Relevant bibliographies by topics / Broadcaster

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Broadcaster'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 June 2025

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Journal articles on the topic "Broadcaster"

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Yonathan K.M, Syarifuddin, Mardalina, and Sururuddin. "Penerapan Kaidah Penyiaran di Stasiun D’Radio Jambi." MAUIZOH: Jurnal Ilmu Dakwah dan Komunikasi 3, no. 2 (2019): 53–64. http://dx.doi.org/10.30631/mauizoh.v3i2.20.

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Radio development in Jambi City is very tight so it takes the ability to keep listeners listening to broadcasts. Radio broadcasters are the spearhead in a program that must be able to entertain and exist but still prioritize the applicable broadcasting rules. This study tries to describe the application of radio broadcasting rules at D'Radio Jambi station. The study used qualitative methods through observation, interviews, and documentation. Based on data analysis, the application of broadcasting rules by broadcaster D'Radio Jambi on the D'Viral entertainment broadcast program has been implemented well. The main broadcaster plays an important role in the success of the D'Viral program by the way it broadcasts. Entertaining and applying some broadcast rules such as Talk to one person, quality of speech, and mastery of vocabulary. Obstacles that are still faced are conveying messages, vocal technique constraints, broadcasters' ability constraints, and obstacles to knowing listeners. In general, some of the solutions that broadcasters do to overcome these obstacles are conducting broadcasting training, preparing broadcasts before broadcasting, and taking foreign language courses.
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Todd, Patricia R., and Joanna Melancon. "Gender and live-streaming: source credibility and motivation." Journal of Research in Interactive Marketing 12, no. 1 (2018): 79–93. http://dx.doi.org/10.1108/jrim-05-2017-0035.

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Purpose The overall purpose of this study is to investigate and gain a better understanding of perceptions of source credibility and consumer motivation to view live-stream broadcasts. Of particular interest is gender differences based on the gender of the broadcaster and viewer. Design/methodology/approach Data were collected using an online survey from 998 respondents. As the preliminary examination technique, t-tests were used. Findings There are significant differences based on whether a viewer of a live broadcast is watching a source of the same gender or a different gender in source credibility. Viewing same vs opposite sex broadcasters may indicate motivation to engage with the live-video content. There are significant gender differences outcome variables of interest to live broadcasters. Research limitations/implications The context investigated was a single live-streaming provider. Practical implications The findings provide a start to understanding the differences in perceptions and motivations for watching live-stream broadcasters. This will aid marketers and broadcasters using live-stream formats on a variety of platforms in developing better content and building a more engaged viewing community. This research represents an important step in quantifying unexplored differences in gender perceptions of the source of live broadcasts that ultimately could impact not only the success of the broadcaster but also brands endorsed by these broadcasters. Originality/value This research is among the first to explore source effects and motivation in the live video context.
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Kurniawan, Edy Kusnadi, and Ardiansyah. "Upaya Radio El-Dity Meningkatkan Kualitas Siaran Menghadapi Persaingan Media Massa." MAUIZOH: Jurnal Ilmu Dakwah dan Komunikasi 4, no. 1 (2020): 43–64. http://dx.doi.org/10.30631/mauizoh.v4i1.29.

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This research is motivated by the rapid development of online media. Radio strives for its broadcasts to continue to be of interest to listeners. The aim of the research is to see El-Dity radio's efforts to improve broadcast quality in the face of mass media competition. The research method is qualitative with data collection of observations, interviews, and documentation. Observations were made at the El-Dity radio studio, while the interview informants were the director and broadcaster of the bulletin program, the person in charge of reporting, and the broadcasters of El-Dity radio. The results of the study found that El-Dity radio had tried to improve the quality of bulletin broadcasts in order to face mass media competition, by selecting news that was interesting, broadcast worthy, up to date, and packaged in an attractive manner. Broadcasters try to present the news clearly, and another thing that El-Dity radio does to improve the quality of its bulletin broadcasts is to divide its broadcast segmentation with various types of regional, national and international news.
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Lin, Yan, Dai Yao, and Xingyu Chen. "Happiness Begets Money: Emotion and Engagement in Live Streaming." Journal of Marketing Research 58, no. 3 (2021): 417–38. http://dx.doi.org/10.1177/00222437211002477.

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Live streaming offers an unprecedented opportunity for content creators (broadcasters) to deliver their content to consumers (viewers) in real time. In a live stream, viewers may send virtual gifts (tips) to the broadcaster and engage with likes and chats free of charge. These activities reflect viewers’ underlying emotion and are likely to be affected by the broadcaster’s emotion. This article examines the role of emotion in interactive and dynamic business settings such as live streaming. To account for the possibility that broadcaster emotion, viewer emotion, and viewer activities influence each other, the authors estimate a panel vector autoregression model on data at the minute level from 1,450 live streams. The results suggest that a happier broadcaster makes the audience happier and begets intensified viewer activities, in particular tips. In addition, broadcasters reciprocate viewer engagement with more smiles. Further analyses suggest that these effects are pronounced only after a live stream has been active for a while, and they manifest only in streams by broadcasters who have more experience, receive more tips, or are more popular in past live streams. These results help platforms and broadcasters optimize marketing interventions such as broadcaster emotion enhancement in live streaming and quantify the financial returns.
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Martini, Martini. "Broadcaster’s Code Switching in Musik Aktifitas Program At Radio Suara Kancanta 100,3 Fm Labuhan Haji, Lombok Timur, Ntb - Indonesia." International Journal of Multicultural and Multireligious Understanding 6, no. 1 (2019): 200. http://dx.doi.org/10.18415/ijmmu.v6i1.563.

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This study analyzed the implementation of code switching by an announcer or broadcaster in one of the broadcast programs namely Musik Aktifitas program at Radio Suara Kancanta 100,3 fm ,Lombok Timur. The objectives of this study were (1) find the type of code used in Musik Aktifitas programs (2) determine the frequency of the most dominant use of code by the announcer or broadcasterin Musik Aktifitas program. ) Identify the factors behind that made the broadcaster used the code switching in that program. To obtain the data in a descriptive qualitative study, the writer use a recording technique followed by in-depth interviews with the broadcaster of Musik Aktifitas program to determine the background or the reasons of using code switching . The results of this study indicate that (1) there were kinds of code used in Musik Aktifitas program namely tag switching, intrasentensial switching and intersentensial switching (2) types of code which most predominantly used by broadcasters in Musik Aktifitas program was tag switching (45, 65% ), followed by intrasentensial switching (43.48%) and Intersentensial switching (10.87%). There were (6) reasons why the broadcaster of Musik Aktifitas program used in that program as follows : 1. Talking about particular topic ,2. Quoting Somebody else ,3. Being emphatic about something ,4. Sentence fillers or sentence connectors 5.Expressing group identity and 6. Real lexical need.
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Wilk, Dorota. "Role and Room for Social Broadcaster With Radio Fara as an Example." Social Communication 4, no. 2 (2018): 16–29. http://dx.doi.org/10.2478/sc-2018-0012.

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Abstract The broadcaster, who uses the possibility of functioning in the broadcasting media space as a social broadcaster, ensures not only independence from power centres, political parties and commercial entities, but also full control over the broadcast content. He consciously directs ithe message to a specific group of recipients, often a niche group, providing content that commercial and public stations avoid, considering it to be unattractive. The type of programmes broadcast is strictly defined by the role it has to fulfil, the requirements set by the legislator for social broadcasters and the possibilities resulting from having such status. This has a significant impact on the place it occupies in the media radio market.
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Skrzypczak, Jędrzej, and Grzegorz Iwasiuta. "Polarisation of Content in Polish News Making, as Exemplified by News Programmes of Licensed Broadcasters and the Public Service Broadcaster." Zeszyty Prasoznawcze 64, no. 2 (246) (2021): 23–48. http://dx.doi.org/10.4467/22996362pz.21.009.13474.

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The paper contains a quantitative and qualitative analysis of the news services of the three largest broadcasters and three events essential for the functioning of the state and public life in Poland. The first one was the amendment to the Supreme Court Act of July 2017. The second event was the local elections campaign in Poland (broadcasts aired on the 18th of October 2018, the last but one day of the elections campaign), while the third set of material were the news items on the murder of the Mayor of Gdańsk – Paweł Adamowicz (broadcasts aired on the 15th of January 2019, one day after the tragic event). The analysis focused on the evening news editions by the three most popular broadcasters with the highest viewership, including commercial stations (i.e. TVN’s Fakty and Polsat’s Wydarzenia) and the public broadcaster (i.e. the Polish Television’s Wiadomości). In total, 43 news items of 2 hours, 20 minutes and 6 seconds were analysed. The study has revealed a clear polarisation of news content coming from the licensed broadcasters and the public service broadcaster.
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Wu, Di. "Factors Influencing Consumers Purchase Intention on The Live Streaming Shopping Platform in China." BCP Business & Management 14 (November 24, 2021): 94–107. http://dx.doi.org/10.54691/bcpbm.v14i.134.

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Live streaming shopping has become more and more popular in recent years, so it is quite necessary to illustrate how we can increase the customers’ purchase intention. A mixed-method study is developed, including an interview of broadcaster’s perspective and a survey of customers' perspectives to learn about consumers' concerns when shopping on live streaming platforms. The research was approached interactively, adapting the method in response to the findings discovered from the interviews. Few consumers have a habit of watching live streaming shopping regularly. Consumers want to try something new on the live streaming platform no matter bought this product or have seen this brand before. Broadcaster’s identification has not affected consumer’s purchase intention much. However, the consumer would trust broadcasters and choose to buy products from their live room. From the broadcaster’s perspective, they need a platform to teach them from zero to one, and network traffic is a big problem for them. In addition, product trust is more effective than broadcaster trust for the moment. Therefore, sellers are needed to improve their communication and describing skills. This paper also emphasized that the e-commerce approach should not only be competitive in terms of pricing but also in terms of quality in order to meet client demand. Furthermore, many customers believe that false propaganda should not be broadcast on live streaming platforms. As a result, broadcasters should be professionally and skillfully trained. This paper will give broadcaster and e-commerce companies suggestions on the affection of purchase intention during live streaming shopping. In addition, this paper gives future studies some basic studies and suggestions.
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Anderson, Douglas A., and Frederic A. Leigh. "How Newspaper Editors and Broadcast News Directors View Media Ethics." Newspaper Research Journal 13, no. 1-2 (1992): 112–22. http://dx.doi.org/10.1177/073953299201300110.

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Newsroom concern about journalism ethics is no politically correct fad, say both editors and broadcast managers. And who's more ethical? Newspaper reporters, say editors, but three-quarters of broadcasters disagree. Neither print nor broadcaster people, however, think TV reporters are more concerned about ethics than are print reporters.
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Calfano, Brian Robert, and Donald P. Green. "Assessing the Efficacy of Radio Public Service Announcements: Results From Three Field Experiments." Electronic News 13, no. 3 (2019): 134–51. http://dx.doi.org/10.1177/1931243119883655.

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Public service announcements (PSAs) are key staples for broadcasters in fulfilling their Federal Communications Commission–mandated public interest mission, and the familiarity of the PSA format has helped motivate broadcaster attempts to monetize these short, community-focused messages. But relatively few studies have rigorously assessed the impact of PSAs; to date, there have been no randomized experiments gauging PSAs aired on radio stations with different programming formats. To fill this gap, we report the results of three field-based experiments randomizing the airdates of PSAs on three separate broadcast radio stations. Results suggest PSAs have significant, but short-lived, effects on audience behavior. This finding has implications for organization sponsorship and broadcaster use of PSAs as well as researcher approaches to studying these spots through randomized field experiments.
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Dissertations / Theses on the topic "Broadcaster"

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Grimes, Aisling. "Broadcaster, church and state in Ireland, 1958-1968." Thesis, University of Westminster, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442732.

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Tichonovaite, Monika. "The Public Service Broadcaster of Lithuania in the Era of Commercialization." Thesis, Uppsala universitet, Medier och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-154398.

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The television industry in Lithuania is analyzed in this thesis with a focus on the impact of commercialization on the public service broadcaster. The purpose of the research paper is to describe the impact of the changing market on the public service broadcaster of Lithuania using as theoretical framework the approach of the political economy of the media and communication and quantitative methods. One part of the thesis is the theoretical research, which is done by analyzing and systematically presenting books and articles that relate to the thesis’s topic. In the second part of the work, the theoretical framework is applied to the Lithuanian television market. In addition, an empirical study is conducted in order to apply the theoretical discussion and answer the main research question. The main results of the study suggest that the public service broadcaster of Lithuania managed to maintain its programmes’ diversity. However, the amount of entertainment, imported production and advertising has increased. Therefore, a certain concern about growing commercialization is reasonable. These changes correspond to the tendencies in the European television industry. However, Lithuanian viewers seem to prefer the more heavily commercialized programmes since the leader of the market is a commercial television station, whose market share is almost twice bigger than LTV’s. Thus, LTV is facing a dilemma between preserving quality and diversity and commercializing its programmes in order to increase its audience share (dilemma between quality and audience share).
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Masuku, John. "The public broadcaster model and the Zimbabwe Broadcasting Corporation (ZBC) : an analytical study." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6527.

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Thesis (MPhil)--University of Stellenbosch, 2011.<br>ENGLISH ABSTRACT: The aim of this analytical study was to establish whether the Zimbabwe Broadcasting Corporation (ZBC) operates as a true public broadcaster or as a state-controlled broadcaster. The performance of the ZBC was analysed through its main 8.00 pm television news bulletins broadcast during the period between the signing of the Global Political Agreement (GPA) by the Zimbabwe African National Union Patriotic Front, ZANU (PF) and the two Movement for Democratic Change (MDC) political parties in September 2008 and the establishment of the inclusive Government of National Unity (GNU) in February 2009. The study was undertaken from within the paradigms of the Social Responsibility Theory as this was deemed the most applicable in terms of the research subject. Both qualitative and quantitative research methods were applied as part of a process of triangulation. The qualitative research method, as the main methodological approach, was applied to solicit views and opinions of participants by use of questionnaires designed to interview specific interviewees, namely the ZBC journalists and spokespersons for the various political parties now in the GNU. The journalists explained how they gathered and packaged news bulletins having to endure some government interference on a regular basis. The MDCs' spokespersons outlined how the ZBC denied them broadcast time for their rallies, press statements and participation in live debates. ZANU (PF) was of the view that the MDC parties only wanted to blame the previous ZANU (PF) government through “unsubstantiated” remarks about bias and the breakdown of the rule of law and absence of democracy and freedom of expression in the country. This, according to ZANU (PF), they did in order to please their alleged Western financiers like Britain and the United States who imposed targeted sanctions on the country. Through the analysis of political parties' accessibility to the main television news bulletins, the research confirmed the assumption that the ZBC is still biased in favour of the former sole ruling ZANU (PF) party which is also in charge of the information ministry in the GNU. The study concluded that since the ZBC, as a public-funded institution, was clearly not accessible to different political parties and civic society groups in order for them to participate in a crucial nation-building process, it failed to fulfil its expected mandate as a public broadcaster. By also negating a social responsibility role that calls for high professional conduct, fairness and objectivity expected of public broadcasters, this study showed that the ZBC was still a state-controlled broadcaster that needs to be reformed.<br>AFRIKAANSE OPSOMMING: Die doel van hierdie analitiese studie was om vas te stel of die Zimbabwe Broadcasting Corporation (ZBC) as 'n ware openbare uitsaaier of as 'n staatsbeheerde uitsaaier funksioneer. Die werkverrigting van die ZBC is geanaliseer deur die 8 nm-TV-bulletin gedurende die periode tussen die ondertekening van die Global Political Agreement (GPA), deur die Zimbabwe African National Union-Patriotic Front, ZANU (PF) en die twee Movement for Democratic Change (MDC) politieke partye in September 2008 en die totstandkoming van die inklusiewe Government of National Unity (GNU) in Februarie 2009 te bestudeer. Beide kwalitatiewe en kwantitatiewe navorsingsmetodes is toegepas deur dit met die proses van triangulering te kombineer. Die kwalitatiewe navorsingsmetode, wat die hoof-metodologiese benadering is, is aangewend om perspektiewe en opinies van deelnemers te verkry, deur gebruik te maak van vraelyste wat ontwerp is vir spesifieke deelnemers, naamlik die ZBC joernaliste en woordvoerders van die verskillende politieke partye, tans in die GNU. Die joernaliste verduidelik hoe hulle met die inwin van nuus en samestelling van nuusbulletins inmenging van die staat op 'n gereelde basis moes verduur. Woordvoerders van die MDC het in breë trekke uiteengesit hoe die ZBC hul uitsaaityd geweier het vir hul byeenkomste, persverklarings en deelname aan regstreekse debatte. Die ZANU (PF)-deelnemers is van mening dat die MDC- partye net die vorige regering wou blameer deur "ongesubstansieerde‟ opmerkings te maak oor vooroordeel en die ontbinding van die oppergesag van die gereg, die afwesigheid van demokrasie en vryheid van spraak in die land. Dit sou hulle doen om hul beweerde Westerse finansiers, soos Brittanje en die Verenigde State, wat geteikende sanksies op die partyleierskap opgelê het, insluitende president Robert Mugabe, tevrede te stel. 'n Analise van die politieke partye se toegang tot die hooftelevisie-nuusbulletins bevestig die hipotese dat die ZBC steeds die vorige enkel regerende ZANU (PF)-party wat in beheer van die inligtingsministerie in die GNU is, bevoordeel. Die slotsom is dat, aangesien die ZBC, 'n openbaar-gefinansierde instansie, ontoeganklik vir verskillende politieke partye en burgerlike gemeenskapsgroepe is, hulle van deelname aan 'n belangrike nasiebouproses uitgesluit is. Daarmee faal die ZBC in sy veronderstelde mandaat van 'n ware openbare uitsaaier, asook sy sosiale verantwoordelikheidsrol, wat hoë professionele gedrag, regverdigheid en objektiwiteit van openbare uitsaaiers vereis. Die studie bewys die ZBC is steeds 'n staatsbeheerde uitsaaier wat hervorm moet word.
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Jewett, Lorraine E. "Technological innovations and the evolving role of the television news broadcaster : towards a U.S. history." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63805.

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Tsai, Shu-Fen. "Ruth Adam (1907-1977), novelist, journalist, broadcaster, biographer, social historian : a representative English feminist writer?" Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262721.

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Wu, Sok Han. "To what extent does Teledifusao de Macau (TDM) fulfill its role as a public service broadcaster?" Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2162009.

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Kapiri, Francis. "Producing journalism about climate change for news and agricultural radio: a case study of Malawi's public broadcaster." Thesis, Rhodes University, 2017. http://hdl.handle.net/10962/6375.

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This study investigates how radio journalists at the Malawian public broadcaster (MBC) experience the task of producing content that can help their audiences to engage with the local relevance of climate change. This study establishes terms of reference for this research by mapping out international histories of public engagement with the concept of climate change in the domains of science, politics and the media. It describes how contestations around climate change have evolved within these spheres and concludes that such contestation is shaped by relations of power that inform the international economic domain. The study then examines scholarly evaluations of journalism about climate change, concluding that such evaluation is grounded in distinct normative understandings of the social purpose of such journalism. It is argued that research about Malawian journalists’ experience of reporting on climate change should draw on knowledge of the role that norms play within this local environment. With this goal in mind, the study reviews tools for the analysis of the normative foundations of journalism within specific socio-historic contexts. It demonstrates the relevance of these tools for the identification of norms and their influence on journalism about climate change in the Malawian context. The empirical component of the study draws on this framework by means of a case study of the experiences of journalists working at the MBC. It examines how these journalists experience the task of producing content that enables their audiences to engage with the local relevance of climate change. It compares such experience as articulated by journalists working for agricultural and news programming. It is concluded that the participants have access to credible knowledge about climate change and its relevance to the Malawian context. Based on such knowledge, they articulate a shared understanding of climate change and its relevance to the Malawian context. However, the study identifies differences in the way that the two groups make sense of the practice of producing journalism about climate change that is of relevance to their audience. In particular, the agricultural journalists incorporate a more inclusive and diverse set of norms into their conceptualisation of such practice. At the same time, the two groups nevertheless respond similarly when commenting on institutional factors at MBC that constrain or enable them to produce journalism about climate change that is guided by such norms. They place emphasis on the need for MBC to provide opportunities for journalists to have access to training, facilitated by organisations that have expertise in climate change journalism. It is concluded that the participants recognise that, despite the entrenched culture of authoritarianism at MBC, such workshops can contribute fundamentally to the shaping of journalistic practice within this broadcaster.
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Sweeney, Bill. "RTÉ : public service broadcaster? : an examination using an analysis of broadcasting schedules and content, and the perceptions of staff." Thesis, Liverpool John Moores University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.436576.

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Warhurst, Samantha. "Characteristics of the Supranormal Speaking Voice: Radio Performers." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10000.

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Characteristics of the Supranormal Speaking Voice: Radio Performers Radio performers use their voices to communicate with their audiences and compete in the radio marketplace. This thesis aimed to investigate what makes a good voice for radio. Perspectives on what makes a good voice for radio are likely to vary between radio employers/educators, listeners and clinicians. Therefore, this thesis explored good voice for radio using methods that considered these stakeholder perspectives. Five studies are presented; one using qualitative method and four using quantitative methods. The first study analysed interviews with radio employers/educators and presented a multi-dimensional model of what makes a good voice for radio, which was used in informing the design of four subsequent, quantitative studies on male radio performers. These four studies investigated features that characterised supranormal (better-than-normal) voice in radio performers, rather than dysphonia. They showed that a) good voice for radio is agreed on by listeners and judgments were predicted by an acoustic model with moderate accuracy; b) judgments of voices that were not “good for radio” were unreliable; c) voices of commercial and public radio broadcasters have different spectral characteristics; and d) radio performers’ voices have a higher speed quotient than controls, measured using high-speed videoendoscopy. These results imply that good voices for radio have different acoustic, perceptual and kinematic characteristics to controls. However, not all radio performers were perceived as “good for radio”; judgments appeared to be affected by other factors e.g., context and listener preference. Radio performers may also differ in voice quality to appeal to their stations’ target audiences. Finally, this thesis provides evidence for use of a stakeholder framework when describing the vocal features and demands of performers. Use of measures that are sensitive to the voice demands of performers is likely to facilitate optimal voice outcomes for these individuals.
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Rotrekl, David. "Návrh na pokrytí oblasti datovou sítí." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2009. http://www.nusl.cz/ntk/nusl-222371.

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Books on the topic "Broadcaster"

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Outside broadcaster. Frances Lincoln, 2007.

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David, Garner, and Commonwealth Broadcasting Association, eds. Commonwealth broadcaster directory. New Image Design & Print, 1998.

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David, Garner, and Commonwealth Broadcasting Association, eds. Commonwealth broadcaster directory. New Image Design & Print, 1998.

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Katie Couric: TV news broadcaster. Ferguson, 2005.

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Amadi, John Osinachi. The ethics of the Nigerian broadcaster. [s.n.], 1986.

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Milne, Alasdair. DG: Memoirs of a British broadcaster. Hodder & Stoughton, 1988.

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Downie, Peter. Fresh air: The private thoughts of a public broadcaster. Northstone Pub., 1997.

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Cheryl Miller: Basketball hall of famer & broadcaster. ABDO Publishing Company, 2014.

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Attenborough, David. Life on air: Memoirs of a broadcaster. BBC, 2009.

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Milne, Alasdair. DG: The memoirs of a British broadcaster. Coronet, 1989.

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Book chapters on the topic "Broadcaster"

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Hong Lee, Lily Xiao. "Radio Broadcaster." In Oral Histories of Tibetan Women. Routledge, 2022. http://dx.doi.org/10.4324/9781003268031-23.

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Block, Walter E. "The Religious Broadcaster." In Defending the Undefendable III. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-3957-9_53.

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Chalaby, Jean K. "The ORTF as State Broadcaster." In The de Gaulle Presidency and the Media. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230554474_6.

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Steemers, Jeanette. "Broadcaster Perspectives on Preschool Production." In Creating Preschool Television. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230274600_4.

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Jenner, Mareike. "Introduction: Netflix as Transnational Broadcaster." In Netflix and the Re-invention of Television. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94316-9_10.

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Ngwenya, Blessed. "The early transition of the SABC from state broadcaster to post-apartheid broadcaster." In Media Power and Hegemony in South Africa. Routledge, 2020. http://dx.doi.org/10.4324/9781003043836-3.

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Wagman, Ira. "Should Canada Have an International Broadcaster?" In Canada's Public Diplomacy. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62015-2_7.

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Iosifidis, Petros, and Stylianos Papathanassopoulos. "Greek ERT: State or Public Service Broadcaster?" In Public Service Broadcasting and Media Systems in Troubled European Democracies. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02710-0_7.

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Chalaby, Jean K. "The National Broadcaster during the de Gaulle Presidency." In The de Gaulle Presidency and the Media. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230554474_5.

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Marcos, Gorka, Petra Krämer, Arantza Illarramendi, Igor García, and Julián Flórez. "Semantic Middleware to Enhance Multimedia Retrieval in a Broadcaster." In Semantic Multimedia. Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-92235-3_8.

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Conference papers on the topic "Broadcaster"

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Könings, Bastian, Sebastian Thoma, Florian Schaub, and Michael Weber. "PriPref broadcaster." In the 13th International Conference. ACM Press, 2014. http://dx.doi.org/10.1145/2677972.2677978.

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Sasaki, K., and Y. Tobe. "WINFO:Wearable Micro Info-broadcaster." In 21st International Conference on Data Engineering Workshops (ICDEW'05). IEEE, 2005. http://dx.doi.org/10.1109/icde.2005.307.

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Pank, R. A. "Technology serving the broadcaster." In International Broadcasting Conference IBC '95. IEE, 1995. http://dx.doi.org/10.1049/cp:19950955.

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Berry, Max, and Robert Thomas. "New Technology and the Broadcaster." In SMPTE Television Conference. IEEE, 1987. http://dx.doi.org/10.5594/m00892.

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Thorpe, Laurence. "HDTV - A Perspective for the Broadcaster." In SMPTE Television Conference. IEEE, 1988. http://dx.doi.org/10.5594/m00533.

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Barroco, M. "Becoming a data-driven broadcaster and delivering a unified and personalised broadcast user experience." In IBC 2016 Conference. Institution of Engineering and Technology, 2016. http://dx.doi.org/10.1049/ibc.2016.0012.

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Han, Li, and Jian Ma. "Internet information broadcaster for China emerging rural market." In the 6th International Conference. ACM Press, 2009. http://dx.doi.org/10.1145/1710035.1710039.

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Davis, Sterling. "U.S. Broadcaster Plans for Provision of ATSC Mobile DTV." In SMPTE Technical Conference. IEEE, 2009. http://dx.doi.org/10.5594/m001338.

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Giro-i-Nieto, Xavier, Monica Alfaro, and Ferran Marques. "Diversity ranking for video retrieval from a broadcaster archive." In the 1st ACM International Conference. ACM Press, 2011. http://dx.doi.org/10.1145/1991996.1992052.

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Artundo, I., C. Debaes, L. Desmet, and H. Thienpont. "Diffractive design of a Selective Broadcaster in Reconfigurable Optical Interconnects." In LEOS 2007 - IEEE Lasers and Electro-Optics Society Annual Meeting. IEEE, 2007. http://dx.doi.org/10.1109/leos.2007.4382587.

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Reports on the topic "Broadcaster"

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Haertel, Kateryna. ECMI Minorities Blog. National Minority Media and Work of Minority Journalists in the Time of the War of Aggression against Ukraine. European Centre for Minority Issues, 2022. http://dx.doi.org/10.53779/kjkj7575.

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In this blog post, the author examines the specifics of the work of minority media and minority journalists during the first six months of the war of aggression against Ukraine. The text is based on the author’s interviews with representatives of different types of minority media outlets – printed, digital, as well as the public broadcaster – operating in different regions of Ukraine. The key findings indicate a tendency towards scarcer reporting about the daily lives of ethnic communities and a more vulnerable situation for minority reporters, many of whom have fled abroad, of all media outlets scrutinized. Moreover, a significant decrease in broadcasting in minority languages through the public broadcaster is identified in one of the multi-ethnic regions.
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Willis, Craig. ECMI Minorities Blog. Could a new level of digitalisation offer minority language media outlets a strategy to attract a wider audience? European Centre for Minority Issues, 2022. http://dx.doi.org/10.53779/smpx1996.

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Minority language media (MLM) faced significant disruption resulting from the digitalisation processes which brought in increased competition and challenged traditional business models. With a new wave of technological advancements in auto-translation, however, there may be opportunities to grow audience within different speaker groups. This blogpost considers the model of Scottish Gaelic broadcaster BBC Alba, which is sustained by a two-pronged strategy of content for speakers and non-speakers, concluding that other outlets, including newspapers, could utilise auto-translation tools to grow their audience as readership habits evolve. Caution is also expressed towards the possibility of majority-language first practices creeping in out of convenience, serving as a reminder that regulation and public funding must ensure that minority language content is continuously produced, and that the current wave of digitalisation is advantageous for MLM.
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Skone, Timothy J. Broadcast Burning Crownwood. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1508998.

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Skone, Timothy J. Broadcast Burning Stemwood. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1508999.

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MILSATCOM SYSTEMS WING LOS ANGELES AFB CA. Global Broadcast Service (GBS). Defense Technical Information Center, 2014. http://dx.doi.org/10.21236/ada618142.

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Lotz, Amanda, Anna Potter, Marion McCutcheon, Kevin Sanson, and Oliver Eklund. Australian Television Drama Index, 1999-2019. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.212330.

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This report examines changes in the production and commissioning of Australian television drama from 1999–2019, a period marked by notable changes in the business of television in Australia and globally. More production companies now make drama in Australia; however, the fact that more companies share less than half the annual hours once produced raises concerns about sustainability. Several major Australian production companies have been acquired by foreign conglomerates and challenge the viability of domestic companies that lack access to international corporate capital and distribution. The decrease in adult drama hours commissioned by commercial broadcasters has reshaped Australian television drama more than any other change. The national broadcasters have increased their role in commissioning, particularly in children’s drama. Titles have not decreased nearly as significantly as the number of episodes per series. Commercial broadcasters’ drama decreased from an average of 21 episodes per title in 1999 to seven in 2019, a 60 per cent decrease that, along with the increasing peripheralization of soaps, has diminished available training grounds and career paths in the Australian scripted production industry.
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Smith, T., and G. Armitage. IP Broadcast over ATM Networks. RFC Editor, 1997. http://dx.doi.org/10.17487/rfc2226.

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Kang, Intae, and Radha Poovendran. Broadcast with Heterogeneous Node Capability. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada459483.

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Rosenthal, D. A. Geophysical Alert Broadcast User's Guide. Defense Technical Information Center, 1989. http://dx.doi.org/10.21236/ada224270.

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Zigmond, D., and M. Vickers. Uniform Resource Identifiers for Television Broadcasts. RFC Editor, 2000. http://dx.doi.org/10.17487/rfc2838.

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