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Journal articles on the topic 'Broadside ballads'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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1

Junda, Mary Ellen. "Broadside Ballads." General Music Today 26, no. 3 (2012): 18–24. http://dx.doi.org/10.1177/1048371312468748.

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2

Winkler, Amanda Eubanks. "Reviews: Bodleian Library Broadside Ballads and English Broadside Ballad Archive." Journal of the American Musicological Society 67, no. 3 (2014): 848–66. http://dx.doi.org/10.1525/jams.2014.67.3.848.

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3

Hanzelková, Marie. "„Obracení“ poutních kramářských písní. Panna Marie Vranovská." Acta Musei Nationalis Pragae – Historia litterarum 66, no. 3-4 (2021): 101–10. http://dx.doi.org/10.37520/amnpsc.2021.020.

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The focus of this paper is on Czech pilgrimage broadside ballads and their adaptation for different pilgrimage sites. The heyday of Czech broadside ballads (1750–1850) partly overlapped with the period in which pilgrimages to both local and more distant holy sites were extremely popular. Collective singing played a very important role during the pilgrimages, and broadside ballads became the most popular medium for the spread of pilgrimage songs. The increasing demand for pilgrimage songs for local sites led to the intensive production of pilgrimage broadside ballads. This case study deals with

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4

Karnachuk, Natalia V. "“Strange and rare news”: information about foreign events in the English broadside literature of 1540–1570." Historia provinciae – the journal of regional history 5, no. 2 (2021): 336–92. http://dx.doi.org/10.23859/2587-8344-2021-5-2-1.

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The article provides a brief analysis of English broadside ballads of 1540–70, which to a certain extent covered foreign events. The purpose of the analysis is to retrace the emergence and initial steps in the development of interest in foreign events in the broadside literature and to identify the genre features which influenced this process. The author notes the importance of the broadside ballad as a means of disseminating information in the middle and lower strata of English cities and countryside. The article raises the question about the influence of the royal power, private interests of

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5

Winkler, Amanda Eubanks. "Bodelian Library Broadside BalladsBodelian Library Broadside Ballads. Mike Heaney, Director. URL: http://www.bodley.ox.ac.uk/ballads/English Broadside Ballad Archive. Patricia Fumerton, Director. URL: http://ebba.english.ucsb.edu/." Journal of the American Musicological Society 67, no. 3 (2014): 849–63. http://dx.doi.org/10.1525/jams.2014.67.3.849.

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6

Chess, Simone. "Shakespeare’s Plays and Broadside Ballads." Literature Compass 7, no. 9 (2010): 773–85. http://dx.doi.org/10.1111/j.1741-4113.2010.00743.x.

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7

Thořová, Věra. "The Occurrence of the Broadside Ballad Ó, radost má [Oh, My Joy] Among Folk Songs." Acta Musei Nationalis Pragae – Historia litterarum 62, no. 1-2 (2017): 6–18. http://dx.doi.org/10.1515/amnpsc-2017-0002.

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The broadside ballad O, radost ma [Oh, My Joy] was, as far as known, first printed in Kutna Hora in 1808. Later, it began to be sung to an unprecedented number of different tunes, inspired by folk and semi-folk songs, broadside ballads, church and artificial songs. Sometimes, the tune even literally quoted the folk melody. Variants of the song continued to appear in all Czech regions throughout the 20th century. In the Chodsko region, the song has become popular and has been sung as a folk song to this day.

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8

Moreira, James. "Fictional Landscapes And Social Relations In Nineteenth-Century Broadside Ballads." Ethnologies 30, no. 2 (2009): 93–113. http://dx.doi.org/10.7202/019947ar.

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The broadside ballad constitutes one of the oldest forms of popular culture in Europe and America. Even though our understanding of the genre, especially in North America, has been shaped by texts drawn from oral tradition, many of its thematic and stylistic traits reveal its origins in the modern popular press. The article examines the fictional landscapes of “whiteletter” ballads as represented in G. Malcom Laws catalog, especially categories “M” through “P.” These ballads all have love relationships as their central theme, and yet the spaces occupied by the principal characters and the mann

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9

Atkinson, David. "‘This is England’? Sense of Place in English Narrative Ballads." Victoriographies 3, no. 1 (2013): 1–22. http://dx.doi.org/10.3366/vic.2013.0103.

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Rightly or wrongly, ballads and folk songs collected in England are often thought to embody a sense of Englishness, even though substantial numbers of the items contained in such collections could equally be found in, say, Scotland, or even America. Nevertheless, ballad texts do reference topology and environment, and they do reference specific localities. However, while it is not difficult to think of some songs that unequivocally identify a fairly specific location (‘Rufford Park Poachers’ and ‘The Folkestone Murder’ are discussed here), many of the classical ballads in particular establish

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10

Marsh, Christopher. "THE WOMAN TO THE PLOW; AND THE MAN TO THE HEN-ROOST: WIVES, HUSBANDS AND BEST-SELLING BALLADS IN SEVENTEENTH-CENTURY ENGLAND." Transactions of the Royal Historical Society 28 (November 2, 2018): 65–88. http://dx.doi.org/10.1017/s008044011800004x.

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ABSTRACTThis paper investigates the representation of marital relations in some of the most successful broadside ballads published in seventeenth-century England. It explains the manner in which these have been selected as part of a funded research project, and it proceeds to question an existing historiographical emphasis on ballads in which marriages were portrayed as under threat due to a combination of wifely failings (scolding, adultery, violence) and husbandly shortcomings (sexual inadequacy, jealousy, weakness). Best-selling ballads were much more sympathetic to married women in particu

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11

Tobriner, Alice. "Old Age in Tudor-Stuart Broadside Ballads." Folklore 102, no. 2 (1991): 149–74. http://dx.doi.org/10.1080/0015587x.1991.9715816.

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12

Eric Nebeker. "Broadside Ballads, Miscellanies, and the Lyric in Print." ELH 76, no. 4 (2009): 989–1013. http://dx.doi.org/10.1353/elh.0.0066.

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13

McDowell, Paula. ""The Manufacture and Lingua-facture of Ballad-Making ": Broadside Ballads in Long Eighteenth-Century Ballad Discourse." Eighteenth Century 47, no. 2 (2006): 151–78. http://dx.doi.org/10.1353/ecy.2007.0027.

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14

Hailwood, Mark. "Broadside Ballads and Occupational Identity in Early Modern England." Huntington Library Quarterly 79, no. 2 (2016): 187–200. http://dx.doi.org/10.1353/hlq.2016.0016.

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15

Klacek, Michal. "Reflexe islámu v kramářských tiscích a kupletech druhé poloviny 19. a začátku 20. století." Acta Musei Nationalis Pragae – Historia litterarum 66, no. 3-4 (2021): 5–42. http://dx.doi.org/10.37520/amnpsc.2021.015.

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Semi-folk compositions, traditionally referred to as ‘broadside ballads’, can be seen as a distinct work of art but also as a specific type of historical source. The authors of the ballads reacted, among other things, to events in the Ottoman Empire in the second half of the 19th century and at the beginning of the 20th century. For a long time, they maintained entrenched stereotypes based on the opposition between Christianity and Islam. ‘Turks’ (a synonym for Muslims) were traditionally regarded as pagans and tyrants, oppressors of subjugated Christians. During the Great Eastern Crisis and t

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16

Palmer, Megan E. "Picturing Song across Species: Broadside Ballads in Image and Word." Huntington Library Quarterly 79, no. 2 (2016): 221–44. http://dx.doi.org/10.1353/hlq.2016.0009.

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17

Fiala, Jiří. "Two Broadside Ballads About a Family Tragedy in Příbor on the Christmas Eve in 1844." Acta Musei Nationalis Pragae – Historia litterarum 62, no. 1-2 (2017): 65–71. http://dx.doi.org/10.1515/amnpsc-2017-0008.

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On the Christmas Eve of 1844, the master shoemaker Carl Ertel in Přibor murdered his wife and his three children by slitting their throats, after which he attempted suicide in the same way and died of his injuries on 31 December of the same year. This family tragedy is do cumented by records in the death registry of the Přibor parish. One year later, two broadside ballads of the same strophic structure were created and then printed in Vienna and Banska Bystrica. The author of the composition Žalostivý příběh v novou píseň uvedený… [A Pitiful Story Made into a New Song...] sees the cause of Ert

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18

Fox, Adam. "Jockey and Jenny: English Broadside Ballads and the Invention of Scottishness." Huntington Library Quarterly 79, no. 2 (2016): 201–20. http://dx.doi.org/10.1353/hlq.2016.0007.

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19

Ivánek, Jakub, and Monika Szturcová. "The Promotion of Pilgrimage Sites in Moravia through Broadside Ballads in the First Half of the 19th century." Acta Musei Nationalis Pragae – Historia litterarum 63, no. 3-4 (2019): 188–95. http://dx.doi.org/10.2478/amnpsc-2018-0024.

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The article deals with broadside ballads with themes related to pilgrimage, which were used by Moravian pilgrims from the 1790s, but mainly in the first half of the 19th century. The period under study thus begins after the death of the Enlightenment ruler Joseph II, who introduced a number of restrictive measures into the pilgrimage system, which altered the pilgrimage practice. The quantity of pilgrimage songs then published as broadside ballads proves the unceasing interest of especially commoners in pilgrimages and the culture associated with them. The songs themselves, however, occasional

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20

Roud, Steve. "Damnable Practices: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads." Folklore 130, no. 2 (2019): 210–11. http://dx.doi.org/10.1080/0015587x.2018.1517959.

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21

Archer, I. "Political Broadside Ballads of Seventeenth-Century England:. A Critical Bibliography, ed. Angela McShane." English Historical Review 128, no. 534 (2013): 1234–36. http://dx.doi.org/10.1093/ehr/cet229.

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22

Jackson, Matthew D. "Political Broadside Ballads of Seventeenth-Century England: A Critical Bibliography. By Angela J. McShane." Cultural and Social History 11, no. 1 (2014): 131–32. http://dx.doi.org/10.2752/147800414x13802176314645.

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23

Hagen, Ross. "A warning to England: Monstrous births, teratology and feminine power in Elizabethan broadside ballads." Horror Studies 4, no. 1 (2013): 21–41. http://dx.doi.org/10.1386/host.4.1.21_1.

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24

Battigelli, Anna. "Political Broadside Ballads of Seventeenth-Century England: A Critical Bibliography by Angela J. McShane." Scriblerian and the Kit-Cats 47, no. 1 (2014): 62–64. http://dx.doi.org/10.1353/scb.2014.0044.

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25

Písková, Milada. "Printed Broadsides in the Comenius Museum in Přerov." Acta Musei Nationalis Pragae – Historia litterarum 62, no. 1-2 (2017): 72–73. http://dx.doi.org/10.1515/amnpsc-2017-0009.

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The Comenius Museum in Přerov has an interesting collection of chapbooks of Moravian and Slovak provenance. In the early 1990s, it was processed in the form of a museum catalogue including photo documentation. There is no extant record of when the museum acquired this collection. The collection comprises more than two thousand items, the earliest of which come from the 18th century, the latest from the beginning of the 20th century. Most of them were published by the Škarnicl family. They include both secular broadside ballads and pilgrim songs, with religious themes being predominant. Some of

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26

Pavelková, Jindra. "Kramářské písně v rajhradské benediktinské knihovně." Acta Musei Nationalis Pragae – Historia litterarum 66, no. 3-4 (2021): 58–71. http://dx.doi.org/10.37520/amnpsc.2021.017.

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The Rajhrad collections currently contain 81 song prints that can be classified as broadside ballads. Most of them are stored in boxes, like many other small prints from the monastic library that came there in the 19th century. Only a few provenance notes make it possible to identify the original owners of at least some of the prints. The analysis has also shown that almost half of the ballads were printed in Brno workshops; these represent song production from Prague, Hradec, Králové, Jindřichův Hradec, Litomyšl, Jihlava, Znojmo, Vienna, the New Town of Vienna, Linz, Krems and Skalice. Other

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27

Love, Timothy M. "Irish Nationalism, Print Culture and the Spirit of the Nation." Nineteenth-Century Music Review 15, no. 2 (2017): 189–208. http://dx.doi.org/10.1017/s1479409817000015.

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Recent investigations into the survival and dissemination of traditional songs have elucidated the intertwining relationship between print and oral song traditions. Musical repertories once considered distinct, namely broadside ballads and traditional songs, now appear to have inhabited a shared space. Much scholarly attention has been focused on the print and oral interface that occurred in eighteenth- and nineteenth-century Britain.Less attention has been paid, however, to music in Ireland where similar economic, cultural and musical forces prevailed. Yet, Ireland’s engagement in various nat

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28

Palmer, Megan E. "Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads by Sarah Williams." Early Modern Women 11, no. 2 (2017): 239–42. http://dx.doi.org/10.1353/emw.2017.0033.

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29

Bowers, R. "Tamburlaine in Two Broadside Ballads: A Brave Warlike Song and Saint Georges Commendation to All Souldiers." Notes and Queries 56, no. 4 (2009): 551–53. http://dx.doi.org/10.1093/notesj/gjp155.

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30

Bonzol, Judith. "Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads by Williams, Sarah." Parergon 34, no. 1 (2017): 194–96. http://dx.doi.org/10.1353/pgn.2017.0026.

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31

Marsh, Christopher. "Sarah F. Williams,Damnable practices: witches, dangerous women, and music in seventeenth-century English broadside ballads." Seventeenth Century 31, no. 1 (2016): 112–13. http://dx.doi.org/10.1080/0268117x.2015.1134095.

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32

Hailwood, Mark. "‘THE HONEST TRADESMAN’S HONOUR’: OCCUPATIONAL AND SOCIAL IDENTITY IN SEVENTEENTH-CENTURY ENGLAND." Transactions of the Royal Historical Society 24 (October 24, 2014): 79–103. http://dx.doi.org/10.1017/s0080440114000048.

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ABSTRACTThis paper starts from the proposition that historians of identity in the early modern period have paid insufficient attention to the significance of occupations and work. It demonstrates one possible approach to this topic by exploring the social identity of a particular occupational group – tradesmen – through a study of a particular source – printed broadside ballads. A number of important conclusions result: it argues that historians have overstated the dominance of craft-specific consciousness in the formation of early modern work-based identity (a term that is offered as a more h

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33

Hsueh, Vicki. "Intoxicated Reasons, Rational Feelings: Rethinking the Early Modern English Public Sphere." Review of Politics 78, no. 1 (2016): 27–57. http://dx.doi.org/10.1017/s0034670515000868.

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AbstractThis article examines early modern English public houses and related period miscellany—broadside ballads, conduct books, and songs—to more closely investigate the discourses and performances of drinking culture. Drinking culture, I argue, not only had a significant role in shaping the Restoration's civic culture of political participation and the emerging early modern public sphere, but also positioned emotions of pleasure and melancholy as social and political objects of care and cultivation. While the politics of pub culture and intoxication have been well documented by historians an

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34

Drozda, Martin. "Prusko-francouzská válka v kramářských tiscích." Acta Musei Nationalis Pragae – Historia litterarum 66, no. 3-4 (2021): 72–79. http://dx.doi.org/10.37520/amnpsc.2021.018.

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The study deals with the Franco-Prussian War in chapbooks. This conflict provided the last major stimulus for this medium, which gradually disappeared in the second half of the 19th century. Chapbooks on the subject of the Franco-Prussian war comprised mostly broadside ballads, but prayers and small prose prints were created as well. The importance of satirical songs significantly increased at that time. The article studies the interpretation of the war conflict in chapbooks, especially the glorification of French commanders and the authors’ hatred for Prussian soldiers, which stemmed from the

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35

Thompson, Marie. "Damnable Practises: Witches, Dangerous Women, and Music in the Seventeenth-Century English Broadside Ballads by Sarah F. Williams." Women and Music: A Journal of Gender and Culture 20, no. 1 (2016): 118–22. http://dx.doi.org/10.1353/wam.2016.0009.

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36

May, Steven W. "Livingston, Carole Rose.British Broadside Ballads of the Sixteenth Century: A Catalogue of the Extant Sheets and an Essay." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 9, no. 4 (1996): 49–51. http://dx.doi.org/10.1080/0895769x.1996.10543160.

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37

Dugaw, Dianne. "Transcendent Ephemera." Eighteenth-Century Life 44, no. 2 (2020): 17–42. http://dx.doi.org/10.1215/00982601-8218591.

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This essay considers our response to printed ephemera, analyzing British examples of the seventeenth and eighteenth centuries, specifically elegies, broadside ballads, and the life story and advertised theatrical performing of the eighteenth-century female soldier Hannah Snell, using methods from folklore, musicology, and literary study. The formats of the ephemera, and their performative modes seemingly identify these expressions as impermanent; at the same time, examining them collectively, we recognize an ironic gesture for lasting universal human sentiment and meaning. The ubiquitousness o

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38

Cecconi, Elisabetta. "“Ye Tories round the nation”: An Analysis of Markers of Interactive-involved Discourse in Seventeenth Century Political Broadside Ballads." Nordic Journal of English Studies 8, no. 3 (2009): 59. http://dx.doi.org/10.35360/njes.198.

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39

Strand, Karin. "“Let me tell you my life in a song” On Autobiography and Begging in Broadside Ballads of the Blind." European Journal of Life Writing 7 (May 7, 2018): 34–52. http://dx.doi.org/10.5463/ejlw.7.248.

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What can street ballads tell us about the lives and realities of “common people”, of experiences “from below”? This article discusses the functional aesthetics and social context of one particular genre that has circulated in ephemeral song prints (skillingtryck) in Sweden: beggar verses of the blind. For centuries, such songs were sold in the streets and at market places as a means for the blind to earn a living, and a major part of them tell the life story, the sad fate, of their protagonists. Many prints declare the genre of autobiography on their very front page, quite literally selling th

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40

Wilson-Lee, E. "The Bull and the Moon: Broadside Ballads and the Public Sphere at the Time of the Northern Rising (1569-70)." Review of English Studies 63, no. 259 (2011): 225–42. http://dx.doi.org/10.1093/res/hgr039.

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41

Cheesman, Tom, and Peter W. Carnell. "Broadside Ballads and Song-Sheets from the Hewins MSS. Collection in Sheffield University Library: A Descriptive Catalogue with Indexes and Notes." Jahrbuch für Volksliedforschung 34 (1989): 200. http://dx.doi.org/10.2307/849254.

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42

Lebedinski, Ester. "The travels of a tune: Purcell’s ‘If love’s a sweet passion’ and the cultural translation of 17th-century English music." Early Music 48, no. 1 (2020): 75–90. http://dx.doi.org/10.1093/em/caaa003.

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Abstract The travels of a tune: Purcell’s ‘If love’s a sweet passion’ and the cultural translation of 17th-century English music This article discusses Henry Purcell’s theatre song ‘If love’s a sweet passion’ (from The Fairy Queen, 1692) and its journey into various contexts in England and abroad. The article analyses the song’s appearance in printed songbooks, broadside ballads and single-sheet engravings, and in the Dutch manuscript songbook Finspång 9096:7 (now in Norrköping, Sweden), to show how the song was adapted to various contexts and conventions. The appearance of ‘If love’s a sweet

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43

Finley, Priscilla. "English Broadside Ballad Archive." Reference Reviews 32, no. 1 (2018): 25–26. http://dx.doi.org/10.1108/rr-07-2017-0175.

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44

Smith, Lindy. "English Broadside Ballad Archive." Music Reference Services Quarterly 19, no. 1 (2016): 72–76. http://dx.doi.org/10.1080/10588167.2016.1129662.

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45

Ivánek, Jakub. "České kramářské tisky – pokus o definici a typologii." Acta Musei Nationalis Pragae – Historia litterarum 66, no. 3-4 (2021): 43–57. http://dx.doi.org/10.37520/amnpsc.2021.016.

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The paper focuses on the issue of a relatively wide range of kramářské tisky – the medium of Czech popular literature of the Early Modern period and the 19th century. They mostly contained kramářské písně (Czech equivalent for broadside ballads), which are currently in the spotlight of Czech research interest. Kramářský tisk can also be defined by means of equivalents in other languages. The English term chapbooks, for example, may be helpful in emphasising the commercial focus of this literature (kramářské tisky could be literally translated as ‘chapman prints’). Although the English term can

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46

Barlow, J. "Cuckolds all a row: Broadside ballads: songs from the streets, taverns, theatres and countryside of 17th-century England, ed. Lucie Skeaping, foreword by Andrew Motion (London: Faber Music, 2005), 19.95." Early Music 34, no. 3 (2006): 499–501. http://dx.doi.org/10.1093/em/cal051.

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47

Nebeker, Eric. "The Broadside Ballad and Textual Publics." SEL Studies in English Literature 1500-1900 51, no. 1 (2011): 1–19. http://dx.doi.org/10.1353/sel.2011.0004.

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48

Gammon, Vic. "Ballads and Broadsides in Britain, 1500–1800." Folklore 123, no. 3 (2012): 371–72. http://dx.doi.org/10.1080/0015587x.2012.716952.

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49

Atkinson, David. "Ballads and Broadsides in Britain, 1500–1800." English Studies 93, no. 6 (2012): 736–37. http://dx.doi.org/10.1080/0013838x.2012.668314.

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50

Holubová, Markéta. "Mariazell in Printed Media of the 18th and 19th Centuries." Acta Musei Nationalis Pragae – Historia litterarum 63, no. 3-4 (2019): 196–206. http://dx.doi.org/10.2478/amnpsc-2018-0025.

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In the wide range of printed books on religious topics, a specific role was played by printed pilgrimage items, whose main aim was to increase the prestige and fame of pilgrimage sites and to strengthen the promotion of worshipped cults among believers. This was also the case of the pilgrimage site of Mariazell in Styria, Austria, where believers from virtually all parts of the Habsburg Monarchy, thus also pilgrims from the Czech lands, travelled in the 18th and 19th centuries. Especially broadside-ballad production and pilgrimage books significantly developed the tradition of religious pilgri

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