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Relevant bibliographies by topics / British Digital Broadcasting

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Academic literature on the topic 'British Digital Broadcasting'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "British Digital Broadcasting"

1

Rachmiati, Desy, Imam Qalyubi, and Zaitun Qamariah. "THE USE OF BRITISH BROADCASTING CORPORATION (BBC) PODCAST IN EFL STUDENTS' LISTENING SKILL IN IAIN PALANGKA RAYA." PROJECT (Professional Journal of English Education) 4, no. 4 (2021): 738. http://dx.doi.org/10.22460/project.v4i4.p738-743.

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A podcast is a digital multimedia file that can be downloaded to a portable media player, phone, or other device via the internet. There are many audio podcast that can be used in learning listening, one of them is British Broadcasting Corporation (BBC) podcast. This research aimed to describe how the contribution and the problems in using British Broadcasting Corporation (BBC) podcast in EFL students’ listening skill. This research was conducted at IAIN Palangka Raya. The type of this study was a qualitative approach. The data was taken from interview and documentation. Eight EFL students and

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2

Storr, Juliette. "The disintegration of the state model in the English speaking Caribbean." International Communication Gazette 73, no. 7 (2011): 553–72. http://dx.doi.org/10.1177/1748048511417155.

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Public service broadcasting evolved in the small states of the English speaking Caribbean as state broadcasting. As such, state broadcasting has been forced to change to compete with private broadcasters, cable, satellite and the internet. This article assesses the paradigm shift in public service broadcasting within the former British colonies of the Caribbean, with particular emphasis on Jamaica, the Bahamas, Barbados, and Trinidad and Tobago. Then the article discusses the changes in state broadcasting in the Caribbean region in recent decades in relation to market sector, audiences and dig

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3

Barr, Trevor. "The BBC Charter Review." Australian Journal of Telecommunications and the Digital Economy 4, no. 1 (2016): 54. http://dx.doi.org/10.18080/ajtde.v4n1.50.

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Both the British Broadcasting Corporation (BBC) and the Australian Broadcasting Corporation (ABC) are being subjected to close scrutiny, but from different quarters. During the lead up to the British general election in 2015, the Cameron Conservative government issued a Green Paper, BBC Charter Review, July-October 2015, which broke new ground in terms of the scope of such an enquiry for its level of institutional criticism. Whilst ostensibly the document only purported to raise options for future change, and invited public submissions for consideration, there has been widespread concern about

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Barr, Trevor. "The BBC Charter Review." Journal of Telecommunications and the Digital Economy 4, no. 1 (2016): 54–64. http://dx.doi.org/10.18080/jtde.v4n1.50.

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Both the British Broadcasting Corporation (BBC) and the Australian Broadcasting Corporation (ABC) are being subjected to close scrutiny, but from different quarters. During the lead up to the British general election in 2015, the Cameron Conservative government issued a Green Paper, BBC Charter Review, July-October 2015, which broke new ground in terms of the scope of such an enquiry for its level of institutional criticism. Whilst ostensibly the document only purported to raise options for future change, and invited public submissions for consideration, there has been widespread concern about

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5

Raw, Laurence. "Listen in terror: British horror radio from the advent of broadcasting to the digital age." Historical Journal of Film, Radio and Television 35, no. 2 (2015): 387–90. http://dx.doi.org/10.1080/01439685.2015.1030225.

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Gaber, Ivor, and Rodney Tiffen. "Politics and the media in Australia and the United Kingdom: parallels and contrasts." Media International Australia 167, no. 1 (2018): 27–40. http://dx.doi.org/10.1177/1329878x18766721.

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Australia and Britain share many common aspects in their democratic political and media systems, but there are also important differences. Perhaps the single most important media difference is that television has been a much more important element in the UK political communication system than it has been in Australia. The British Broadcasting Corporation is a much bigger and more central institution than the Australian Broadcasting Corporation, and commercial TV in Britain has a much stronger public service mandate. The British press has a national structure which can give it a substantive col

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Fitria, Tira Nur. "Investigating the Emergence of Digital Platforms for Listening Learning Proficiency." Al-Lisan 6, no. 2 (2021): 209–24. http://dx.doi.org/10.30603/al.v7i2.2217.

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This study investigates the use of any platforms in English language teaching and learning, especially in listening skills. This research design is qualitative. From the result, it shows that some technologies available both online or offline include applications or platforms that provide many choices for listening to English, they are. 1) Music platform. These platforms can be found in PlayStore, such as Joox and Spotify recommends songs for listening skills. 2) Youtube channel. Many YouTube channels for learning English listening skills include 1) Voice of America (VOA), BBC Learning English

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Keene, Rachael. "Film4, Freeview and Public Service Broadcasting: Screening Films on British Television in the Multi-channel Era." Journal of British Cinema and Television 11, no. 4 (2014): 499–516. http://dx.doi.org/10.3366/jbctv.2014.0231.

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This article analyses the shift in programming policy that took place when Channel 4's specialist subscription channel FilmFour was relaunched as Film4 on the Freeview digital terrestrial television platform in 2006. Adopting a similar survey approach to Hannah Andrews (2012), this article examines new data sources tracking patterns in programming and scheduling practices in order to interrogate the nationality, age and genre of films screened on both channels between 1998 and 2011. The changing character of film programming during this period is shown to relate, in part, to increased commerci

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Karyotakis, Minos-Athanasios, Nikos Panagiotou, Nikos Antonopoulos, and Matina Kiourexidou. "Digital Media Framing of the Egyptian Arab Spring: Comparing Al Jazeera, BBC and China Daily." Studies in Media and Communication 5, no. 2 (2017): 66. http://dx.doi.org/10.11114/smc.v5i2.2664.

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Digital Media organizations had a crucial role on the coverage of the Egyptian ‘Arab Spring’, but until today the outcomes of the news gathering are debatable in the academic society. This study examines the frames of the English-language websites of Al Jazeera, British Broadcasting Corporation (BBC), and China Daily from 9 to 13 February 2011 because of the termination of Hosni Mubarak’s presidency. The sample consists of 92 website articles, which report the Egyptian ‘Arab Spring’ without considering any video footage in the examined news stories. The particular article examines the frames o

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Budagyan, Regina R., and Marina L. Zaytseva. "Digital Technologies in the Modern Music Space." Observatory of Culture 17, no. 4 (2020): 368–78. http://dx.doi.org/10.25281/2072-3156-2020-17-4-368-378.

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At the turn of the 20th—21st centuries, musical culture transformation processes have been actively actualized, which is manifested in the use of digital and visual technologies by musicians, direc tors, producers, visual designers. The stages of transformation of modern musical culture have become relevant precisely for the reason that at the turn of the 20th—21st centuries, mass communication media have begun a process of transition to new digital technologies of implementation and delivery of audiovisual information to modern listeners. Modern specialists, by their activity’s results and it

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Dissertations / Theses on the topic "British Digital Broadcasting"

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Moult, Lisa. "The Effect of Management and Policy Change on the Diversity of Output Broadcast by BBC Radio One and BBC 1xtra between 2000-2004." Thesis, 2006. http://hdl.handle.net/10539/1474.

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Student Number: 0416806D MA Art and Culture Management 2004 Faculty of Humanities<br>British broadcasting has undergone significant change in recent years, as the nation prepares to switch from analogue to digital broadcasting. This process has already begun, with the full switch over to the digital platform scheduled in Britain for 2012. Appropriately, at the forefront of the development of digital broadcasting in Britain is its public broadcaster: The BBC. In line with both government, and organisational objectives, the BBC has developed a range of new television, and radio channels aimed

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Recchia, Josefina. "Programa Polos Audiovisuales Tecnológicos: diagnóstico de situación del Polo Centro Este durante los años 2010 a 2013." Bachelor's thesis, 2016. http://hdl.handle.net/11086/15266.

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En el año 2010, el Ministerio de Planificación Federal instrumentó el Programa Polos Audiovisuales Tecnológicos. Este programa se enmarcó dentro de una serie de políticas y normativas impulsadas por la gestión del gobierno de la Presidenta Cristina Fernández de Kirchner, entre ellas el decreto Nº 1148/09 de creación del Sistema Argentino de Televisión Digital Terrestre (SATVD-T) basado en la norma ISDB-T2 y la Ley de Servicios de Comunicación Audiovisual (Ley 26.522, 20093). Estas políticas públicas tuvieron como premisa la inclusión de todos los habitantes del país, con el fin de llevar a ca

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Books on the topic "British Digital Broadcasting"

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Broadcasting, British Digital. Application to the Independent Television Commission for multiplex service licenses. British Digital Broadcasting, 1997.

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Hybride Formen: New British Cinema, Television Drama, Hypermedia. WVT, Wissenschaftlicher Verlag Trier, 2001.

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BRITISH BROADCASTING CORPORATION. Y BBC y tu hwnt i 2000. British Broadcasting Corporation, 1998.

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Sue, Ralph, Brown Jo Langham, and Lees Tim, eds. Tune in or buy in?: Manchester Broadcasting Symposium : papers from the 27th University of Manchester Broadcasting Symposium. J. Libbey Media, 1997.

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5

Forum, Westminster Media, ed. Review of BBC digital television and radio services. Westminster Forum Projects Ltd., 2004.

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6

Listen in terror: British horror radio from the advent of broadcasting to the digital age. Manchester University Press, 2014.

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7

Bennett, Daniel. Digital Media and Reporting Conflict: Blogging and the BBC's Coverage of War and Terrorism. Taylor & Francis Group, 2016.

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Digital Media and Reporting Conflict: Blogging and the BBC's Coverage of War and Terrorism. Taylor & Francis Group, 2013.

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9

Solymar, Laszlo. Getting the Message. 2nd ed. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198863007.001.0001.

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Laszlo Solymar’s book is quite unique in the sense that it is the only one that covers all the major developments in the history of telecommunications for the past 4,000 years, like fire signals, the mechanical telegraph, the electrical telegraph, telephony, optical fibres, fax, satellites, mobile phones, the Internet, the digital revolution, the role of computers, and also some long-forgotten technologies like news broadcasting by a devoted telephone network. It tells the technical aspects of the story but also how it affects people and society; e.g.it discusses the effect of the electric tel

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Manfred, Meyer, and Internationales Zentralinstitut für das Jugend- und Bildungsfernsehen., eds. Educational television, what do people want?: Proceedings of a European conference. John Libby Media, 1997.

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Book chapters on the topic "British Digital Broadcasting"

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"The Dawn of the Digital Era." In An Introductory History of British Broadcasting. Routledge, 2005. http://dx.doi.org/10.4324/9780203995006-24.

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Murray, Andrew. "12. Copyright infringement in the digital environment." In Information Technology Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198804727.003.0012.

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This chapter analyses cases of copyright infringement in the online environment. It begins by analysing some early cases regarding file-sharing technologies, including A&M Records, Inc. v Napster, Inc., MGM Studios, Inc. v Grokster, Ltd, and Sweden v Neij et al. (the Pirate Bay case). It assesses new techniques for fighting illegal file-sharing, such as blocking access to websites offering file-sharing technology or indexes with a focus on the operation of s. 97A website blocking orders. It examines the recent Supreme Court decision in Cartier International v British Sky Broadcasting which will have substantial implications for costs in these orders. Finally, it describes the slightly controversial process known as speculative invoicing.

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Thompson, Mark. "Reflection on A Future for Public Service Television." In A Future for Public Service Television. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9781906897710.003.0003.

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This chapter argues that public service broadcasting (PSB) will become more important to British audiences over the next decade despite the fact that political support for PSB is weaker today than at any time in its history. For decades, regulators developed policies in the belief that PSB would become steadily less justified as technology and deregulation opened up new commercial content for British audiences. If PSB had any continued relevance, it would be in meeting market failure ‘gaps’, i.e. the continued provision of genres which are not attractive to audiences such as arts programmes and religious output. However, this assumption is false. While digital technology has increased the range of content available to consumers, it is also undermining the economics of commercial content providers. Market failure in the provision of high quality British content is more likely to increase than decrease over the next ten years.

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Sayer, Duncan, and Tony Walter. "Digging the Dead in a Digital Media Age." In Archaeologists and the Dead. Oxford University Press, 2016. http://dx.doi.org/10.1093/oso/9780198753537.003.0026.

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A number of recent events inside and outside of the heritage sector have triggered a lively and largely constructive debate about the excavation, display, and conservation of human remains in the UK (see Jenkins 2008, 2010; Moshenska 2009; Sayer 2009, 2010a; Parker Pearson et al. 2011; Giesen 2013). Two events have been of particular significance: the reburial of human remains prompted by requests to museums from the Pagan community, and independently of these requests the Ministry of Justice decided to revisit its conditions for the excavation of human remains (Parker Pearson et al. 2013). In the short term, these issues seem to have been resolved through open consultation and campaigning by archaeologists. British archaeologists consider that they have public support; public-facing archaeology develops strong links within local communities, the Portable Antiquities Scheme engages members of the public in the discovery of metal objects on a national scale, and TV and Radio programmes regularly include archaeology or excavation as their central theme. There are various ways to engage with archaeology outside of a traditional museum environment: people can shift soil or sit back and read about it in numerous academic and popular books, in magazines, and digitally on the internet. This chapter discusses this new digital environment by describing and analysing three events in British burial archaeology which deliberately sought coverage online and within global media. These are: 1) the burial campaign which was instrumental in raising the profile of the reburial problem in England; 2) the discovery of a cow and woman buried in the same grave in a fifth- and sixth-century cemetery at Oakington, Cambridgeshire; 3) the investigation of King Richard III’s final resting place in the city of Leicester. One of us was instrumental in publicizing the first two events; neither of us was involved in the third. We will refer also to a recent case in East Anglia where negative media publicity came unsought by the archaeologists concerned. In the mid-twentieth century, archaeology found a place in mass broadcasting and early shows like Animal, Vegetable and Mineral or Chronicle captured the public imagination (Bailey 2010).

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Roibás, Anxo Cereijo, and Stephen Johnson. "Use of Experimental Ethno-Methods to Evaluate the User Experience with Mobile Interactive Multimedia Systems." In Handbook of Research on User Interface Design and Evaluation for Mobile Technology. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-871-0.ch002.

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This chapter discusses research initially supported by the Vodafone Group Foundation and the British Royal Academic of Engineering, and subsequently by the BT Mobility Research Centre. It aims to unfold the user experience in future scenarios of mobile interactive multimedia systems, such as mobile iTV with plausible significance in entertainment, work, and government environments. Consolidated and experimental ethnographic data gathering techniques have been used to understand how peripatetic and nomadic users such as commuters and travelers interact in real contexts, taking into account their physical and social environment together with their emotions and feelings during interaction with the system. This approach potentially enhances the consistency and relevance of the results. This chapter also envisages how mobile users could become a sort of ‘DIY producers’ of digital content, prompting the emergence of mobile communities that collaborate to create their own ‘movies’ and exchanging them not only with other users but also places (real and virtual environments) and objects (intelligent objects and other digital-physical hybrids). This work illustrates that mobile and pervasive TV would go further than merely broadcasting TV content on handhelds; it will be a platform that will support collaboration and enhancement of creative skills among users.

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