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Relevant bibliographies by topics / British Museum

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Academic literature on the topic 'British Museum'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "British Museum"

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Ferraro, José Luís Schifino, Adam Goldwater, Caroline McDonald, et al. "Connecting Museums: a case study in leadership, innovation and education in university science museums leading internationalisation projects." Educação 42, no. 1 (2019): 77. http://dx.doi.org/10.15448/1981-2582.2019.1.29526.

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This article reports on Connecting Museums: leadership, innovation and education in Science Museums, an international conference involving three university museums: Museu de Ciências e Tecnologia da Pontifícia Universidade Católica do Rio Grande do Sul (MCT-PUCRS), the Great North Museum: Hancock (GNM), at Newcastle University (NU), and the Oxford University Museum of Natural History (OUMNH). The partnership started with a project to develop a joint exhibition on the theme of evolution organised by MCT-PUCRS and GNM, supported by the British Council’s Newton Fund (Institutional Skills 2016). T

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Silva, Rodrigo da. "Museus nas universidades ou museus universitários?: uma breve análise comparativa entre o Museu Paulista da Universidade de São Paulo (Brasil), o Pitt Rivers Museum da University of Oxford (Inglaterra) e o Museum Of Anthopology da University of British Columbia (Canadá)." Revista CPC 16, no. 32 (2021): 9–35. http://dx.doi.org/10.11606/issn.1980-4466.v16i32p9-35.

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Este artigo busca comparar três museus universitários (o Museu Paulista da Universidade de São Paulo/Brasil, o Museum of Anthropology da University of British Columbia/Canadá e o Pitt Rivers Museum da University of Oxford/Inglaterra) a partir de algumas de suas dimensões: perfil institucional, modelos de gestão, financiamento e desafios presentes. O objetivo deste estudo comparativo é buscar um denominador comum que permita compreendê-los dentro da categoria “museus universitários” para além do fato de comporem estruturas universitárias. A base para este debate foi construída durante o seminár

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Lenoir, Timothy. "A ciência produzindo a natureza: o museu de história naturalizada." Episteme – Filosofia e História das Ciências em Revista 2, no. 4 (1997): 55–72. https://doi.org/10.5281/zenodo.6509731.

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<strong>RESUMO</strong>: A partir da história dos museus de história natural, este texto discute como a natureza tem sido representada nestes espaços privilegiados, os quais têm “autenticado” visões de natureza, desde o século passado. Tais representações da natureza têm sido produzidas de acordo com os interesses políticos, econômicos, etc., dos grupos que as produzem. Examinando a história do estabelecimento da Exposição do Palácio de Cristal e do Museu Britânico de Hist&oa

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James, N. "Repatriation, display and interpretation." Antiquity 82, no. 317 (2008): 770–77. http://dx.doi.org/10.1017/s0003598x00097386.

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The British Museum and the National Museum of Wales have lent the finds from Kendrick's Cave, in Llandudno, north Wales, for display and storage at Llandudno Museum; and the British Museum has sent the famous body from Lindow Moss, near Manchester, to be shown at the Manchester Museum, 100km away in England. How should metropolitan or national museums relate to provincial museums? Should there be more such loans? The exhibition in Manchester deliberately raises another question too: how – if at all – should human remains be displayed?

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Cornish, Caroline, Patricia Allan, Lauren Gardiner, et al. "Between Metropole and Province: circulating botany in British museums, 1870–1940." Archives of Natural History 47, no. 1 (2020): 124–46. http://dx.doi.org/10.3366/anh.2020.0627.

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Exchange of duplicate specimens was an important element of the relationship between metropolitan and regional museums in the period 1870–1940. Evidence of transfers of botanical museum objects such as economic botany specimens is explored for the Royal Botanic Gardens, Kew, and six museums outside the capital: Cambridge University Botanical Museum, National Museum Wales, Glasgow Museums, Liverpool World Museum, Manchester Museum and Warrington Museum. Botany became an important element in these museums soon after their foundation, sometimes relying heavily on Kew material as in the case of Gl

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Ferraro, José Luís Schifino, Caroline McDonald, and Paul Smith. "Connecting museums." Revista Internacional de Educação Superior 7 (April 11, 2020): e021009. http://dx.doi.org/10.20396/riesup.v7i0.8658203.

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O presente ensaio se constitui em um relato sobre a experiência de internacionalização entre o Museu de Ciências e Tecnologia da Pontifícia Universidade Católica do Rio Grande do Sul (MCT-PUCRS), o Great North Museum: John Hancock (GNM), da Newcastle University, e o Oxford University Museum of Natural History (OUMNH), da University of Oxford. Trata-se da constituição de uma rede entre estas instituições que discute educação, gestão e liderança em museus universitários de ciências. Desde a criação desta rede, denominada Connecting Museums, em 2016, foram realizados encontros internacionais entr

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Duthie, Emily. "The British Museum: An Imperial Museum in a Post-Imperial World." Public History Review 18 (December 31, 2011): 12–25. http://dx.doi.org/10.5130/phrj.v18i0.1523.

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This article examines the British Museum’s imperialist attitudes towards classical heritage. Despite considerable pressure from foreign governments, the museum has consistently refused to return art and antiquities that it acquired under the aegis of empire. It is the contention of this article that the British Museum remains an imperialist institution. The current debates over the British Museum’s collections raise profound questions about the relationship between museums and modern nation states and their nationalist claims to ancient heritage. The museum’s inflexible response to repatriatio

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Peng, Ruoyu. "Public Relations between British Museum and Chinese Audience." SHS Web of Conferences 148 (2022): 03009. http://dx.doi.org/10.1051/shsconf/202214803009.

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In the era of new media, the external publicity of museums should also actively use new media thinking and new media tools. Web pages are one of the main new media tools for external publicity of museums today, or they can be called the “facade on the Internet” of museums. This paper attempts to understand the public relations between the British Museum and Chinese audiences through the comparison of the layout and content of the British Museum’s Chinese and English homepage, including the perfection of its communication information, the frequency of maintaining the website, the aesthetics of

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Abd Jalal, Ahmad Farid, Rahimin Affandi Abdul Rahim, and Muhammad Jumaidy Abdul Manap. "Perkembangan Institusi Memori (LAM) pada Era British di Tanah Melayu." SEJARAH 31, no. 1 (2022): 34–64. http://dx.doi.org/10.22452/sejarah.vol31no1.3.

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This paper aims to examine the development ofLAM memory institutions (Library, Archive, Museum) or libraries, archives,and museums during the British colonial era in Malaya. This study is using qualitative methods that involve the collection and evaluation of primary sources from National Archive and Museum. The findings of the study show that the efforts of usingLAM in Europe based on the philosophy of the Enlightenment have been applied by the British in the colonization of Malaya. This reality can be seen from the British writings on Malaya before independence. Among them was the role of Is

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Polm, Martijn. "Museum Representations of Roman Britain and Roman London: A Post-colonial Perspective." Britannia 47 (June 2, 2016): 209–41. http://dx.doi.org/10.1017/s0068113x16000143.

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ABSTRACTThis paper offers a post-colonial analysis of past and present representations of the archaeological remains of Roman Britain and Roman London in the British Museum and Museum of London respectively. Since post-colonial criticism of Romano-British archaeology is highly relevant to such an analysis, a brief description is provided at the outset. Thereafter follows a series of six case studies — three for each museum. The first four focus on the history of the Romano-British collections at both museums and sometimes draw on post-colonial insights to explain the development of these colle

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Dissertations / Theses on the topic "British Museum"

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Kim, Seong Eun. "Artists' intervention in 'universal' museums as traced through the Victoria and Albert Museum, the British Museum and the Pitt Rivers Museum." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508580.

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Baker, Abigail. "Ancient narratives in the modern museum : interpreting classical archaeology in British museums." Thesis, Birkbeck (University of London), 2015. http://bbktheses.da.ulcc.ac.uk/130/.

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This thesis considers how the stories preserved in Greek and Roman texts have been used in British museums from the early nineteenth century to the present. It explores the tendency to prioritise textual over visual information which is easy to overlook when dealing with object-based institutions. It demonstrates the pervasive effect that ancient texts and the narratives they convey have had on the way museums think about individual objects, wider history and their own role as public institutions. A series of case studies offer snapshots of the relationship between object and text at different

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Cash, Derek. "Access to museum culture : the British Museum from 1753 to 1836." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361866.

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Cash, Derek James. "Access to museum culture : the British Museum from 1753 to 1836." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627652.

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Inoue, Yuka. "Museum education and international understanding : representations of Japan at the British Museum." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/10020489/.

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This study examines how 'Japan' has been represented at the British Museum, and how the Japanese collection and exhibitions have contributed to the promotion of international understanding as defined by UNESCO in 1974. I address the research questions: - How has Japan been represented at the British Museum, and how does the 'Discovering Japan' exhibition fit within this context? (Part 2) - What perceptions did British pupils have of Japanese culture and people, and how did these change after the visit? (Part 3) - What understanding (that is appreciation and interest) did these pupils have of J

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Rositani, Annunziata. "Rīm-Anum texts in the British museum /." Messina : DiScAM, 2003. http://catalogue.bnf.fr/ark:/12148/cb41285218f.

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Arrowsmith, Rupert Richard. "A British museum era : modernist artists and authors in London's museums, 1905-1918." Thesis, University of Oxford, 2007. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486968.

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This study considers the role of London's museums - especially the British Museum - as conduits for the delivery of extra-European visual art to the city's avant-garde during the years preceding World War One. It makes use of documents from the archives of the British Museum, the British Library, the Tate Gallery, the V&A, and the Royal Institute of British Architects - many of which have never before been quoted from or published - to show that the early modernist sculpture of Jacob Epstein, Henri Gaudier-Brzeska and Eric Gill; the philosophy of T.E. Hulme; and the poetic imagery of Ezra Poun

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Liu, Wan-Chen. "An exploratory, descriptive study of art museum educators' attitudes in regard to art museum-elementary school collaboration." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0028/NQ38931.pdf.

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Howells, Daniel Thomas. "Late antique gold glass in the British Museum." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6351/.

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The British Museum holds one of the largest and most important collections of Late Antique gold glasses in the world, numbering over fifty pieces. However, the collection has never been fully examined or analysed and the standard reference works on the medium are well over 100 years old. This thesis uses the British Museum collection to offer a new and in-depth case study of gold glass which reconsiders the traditional but untested set of interpretations that have been in circulation since the mid-nineteenth century and before. Chapter One examines the history of gold glass scholarship from th

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James, Kirstin Ares. "Gifting culture : comparing display practice at the British Museum and the Pitt Rivers Museum." Thesis, University of Leicester, 2016. http://hdl.handle.net/2381/37196.

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Indigenous Research Methodology (IRM) is an approach to research defined by members of Indigenous Nations for research of topics that directly concern them (their communities, their families). Gifting Culture constitutes the first time that this approach has been applied to museums studies (in the UK). What is meant by this, is that while it could be argued that any Indigenous museum practitioner conducting museums research on the topic of their own culture, is conducting ‘Indigenous research’, they are generally using (or are required to use) Euro-Western, positivistic approaches to research

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Books on the topic "British Museum"

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Museum, British, and British Academy, eds. The British Museum. Published under the auspices of the British Academy for the Trustees of the British Museum by British Museum Press, 1993.

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British Museum. British Museum review. British Museum, 1998.

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British Museum. The British Museum. British Museum Press, 1997.

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British Museum. British Museum: Report of the trustees. British Museum, 1993.

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British Museum. The British Museum materials thesaurus. Museum Documentation Association, 1997.

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Caygill, Marjorie L. Building the British Museum. Published for the Trustees of the British Museum by British Museum Press, 1999.

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Vaizey, Marina. The British Museum: Smile. British Museum, 2002.

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Chapman, Hugo. Michelangelo: The British Museum. British Museum Press, 2006.

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Berriedale-Johnson, Michelle. The British Museum cookbook. Parkwest/British Museum Publications, 1988.

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Berriedale-Johnson, Michelle. The British Museum cookbook. British Museum Publications, 1987.

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Book chapters on the topic "British Museum"

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Tully, Caroline. "British Museum." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1533.

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Tully, Caroline. "British Museum." In Encyclopedia of Global Archaeology. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51726-1_1533-2.

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Tully, Caroline. "British Museum." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1533.

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Rooney, Paige Elizabeth. "British Museum, Imperialism and Empire." In The Palgrave Encyclopedia of Imperialism and Anti-Imperialism. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-29901-9_62.

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Esdaile, Arundell. "The Printed Books." In The British Museum Library. Routledge, 2021. http://dx.doi.org/10.4324/9781003228585-10.

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Esdaile, Arundell. "The Foundation." In The British Museum Library. Routledge, 2021. http://dx.doi.org/10.4324/9781003228585-1.

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Esdaile, Arundell. "The Oriental Printed Books and Manuscripts." In The British Museum Library. Routledge, 2021. http://dx.doi.org/10.4324/9781003228585-12.

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Esdaile, Arundell. "New Wine and an Old Bottle." In The British Museum Library. Routledge, 2021. http://dx.doi.org/10.4324/9781003228585-3.

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Esdaile, Arundell. "The Manuscripts." In The British Museum Library. Routledge, 2021. http://dx.doi.org/10.4324/9781003228585-11.

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Esdaile, Arundell. "The Reading Room and Iron Library: Panizzi, Principal Librarian (1851–66)." In The British Museum Library. Routledge, 2021. http://dx.doi.org/10.4324/9781003228585-5.

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Conference papers on the topic "British Museum"

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Lavanya, Bennabhaktula. "BEYOND BORDERS: THE LEGACY OF INDIAN MINIATURE PAINTINGS IN THE BRITISH MUSEUM." In SSHRA 2025 – Social Science & Humanities Research Association International Conference, 21-22 April, London. Global Research & Development Services Publishing, 2025. https://doi.org/10.20319/icssh.2025.112.

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"Beyond Borders: The Legacy of Indian Miniature Paintings in the British Museum" explores the journey of Indian miniature paintings from their origins in the courts of Indian rulers to their placement in one of the world's foremost museums. This paper examines the cultural, historical, and artistic value of these paintings, shedding light on their role in shaping global perceptions of Indian art. By analysing select pieces in the British Museum's collection, this study reflects on the legacy and continuing influence of Indian miniature art in contemporary museum practices. By exhibiting these

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Craddock, P. T. "Radiographic and microanalytical techniques at the British Museum." In IEE Colloquium on `NDT in Archaeology and Art'. IEE, 1995. http://dx.doi.org/10.1049/ic:19950771.

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Wolff, Annika. "Framing Data Curation as Museum Practice." In 34th British HCI Workshop and Doctoral Consortium. BCS Learning & Development, 2021. http://dx.doi.org/10.14236/ewic/hci2021-w1.1.

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Camplin, Giles, and Peter Garth. "The Story of the British Airship and Balloon Museum." In AIAA's 3rd Annual Aviation Technology, Integration, and Operations (ATIO) Forum. American Institute of Aeronautics and Astronautics, 2003. http://dx.doi.org/10.2514/6.2003-6852.

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Wang, Zhaoyu, and Xiaoxiao Yan. "Analysis of Gamified Museum Exhibition Design from the Perspective of the DMC Model." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006366.

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The gamification of museum exhibitions enhances cultural heritage education and visitor experience by integrating components like points, badges, and leaderboards to boost engagement, mechanics such as challenges and feedback to foster immersion, and dynamics involving emotion and storytelling to deepen emotional connection. Using the DMC model, this paper presents a gamified exhibition design framework demonstrated through case studies from institutions like the British Museum, emphasizing balanced use of technology to maintain cultural authenticity and visitor autonomy. The proposed model ai

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Bečvář, Jindřich. "Kruh v egyptské matematice." In Orientalia antiqua nova XXI. Západočeská univerzita v Plzni, 2021. http://dx.doi.org/10.24132/zcu.2021.10392-1-14.

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The article analyzes five exercises (R50, R48, R41, R42 and R43) from the Rhind Mathematical Papyrus (de-posited in the British Museum) that comes from the Second Intermediate Period of Egypt and is one of the best known examples of ancient Egyptian mathematics. One exercise (K2) from the Kahun Mathematical Papyrus (British Museum) is also discussed. The exercise R50 shows how Egyptian scribes calculated the area of a cir-cle with a given diameter. The exercise R48 compares the area of a circle with a given diameter to that of its cir-cumscribing square. Four other exercises demonstrate how to

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Cmeciu, Doina, and Camelia Cmeciu. "VIRTUAL MUSEUMS - NON-FORMAL MEANS OF TEACHING E-CIVILIZATION/CULTURE." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-108.

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Considered repositories of objects(Cuno 2009), museums have been analysed through the object-oriented policies they mainly focus on. Three main purposes are often mentioned: preservation, dissemination of knowledge and access to tradition. Beyond these informative and cultural-laden functions, museums have also been labeled as theatres of power, the emphasis lying on nation-oriented policies. According to Michael F. Brown (2009: 148), the outcome of this moral standing of the nation-state is a mobilizing public sentiment in favour of the state power. We consider that the constant flow of natio

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Mikhailov, A. V., and V. V. Ptitsin. "MAJOR GENERAL D.G. LEFROY - AUTHOR OF THE CATALOG OF THE BRITISH MUSEUM OF THE ROYAL ARTILLERY." In МИР ОРУЖИЯ: ИСТОРИЯ, ГЕРОИ, КОЛЛЕКЦИИ. Федеральное государственное бюджетное учреждение культуры «Тульский государственный музей оружия», 2022. http://dx.doi.org/10.51942/9785604828526_330.

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Kim, Minwoo, Haein Lee, Seon Hong Lee, and Jang Hyun Kim. "What rather than how : A DMR topic modeling analysis of news coverage on the British Museum." In 2023 IEEE International Conference on Big Data and Smart Computing (BigComp). IEEE, 2023. http://dx.doi.org/10.1109/bigcomp57234.2023.00036.

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Hess, Mona, Stuart Robson, Francesca Simon Millar, Graeme Were, Edvard Hviding, and Arne Cato Berg. "Niabara - The Western Solomon Islands War Canoe at the British Museum - 3D Documentation, Virtual Reconstruction and Digital Repatriation." In 2009 15th International Conference on Virtual Systems and Multimedia (VSMM). IEEE, 2009. http://dx.doi.org/10.1109/vsmm.2009.12.

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Reports on the topic "British Museum"

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Jackson, August S., Paris Coleman, and Lincoln R. Best. Master Melittologist Program on Pacific Region 1 National Wildlife Refuges: 2024 Season Report. Oregon State University, 2025. https://doi.org/10.5399/osu/1186.

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In 2024 we marked the first year in a five year cooperative agreement between the Master Melittologist Oregon Bee Atlas Program (OBA) and the United States Fish and Wildlife Service (USFWS) for the inventory and monitoring of bees on National Wildlife Refuges (NWRs) in Pacific Region 1 and other federal lands in the Pacific Northwest. The Master Melittologist program is an initiative of the Oregon State University Extension Service which is provided, in part, to train volunteer Master Melittologists to collect museum quality native bee specimens in service to the Oregon Bee Atlas. Since 2018,

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St. Clair, Charles. Are you British or Muslim; Can You be Both? Defense Technical Information Center, 2009. http://dx.doi.org/10.21236/ada506222.

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Chriscoe, Mackenzie, Rowan Lockwood, Justin Tweet, and Vincent Santucci. Colonial National Historical Park: Paleontological resource inventory (public version). National Park Service, 2022. http://dx.doi.org/10.36967/nrr-2291851.

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Colonial National Historical Park (COLO) in eastern Virginia was established for its historical significance, but significant paleontological resources are also found within its boundaries. The bluffs around Yorktown are composed of sedimentary rocks and deposits of the Yorktown Formation, a marine unit deposited approximately 4.9 to 2.8 million years ago. When the Yorktown Formation was being deposited, the shallow seas were populated by many species of invertebrates, vertebrates, and micro-organisms which have left body fossils and trace fossils behind. Corals, bryozoans, bivalves, gastropod

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