish two incongruous ways of conceiving of agency, both human and divine, underlying the conventional designations of pagan and Christian. One of these, the poly-agent schema, requires a

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38

Woo, Chimi. "Cross-Cultural Encounter And The Novel: Nation, Identity, And Genre In Nineteenth-Century British Literature." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1204725332.

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39

Sen, Shiladitya. "Metatheatricality on the Renaissance Stage, the Audience and the Material Space." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/165652.

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English<br>Ph.D.<br>My dissertation examines how early modern metatheater enabled the Renaissance stage and its original audience to develop a complex and symbiotic relationship. Metatheater--by which I mean a particular mode of theatre, in which actors, playwrights, dramatic characters and/or (in particular) audiences express or share a perception of drama as a fictional and theatrical construct--pervaded Renaissance drama, not by simple happenstance but arising almost inevitably from the complex context within which it functioned. The early modern stage was a particularly conflicted forum, w

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40

Hill, Christopher Austin. "“We've All To Grow Old”: Representations of Agingas Reflections of Cultural Change on the Celtic Tiger Irish Stage." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365780726.

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41

Machenheimer, Cassandra Elizabeth. "An American "Bookbuilder": An Examination of Loyd Haberly and the Transatlantic Arts and Crafts Movement." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556243824913042.

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42

Nielsen, Alex Cahill. "Making Waves: Bacon, Manley, and the Shifting Rhetorics of Opulent At(a)lantis." Cleveland State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=csu1430996954.

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43

Cowell, Emma Mildred. "Dialogues with the Past: Musical Settings of John Donne's Poetry." Youngstown State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1339692006.

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44

Benham, M. Renee. "Beyond Nightingale: The Transformation of Nursing in Victorian and World War I Literature." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490186723107747.

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45

Kennedy, Colleen Elizabeth. "Comparisons Are Odorous: The Early Modern English Olfactory and Literary Imagination." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437648106.

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46

Hopkins, Stephen Chase Evans. "Solving the Old English Exodus: An Active Problem Solving Approach to the Poem." Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1303488106.

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47

Judkins, Ryan R. "Noble Venery: Hunting and the Aristocratic Imagination in Late Medieval English Literature." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1337896675.

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48

Williams, Christian Brant. "WOMEN’S MARITAL PROPERTY IN SHAKESPEARE’S ALL’S WELL THAT ENDS WELL AND MEASURE FOR MEASURE." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1503584564034864.

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49

Conley, Caitlyn Augusta Brianna. "Christianity as a Means of Identification: The Formation of Ethnic and Cultural Identities in the British Isles During the Early Medieval Period, 400-800." University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1537895575850201.

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50

Connolly, Matthew C. "Reading as Forgetting: Sympathetic Transport and the Victorian Literary Marketplace." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1531503253619764.

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