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Relevant bibliographies by topics / British literature 1945-

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Academic literature on the topic 'British literature 1945-'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "British literature 1945-"

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Levay, Matthew, Francesca Bratton, Caroline Krzakowski, Andrew Keese, Sophie Corser, Catriona Livingstone, Mark West, et al. "XIV Modern Literature." Year's Work in English Studies 98, no. 1 (2019): 858–1020. http://dx.doi.org/10.1093/ywes/maz011.

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Abstract This chapter has eight sections 1. General. 2 British Fiction Pre-1945; 3. British Fiction 1945 to the Present; 4. Pre-1950 Drama; 5. Post-1950 Drama; 6. British Poetry 1900–1950; 7. British Poetry Post-1950; 8. Irish Poetry. Section 1 is by Matthew Levay; section 2(a) is by Francesca Bratton; section 2(b) is by Caroline Krzakowski; section 2(c) is by Sophie Corser; section 2(d) is by Andrew Keese; section 2(e) is by Catriona Livingstone; section 3(a) is by Mark West; section 3(b) is by Samuel Cooper; section 4(a) is by Rebecca D’Monte; section 4(b) is by Gustavo A. Rodríguez Martín; section 5 is by Graham Saunders and William Baker; section 6(a) is by Noreen Masud; section 6(b) is by Matthew Creasy; section 7 is by Alex Alonso; section 8 is by Karl O’Hanlon.

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Kotelenets, Elena A., and Maria Yu Lavrenteva. "The British Weekly: a case study of British propaganda to the Soviet Union during World War II." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (December 15, 2019): 486–98. http://dx.doi.org/10.22363/2312-9220-2019-24-3-486-498.

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The research investigates a publishing history of the Britansky Souyznik (British Ally) weekly (further - British Weekly) in Russian language, which was published in the Soviet Union by the UK Ministry of Information in the Second World War years and to 1950. This newspaper published reports from fronts where British troops fought against Nazi Germany and its allies, articles on British-Soviet military cooperation, materials about British science, industry, agriculture, and transport, reports on people’s life in the UK, historical background of British Commonwealth countries, cultural and literature reviews. British Weekly circulation in the USSR was 50,000 copies. The main method used for the research was the study of the newspaper’s materials, as well as the propaganda concepts of its editorial board and their influence on the audience. The researched materials are from archives of the Soviet Foreign Ministry as well as of the UK Ministry of Information and Political Warfare Executive (1940-1945), declassified by the British Government only in 2002, on the basis of which an independent analysis is conducted. The British Weekly played a bright role in the formation of techniques and methods of British foreign policy propaganda to Soviet public opinion in 1942-1945. Results of the research indicates that the British government launched foreign policy propaganda to the USSR immediately after breaking-out of World War II and used the experience of the British Weekly for psychological warfare in the Cold War years.

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PERSSON, MAGNUS P. S. "Recent Literature on British Policy in the Middle East, 1945–67." Contemporary European History 14, no. 2 (May 2005): 271–76. http://dx.doi.org/10.1017/s0960777305002353.

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Youssef Chatani, Dissension among Allies: Ernest Bevin's Palestine Policy between Whitehall and the White House, 1945–1947 (London: Saqi Books, 2002), 156 pp., £25.00 (hb), ISBN 0–86356–999.Moshe Gat, Britain and the Conflict in the Middle East, 1964–1967: The Coming of the Six-Day War (London: Praeger, 2003), 216 pp., £39.99 (hb), ISBN 0–27597–514–2.Keith Kyle, Suez: Britain's End of Empire in the Middle East, 2nd edn (London: I. B. Tauris, 2003), 684 pp., £19.95 (pb), ISBN 1–86064–811–8.Robert McNamara, Britain, Nasser and the Balance of Power in the Middle East 1952–1967: From the Egyptian Revolution to the Six Day War (London: Frank Cass, 2003), 308 pp., £65.00 (hb), ISBN 0–71465–397–7.Jonathan Pearson, Sir Anthony Eden and the Suez Crisis: Reluctant Gamble (Houndmills: Palgrave Macmillan, 2003), 252 pp., £52.50 (hb), ISBN 0–33398–451–X.

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Perry, Matt. "In Search of “Red Ellen” Wilkinson Beyond Frontiers and Beyond the Nation State." International Review of Social History 58, no. 2 (April 11, 2013): 219–46. http://dx.doi.org/10.1017/s0020859013000151.

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AbstractThis article reconsiders the life of Ellen Wilkinson (1891–1947) – British Minister of Education from 1945 to 1947 and leader of the Jarrow Crusade of 1936 – by exploring the transnational aspect of her politics. It seeks to establish the significance of her transnational orientation and how this can allow us to complement and deepen existing understandings of her. Drawing on the literature on transnational activist networks, it outlines the complexity of transnational networks and her repertoire of transnational political practice. Without serious attention to this global dimension of her politics, our understanding of Wilkinson is attenuated and distorted. Crucially, the heroic construction of “Red Ellen” in both labourist and socialist-feminist narratives has obscured her second radicalization (1932–1936) and the sharpness of her metamorphosis into a mainstream Labour Party figure in 1939–1940.

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Powell, Sarah. "The Cambridge Companion to British Black and Asian Literature (1945-2010)." Reference Reviews 31, no. 6 (August 21, 2017): 21. http://dx.doi.org/10.1108/rr-03-2017-0068.

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6

May, Will. "David Deutsch, British Literature and Classical Music: Cultural Contexts 1870–1945." Literature & History 25, no. 2 (November 2016): 232–34. http://dx.doi.org/10.1177/0306197316661919l.

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Weber, William. "British Literature and Classical Music: Cultural Contexts, 1870–1945 by David Deutsch." Common Knowledge 24, no. 1 (January 1, 2018): 166–67. http://dx.doi.org/10.1215/0961754x-4254072.

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Caserio, R. L. "Modernism, Media, and Propaganda: British Narrative from 1900 to 1945." Modern Language Quarterly 70, no. 2 (January 1, 2009): 278–82. http://dx.doi.org/10.1215/00267929-2008-043.

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9

Ittmann, Karl. "Demography as Policy Science in the British Empire, 1918–1969." Journal of Policy History 15, no. 4 (October 2003): 417–48. http://dx.doi.org/10.1353/jph.2003.0024.

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In 1944, Robert Kuczynski, a demographer working with the Colonial Office, wrote a memo discussing plans for a postwar census of the British Empire. He called for the creation of a Colonial Demographic Service, arguing that Colonial Office programs “offer no guarantee of a decisive improvement unless there is an expert on the spot to make an effective use of these means.” Kuczynski's firm belief in the need for expert knowledge matched the growing willingness of the Colonial Office to call upon experts in a variety of fields to assist in the reshaping of colonial government. This article examines why demography came to be seen as useful for colonial governance in the interwar years and how officials attempted to make use of demographers and demographic information in the final years of the British Empire. At present, this topic falls between several existing literatures. Works by Richard Soloway, Daniel Kelves, and others document the domestic history of demography in Great Britain, particularly its involvement in debates over hereditarian views of population. At the international level, most recent studies deal with the United States and trace the origins of American support for programs of population control after 1945. Still another body of literature chronicles the unique nature of policy formation in Britain and its relationship with social science in the twentieth century. This article seeks to connect these literatures by focusing on the colonial and international role of British demography from the end of World War I to the postcolonial era of the 1960s.

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Franklin, Mark, and Matthew Ladner. "The Undoing of Winston Churchill: Mobilization and Conversion in the 1945 Realignment of British Voters." British Journal of Political Science 25, no. 4 (October 1995): 429–52. http://dx.doi.org/10.1017/s0007123400007304.

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We explore the reasons for the unexpected defeat of Winston Churchill's Conservatives by Labour in the British general election of 1945. Was the outcome a result of Churchill's election campaign errors, as many have supposed, or did the coming-of-age of a new political generation make it a foregone conclusion? Much controversy in the partisanship literature centres on whether electoral realignments result primarily from conversion of existing voters or from mobilization of previously non-voting individuals. In particular, the 1930s US realignment has been the focus of considerable debate. In this article we shed new light on realignment processes by examining the 1945 British realignment that brought the Labour party to power. We find that, in this more straightforward case, the critical impetus came from new voters rather than from converts. Our findings raise questions that need to be confronted in the analysis of other realignments, such as that accompanying the American New Deal. They also shed new light on a much-interpreted episode in British electoral history.

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Dissertations / Theses on the topic "British literature 1945-"

1

Saunders, R. G. "The sociological significance of British and Soviet poetry, 1945-1985." Thesis, City University London, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.355586.

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Marcarini, Elena. "The distribution of Italian films in the British and American markets 1945-1995." Thesis, University of Reading, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391354.

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Ferris, Natalie. "'Ludic passage' : abstraction in post-war British literature, 1945-1980." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:5b3034e6-3a32-4684-b8a0-eb91cfc756c6.

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This thesis traces a line of literary experimentation in post-war British literature that was prompted by the aesthetic, philosophical and theoretical demands of abstraction. Spanning the period 1945 to 1980, it observes the ways in which certain aesthetic advancements initiated new forms of literary expression to posit a new genealogy of interdisciplinary practice in Britain. It is the first sustained chronological study to consider the ways in which a select number of British poets, authors and critics challenged the received views of their post-war moment in the discovery of the imaginative and idealizing potential of abstraction. At a time in which Britain became conscious of its evolving identity within an increasingly globalised context, this study accounts for the range of Continental and Transatlantic influences in order to more accurately locate the networks at play. Exploring the contributions made by individuals, such as Herbert Read, Ian Hamilton Finlay and Christine Brooke-Rose, as well as by groups of practitioners, such as the British concrete poetry movement, small press initiatives and Art & Language, this thesis offers a comprehensive account of the evolving status of abstraction across cultural, institutional and literary contexts. The discussions build a vision of an era that increasingly jettisons the predetermined critical lexicon of abstraction to generate works of a more pragmatic abstract inspiration: the spatial demands of concrete poetry, language as medium in the conceptual artwork, the absence of linear plot in the new novel.

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Glancy, H. Mark. "Hollywood and Britain : the Hollywood 'British' film, 1939-1945." Thesis, University of East Anglia, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333476.

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Whittington, Ian. "Writing the radio war: British literature and the politics of broadcasting, 1939-1945." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=119399.

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The social and political transformations of the Second World War in Britain required a massive coordination of public opinion and effort. "Writing the Radio War: British Literature and the Politics of Broadcasting, 1939-1945" examines the mobilization of British writers through their involvement in radio broadcasting. Drawing on theories of mass communication from the 1930s to the present day, this dissertation argues that the power of radio as a medium of propaganda and national identity-formation lay in its ability to generate an aura of intimacy that encouraged listener identification with the national community. Capitalizing on this intimacy, writers imagined listening publics that were at odds with official projects of national unity. Confronted with the Anglophone fascism of pro-Nazi broadcaster William Joyce, Nancy Mitford and Rebecca West used their writings to neutralize the threat of autochthonous extremism by depicting Joyce as a laughable ideological non-national subject. Even among patriotic Britons, political fractures appeared, as when J.B. Priestley used his radio "Postscripts" to frame debates about postwar British society along socialist lines. In the mixed documentary-dramatic genre of the radio "feature," Louis MacNeice modelled collective gain through collaborative effort in The Stones Cry Out, Alexander Nevsky, and Christopher Columbus. On the Overseas Service, George Orwell and E.M. Forster attempted subtle compromises to keep Indian listeners loyal to the Empire, while Jamaican poet Una Marson repurposed the BBC's networks in order to imagine alternative communities. Marson turned the program Calling the West Indies into an incubator for a vibrant Caribbean literary scene. Collectively, these writers used the wireless to guide British listeners through the social and political changes brought on by the war: having entered the conflict as an imperial nation riven by class and ideology, Britain emerged ready to embark on the massive social experiment of the multicultural postwar welfare state with a renewed sense of possibility and promise.
Les transformations sociales et politiques de la deuxième guerre mondiale en Grande-Bretagne ont nécessité une mobilisation énorme d'opinion et d'effort publique. "Writing the radio war: British literature and the politics of broadcasting, 1939-1945" examine la participation des écrivains britanniques dans cette mobilisation au niveau de leur engagement dans la radiodiffusion. Cette thèse utilise diverses théories de communication datant des années 1930 jusqu'au présent pour démontrer la puissance de la radio comme moyen de propagande et de gestion d'identité nationale en raison de sa capacité d'engendrer une semblance d'intimité entre les auditeurs et leur communauté nationale. Les écrivains de cette période ont pris avantage de cette intimité pour imaginer des publiques qui contredisaient les projets officiels d'unification nationale. Face au fascisme anglophone de William Joyce, un propagandiste pronazi, Nancy Mitford et Rebecca West se sont servies de leurs écrits pour rendre neutre la menace d'une extrémisme autochtone en décrivant Joyce comme une aberration idéologique, risible et étranger. Les divisions politiques sont apparues même parmi les Britanniques patriotiques; avec son programme "Postscripts" sur la BBC, J.B. Priestley a poursuit un avenir socialiste pour la Grande Bretagne, ce qui contrevenait les intentions du gouvernement pendant la guerre. Avec ses productions documentaires et dramatiques, incluant The Stones Cry Out, Alexander Nevsky, et Christopher Columbus, Louis MacNeice a modelé un processus de travail collectif au bénéfice du collectif. Dans le Overseas Service du BBC, George Orwell et E.M. Forster tentaient des compromis subtils pour assurer la fidélité des auditeurs indiens à l'Empire Britannique. La poète jamaïquaine Una Marson a profité des réseaux impériaux pour imaginer des communautés autres que celui de l'Empire en transformant le programme Calling the West Indies en incubateur pour une scène littéraire caraïbe dynamique. Ensemble, ces écrivains ont profité de la radiodiffusion pour piloter le public britannique à travers les changements sociopolitiques de la guerre. Ayant rentré dans la guerre une nation impériale fendu par l'idéologie et par les classes sociales, la Grande Bretagne est ressortie avec un esprit de possibilité et se trouvait prêt à embarquer sur la grande expérimentation de l'état social démocratique de caractère multiculturelle.

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6

Sands-O'Connor, Karen. "The imagination and the imagined nation : British children's fantastic fiction after 1945." Thesis, Cardiff University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313708.

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7

Pitfield, Spencer Simpson. "British music for clarinet and piano 1880-1945 : repertory and performance practice." Thesis, University of Sheffield, 2000. http://etheses.whiterose.ac.uk/6040/.

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This thesis is a study of British music for clarinet and piano composed between the years 1880 and 1945. The research has established a considerable repertoire of pieces, many of which are completely unknown to clarinettists today. There are two types, sonatas and character pieces. The discussion focuses on a number of substantial works. The sonatas by William Henry Hadow, William Henry Bell, George Frederick Linstead and Roger Fiske have been published (2000) in connection with this study, and critical analyses of the sonatas by Hadow and Fiske are included in the thesis, as are analyses of 'character' pieces by Richard Henry Walthew and Joseph Charles Holbrooke. It is the author's opinion that many of the works discovered demand close attention from contemporary performers. The thesis includes chapters on the British social background and its effect on musical activity; on Brahms's influence; on instruments and on the British playing tradition. The Brahms/Mohifeld relationship was probably the single most important element in establishing a strong clarinet culture in Britain at the turn of the 20th century. Native compositions were extremely popular throughout the period and indigenous performers achieved high levels of technical and artistic ability. The research noted a gradual swing away from the 'simple-system' towards the 'Boehm-system'. However, neither system dominated the other and throughout the period many disparate instrumental systems were in use in the British Isles. A chapter on performance practice draws upon evidence from early recordings. Playing before 1900 was regimented and exact in execution. After the turn of the 20th century there was a move towards freer, less restricted playing. This culminated in the outstanding playing of Reginald Kell. His refinement and artistry were unsurpassed by any other native performer of the period.

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Osborne, James Bennett. "Problem families and the welfare state in post-war British literature (1945-75)." Thesis, University of Southampton, 2014. https://eprints.soton.ac.uk/375740/.

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This thesis adopts an interdisciplinary approach to consider how so-called ‘problem families’ were conceptualised by the welfare state in post war Britain through an examination of fiction and non-fiction texts. The 1945-75 period has been recognised as the era of the ‘classic welfare state’, during which successive governments made interventions in the British economy to maintain full employment. Preventing wide-scale unemployment was key to classic welfare state ideology, which relied the assumption that workers would make contributions which were equal in value to the benefits they received. Problem families were perceived as either unable or unwilling to participate in this reciprocal relationship due to their failure to achieve or aspire to ‘normal’ levels of productivity and financial independence. In order to gain insight into the manner in which these families were conceptualised by the welfare state, this thesis focuses upon three key areas: psychiatry, housing and family planning. It also draws upon theoretical perspectives offered by Michel Foucault and Zygmunt Bauman to consider how the conceptualisations from each of these served the purposes of state governance and the enforcement of social norms through biopolitical means. Investigating the manner in which the term ‘problem family’ was deployed in the post-war period provides insight into how the welfare state legitimised its attempts to change behaviours closely associated with the poorest members of British society. By shaping policy to encourage the reform of problem family behaviour through biopolitical means, the post-war welfare state played an important governance role by ensuring that as many people as possible existed in a reciprocal relationship with the state.

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Ferguson, Paul A. "Embracing Alienation : Zombies,Rebels and Outsider Culture in British Literature from 1945-1963." Thesis, Lancaster University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531690.

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Deutsch, David Henry. "Music Made Meaningful: Social Reforms and Classical Music in British Literature and Culture from 1870 to 1945." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306156820.

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Books on the topic "British literature 1945-"

1

British literature since 1945. New York: St. Martin's Press, 1991.

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British literature since 1945. Basingstoke: Macmillan, 1991.

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Watson, George. British Literature since 1945. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1.

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Utopian spaces of modernism: British literature and culture, 1885-1945. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.

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Madness in post-1945 British and American fiction. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2010.

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British women writers, 1914-1945: Professional work and friendship. Aldershot, Hants, England: Ashgate, 2006.

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Piette, Adam. Imagination at war: British fiction and poetry, 1939-1945. London: Papermac, 1995.

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Two post-1945 British novelists, Olivia Manning & Tom Sharpe. Roma: Herder, 1985.

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Dold, Bernard E. Two post-1945 British novelists, Olivia Manning & Tom Sharpe. Roma: Herder, 1985.

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A companion to the British and Irish novel: 1945-2000. Oxford: Blackwell, 2007.

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Book chapters on the topic "British literature 1945-"

1

Watson, George. "Crusoe’s Island." In British Literature since 1945, 1–26. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1_1.

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Watson, George. "Orwell/Waugh." In British Literature since 1945, 27–43. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1_2.

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Watson, George. "Christian Revival: Tolkien and Lewis." In British Literature since 1945, 44–58. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1_3.

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Watson, George. "The Coronation of Realism." In British Literature since 1945, 59–99. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1_4.

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Watson, George. "A Critical Moment." In British Literature since 1945, 100–119. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1_5.

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Watson, George. "Poets." In British Literature since 1945, 120–44. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1_6.

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Watson, George. "Osborne, Pinter, Stoppard." In British Literature since 1945, 145–74. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1_7.

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Watson, George. "The Battle of the Sexes." In British Literature since 1945, 175–86. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1_8.

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Watson, George. "Characters." In British Literature since 1945, 187–97. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21182-1_9.

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Fackler, Maria Francesca. "Imagining Female Authorship After 1945." In A Companion to British Literature, 367–84. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch97.

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