Relevant bibliographies by topics / British English poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'British English poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "British English poetry"

1

Adams, T. "British Labouring-Class Nature Poetry, 1730-1837." English 59, no. 225 (2010): 215–17. http://dx.doi.org/10.1093/english/efp055.

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Harris, J. "An Elegy for Myself: British Poetry and the Holocaust." English 41, no. 171 (1992): 213–33. http://dx.doi.org/10.1093/english/41.171.213.

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Potts, D. L. "Pastoral Elegy in Contemporary British and Irish Poetry * Knowing One's Place in Contemporary Irish and Polish Poetry." English 63, no. 243 (2014): 349–51. http://dx.doi.org/10.1093/english/efu021.

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Ingelbien, Raphael. "Metres and the Pound: Taking the Measure of British Modernism." European Review 19, no. 2 (2011): 285–97. http://dx.doi.org/10.1017/s1062798710000554.

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Seen in the broader context of European modernism, British modernist literature stands out through the limited role of collective avant-gardes and the conservative or reactionary politics of the writers who make up the canon of modernist poetry. This article explores how these peculiarities are replicated in the use of traditional poetic forms (metres in particular) in the works of W.B. Yeats (1865–1939), Ezra Pound (1885–1972) and T.S. Eliot (1888–1965). As modernist (rather than avant-garde) writers, those poets rejected or backed away from free verse and simultaneously cultivated forms that
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Franklin, C. "Susan J. Wolfson., Formal Charges: The Shaping of Poetry in British Romanticism." English 50, no. 198 (2001): 273–76. http://dx.doi.org/10.1093/english/50.198.273.

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Franklin, C. "Susan J. Wolfson., Formal Charges: The Shaping of Poetry in British Romanticism." English 52, no. 202 (2003): 90–93. http://dx.doi.org/10.1093/english/52.202.90.

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CONNELL, PHILIP. "BRITISH IDENTITIES AND THE POLITICS OF ANCIENT POETRY IN LATER EIGHTEENTH-CENTURY ENGLAND." Historical Journal 49, no. 1 (2006): 161–92. http://dx.doi.org/10.1017/s0018246x0500508x.

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This article examines the scholarly recovery and popular reception of ‘ancient poetry’ in later eighteenth-century England, with a view to elucidating the relationship between cultural primitivism and more overtly politicized discourses of national identity. The publication of the poems of Ossian, in the early 1760s, gave a new prominence to the earliest cultural productions of Celtic antiquity, and inspired the attempts of English literary historians, such as Thomas Percy and Thomas Warton, to provide an alternative ‘Gothic’ genealogy for the English literary imagination. However, both the En
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Polovinkina, O. "ENGLISH MODERNISM AND AMERICAN ‘TOURISTS’." Voprosy literatury, no. 1 (September 30, 2018): 209–24. http://dx.doi.org/10.31425/0042-8795-2018-1-209-224.

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In recent years, modernist studies have tended to nationalize issues, putting forward specific features of American and British modernist writings. This article treats Anglo-American modernism in terms of ‘the inverted conquest’ (A. Mejias-Lopez) with America ‘wrestling cultural authority from its former European metropolis’. The article starts with the subject of periphery and centre changing places, first in the imagination of American writers and then in reality. In F. M. Ford’s novelThe Good Soldierthe situation is seen as if the American would absorb the English. An American John Dowell o
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Frolova, Natal’ya S. "Expatriate Kenyan poetry: Marjorie Phyllis Oludhe Macgoye and Stephen Derwent Partington." Vestnik of Kostroma State University 26, no. 4 (2021): 172–78. http://dx.doi.org/10.34216/1998-0817-2020-26-4-172-178.

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English-language poetry in Kenya emerges and begins to develop in the 1970s, a decade later than the Ugandan one. It was at this time that the first truly brilliant examples of poetic work appeared – these are poems of Jared Angira and Micere Githae Mugo, who later became classics of Kenyan literature, whose work characterises the two main directions of Kenyan English-language poetry of the second half of the 20th century – critical-realistic and philosophical-mystical [Frolova: 75–90]. Studying the English-language poetry of Kenya draws attention to such an interesting phenomenon as the Kenya
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Chapman, Alison. "INTERNATIONALISING THE SONNET: TORU DUTT'S “SONNET – BAUGMAREE”." Victorian Literature and Culture 42, no. 3 (2014): 595–608. http://dx.doi.org/10.1017/s1060150314000163.

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“When the history of theliterature of our country comes to be written, there is sure to be a page in it dedicated to this fragile exotic blossom of song” (Dutt xxvii). This sentence is Edmund Gosse's famous final flourish to his memoir of Toru Dutt, which introduced her posthumous volumeAncient Ballads and Legends of Hindustan, published in 1882, five years after her death from tuberculosis at the age of twenty-one. But what would Dutt's page look like in the history of “our country,” by which Gosse means of course England? This question is a tricky one, because placing a late nineteenth-centu
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Dissertations / Theses on the topic "British English poetry"

1

Jones, Philip. "Rewriting the Atlantic archipelago : modern British poetry at the coast." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/51877/.

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Despite a so-called ‘oceanic turn’, there has been relatively little attention paid to literary representations of the shoreline as a specific material and cultural site. This thesis examines how modern British poets respond to and represent the coastline in their work, with particular emphasis on notions of place and geographic scale. Whilst looking at the use of the archipelago in recent cultural and literary studies of British and Irish writing, this thesis argues for a more refined and complex sense of the archipelagic, one which responds to the needs and demands of an increasingly global
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Georganta, Konstantina. "Modern mimesis : encounters between British and Greek poetry, 1922-1952." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/1196/.

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This thesis considers the crisis in the portrayal of national spaces and national identities, insecure in the multiplicity of their cultural roots and thus diasporic and hybrid, from 1922, a year marked for its importance in the disintegration of imperial Britain and in the positioning of Greece on the threshold of its European literary Modernist inheritance, until 1952, the year of Louis MacNeice’s observations of Greece in his poetry collection Ten Burnt Offerings. The boundaries of cultures, states, religious beliefs and genders are considered in the figures of T.S. Eliot’s Mr. Eugenides, C
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Fox, Amy. "The place of madness and madness as place in British romantic poetry." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95225.

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This thesis examines representations of the madman in British Romantic poetry through a psychogeographical lens to argue that the poet strategically constructs madness as an unreachable place in order to secure his own role in society. In an age that privileges quantifiable labour and the tenets of Reason, the Romantic poet expresses anxiety that his more abstract, imaginative work will not be valued and his social position will thus be considered irrelevant or unproductive. The poet promotes himself as an eccentric, but not an outcast, by hierarchizing types of social exclusion, implicitly pr
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Pan, Lina. "Poetic Labor: Meaning and Matter in Robert Frost's Poetry." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1401.

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This thesis examines Frost’s conception of poetry as the labor of human value. It investigates how Frost consciously shaped his notions of “sound of sense” and metaphor, which he deemed fundamental elements of poetic labor, in contradistinction to the Modernist poetics of Eliot and Pound. The author closely examines a representative sample of Frost’s poetry and prose as critiques of Modernist poetic theory and its implications for what Frost deemed the essential human function of poetry. The thesis will interest scholars studying strains of English poetic thought that developed concurrently wi
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Kline, Barbara Rae. "A descriptive catalog of British library MS. Harley 7333 /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/9459.

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Milne, Anne. "'Lactilla tends her fav'rite cow' : domesticated animals and women in eighteenth-century British labouring-class women's poetry /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0029/NQ66225.pdf.

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Lindesay, Tamar. "The sound of the city collapsing : the changing perception and thematic role of the ruin in twentieth-century British and American poetry." Thesis, University of South Wales, 2003. https://pure.southwales.ac.uk/en/studentthesis/the-sound-of-the-city-collapsing(a371d1ec-c3ea-407a-a1f3-227d87559b3f).html.

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Mendoza-Kovich, Theresa Fernandez. "Representations of Scotland in Edwin Morgan's poetry." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2157.

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This thesis is an examination of the poetry of Edwin Morgan. It is a cultural analysis of Morgan's poetry as representation of the Scottish people. Morgan's poetry represents the Scottish people as determined and persistent in dealing with life's adversities while maintaining hope in a better future.
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Smith, Ben Oliver Sebastian. "Beating the bounds : exploring borders and scale in contemporary British environmental poetry." Thesis, University of Exeter, 2012. http://hdl.handle.net/10036/4394.

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This work consists of a collection of poetry, Lessons in Augury, preceded by a thesis, ‘Beating the Bounds: Exploring Borders and Scale in Contemporary British Environmental Poetry’. This thesis examines the significance of borders that are both culturally and ecologically meaningful, asking how these borders function in contemporary environmental poetry. It argues that such borders provide sites in which environmental poets can explore the interconnection of anthropocentric and ecocentric systems of value and work towards an understanding of human concerns at more-than-human, ecological scale
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Palmer, Ellen Beth. "Scripting native genius : Medieval poetry and the making of British identity, 1760-1785 /." *McMaster only, 2000.

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Books on the topic "British English poetry"

1

British poetry since 1939. Twayne Publishers, 1985.

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James, Persoon. Modern British poetry, 1900-1939. Twayne Publishers, 1999.

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Lumsden, Roddy. The best British poetry, 2011. Salt Publishing, 2011.

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British subjects. Bloodaxe Books, 1993.

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Robinson, Alan. Instabilities in contemporary British poetry. Macmillan, 1988.

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Robinson, Alan. Instabilities in contemporary British poetry. Macmillan, 1988.

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Alan, Robinson. Instabilities in contemporary British poetry. Macmillan Press, 1988.

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Johanson, Paula. Early British poetry: Words that burn. Enslow Publishers, 2010.

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Anthony, Thwaite, and British Council, eds. Poetry today: A critical guide to British poetry, 1960-1984. Longman in association with the British Council, 1985.

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Council, British, ed. Poetry today: A critical guide to British poetry, 1960-1995. Longman in association with the British Council, 1996.

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Book chapters on the topic "British English poetry"

1

Caddy, David. "‘Hidden’ Form: The Prose Poem in English Poetry." In British Prose Poetry. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77863-1_2.

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Jiang, Lan. "British Poet Launcelot A. Cranmer-Byng and Tang Poetry." In A History of Western Appreciation of English-translated Tang Poetry. Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-56352-6_5.

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Jiang, Lan. "British Diplomat William J. B. Fletcher." In A History of Western Appreciation of English-translated Tang Poetry. Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-56352-6_7.

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Jiang, Lan. "The British Sinologist and Poet Arthur Waley." In A History of Western Appreciation of English-translated Tang Poetry. Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-56352-6_6.

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Milton, Colin. "‘Half of My Seeing’: the English Poetry of Iain Crichton Smith." In British Poetry from the 1950s to the 1990s. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25566-5_11.

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Jiang, Lan. "British Sinologist Herbert A. Giles and His Contributions." In A History of Western Appreciation of English-translated Tang Poetry. Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-56352-6_3.

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Strabone, Jeff. "The Fall and Rise of the Welsh Bards, or, How the English Became British." In Poetry and British Nationalisms in the Bardic Eighteenth Century. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95255-0_3.

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"Poetry: British—General." In Reader's Guide to Literature in English. Routledge, 2012. http://dx.doi.org/10.4324/9780203303290-65.

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Leadbetter, Gregory. "Byronic Inflections in British Poetry since 1945." In Byron Among the English Poets. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108903790.020.

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Ramazani, Jahan. "Black British poetry and the translocal." In The Cambridge Companion to Twentieth-Century English Poetry. Cambridge University Press, 2007. http://dx.doi.org/10.1017/ccol052187081x.015.

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