Relevant bibliographies by topics / British Women Travel Writers

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'British Women Travel Writers'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "British Women Travel Writers"

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Buck, Pamela. "Recovering British Romantic Women Travel Writers." European Romantic Review 31, no. 3 (2020): 394–96. http://dx.doi.org/10.1080/10509585.2020.1747712.

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Mulligan, Maureen. "The Representation of Francoist Spain by Two British Women Travel Writers." Studia Anglica Posnaniensia 51, no. 4 (2016): 5–27. http://dx.doi.org/10.1515/stap-2016-0017.

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Abstract This article offers a discussion of two books by British women which describe travels in Spain during the post-war period, that is, during the dictatorship of General Franco. The aim is to analyse how Spanish culture and society are represented in these texts, and to what extent the authors engage with questions of the ethics of travelling to Spain in this period. Two different forms of travel - by car, and by horse - also influence the way the travellers can connect with local people; and the individual’s interest in Spain as a historical site, or as a timeless escape from industrial northern Europe, similarly affect the focus of the accounts. The global politics of travel writing, and the distinction between colonial and cosmopolitan travel writers, are important elements in our understanding of the way a foreign culture is articulated for the home market. Women’s travel writing also has its own discursive history which we consider briefly. In conclusion, texts involve common discursive and linguistic strategies which have to negotiate the specificity of an individual’s travels in a particular time and place. The authors and books referred to are Rose Macaulay’s Fabled Shore: From the Pyrenees to Portugal (1949) and Penelope Chetwode’s Two Middle-Aged Ladies in Andalusia (1963).
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Siber, Mouloud. "Ellen M. Rogers as a Feminist and Orientalist Travel Writer: A Study of her A Winter in Algeria: 1863-4 (1865)." Revista Alicantina de Estudios Ingleses, no. 29 (November 15, 2016): 213. http://dx.doi.org/10.14198/raei.2016.29.12.

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This article studies the Orientalist and Feminist discourses that underlay Ellen M. Rogers’s A Winter in Algeria: 1863-4 (1865). Her conception of Algeria reproduces the Victorian imperialist attitude toward the Algerian as inferior to the European in order to celebrate British imperial power. Underneath this colonial discourse, the writer proclaims her feminist point of view about empire and juxtaposes feminist attitudes in Victorian Britain with the degraded condition of the Oriental woman. To contribute to Victorian feminist struggle for gender equality, she identifies with the suffering of Muslim Algerian women under male domination and compares their confinement to the harem and their veiling to Victorian “separate spheres” ideology. From this perspective, Rogers presents the profiles of the Orientalist as defined by Edward Said (1978) and the feminist as defined by Antoinette Burton (1994). Said limits his discussion of Orientalism to male writers and travelers who construct imperialist views about the colonial world and its people. However, Burton argues that many Victorian travel writers were women who not only circulated Orientalist ideas but also constructed a feminist discourse. Women writers found in the colonial world ways to cross the boundaries of gender and power in order to criticize male writers who insisted on women’s inferior status. In sum, the major claim made in this article is that Ellen M. Rogers projects a feminist-Orientalist view in her travel account about French Algeria.
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Gholi, Ahmad, and Masoud Ahmadi Mosaabad. "Image of Oriental Turkmen Female Travelees in the Nineteenth Century Western Travel Writing." International Journal of Applied Linguistics and English Literature 6, no. 3 (2017): 43. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.3p.43.

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One of crucial issues which Western travel writers in their journeys to the Orient specifically in the height of colonialism in the nineteenth has addressed is Oriental women. Entrapped and conditioned by their cultural baggage and operating on the basis of Orientalist discourse, they have mostly presented a reductive image of their Oriental female travelees as exotic, seductive, sensual, secluded, and suppressed, in lieu of entering into a cultural dialogue and painting their picture sympathetically and respectfully. To convey their lasciviousness, they have expatiated on Oriental harems and to display their oppression foregrounded their veil and ill-treatment by their allegedly insensitive and callus menfolks. In the same period in the context of the Great Game the politically oriented Western travel writers in particular the British ones set out on a voyage to Central Asia where they encountered ethnic Turkmen. Besides gathering intelligence, the travel writers devoted considerable pages to their Turkmen female travelees as well. But their images in these travel books have not been subject to rigorous scholarly scrutiny. In this regard, the current articles in two sections seeks to redress this neglect by shedding light on how these travel writers portrayed their Turkmen female travelees in seemingly unorientalist fashion in the first part and how explicitly in Orientalist tradition in the second part.
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Fruzińska, Justyna. "American Slavery Through the Eyes of British Women Travelers in the First Half of the 19th Century." Ad Americam 19 (February 8, 2019): 113–21. http://dx.doi.org/10.12797/adamericam.19.2018.19.08.

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My paper investigates 19th-century travel writing by British women visiting America: texts by such authors as Frances Trollope, Isabella Bird, or Frances Kemble. I analyze to what extent these travelers’ gender influences their view of race. On the one hand, as Tim Youngs stresses, there seems to be very little difference between male and female travel writing in the 19th century, as women, in order to be accepted by their audience, needed to mimic men’s style (135). On the other hand, women writers occasionally mention their gender, as for example Trollope, who explains that she is not competent enough to speak on political matters, which is why she wishes to limit herself only to domestic issues. This provision, however, may be seen as a mere performance of a conventional obligation, since it does not prevent Trollope from expressing her opinions on American democracy. Moreover, Jenny Sharpe shows how Victorian Englishwomen are trapped between a social role of superiority and inferiority, possessing “a dominant position of race and a subordinate one of gender” (11). This makes the female authors believe that as women they owe to the oppressed people more sympathy than their male compatriots. My paper discusses female writing about the United States in order to see how these writers navigate their position of superiority/inferiority.
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Raissouni, Iman. "Authoritative Structures of British Feminist Colonial Discourse: Emily Keen’s Travel Narrative My Life Story as a Case Study." International Journal of Linguistics, Literature and Translation 4, no. 6 (2021): 20–27. http://dx.doi.org/10.32996/ijllt.2021.4.6.4.

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This paper analyses the representation of Morocco by a British female traveller during the late nineteenth and early twentieth century. Emily Keen’s My Life Story attempts to set out the conditions in which women travelled and translated the reception of their experiences into autobiographies in their native countries, breaking down the boundaries of space and time to discover and interpret the discourse that traverses the writer’s narrative. The endeavour is to show how what was imagined about the country, what was a fantastic legend about Morocco, what started as an innocent story and literary entertainment for British readers, built up to make an authoritative discourse of colonisation. My intention and method go so far as to broaden the range of issues connected to travel writing. These issues include gender, race, identity, and personal experience, etc. Through this lens, I argue that such writers were conscious and unconscious informants preparing the way for the European colonisation of the country; they are the living witnesses of an evolution through which a culture was forced to open itself to foreign powers.
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Christie, Clive J. "British Literary Travellers in Southeast Asia in an Era of Colonial Retreat." Modern Asian Studies 28, no. 4 (1994): 673–737. http://dx.doi.org/10.1017/s0026749x0001252x.

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Some write because they travel, and some travel because they write. A large number of progessional writers, not just travel-writers, have derived inspiration from travel: equally, a large number of travellers, who are not professional writers, have nevertheless often felt compelled to encapsulate their experience in literary form. It is the aim of this paper to survey such British travel literature relating to Southeast Asia during the period of massive transformation dating approximately from the ‘20S to the ’ 50S of this century. It is not intended to be comprehensive, but representative of the major landmarks of that literature along with some lesser-known works of particular interest.
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Alacovska, Ana. "Genre Anxiety: Women Travel Writers' Experience of Work." Sociological Review 63, no. 1_suppl (2015): 128–43. http://dx.doi.org/10.1111/1467-954x.12246.

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Keck, Stephen L. "Picturesque Burma: British Travel Writing 1890–1914." Journal of Southeast Asian Studies 35, no. 3 (2004): 387–414. http://dx.doi.org/10.1017/s0022463404000207.

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With the end of effective resistance to British rule after the Third Anglo-Burmese War, Burma experienced significant economic growth, which led to larger numbers of foreign travellers going there. This article traces the publications of three travel writers – Mrs Ernst (Alice) Hart, R. Talbot Kelley and V. C. Scott O'Connor – by investigating the ways in which they relied on the concept of ‘picturesque’ to understand Burmese landscapes.
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Kestner, Joseph A., and Joanne Shattock. "The Oxford Guide to British Women Writers." Tulsa Studies in Women's Literature 14, no. 1 (1995): 184. http://dx.doi.org/10.2307/464260.

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Dissertations / Theses on the topic "British Women Travel Writers"

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McKenzie-Stearns, Precious. "Venturesome women : nineteenth-century British women travel writers and sport." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001901.

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Turner, Katherine S. H. "The politics of narrative singularity in British travel writing, 1750-1800." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296251.

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Butler, Rebecca. "Resurgence and insurgence : British women travel writers and the Italian Risorgimento, 1844-1858." Thesis, Bangor University, 2016. https://research.bangor.ac.uk/portal/en/theses/resurgence-and-insurgence-british-women-travel-writers-and-the-italian-risorgimento-18441858(c207e708-49cd-44ad-83ea-4c2abc1b0c50).html.

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This study examines the evolution of British women travel writers’ engagement with the Risorgimento during a decisive period preceding Italian reunification, from the infamous letter-opening incident of 1844 to the eve of the Second Italian War of Independence (1859-1861). Despite being outwardly denied a political voice back home, British women were conspicuous in their engagement with the Italian question. Italy’s allegorical personification lent itself well to female-oriented interpretations of the Risorgimento, with many women seeing Italy’s political oppression under Austria as analogous to their own disenfranchised condition in Britain. The rise of mass tourism on the Continent made Italy increasingly accessible to Victorian women travellers, not only as a locus of culture, but also of political enquiry. The generic hybridity of travel writing further enabled Victorian women’s political engagement by granting a degree of fluidity between traditionally feminine and masculine genres. In turn, Italy played a foundational - albeit somewhat equivocal - role in British women’s literary professionalization as travel writers. My research focusses on the intersections between political advocacy, gender ideologies, national identity, and literary authority in women’s travel accounts of Italy. It contributes to current literary scholarship on the Risorgimento by providing a sustained analysis of Victorian women’s non-fiction travel writing as an under-represented genre in Anglo-Italian studies. Encompassing both published and unpublished travel writing across a variety of media, it aims to represent a broader diversity of literary responses to the Italian question. Through a comparative framework, I position prominent figures like Mary Shelley, Florence Nightingale and Fanny Kemble alongside marginalized writers such as Clotilda Stisted, Selina Bunbury, Mary Charlton Pasqualino, Maria Dunbar, Janet Robertson and Frances Dickinson, with fruitful intersections. My findings identify a number of shared discourses across these women’s travel accounts in response to discrete political moments 3 within the process of Italian reunification. By attending to such moments as unique discursive events, this study interrogates teleological narratives of British writers’ engagement with the Risorgimento. My analysis shows such discourses to be temporally contingent, being shaped not only by the episodes themselves, but also by extrinsic political and commercial considerations. Personal factors also differentiate individual responses to Italy, with many women travellers parallelling their autobiographical journeys with the peninsula’s political travails. However, my findings equally undercut a mutually reinforcing, proto-feminist narrative of women travellers’ liberal engagement with the Risorgimento. Instead, this study delineates the tensions as well as the synchronicities between representations of the female travelling self and Italy, revealing them to be often competing sites of authority.
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Agorni, Mirella. "Translating Italy for the eighteenth century : British women novelists, translators and travel writers 1739-1797." Thesis, University of Warwick, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287087.

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Adler, Michelle. "Skirting the edges of civilisation : British women travellers and travel writers in South Africa, 1797-1899." Thesis, SOAS, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320150.

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Sikstrom, Hannah J. "Performing the self : identity-formation in the travel accounts of nineteenth-century British women in Italy." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:fdd4d82a-8bfe-4d3d-b668-4e88da45db7e.

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From the adventures of Odysseus to those of the male Grand Tourist, travel has often been regarded as an important rite of masculine self-fashioning. However, as this thesis argues, travel and travel writing also provided a valuable opportunity for women's self-fashioning: journeys offered women a means of altering themselves, enabling them to assume a novel identity abroad and in text, whether it be a subversive or idealised version of themselves. Drawing upon Judith Butler's and Sidonie Smith's theories of performativity, this thesis investigates Victorian women travel writers' impulse to self-fashioning, and argues for travel writing as a performative act of identity-formation. Drawing on Butler's notion of subversive repetition, this thesis also demonstrates the ways in which the instability of women authors' narrative identities gives them a potential for agency, enabling authors to unsettle prescribed gender boundaries and challenge cultural constructions of femininity. In particular, I examine the constructed textual travel identities of the following nineteenth-century British women: Anna Jameson, Susan Horner, Emily Lowe, and Frances Minto Elliot. I highlight the discursive strategies that these four authors use in order to create certain images of themselves for their readers in their travelogues about Italy, all published (or, in the case of Horner, written) between the years 1826 and 1881. Jameson, Horner, Lowe, and Elliot also reconfigure traditional notions of travel and gender in their travelogues to articulate and perform definitions of selves that are not necessarily exemplary – at least not at first glance. I examine the ways in which these nineteenth-century authors adopt apparently undesirable selfhoods ('ill', 'intellectual', 'unprotected', and 'idle') and turn supposed weaknesses into strengths. This thesis also analyses the significance of Italy for the travel narrators and their self-representation in relation to the peninsula. Italy signalled a meaningful difference from Britain, and these authors represent it as a positive space for healing, intellectual growth, pleasure, fulfilment, and self-determination. The constructed identities of these four authors result in 'travel performances' that aim to persuade readers of the narrators' aptitude for travel and of their especially meaningful attachment to, experience of, and understanding of Italy. This thesis does not only provide a space for voices which have until now been little recognised in contemporary scholarship. It also sheds light on an important form of Victorian women’s writing that was a valuable route towards cultural and intellectual authority and self-empowerment, as well as a means of personal and professional self-fashioning.
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Jones, Mary C. "Fashioning Mobility: Navigating Space in Victorian Fiction." UKnowledge, 2015. http://uknowledge.uky.edu/english_etds/24.

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My dissertation examines how heroines in nineteenth-century British Literature manipulate conventional objects of feminine culture in ways which depart from uses associated with Victorian marriage plots. Rather than use fashionable objects to gain male attention or secure positions as wives or mothers, female characters deploy self-fashioning tactics to travel under the guise of unthreatening femininity, while skirting past thresholds of domestic space. Whereas recent Victorian literary and cultural criticism identifies female pleasure in the form of consumption and homosocial/erotic desire, my readings of Victorian fiction, from doll stories to the novels of Charlotte Brontë, Wilkie Collins, and Marie Corelli, consider that heroines find pleasure in deploying fashionable objects – such as dolls, clothes, cosmetics, and jewelry – which garner access to public space typically off limits for Victorian women. In the first chapter, girls use dolls to play in wilderness spaces, fostering female friendships. Muted dress provides a cloak of invisibility, allowing the heroine to participate in the pleasure of ocular economies in the second chapter. The third chapter features a female detective who uses cosmetics to disguise her infiltration of men’s private spaces in order to access private secrets. Finally, the project culminates with jewelry’s re-signification as female success in the publishing world. Tracing how female characters in Victorian fiction use self-fashioning as a pathway, this study maps the safe travel heroines discover through wild landscapes, urban streets, and professional arenas. These spaces were often coded with sets of conditions for gendered interactions. Female characters’ proficient self-styling provides mobility through locations guarded by the voices of neighbors, friends, and family who attempt to keep them in line with Victorian gender conventions. Female characters derive an often unexplored pleasure: the secret joy of being where they should not and going against what they are told. In the novels I examine, female protagonists navigate prolific rules and advice about how to arrange and manage their appearances, not to aspire to paragons of Victorian beauty and womanhood but in order to achieve physical and geographic mobility outside domestic interiors.
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Wright, Eamon David. "British women writers and race." Thesis, Goldsmiths College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298874.

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Parra, Lazcano Lourdes. "Transcultural performativities : travel literature by Mexican women writers." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/21346/.

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This thesis examines travel literature by Mexican women in relation to transcultural performativities, which refers to a feminist critique of how writers capture their normative performativity and their agency as they interact with different cultural contexts. My analysis considers texts from the end of the nineteenth century, taking into consideration the first Mexican women who published travel literature, through to contemporary writers from the early twenty-first century. The major focus of this thesis will be to show how Mexican women writers repeat political and poetic performativities in their literature, based on their trips to foreign places. This thesis is composed of four parts: a theoretical analysis of transcultural performativities and three close, comparative readings of travel writing and the context of their production. In the first chapter, I propose a conceptual model named transcultural performativities to analyse travel literature. This model takes into consideration the contributions of Judith Butler, Fernando Ortiz, Walter Mignolo, Julio Ortega, Eyda Merediz, Nina Gerassi-Navarro, Gloria Anzaldúa, Homi Bhabha and Édouard Glissant. This analytical model has a tripartite structure: occidental Atlanticism, post-occidental border thinking, and the Philosophy of Relation in worldliness (globalisation). The second chapter is a comparative analysis of the works of Laura Méndez de Cuenca and Elena Garro to exemplify the Atlanticist relations among Europe, the United States, Latin America and, in particular Mexico. The third chapter examines the works of Rosario Castellanos and María Luisa Puga to grasp the cultural negotiations of the intermediate social experience between Mexico and other foreign countries. The final chapter explores the works of Esther Seligson and Myriam Moscona to analyse the positionality of Mexican Jews in relation to World Literatures. Overall, this thesis suggests that we can understand the complexities of the fluidity and non-fixity of subjectivity in Mexican women’s travel writing by dwelling on the constantly changing nature of sex/gender, social classes, racialization, nationalism, and religiosity.
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Smith, Tania S. "The rhetorical education of eighteenth-century British women writers." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1303136879.

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Books on the topic "British Women Travel Writers"

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Women travel writers and the language of aesthetics, 1716-1818. Cambridge University Press, 1995.

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A, Joyce Beverly, ed. Personal writings by women to 1900: A bibliography of American and British writers. University of Oklahoma Press, 1989.

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A, Joyce Beverly, ed. Personal writings by women to 1900: A bibliography of American and British writers. Mansell, 1989.

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Elphinstone, Margaret. Hy Brasil: A novel. Canongate, 2002.

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Hosmer, Robert E., ed. Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1.

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Ayres, Brenda, ed. Biographical Misrepresentations of British Women Writers. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56750-1.

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Cirstea, Arina. Mapping British Women Writers’ Urban Imaginaries. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137530912.

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Shattock, Joanne. The Oxford guide to British women writers. Oxford University Press, 1994.

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The Oxford guide to British women writers. Oxford University Press, 1993.

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Nelson, Carolyn Christensen. British women fiction writers of the 1890s. Twayne Publishers, 1996.

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Book chapters on the topic "British Women Travel Writers"

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Evans, Robert Owen. "Sybille Bedford: A Paradise of Dainty Devices." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_1.

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Newman, Jenny. "‘See Me As Sisyphus, But Having A Good Time’: the Fiction of Fay Weldon." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_10.

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Hosmer, Robert E. "Paradigm and Passage: The Fiction of Anita Brookner." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_2.

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Hulbert, Ann. "The Great Ventriloquist: A. S. Byatt’s Possession: A Romance." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_3.

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Kendrick, Walter. "The Real Magic of Angela Carter." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_4.

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Averitt, Brett T. "The Strange Clarity of Distance: History, Myth, and Imagination in the Novels of Isabel Colegate." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_5.

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Sudrann, Jean. "‘Magic or Miracles’: The Fallen World of Penelope Fitzgerald’s Novels." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_6.

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Hofer, Ernest H. "Enclosed Structures, Disclosed Lives: The Fictions of Susan Hill." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_7.

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Boylan, Clare. "Sex, Snobbery and the Strategies of Molly Keane." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_8.

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Hynes, Joseph. "Muriel Spark and the Oxymoronic Vision." In Contemporary British Women Writers. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_9.

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