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Relevant bibliographies by topics / Broadside print

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Academic literature on the topic 'Broadside print'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "Broadside print"

1

Eric Nebeker. "Broadside Ballads, Miscellanies, and the Lyric in Print." ELH 76, no. 4 (2009): 989–1013. http://dx.doi.org/10.1353/elh.0.0066.

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Kyle, Chris R. "From Broadside to Pamphlet: Print and Parliament in the Late 1620s." Parliamentary History 26, no. 1 (2007): 17–29. http://dx.doi.org/10.1353/pah.2007.0007.

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KYLE, CHRIS R. "From Broadside to Pamphlet: Print and Parliament in the Late 1620s." Parliamentary History 26, no. 1 (March 17, 2008): 17–29. http://dx.doi.org/10.1111/j.1750-0206.2007.tb00626.x.

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Love, Timothy M. "Irish Nationalism, Print Culture and the Spirit of the Nation." Nineteenth-Century Music Review 15, no. 2 (February 7, 2017): 189–208. http://dx.doi.org/10.1017/s1479409817000015.

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Recent investigations into the survival and dissemination of traditional songs have elucidated the intertwining relationship between print and oral song traditions. Musical repertories once considered distinct, namely broadside ballads and traditional songs, now appear to have inhabited a shared space. Much scholarly attention has been focused on the print and oral interface that occurred in eighteenth- and nineteenth-century Britain.Less attention has been paid, however, to music in Ireland where similar economic, cultural and musical forces prevailed. Yet, Ireland’s engagement in various nationalist activities throughout the nineteenth century added a distinctly political twist to Ireland’s print–oral relationship. Songbooks, a tool for many nineteenth-century nationalist movements, often embodied the confluence of print and oral song traditions. Lacking musical notation, many songbooks were dependent on oral traditions such as communal singing to transmit their contents; success also depended on the large-scale distribution networks of booksellers and ballad hawkers. This article seeks to explore further the print–oral interface within the context of Irish nationalism. Specifically, I will examine how one particular movement, Young Ireland, manifested this interface within their songbook, Spirit of the Nation. By examining the production, contents, and ideology of this songbook, the complex connections between literature, orality and nationalism emerge.

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Bouza, Fernando. "L´on faict sçavoir que l´on vendra. El anuncio y catálogo impreso de la subasta de pinturas del Príncipe de Portugal (Bruselas, 1670)." IMAGO. Revista de Emblemática y Cultura Visual, no. 9 (January 31, 2018): 39. http://dx.doi.org/10.7203/imago.9.10829.

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ABSTRACT: In 1670, in Brussels, a printed advertisement announced the auction of a valuable set of a hundred paintings, property of the late Fernando Alejandro de Portugal. A printed broadside announced the sale, and included the names of the artists and titles of the works, as well as their formats and the material form of the pieces, in some cases. Therefore, the advertisement is also an auction catalogue, one of the first to be printed in early modern Europe. This article seeks to tell the story of the print history of the humble broadside as advertisement and catalogue, as well as its content and information on the owners of this extraordinary collection of paintings. KEYWORDS: Printed Auction Advertisements; Printed Sale Catalogues; Art Collecting; Portugal-Orange Family. RESUMEN: En 1670 se imprimía en Bruselas el anuncio de la subasta de un centenar de valiosas pinturas que habían sido propiedad de Fernando Alejandro de Portugal. El impreso contenía los nombres de los autores y los títulos de las pinturas, así como, en ocasiones, su soporte y formato. Por ello, el anuncio es también un catálogo de subasta, uno de los primeros que se imprimieron en la Europa altomoderna. El artículo intenta acercarse a la pequeña historia de la impresión del anuncio-catálogo, así como de su contenido y de los propietarios de una extraordinaria colección de pinturas. PALABRAS CLAVES: Anuncios de subastas impresos; catálogos de venta impresos; coleccionismo artístico; familia Portugal-Orange.

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Atkinson, David. "‘This is England’? Sense of Place in English Narrative Ballads." Victoriographies 3, no. 1 (May 2013): 1–22. http://dx.doi.org/10.3366/vic.2013.0103.

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Rightly or wrongly, ballads and folk songs collected in England are often thought to embody a sense of Englishness, even though substantial numbers of the items contained in such collections could equally be found in, say, Scotland, or even America. Nevertheless, ballad texts do reference topology and environment, and they do reference specific localities. However, while it is not difficult to think of some songs that unequivocally identify a fairly specific location (‘Rufford Park Poachers’ and ‘The Folkestone Murder’ are discussed here), many of the classical ballads in particular establish locality in much more elliptical fashion. Looking at a selection of ballads and their variants, both as collected songs and in broadside print, I aim to sketch out the way(s) in which ballads maintain a fragile, allusive sense of place. Albeit that it is inevitably overshadowed by the emphasis on action and emotion that characterise ballad style, what is here described as an ‘elliptical’ sense of place is nonetheless an important facet of the ‘feel’ of these ballads.

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Bellingradt, Daniel. "Das Flugblatt im Medienverbund der Frühen Neuzeit." Daphnis 48, no. 4 (November 7, 2020): 516–38. http://dx.doi.org/10.1163/18796583-04804001.

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Abstract One characteristic feature of the early modern media ensemble were the so-called ‘small’ and ‘occasional’ prints – a variety of pamphlet publications and single-sheet items that may be referred to as Flugpublizistik. In this article, one distinctive single-sheet variation, namely the early modern broadside with image and text parts, will be highlighted both as image transporting media and as a recycling product of the media ensemble. As is demonstrated using approaches from communication history and media economics, the early modern broadside with image and text parts is just another product of the most typical and constant processing of observed media-flows into new streams of media.

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Kettle, A. J. "Language, Print and Electoral Politics, 1790-1832: Newcastle-under-Lyme Broadsides." English Historical Review 118, no. 475 (February 1, 2003): 242–43. http://dx.doi.org/10.1093/ehr/118.475.242.

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Olson, R. J. M., and J. M. Pasachoff. "Historical Comets Over Bavaria: The Nuremberg Chronicle and Broadsides." International Astronomical Union Colloquium 116, no. 2 (1991): 1309–41. http://dx.doi.org/10.1017/s0252921100012914.

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Abstract.The first widely distributed printed comet images appear in the Nuremberg Chronicle, whose Latin edition appeared in 1493, followed closely by a German edition. In the first section, we begin our consideration with the comet image that has frequently been cited as a representation of the A.D. 684 apparition of Comet P/Halley. To better understand this image, we present a thorough survey of the 13 comet images that appear in the Chronicle, all reproduced from four woodblocks, representing 14 apparitions between A.D. 471 and A.D. 1472. In the second part, we present an analysis of the unpublished preparatory drawings for the comet images in the handwritten Exemplars (manuscript layout dummies) for both the Latin and German editions in the Stadtbibliothek, Nuremberg. Finally, in the third part, we demonstrate how the Chronicle presaged the proliferation of broadsides--woodcut prints that functioned like tabloids of the sixteenth and seventeenth centuries. We examine broadsides recording historical comets over such Bavarian cities as Nuremberg and Augsburg. In spite of their superstitious, hysterical journalism, fed by turbulent political and religious upheavals, these broadsides reveal a nascent scientific attitude.

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Strand, Karin. "“Let me tell you my life in a song” On Autobiography and Begging in Broadside Ballads of the Blind." European Journal of Life Writing 7 (May 7, 2018): 34–52. http://dx.doi.org/10.5463/ejlw.7.248.

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What can street ballads tell us about the lives and realities of “common people”, of experiences “from below”? This article discusses the functional aesthetics and social context of one particular genre that has circulated in ephemeral song prints (skillingtryck) in Sweden: beggar verses of the blind. For centuries, such songs were sold in the streets and at market places as a means for the blind to earn a living, and a major part of them tell the life story, the sad fate, of their protagonists. Many prints declare the genre of autobiography on their very front page, quite literally selling the story of the protagonist’s life and addressing the audience’s compassion. How, then, do these narratives relate to real life? How is individuality and authenticity expressed within a genre that to a large extent relies upon conventions and formulas? As is argued, songs of this kind are a suggestive source material of vernacular literacy, as well as of social and personal history from below. Simultaneously, the discourse is marked by and shaped in a dialogue with the sighted world’s view of the blind.

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Dissertations / Theses on the topic "Broadside print"

1

Berger, Susanna Cecilia. "The art of philosophy : early-modern illustrated thesis prints, broadsides, and student notebooks." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/252272.

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Veselá, Jaroslava. "Pozastavte se chvílčičku, slyšte novou písničku aneb Jarmareční písně světské i duchovní, žalostné i žertovné v českých zemích v období "dlouhého" 19. století." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-436668.

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(in English) This Master's work attempts to present the broadside ballad's phenomenon in the context of the Czech lands, should summarize the historical evolution of this peculiar literary style and the themes' compilation depending on historical period. Through the metody of comparison it tries to analyze the representative groups of broadside ballads inspired by the religious and folk environment and assess the hypothesis about the influence of topics' character on the structure and composition of a particular song.

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Books on the topic "Broadside print"

1

Bauerndarstellungen auf deutschen illustrierten Flugblättern des 17. Jahrhunderts. Frankfurt am Main: P. Lang, 1991.

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2

Le grand livre des images d'Epinal. Paris: Solar, 1996.

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3

Cheap print and popular piety, 1550-1640. Cambridge [England]: Cambridge University Press, 1991.

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4

Watt, Tessa. Cheap print and popular piety, 1550-1640. Cambridge [England]: Cambridge University Press, 1994.

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5

(Neuruppin), Heimatmuseum. "Was ist der Ruhm der Times gegen die zivilisatorische Aufgabe des Ruppiner Bilderbogens?": Die Bilderbogen-Sammlung Dietrich Hecht. Berlin: Kulturstiftung der Länder, 1995.

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Praze, Národní knihovna v. Einblattdrucke des 15. Jahrhunderts in der Nationalbibliothek in Prag. Prag: Nationalbibliothek der Tschechischen Republik, 2000.

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7

Perrout, René. Trésors des images d'Epinal. [Barembach]: J.-P. Gyss, 1985.

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8

George, Henri. La belle histoire des images d'Epinal. Paris: Cherche midi éditeur, 1996.

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M, Sokolov B. Khudozhestvennyĭ i︠a︡zyk russkogo lubka. Moskva: Rossiĭskiĭ gos. gumanitarnyĭ universitet, 1999.

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Bernard, Huin, Musée du Québec, and Réunion des musées nationaux (France), eds. Images d'Épinal. Québec: Musée du Québec, 1995.

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Book chapters on the topic "Broadside print"

1

Jones, Malcolm. "The English Broadside Print, c. 1550-c. 1650." In A New Companion to English Renaissance Literature and Culture, 478–526. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch33.

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2

Schneider, Gary. "Epistolary Fiction in Pamphlet, Broadside, and Newsbook Publication." In Print Letters in Seventeenth-Century England, 14–84. Routledge, 2018. http://dx.doi.org/10.4324/9781315143668-2.

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Schneider, Gary. "Epistolary Satire in Pamphlet, Broadside, and Newsbook Publication." In Print Letters in Seventeenth-Century England, 85–149. Routledge, 2018. http://dx.doi.org/10.4324/9781315143668-3.

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"The Making of the Mexican Broadside Print: Technical Note." In José Guadalupe Posada and the Mexican Broadside. Art Institute of Chicago, 2006. http://dx.doi.org/10.37862/aaeportal.00072.004.

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5

Fox, Adam. "Ballads and Songs." In The Press and the People, 306–48. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198791294.003.0009.

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Chapter 8 deals with the broadside ballads and printed songs issued in Scotland between the sixteenth and the eighteenth centuries. It traces both the import of English texts and the production of domestic presses. The manner in which lyrics and tunes from south of the border influenced the development of single-sheet songs in Scotland is assessed. At the same time an independent repertoire of Scottish ballads in print is recovered and analysed. The discussion illustrates the ways in which political events and social change in early modern Scotland are reflected in the texts of these cheap and popular publications.

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McShane, Angela. "Ballads and Broadsides." In The Oxford History of Popular Print Culture, 339–62. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:osobl/9780199287048.003.0026.

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Collier, Patrick. "Introduction: Modern Print Artefacts." In Modern Print Artefacts. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474413473.003.0001.

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The materiality of print objects took on increased significance with the explosion of print culture in the late nineteenth century, as artists from Henry James to the modernists sought to differentiate themselves from the mass of print culture. The pursuit of distance from commoditized print culture—whether it took the form of theories of aesthetic autonomy or the creation of specialized micro-markets—necessarily involved writers, editors, and other print professionals with the materiality of texts. This setting produced widely divergent attempts to gain symbolic capital through the creation of material print objects—from expensive editions de luxe to egalitarian political gestures such as Harold Monro’s poetic broadsides and cheap periodicals. This chapter surveys the field of material texts and the problems of literary value in the early twentieth century, which it elucidates using theories of cultural value ranging from Walter Benjamin and Pierre Bourdieu to Barbara Herrnstein-Smith and cultural anthropologist David Graeber.

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Fox, Adam. "Street Literature." In The Press and the People, 187–224. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198791294.003.0006.

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Chapter 5 explores the way in which cheap print was sold on the streets in early modern Scotland, and particularly in Edinburgh. It examines the world of outdoor commerce in general, before detailing the ways in which broadsides, pamphlets, and newspapers were vended in public places. It focuses on the ‘paper criers’ and ‘running stationers’ who plied their trade in the markets and thoroughfares. The coffeehouses of Edinburgh, Glasgow, and other burghs are identified and described, and the ways in which print circulated in them are recovered. The chapter illustrates the public and communal nature of much cheap print and suggests that this characteristic helps to explain why so little of it has survived.

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Jumonville, Florence M. "Free for All: Broadsides on the Streets of New Orleans, 1764–1900." In Free Print and Non-Commercial Publishing since 1700, 93–118. Routledge, 2020. http://dx.doi.org/10.4324/9781003073635-5.

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Jumonville, Florence M. "Free for All: Broadsides on the Streets of New Orleans, 1764–1900." In Free Print and Non-Commercial Publishing since 1700, 93–118. Routledge, 2019. http://dx.doi.org/10.4324/9781315196091-5.

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