Academic literature on the topic 'Broadcasting script analysis'

This study examines the impact of interactive storytelling on improving news writing skills among Communication Science students in an English broadcasting course. Integrating digital platforms with multimedia elements—including audio, video, and graphics—fosters narrative creativity and enhances students' engagement in English news broadcasting. The study involved seven Communication Science students as participants in a qualitative case study, with data collected through news script analysis and interviews. Analysis focused on narrative structure, creativity, and multimedia use, while interviews captured insights into students' experiences and challenges with digital platforms. Using Nvivo 12 software, data analysis revealed significant improvements in students' narrative creativity and multimedia integration. Interactive storytelling techniques improved news script quality and promoted student engagement, independence, and adaptability in learning. Students valued the flexibility and real-time feedback of digital platforms, which allowed experimentation with storytelling techniques and self-paced learning. Despite these benefits, some students encountered challenges related to technical skills and media adaptation. Findings emphasize the value of interactive storytelling in journalism education, with potential applications in professional training for broadcast media, journalism workshops, and multimedia content creation.

Any form of life ends in death. Human death is a difficult moment for an individual’s family. Various cultures observe diverse rituals and traditions connected with the end of life and perform different burial rites. Memorial services assume a range of forms depending on the culture and religious tradition an individual was brought up in and followed throughout their life. However, memorial ceremonies are also diversified within a given culture. The funeral of a monarch is much more complex as compared to this of any of his/her subject’s. The death of the British Monarch, Queen Elizabeth II, in September 2022 was followed by a period of mourning and state funeral. The analysis in the present paper focuses on the semantic frame of the royal funeral. The methodological framework adopted for the discussion is the cognitive linguistic one, focusing on cognitive-linguistic models such as frames and scripts, exemplified here by the frame of the ROYAL FUNERAL and the [ROYAL FUNERAL] script. Both of the presented models contain unique elements that are not to be found in other contexts. The components of frame and script which are specific to this event are highlighted. The data for the detailed description of the frame are gathered from the online news reports provided by the British Broadcasting Corporation. The study shows how different the discussed model is from the standard description of the frame of FUNERAL and the [FUNERAL] script respectively. Also, many of its elements are culture-specific.

The spread and expansion of the communicative and reproductive, artistic spheres of television requires the establishment of a permanent two-way communication between the viewer and television.Based on the emerging theory and practice of television, taking into account the experience of past years, in the article a) the composition of the script, writing technique; b) analysis of the demonstration process; c) a TV program with the participation of a TV viewer; d) media preparation and tape sealing; e) We sought to retrospectively study issues related to broadcasting

This article investigated about language used phenomenon in broadcasting field. It focused on why the broadcasters tend to mix their language with English while speaking. The subjects are four broadcasters from two radio stations, DBS FM and RRI Pro 2. The object is reasons of doing code switching into English during the broadcast. The writer uses recording, interview, and documentary techniques. After collected, the data are analyzed with theories and explained descriptive-qualitatively. The result shows that the reasons of using English are because they have been accustomed to saying those words in English, their perception of English as sophisticated language, they want to make variation on their broadcast, imitating someone, make special characteristics, forgot the Indonesian words, adjusting with the program and the listeners, and lazy to translate the script into Indonesian

Introduction. Research on live broadcasting television and interactive projects is an important contribution not only to the history and theory of social communications, but also a promising field for further research of this type of broadcasting that can be also applied to the investigation of the Internet. Generalization and distinguishing features of this type of broadcasting are less common in the scientific community. During the research the following methods were used: historical and historical-comparative to analyze and organize data concerning ways of live broadcasting and interactive programs formation; systematization, classification, and clustering methods were used to get generalizations. A comparative method was implemented to distinguish common and diverse features of different types of broadcasting which are used in broadcast journalism. The content analysis method was applied for the organization of data concerning the development of programs, which use the interaction with the viewer as a certain communicative technology. The purpose of our study is to formulate a certain concept of genre features that are typical for interactive and live television broadcasting. We set out the following tasks: to distinguish the features of interactive and live broadcasting; outline their particularities in the different types of broadcasting and offer promising directions for using that type of broadcasting. This allowed us to distinguish the difference between live and interactive broadcasting, to focus on time and duration of interaction, to trace the use of different genres in these types of programs, to distinguish their specific features, to generalize and classify them, to identify promising directions of research. Results and conclusions. Live interactive television is characterized by a genre-themed variety. Language-communication and an improvisational script are mainly used in live broadcasting that motivates the audience to engage, provides lasting interest, trust, and positive changes in the image of the channel. News uses live broadcasting as the main way of organization of information (using «live» or stream of momentous events broadcasting), the use of interactivity in this type of broadcasting is indirect and is more oriented to further communication using individual touchpoints. Analytical programs are represented by various conversations in-studio and telemarathon. Viewer interaction is limited to the «viewer as one of the audience» type. Entertainment broadcasting is presented in such formats as Life-Show, Reality-Show (one of its varieties is Talent-Show), and Intelligence-Show, where interaction with the viewer is one of the formative factors. We see the benefits of this type of television among other forms of broadcasting in economic, dramatic, ideological, and communication aspects. Keywords: interactive television, communication, media audience, live television, television content.

This article examines the development of television scripts in the crime drama genre within the context of US commercial broadcasting in the network era. In 1968, public discourse around race relations, civil rights and violence reached a height following the assassinations of Martin Luther King, Jr and Robert F. Kennedy, and the release of a government study on urban uprisings by the National Advisory Commission on Civil Disorders. Ironside (1967‐75, NBC) and N.Y.P.D. (1967‐69, ABC) are two crime dramas that drew on recent events related to black militants and white supremacy in order to appeal to viewers with socially relevant entertainment during this time. The archival records of screenwriters Sy Salkowitz and Lonne Elder make it possible to trace the development of one episode from each series over the course of multiple drafts. This analysis of the script development process explores the relationship between public discourse, industrial context, commercial agendas and creative priorities. Ironside and N.Y.P.D. are both crime dramas, but an examination of both series yields points of divergence which help to illustrate the norms of the network system in terms of act structure, genre tropes, and the oversight of standards and practices.

Football is one of the most popular sports all over the world; however, there are limited seats inside the stadiums, making TV broadcasting an important tool for its popularity. Football commentators, therefore, need to transmit the active information of the game accurately and vividly. To add color to commentary, it is assumed that metaphor is widely used in their speech. As a result, this paper aims at analyzing metaphorical images in the commentary script of the 2022 UEFA Champions League Final. The procedure adopted is to survey the metaphoric images in the speech theoretically and to analyze certain sports texts pragmatically. After that, on the basis of sociolinguistics, analyze the functions of metaphor and their potential drawbacks. The results are as follows: Metaphor is heavily used by football commentators and helps make the game more exciting; it also has rhetorical and social functions. However, the use of metaphors in football commentary may cause language violence.

This study aims to determine the neutrality of Jambi TV in Broadcasting News in Reporting on Corruption Crimes Arrested by the Corruption Eradication Commission OTT KPK Ratification of the Jambi Province RAPBD in January-March 2018. The mass media functions as an information disseminator. Therefore the news conveyed to the public must be clear without any distortion of meaning or meaning. Jambi TV media, which has followed this case, started with a search for a hand-catching operation carried out by the Corruption Eradication Commission team. The IDR 4.7 billion found by the Corruption Eradication Committee during the sting operation was allegedly related to the discussion of the 2018 Jambi Province RAPBD. This study used a qualitative research method using the Framing Zhongdang pan and Gerald M. Kosick analysis approach. perform analysis based on four dimensions, namely, Syntax, Script, Thematic, Rhetorical. Researchers use the method used by Michel. The results of this study explain, 1). That Jambi TV framed the news on the Jambi Province RAPBD corruption case according to what was found on the ground by journalists. 2). Jambi TV's position when broadcasting the news on the Jmabi Province RAPBD corruption case, the news that was broadcast was in accordance with the pact where no one takes sides, whether it's the KPK or the RAPBD corruption suspects. During an editorial meeting. Finally, the author worships Religion, Society, Nusa and the Nation.

The use of language in making news is called journalistic language, namely language that is easy to understand and not complicated. One of the mass media that presents news is radio, until now Radio Republik Indonesia still exists as a government-owned public broadcasting institution. The news presented on radio is fleeting news, it cannot be played back, so the language used in making radio news must comply with journalistic language rules. The aim of this research is to determine the language used in Bulletin news presented by RRI Pro 1 Bengkulu and to analyze the extent to which the language used is in accordance with objective journalistic rules and can be well understood by listeners. The formulation of the problem raised is how journalistic language is used in health news presented in the RRI Pro 1 Bengkulu Bulletin. This research uses a qualitative approach with discourse analysis methods and uses theories of journalistic language and news. The results of this research are that the language used in the RRI Bengkulu Bulletin Pro1 health news script is guided by the rules of journalistic language writing and EYD, however in the health news script there are still several errors in word usage such as (1) Using abbreviations that are rarely heard by listeners. (2) There are non-standard words (3) Waste of words (4) Use of terms.

First Nations content on commercial Australian television drama is rare and First Nations content makers rarely produce the content we see. Despite a lack of presence on commercial drama platforms there has been, and continues to be, a rich array of First Nations content on Australian public broadcast networks. Content analysis by Screen Australia, the Federal Government agency charged with supporting Australian screen development, production and promotion, aggregates information across the commercial and non-commercial (public broadcasting) platforms which dilutes the non-commercial output. The research presented in this article focused on the systemic processes of commercial Australian television drama production to provide a detailed analysis of the disparity of First Nations content between commercial and non-commercial television. The study engaged with First Nations and non-Indigenous Australian writers, directors, producers, casting agents, casting directors, heads of production, executive producers, broadcast journalists, former channel managers and independent production company executive directors—all exemplars in their fields—to interrogate production processes, script to screen, contributing to inclusion or exclusion of First Nations content in commercial television drama. Our engagement with industry revealed barriers to the inclusion of First Nations stories, and First Nations storytelling, occurring across multiple stages of commercial Australian television drama production.

A focus on the details of how TV drama scripts were commissioned, edited and realised offers insight into the relationships between writers and television institutions. This study of the early years of the BBC’s popular science fiction series Doctor Who is based on archival documents from the 1960s and shows how the role of the screenwriter was negotiated in relation to the opportunities and constraints of format, genre, cost and intended audience, at a time of rapid and dynamic change in British television culture. The decisions about screenwriting analysed in this chapter affected how Doctor Who developed in the 60 years that followed, and also impacted how the BBC thought about its cultural and social mission of Public Service Broadcasting.

A focus on the details of how TV drama scripts were commissioned, edited and realised offers insight into the relationships between writers and television institutions. This study of the early years of the BBC’s popular science fiction series Doctor Who is based on archival documents from the 1960s and shows how the role of the screenwriter was negotiated in relation to the opportunities and constraints of format, genre, cost and intended audience, at a time of rapid and dynamic change in British television culture. The decisions about screenwriting analysed in this chapter affected how Doctor Who developed in the 60 years that followed, and also impacted how the BBC thought about its cultural and social mission of Public Service Broadcasting.