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Books on the topic 'Broadcast environment'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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1

Delli Carpini, Michael X., 1953-, ed. After broadcast news: Media regimes, democracy, and the new information environment. Cambridge: Cambridge University Press, 2011.

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2

Baldeosingh, Ian. Digital asset management and progressive content tools: Carlton television : can knowledge management provide strategic benefits when applied to the digital broadcast environment?. London: LCP, 2002.

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3

Wakeling, S. Electromagnetic field exposure in broadcast environments. London: BBC, 1990.

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4

Rosenthal, David A. A user's guide to the Space Environment Services Center Geophysical Alert Broadcasts. Boulder, Colo: U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, Environmental Research Laboratories, 1989.

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5

Vernetztes Denken im Journalismus: Journalistische Vermittlungsdefizite am Beispiel Ökologie und Umweltschutz. Tübingen: M. Niemeyer, 1986.

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6

Kranabetter, John Marty. Ten-year results from operational broadcast burning trials in northwestern British Columbia. Victoria: British Columbia, Ministry of Forests Research Program, 1998.

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7

Halvorson, A. R. Estimates of salinity level produced by broadcast incorporated and band-applied fertilizer. Pullman, Wash: Washington State University Cooperative Extension, 1987.

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8

W, Hirman Joseph, and Space Environment Laboratory, eds. A radio frequency user's guide to the Space Environment Services Center Geophysical Alert Broadcasts. Boulder, Colo: U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, Environmental Research Laboratories, Space Environment Laboratory, 1990.

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9

Rosenthal, David A. A radio frequency user's guide to the Space Environment Services Center geophysical alert broadcasts. Boulder, Colo: U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, Environmental Research Laboratories, Space Environment Laboratory, 1992.

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10

Rosenthal, David A. A radio frequency user's guide to the Space Environment Services Center Geophysical Alert Broadcasts. Boulder, Colo: U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, Environmental Research Laboratories, Space Environment Laboratory, 1990.

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11

NextGen: The Federal Aviation Administration's Automatic Dependent Surveillance Broadcast contract : hearing before the Subcommittee on Aviation of the Committee on Transportation and Infrastructure, House of Representatives, One Hundred Tenth Congress, first session, October 17, 2007. Washington: U.S. G.P.O., 2007.

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12

Fox, Shane. Broadcast revenue management: Pricing and inventory management in today's broadcast environment. National Association of Broadcasters, 1997.

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13

Belgrad, Daniel. Improvisation, Democracy, and Feedback. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.003.

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In the 1960s and 1970s, improvisational artists explored the use of feedback, both as a creative method and a model of the self in relation to its social and physical environment. As an alternative to centralized authority structures, feedback loops could be used to organize decentralized events or activities. The result would be a self-informing system, or autopoiesis. This idea informed the new field of cybernetics and the social philosophy of Paul Goodman and Gregory Bateson. Max Neuhaus’s realization of John Cage’s composition,Fontana Mix—Feed, made use of this structure, as did his later broadcast works,Public SupplyandRadio Net, and the dance form of “contact improvisation” developed by Steve Paxton. In these works, attention to the dynamics of interaction (“deutero-learning”) fostered an improvisational style based on a heightened environmental awareness rather than an exteriorization of the internal psyche, thus pioneering the postmodern, networked self.
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14

One Show Design 2 The Best Print Packaging Environmental And Broadcast Design. One Club Publishing, 2009.

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15

W, Hirman Joseph, and Space Environment Laboratory, eds. A radio frequency user's guide to the Space Environment Services Center geophysical alert broadcasts. Boulder, Colo: U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, Environmental Research Laboratories, Space Environment Laboratory, 1992.

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16

A radio frequency user's guide to the Space Environment Services Center geophysical alert broadcasts. Boulder, Colo: U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, Environmental Research Laboratories, Space Environment Laboratory, 1992.

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17

Media Institute (Washington, D.C.), ed. Chemical risks: Fears, facts, and the media : a content analysis of print and broadcast outlets. Washington, D.C: Media Institute, 1985.

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18

Expected Performance of the Global Broadcast Service (GBS), Phase II, with Emphasis on Environmental Limitations to Supportable Data Rates. Storming Media, 1997.

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19

Sewlal, Robin, ed. REFLECTIONS of the SOUTH AFRICAN MEDIA 1994 - 2019. Radiocracy, 2021. http://dx.doi.org/10.51415/dut.3.

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Prior to 1994, the media operated in an environment that can best be described as ‘suppressed’. Diversity of thoughts, views and opinions on media platforms were non-existent as the regime, at the time, ruled with an iron-fist. A variety of print media outlets sought to reflect reality, but it was a steady struggle especially for those with meagre resources, and exacerbated by the constant clampdowns. The state-run broadcaster, if anything, entrenched discriminatory principles and practices. Given our precarious past, the birth of democracy proved to be the perfect panacea for a promising pathway for the media fraternity. Transformation, in more ways than one, permeated the sector. Reflections of the South African Media: 1994-2019 is a compilation by authors who have peculiar insight of and excelled in the different areas of the fast-developing industry in the first 25 years of South Africa’s democracy. And they are no ordinary authors. Every chapter contributed came from women and men who had, through the years, a direct link with ML Sultan Technikon, Technikon Natal, Durban Institute of Technology (DIT) or Durban University of Technology (DUT) * either as a student, lecturer, visiting professor, speaker or associate. Compiling and editing this book has been an incredibly invigorating experience. It was never in doubt whose image will adorn the cover of the book, so it was beautifully uplifting that many authors, not knowing my choice, gave Nelson Mandela due recognition. My brief to the authors was simple: let me have your personal lookback in your own style on the topic that you are most comfortable with. All of them stepped up to the plate, and the vast array of content in the book bares strong testimony. A section titled Journeys in Journalism encapsulates input from alumni of DUT Journalism – they were afforded free reign to trace the territory they traversed. I’m indebted to each and every contributor for generously volunteering their precious time and talent to the book. They were simply magnificent. It has to be said that this publication far exceeded my expectations as it, initially, was a humble idea to celebrate 25 years of the media industry with a handful of contributions. Little did I realise that my desk will be flooded with 40 pieces of excellence and a Foreword penned by the brilliant Jeremy Thompson. My eternal gratitude must also be extended to the small team of assistants for understanding my vision upfront and rallying remarkably throughout. Once you’ve enjoyed the read, I invite you to share Reflections of the South African Media: 1994-2019 with whoever you believe can benefit from its rich and diverse content!
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