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1

Bauerndarstellungen auf deutschen illustrierten Flugblättern des 17. Jahrhunderts. Frankfurt am Main: P. Lang, 1991.

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2

Le grand livre des images d'Epinal. Paris: Solar, 1996.

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3

Cheap print and popular piety, 1550-1640. Cambridge [England]: Cambridge University Press, 1991.

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4

Watt, Tessa. Cheap print and popular piety, 1550-1640. Cambridge [England]: Cambridge University Press, 1994.

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5

(Neuruppin), Heimatmuseum. "Was ist der Ruhm der Times gegen die zivilisatorische Aufgabe des Ruppiner Bilderbogens?": Die Bilderbogen-Sammlung Dietrich Hecht. Berlin: Kulturstiftung der Länder, 1995.

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6

Praze, Národní knihovna v. Einblattdrucke des 15. Jahrhunderts in der Nationalbibliothek in Prag. Prag: Nationalbibliothek der Tschechischen Republik, 2000.

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7

Perrout, René. Trésors des images d'Epinal. [Barembach]: J.-P. Gyss, 1985.

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8

George, Henri. La belle histoire des images d'Epinal. Paris: Cherche midi éditeur, 1996.

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9

M, Sokolov B. Khudozhestvennyĭ i︠a︡zyk russkogo lubka. Moskva: Rossiĭskiĭ gos. gumanitarnyĭ universitet, 1999.

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10

Bernard, Huin, Musée du Québec, and Réunion des musées nationaux (France), eds. Images d'Épinal. Québec: Musée du Québec, 1995.

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11

Hesselink, Sebastiaan S. The children's world of learning, 1480-1880: With some additions printed in the twentieth century : a collection of printed books, manuscripts, broadsides, and prints illustrating four centuries of education and popular culture in Western Europe with emphasis on the Low Countries. ['t Goy-Houten, The Netherlands]: Antiquariaat Forum, 2002.

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12

Moebs, Thomas Truxtun. U.S. reference-iana, 1481-1899: A concise guide to over 4000 books and articles for researching art, books, broadsides, ephemera, manuscripts, newspapers, maps, pamphlets, photographs, and prints relating to that area within the present limits of the United States, 1481-1899. Williamsburg, Va: Moebs Pub. Co., 1989.

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13

Ein Neuer Korb voll Venuskinder: Die Weibermacht auf illustrierten Flugblättern des 16. und 17. Jahrhunderts : aus Beständen des Grafischen Kabinetts. Halle: Staatliche Galerie Moritzburg, Landeskunstmuseum Sachsen-Anhalt, 2001.

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14

Pierce, Helen. Graphic Satire and the Printed Image in Shakespeare’s London. Edited by Malcolm Smuts. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660841.013.40.

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Abstract:
How was the multiplied, printed image encountered in Shakespeare’s London? This chapter examines a range of genres and themes for single sheet, illustrated broadsides in an emerging, specialist print market. It discusses how such images were used to persuade and to entertain a potentially broad cross-section of society along moral, political and religious lines, and according to both topical and commercial interests. The mimetic nature of the English print in both engraved and woodcut form is highlighted, with its frequent adaptation of continental models to suit more local concerns. Consideration is also given to the survival of certain images in later seventeenth-century impressions, indicative of popularity and the common commercial practice of reprinting stock from aging plates and blocks, and the sporadic nature of censorship upon the illustrated broadside.
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15

Flynn, Johnson Robert, Parsons Barbara Galuszka, Parsons Gilman, and Mayacamas Press, eds. Taking flight: A portfolio of broadsides. Berkeley, Calif: Mayacamas Press, 1993.

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16

Lynn, Preston Cathy, and Preston Michael James, eds. The other print tradition: Essays on chapbooks, broadsides, and related ephemera. New York: Garland Pub., 1995.

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17

Hannah, Barker, and Vincent David 1949-, eds. Language, print, and electoral politics, 1790-1832: Newcastle-under-Lyme broadsides. Woodbridge, Suffolk: Boydell Press/Parliamentary History Yearbook Trust, 2001.

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18

[The Printed poem/the poem as print: Twenty-four broadsides of American poetry]. [Colorado Springs, Colo.]: Press at Colorado College, 1985.

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19

(Editor), Hannah Barker, and David Vincent (Editor), eds. Language, Print and Electoral Politics, 1790-1832: Newcastle-under-Lyme Broadsides (Parliamentary History Record Series). Boydell Press, 2001.

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20

Preston, Cathy. The Other Print Tradition: Essays on Chapbooks, Broadsides, and Related Ephemera (Garland Reference Library of the Humanities). Routledge, 1995.

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21

1959-, Raven James, ed. Free print and non-commercial publishing since 1700. Aldershot, Hants, England: Ashgate, 2000.

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22

Nicole, Garnier-Pelle, Bourjol-Couteron Marie Christine, Préaud Maxime, Musée national des arts et traditions populaires (France), and Bibliothèque nationale de France, eds. L' imagerie populaire française. Paris: Ministère de la culture, de la communication, des grands travaux et du bicentenaire, Editions de la Réunion des musées nationaux, 1990.

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23

Ricky, Jay, ed. Extraordinary exhibitions: The wonderful remains of an enormous head, the whimsiphusicon & death to the savage unitarians ; broadsides from the collection of Ricky Jay. New York: Quantuck Lane Press, 2005.

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24

Posada: A century of skeletons. 2013.

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