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Relevant bibliographies by topics / British Library, Harley MS 6644

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Academic literature on the topic 'British Library, Harley MS 6644'

Author: Grafiati

Published: 29 September 2021

Last updated: 18 February 2022

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Journal articles on the topic "British Library, Harley MS 6644"

1

Corrie, Marilyn. "Kings and Kingship in British Library MS Harley 2253." Yearbook of English Studies 33 (2003): 64. http://dx.doi.org/10.2307/3509017.

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Cowen, J. "The Name Elizabeth Darcy in British Library Ms Harley 1766 and British Library Ms Additional 10304." Notes and Queries 58, no. 2 (May 31, 2011): 216–17. http://dx.doi.org/10.1093/notesj/gjr042.

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Wellesley, Mary. "A Tudor Inscription in London, British Library Harley MS 629." Notes and Queries 63, no. 3 (July 14, 2016): 376–77. http://dx.doi.org/10.1093/notesj/gjw149.

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Laidlaw, James, and Charlie Mansfield. "Patterns and Fingerprints in London, British Library, MS Harley 4431." Digital Philology: A Journal of Medieval Cultures 6, no. 1 (2017): 121–36. http://dx.doi.org/10.1353/dph.2017.0004.

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LERER, SETH. "BRITISH LIBRARY MS HARLEY 78 AND THE MANUSCRIPTS OF JOHN SHIRLEY." Notes and Queries 37, no. 4 (December 1, 1990): 400–403. http://dx.doi.org/10.1093/nq/37-4-400.

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Stanley, E. G. "Four Middle English Sermons edited from British Library MS Harley 2268." Notes and Queries 51, no. 3 (September 1, 2004): 314–16. http://dx.doi.org/10.1093/nq/51.3.314.

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Stanley, E. G. "Four Middle English Sermons edited from British Library MS Harley 2268." Notes and Queries 51, no. 3 (September 1, 2004): 314–16. http://dx.doi.org/10.1093/nq/510314.

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Moll, R. J. "'O Lady Fortune': An Unknown Lyric In British Library Ms Harley 2169." Notes and Queries 56, no. 2 (May 20, 2009): 192–94. http://dx.doi.org/10.1093/notesj/gjp036.

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FLETCHER. "THE DATE OF LONDON, BRITISH LIBRARY, HARLEY MS 913 (THE 'KILDARE POEMS')." Medium Ævum 79, no. 2 (2010): 306. http://dx.doi.org/10.2307/43632425.

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10

Quinto, R. "Il ms. British Library, Harley 658 e l’opera teologica di Stefano Langton." Bulletin de Philosophie Médiévale 50 (January 2008): 17–52. http://dx.doi.org/10.1484/j.bpm.3.590.

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Dissertations / Theses on the topic "British Library, Harley MS 6644"

1

Kline, Barbara Rae. "A descriptive catalog of British library MS. Harley 7333 /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/9459.

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Pittaway, Sarah Louise. "The political appropriation of Lydgate’s Fall of Princes : a manuscript study of British Library, MS Harley 1766." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/1637/.

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This thesis offers the first extended study of British Library, MS Harley 1766 (c. 1450-60), an illustrated and much abridged version of Lydgate’s Fall of Princes (c. 1431-1438/39). Offering a holistic analysis of text, image, and paratextual features, it argues that the manuscript was the product of a Lydgate specialist and a team of associated artisans operating within Bury St. Edmunds during the 1450s and 1460s. Individual chapters explore the manuscript’s concern with promoting both Lydgate and Bury and identify a distinct rhetoric of idealised and stereotyped kings and queens, developed by the rearranged text and amplified through the design of the visual scheme. This thesis reads these motifs against Yorkist propaganda which fêted Edward IV and condemned both Henry VI and his queen, Margaret of Anjou. The connection between Yorkist propagandist themes and Harley 1766 is a direct result of the probable patronage of the manuscript by the Tyrell family, an East Anglian gentry family whose names repeatedly appear on the manuscript’s flyleaves. Commissioned as a direct response to their position as supporters of a deposed regime, Harley 1766 represents a political re-envisaging of the text designed for patrons seeking to realign themselves politically and ensure their safety in Yorkist England.

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3

Yota, Elisabeth. "Le tétraévangile Harley 1810 de la British Library. Contribution à l'étude de l'illustration des tétraévangiles du Xe au XIIIe siècle." Paris 1, 2001. http://www.theses.fr/2001PA010575.

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Le sujet de cette thèse est le tétraévangile médio-byzantin Harley, 1810. Il s'agit d'un manuscrit qui peut être daté de la dernière décennie du XIIe siècle. Il se présente sous la forme d'un volume de 269 folios en parchemin précédés de 13 folios en papier, ajoutés postérieurement, dans lesquels sont écrits un synaxaire et ménologe. De par le style de son écriture le Harley 1810 se rattache étroitement au groupe des manuscrits du "style epsilon" à stylisation rectangulaire. La majorité de ces manuscrits a été exécutée dans l'aire palestino-chypriote. Les rapprochements paléographiques entre le Harley 1810 et certains manuscrits de ce groupe ont démontré que le lieu d'exécution du Harley 1810 peut être situé dans cette même région. L'analyse du cycle christologique du Harley 1810 a souligné la singularité iconographique de ce manuscrit qui se traduit tant par le choix des thèmes illustrés que par celui des types iconographiques. L'étude de la mise en oeuvre de l'illustration des tétraévangiles du Xe au XIIIe siècle a mis en évidence non seulement le caractère particulier du Harley 1810 mais aussi la pluralité des modes d'illustration et des sources d'inspiration. Peu nombreux aux Xe et XIe siècles, les tétraévangiles se caractérisent par leur cycle narratif très développé. Aux XIe et XIIe siècles, on assiste à la prolifération d'une illustration beaucoup moins détaillée qui, sous l'influence du calendrier liturgique et de l'évangéliaire, acquiert un caractère liturgique. A partir de la fin du XIIe siècle et durant le X111e siècle, les tétraévangiles byzantins sont de nouveau dotés d'un cycle narratif abondant dans lequel on voit s ' introduire des thèmes nouveaux qui soulignent l' influence de l' art monumental. Enfin, quel que soit le mode d'illustration adopté, le tétraévangile médio-byzantin. A été confectionné pour un usage privé et servait surtout de livre de dévotion personnelle.

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4

Monteau, Elodie. "Edition critique d'une révision du XVème siècle du recueil hagiographique moyen-anglais du "Festial" de John Mirk, conservé dans les manuscrits London British Library Harley 2247, Royal 18 B xxv & Trinity College Dublin 428, avec notes et glossaire." Poitiers, 1998. http://www.theses.fr/1998POIT5017.

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Cette thèse de doctorat propose l'édition du corpus hagiographique de trois manuscrits du XVème siècle en moyen-anglais : London British Library Harley 2247 (H), London British Library Royal 18 B xxv (R) et Trinity College Dublin 428 (T), témoins d'une révision d'un cycle de sermons compilé aux alentours de 1380 par John Mirk : Le "Festial". L'étude comprend la description, la localisation ainsi que le profil linguistique de chacun des manuscrits. Le commentaire repose sur l'analyse des différents types de corrélations existant entre H, T et R, les sources utilisées ainsi que le choix du texte de base. Une politique éditoriale détaillée contenant une étude des abréviations recensées dans les trois manuscrits clôt la première partie. La seconde partie est composée de quarante textes édités à partir de H et quatorze dont deux exempla à partir de R, accompagnés d'un apparat. Une liste de foliation des sermons, une liste des citations latines, des citations bibliques, et des dates des fêtes ainsi qu'un index des noms de personnes et des noms de lieux, un glossaire et une bibliographie concluent cette thèse. Cette édition vient en complément de l'édition critique présentée par le docteur Susan Powell et permet la consultation de l'ensemble des sermons contenus dans H et R, auxquels viennent s'ajouter les variantes des vingt-quatre textes conservés dans T, inédits à ce jour.

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5

Lahey, Stephanie Jane. "Offcut zone parchment in manuscript codices from later medieval England." Thesis, 2021. http://hdl.handle.net/1828/13412.

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This dissertation engages with the production and use in late medieval England (c.1200–c.1500) of manuscript codices copied, in whole or in part, on offcuts: cheap, low-quality parchment scraps created as a byproduct of parchment manufacturing. After presenting a method for identifying offcuts, it explores the material through statistical techniques and case studies. Applying this mixed methodology to a corpus of 140 offcut-bearing production units spread across 75 handwritten books, it delineates a range of manuscript production stages, examining the sociocultural contexts of books recruiting offcuts as writing support. The dissertation pursues this study in four chapters. Opening with a terminological discussion, chapter one describes medieval parchment-making, clarifying how offcut traits arose during manufacture, distinguishing offcuts from similar types of parchment, and describing medieval uses for offcuts. Chapter two discusses quantitative codicology, justifying the mixed quantitative–qualitative approach, then delineates its dual-stage methodology: (i) establishing offcut diagnostic traits via linear regression analysis; (ii) assembling the corpus and analyzing it via a descriptive statistical lens. It finishes with an overview of the analysis’ main findings, noting that the corpus is dominated by Fachliteratur; lacking in texts often regarded as ‘popular’ (e.g., vernacular romances); and largely copied for personal consultation in professional, educational, or domestic contexts. Chapters three and four take up the primary subcorpora—one comprising common law books; another, miscellaneous, but chiefly theological and medical, provisionally sorted based on the medieval division of disciplines, quadrivium and trivium—engaging each via descriptive statistical overviews and case studies of representative books: London, British Library, Harley MS 912, Harley MS 1261, Harley MS 6644; Oxford, Bodleian Library, MSS Ashmole 1378, Digby 2, Digby 24.
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Books on the topic "British Library, Harley MS 6644"

1

Kline, Barbara Rae. A descriptive catalog of British Library MS. Harley 7333. Ann Arbor, MI: University Microfilms International, 1991.

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2

Duncan, Bonnie Israel. Middle English poems in Harley MS. 2253 : semiosis and reading scribes. Ann Arbor, MI: University Microfilms International, 1989.

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3

Francis, Timmermans, ed. Cartae visitationum Cartusiae Lovaniensis (1504-1537 & 1559-1561): British Library, Ms Harley, 3591. Salzburg: Institut für Anglistik und Amerikanistik, 2007.

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4

Adam, McLean, ed. A treatise on angel magic: Being a complete transcription of Ms. Harley 6482 in the British Library. Grand Rapids, MI, USA: Phanes Press, 1990.

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5

Anne Bulkeley and her book: Fashioning female piety in early Tudor England : a study of London, British Library, MS Harley 494. Turnhout: Brepols, 2009.

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6

Lydgate, John. The life of St Edmund, King and martyr: John Lydgate's illustrated verse life presented to Henry VI : a facsimile of British Library MS Harley 2278. London: British Library, 2004.

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7

Parker, David Reed. The commonplace book in Tudor London: An examination of BL MSS Egerton 1995, Harley 2252, Lansdowne 762, and Oxford Balliol College MS 354. Lanham: University Press of America, 1998.

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8

Le Morte Arthur: (British Library MS Harley 2252). [Tokyo, Japan]: Centre for Mediaeval English Studies, College of Arts and Sciences, University of Tokyo, 1990.

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9

1948-, Ward Anthony, and Birch, Walter de Gray, 1842-1924, eds. The book of Nunnaminster: London, British Library, Harley Ms 2965. Roma: CLV-Edizioni Liturgiche, 2001.

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10

M, O'Mara V., and British Library, eds. Four Middle English sermons: Edited from British Library MS Harley 2268. Heidelberg: C. Winter, 2002.

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Book chapters on the topic "British Library, Harley MS 6644"

1

Taraskin, Paulina. "Reading Horace alongside Other Classics: ms British Library, Harley 2724." In The Annotated Book in the Early Middle Ages, 529–51. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.usml-eb.5.115033.

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Yoshikawa, Naoë Kukita. "The Liber specialis gratiae in a Devotional Anthology: London, British Library, MS Harley 494." In Medieval Church Studies, 341–60. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.mcs-eb.5.118430.

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Scattergood, John. "London, British Library, MS Harley 913 and Colonial Ireland in the Early Fourteenth Century." In The Dynamics of the Medieval Manuscript, 307–26. Göttingen: V&R unipress, 2017. http://dx.doi.org/10.14220/9783737007542.307.

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4

Bridges, Margaret. "Spaces for Alexander in Book I of the Fifteenth-Century EnglishPolychronicon, British Library, Harley MS 2261." In Alexandre le Grand à la lumière des manuscrits et des premiers imprimés en Europe (XIIe-XVIe siècle), 451–74. Turnhout: Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.ar-eb.5.108700.

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Laidlaw, James, and Charlie Mansfield. "Designing a Digital Version of British Library, Harley ms 4431. The Making of the Queen’s Manuscript." In Texte, Codex & Contexte, 183–88. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.tcc-eb.3.3902.

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Jenkins, Jacqueline. "St Katherine and Laywomen’s Piety: The Middle English Prose Life in London, British Library, Harley MS 4012." In Medieval Women: Texts and Contexts, 153–70. Turnhout: Brepols Publishers, 2003. http://dx.doi.org/10.1484/m.mwtc-eb.3.1914.

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Dresvina, Juliana. "‘Thys ys the boke of dame anne’: British Library MS Harley 4012 and the Context of its Production." In Les femmes, la culture et les arts en Europe entre Moyen Âge et Renaissance, 135–49. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.tcc-eb.5.107663.

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8

O’Rourke, Jason. "Imagining Book Production in Fourteenth-Century Herefordshire: The Scribe of British Library, MS Harley 2253 and his ‘Organizing Principles’." In Medieval Texts and Cultures of Northern Europe, 45–60. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.tcne-eb.3.4124.

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"3. British Library MS Harley 978." In Textual Situations, 76–136. University of Pennsylvania Press, 2002. http://dx.doi.org/10.9783/9781512808001-004.

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"London, British Library, MS Harley 331 (H)." In Latin Sermon Collections from Later Medieval England, 193–96. Cambridge University Press, 2005. http://dx.doi.org/10.1017/cbo9780511483394.039.

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