Relevant bibliographies by topics / Broadway Bank (New York)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Broadway Bank (New York)'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Broadway Bank (New York)"

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Loney, Glenn. "A Theatre of Pre-Depression: Economics and Apathy in New York." New Theatre Quarterly 8, no. 32 (1992): 313–20. http://dx.doi.org/10.1017/s0266464x00007090.

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In an article in NTQ22 (May 1990), Glenn Loney clarified, with special concern for a British readership, the many ‘Factors in the Broadway Equation’. In NTQ 30 (May 1992), he took a closer look at the productions of the 1990–91 season, with its glut of musicals, from the lavish to the just plain lousy, economic ‘single-person shows’ – and the sometimes more challenging products of the off-Broadway and not-for-profit sectors. Here, he continues to trace the long decline of the ‘fabulous invalid’ through the season of 1991–92 – a season overshadowed by the death of Joe Papp, the mourning for a g
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Pereira, Renato Barreto. "A Gay New York City in Mart Crowley’s “The Boys in the Band”." East-West Cultural Passage 21, no. 2 (2021): 26–52. http://dx.doi.org/10.2478/ewcp-2021-0012.

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Abstract “The Boys in the Band,” a play by American playwright Mart Crowley (1935-2020), represents a milestone in the representation of urban gay men in theater. By exploring on stage the lives of a group of male gay friends in the late 1960s, Crowley challenged social and dramaturgical norms and conventions. As an integral part of the narrative, New York City, specifically Manhattan Island, makes itself present in the text through direct and indirect references, whether on the level of plot, character construction, or the setting of the play itself. As a paradigmatic play in a moment of spec
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Yablon, Nick. "“A Curious Epitome of the Life of the City”: New York, Broadway, and the Evolution of the Longitudinal View." Journal of Urban History 44, no. 5 (2016): 953–84. http://dx.doi.org/10.1177/0096144216654882.

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Discussions of urban representation have been hampered by a persistent contrast between the view from above and the view from street level, or between the urban planner’s panoptic gaze and the flâneur’s fleeting glance. This article challenges such contrasts by identifying a third way of representing a city, that of moving block-by-block along the length of its main thoroughfare. It traces the emergence of what it calls the “longitudinal view” back to antebellum New York, when tour guides and urban sketches promoted the “walk up Broadway” as a means to encompass the social and functional diver
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Means Weekly, Edrie. "Shifting Gears in Multiple Styles: An Artist and Teacher of Singing’s Journey with the 2011 Revival of Follies." Journal of Singing 79, no. 4 (2023): 497–501. http://dx.doi.org/10.53830/xyup5554.

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NATS member Edrie Means Weekly has been a pedagogue and performing artist of both opera and musical theatre for over 35 years. In this article, Edrie discusses the audition process at the Kennedy City and in New York City resulting in her being cast as a standby for five Broadway stars in the 2011 revival of Stephen Sondheim’s Follies starring Bernadette Peters. Four of the five roles have large solo songs including the iconic songs “Broadway Baby” and “I’m Still Here”. The four songs were each written in a different musical style ranging from classical to full out traditional belt. As a vocal
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Robinson, Danielle. "“Oh, You Black Bottom!” Appropriation, Authenticity, and Opportunity in the Jazz Dance Teaching of 1920s New York." Dance Research Journal 38, no. 1-2 (2006): 19–42. http://dx.doi.org/10.1017/s0149767700007312.

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Head tossed back wearing a mile-wide grin, ecstatic arms stretched to the sky, jutting knees counterbalancing a substantial backside—the Jazz Age had no symbol more potent than the moving black body (Figure 1). Nearly always an illustration, and in many cases a caricature, these images depicted anonymous black movers rather than recognizable individuals. Yet, looking beyond this superficial representation, it was actually visibly white dance professionals who primarily marketed jazz steps to the American public as teachers and choreographers. A quick glance through the pages of the nascentDanc
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Olsen, Christopher. "Off-Off-Broadway Explosion: How Provocative Playwrights of the 1960s Ignited a New American Theater. By David A. Crespy. New York: Back Stage Books, 2003; pp. 192; 32 illus. $19.95 paper." Theatre Survey 46, no. 2 (2005): 349–51. http://dx.doi.org/10.1017/s004055740539020x.

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David Crespy's account of Off-Off Broadway's roots in New York City is a welcome addition to a growing body of scholarship on this vibrant period in American theatre history. Many authors writing on this era have limited themselves to focusing on particular theatre groups, such as the Living Theatre, Café Cino, and the Open Theatre, or on the work of specific playwrights, such as Maria Irene Fornés, Sam Shepard, and Edward Albee. More historical accounts are needed to examine a cross section of theatre practitioners in the context of the political and artistic movements of the 1960s. Crespy ha
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Loney, Glenn. "Survival Strategies in New York Theatres." New Theatre Quarterly 11, no. 41 (1995): 79–90. http://dx.doi.org/10.1017/s0266464x00008915.

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IN THE SEASON of 1893–94, theatregoers in New York would hardly have realized that ‘Broadway’, as a theatre centre, had just come into being. In fact, 1900 would seem a more appropriate date, but business in the commercial theatre in recent seasons has been so hazardous that the League of American Theatres decided to jump-start the past season with a putative centenary salute, ‘Celebrate Broadway: 100 Years in Times Square’. It was a brave attempt and resulted at least in some interesting historical exhibits. Unfortunately, these only served to remind the viewers of Broadway's glory-days years
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Fokina, Svitlana. "BROADWAY SEMIOSPHERE IN NOSTALGIC DISCOURSE OF VERA ZUBAREVA." Baltic Journal of Legal and Social Sciences, no. 2 (April 4, 2022): 164–70. http://dx.doi.org/10.30525/2592-8813-2021-2-21.

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Lyric of Vera Zubarev is distinguished by attention to the semiosphere of a modern place of residence, for example, to the topography of New York, and at the same time to dialogue with the traditions of Russian literature. The choice of Broadway as an object of poetic reflection sets references to J. Brodsky at the subtext level. The text of the “Broadway” poem by Vera Zubarev correlates with the metamorphoses of the largest city of emigrants New York, this angle allows you to update the motives of the fate of the Roman exile poet Ovid and his kind of “heir” J. Brodsky. The Broadway plot expos
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Wellbrock, Gary, and Molly Ness. "Perspectives On Practice." Language Arts 95, no. 3 (2018): 190–97. http://dx.doi.org/10.58680/la201829456.

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Kauffmann, Stanley. "Broadway and the Necessity for ‘Bad Theatre’." New Theatre Quarterly 1, no. 4 (1985): 359–63. http://dx.doi.org/10.1017/s0266464x00001779.

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Is Broadway necessary? As the focus for new writing and major experimental work in the USA shifts ever further from the old theatre district around Times Square – first to off- and then to off-off-Broadway, more recently to the flourishing regional theatres – many critics have come to regard Broadway either as an economic anachronism, failing to perpetuate past glories, or simply as an irrelevance to ‘real’ theatre. Yet Stanley Kauffmann argues that a focal point for a nation's theatre is more than the sum of sometimes fraying parts, and works on the imagination in ways that cannot be evaluate
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Dissertations / Theses on the topic "Broadway Bank (New York)"

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Trigoso, Higinio Giancarlo Alberto. "Análisis del espectáculo musical El rey león en Broadway - New York desde la propuesta estética de los personajes." Master's thesis, Pontificia Universidad Católica del Perú, 2021. http://hdl.handle.net/20.500.12404/20470.

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La presente investigación tiene como objetivo analizar las características de los personajes del musical El rey león de Broadway que plantea la propuesta escénica de su directora y el equipo de diseñadores, tanto en la construcción de personajes como el uso de elementos estéticos que interactúan y forman parte de su acción, y cómo aportan a constituirlo como un espectáculo que prevalece como un referente artístico en el teatro musical. Es una investigación de tipo analítica sobre las artes, en la que se aplicó una metodología cualitativa. Para realizarla, se analizaron los elementos esc
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Gordon, Leslie H. "Eudora Welty's Theatrical Sketches of 1948: Summer Diversion or Lost Potential? Bye-Bye Brevoort and Other Sketches." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/102.

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Eudora Welty is well-known for her many works of fiction and non-fiction, but not known for her works for the theater. In the summer of 1948 Welty moved to New York and wrote, in collaboration with another writer, a musical revue entitled What Year Is This? Only one of the sketches, “Bye-Bye Brevoort,” was ever produced. This and other sketches in the unpublished manuscript deserve to be studied alongside Welty’s other work. These writings provide a window into her love of New York, her vast knowledge of the fine arts, and the evolution of her writing styles. In January of 2010, a reading was
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Gillis, William. "The Scanlan's Monthly Story (1970-1971): How One Magazine Infuriated a Bank, an Airline, Unions, Printing Companies, Customs Officials, Canadian Police, Vice President Agnew, and President Nixon in Ten Months." Ohio University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1593786429523054.

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Naef, Alain. "Sterling and the stability of the International Monetary System, 1944-1971." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/285170.

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This dissertation studies the role of sterling during the Bretton Woods period (1944-1971). The Bretton Woods system has often been described as a dollar system with sterling having lost its relevance as reserve currency. However, despite being a secondary reserve currency and having lost importance, sterling was the 'first line of defence for the dollar' as contemporaries put it. They frequently stressed the fact that a sterling crisis would have consequences on the stability of the Bretton Woods system but economic historians have never tested this empirically. This dissertation argues that
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Kim, Seung Woo. "The Euromarket and the making of the transnational network of finance, 1959-1979." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276574.

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This thesis analyses the role of the Euromarket, an offshore market for Eurodollars or expatriate US dollars, in the re-emergence of global finance during the 1960s and 1970s. It charts not only its Cold War origins and the development of various markets for Eurodollars, but also institutions and policies that shaped them from the return to convertibility in 1958 to the ill-fated efforts to regulate the nascent market by international financial institutions. By examining the nature of Eurodollars as both a US and global currency, the thesis sheds light on the changing features of the governanc
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Butler, Jayna D. ""You've Got to Be Carefully Taught": Reflections on War, Imperialism and Patriotism in America's South Pacific." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3812.

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Underneath the romance, comedy and exoticism, South Pacific is a story that questioned core American values, exploring issues of race and power at a time when these topics were intensely relevant-the original opened just four years post WWII, on the heels of Roosevelt's aggressive expansionist response to domestic instabilities. Much has been written about the depiction of war and racial prejudice in South Pacific. However, examining such topics in the context of their cultural and political moment (both in 1949 and 2008) and through the lens of Terry Eagleton's unique take on morality, is not
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Tseng, Yu Wen, and 曾郁雯. "User Interface Attributes Analysis of Online Ticketing Platform for Performing Arts - New York Broadway Shows as An Example." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/hmxejm.

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碩士<br>長庚大學<br>商管專業學院<br>105<br>With the advancement of quality of life, people start to give highly concern on performing arts. Meanwhile, with the popularity of online shopping, the public also regards Internet as media to buy performances of art tickets. The study use the method of content analysis to find out the user interface attributes of online ticketing platform for performing arts as well as analyze the respective target groups with five Broadway ticketing platforms as samples. The result showed there are four user interface attributes that influenced online ticketing platform for pe
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Chen, Wei-Bin, and 陳維斌. "From the System of C3I to Evaluate Crises Management of Transnational Banks─The Cases of Mega InternationalCommercial Bank for New York State Penalty in 2016." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/39627535594533248091.

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碩士<br>國立中興大學<br>高階經理人碩士在職專班<br>105<br>Considering transnational banks, including Mega International Commercial Bank, which they should consider what environments they will meet as they face food safety crises. These crises are more complicated than before because the environments the enterprises meet are different than before too. In the 21 century, enterprises would consider the following at least three structural factors when they confront crises. 1. Conflict of interest in globalization: because of interdependence, remote activities, and time-space compression, globalization becomes an open
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Books on the topic "Broadway Bank (New York)"

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author, Harris Gale, ed. Williamsburgh Savings Bank (Broadway) (now Republic National Bank), first floor interior consisting of the main (175 Broadway) entrance vestibule; the 1875 banking room, including the dome; the balcony above the main entrance vestibule; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces; floor surfaces; doors; balustrades; railings; ventilation grilles; decorative metalwork; clocks; the exterior of the vault in the 1875 banking room; and attached decorative elements; 175 Broadway, aka 161-175 Broadway and 834-844 Driggs Avenue, Borough of Brooklyn: Built 1870-75 ; architect, George B. Post ; mural decoration, Peter B. Wight. Landmarks Preservation Commission, 1996.

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author, Postal Matthew A., ed. 140 Broadway, originally the Marine Midland Bank building (aka 71-89 Cedar Street, 54-74 Liberty Street, 27-39 Nassau Street), Manhattan: Built 1964-68 ; Skidmore, Owings & Merrill, architect Gordon Bunshaft, partner in charge of design; Roger N. Radford, lead designer. NYC Landmarks Preservation Commission, 2013.

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1889-1973, Walker Ralph, Kurshan Virginia, and Voorhees, Gmelin & Walker, eds. 1 Wall Street Building (originally Irving Trust Company Building,now The Bank of New York Building), 1 Wall Street (aka 1-7 Wall Street, 70-80 Broadway, and 1-11 New Street), Manhattan: Built 1929-31 : architect Ralph Walker of Voorhees, Gmelin & Walker : [report]. The Commission, 2001.

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author, Savage Charles C., ed. Central Savings Bank (now Apple Bank for Savings), first floor interior consisting of the north, south, and west entrance vestibule and foyer, the main banking hall, and the two staircases leading from the first floor to the mezzanine floor level; the mezzanine floor interior consisting of the open passages above the north and south vestibules, the arcaded loggia with balustrade above the west entrance vestibule and foyer the upper part of the banking hall, and the ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall surfaces, ceiling surfaces, and marble floor surfaces, doors, stair and balcony railings, fixed counters, lighting fixtures, decorative ironwork, and attached decorative elements; 2100-2114 Broadway, Manhattan: Built 1926-28 ; York & Sawyer, architects. Landmarks Preservation Commission, 1993.

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Hoogstraten, Nicholas Van. Lost Broadway theatres. Princeton Architectural Press, 1997.

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Kenney, Karen Latchana. Bea on Broadway: A story about New York. ABDO, 2009.

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Jacobs, Leonard. Historic photos of Broadway: New York theatre, 1850-1970. Turner Pub. Co., 2008.

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Peters, Bernadette. Broadway Barks. Blue Apple Books, 2008.

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Wool, Christopher. East Broadway breakdown. Holzwarth, 2003.

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Pond, Carliss Retif. Taste of Broadway: Restaurant recipes from NYC's Theater District. Gibbs Smith, 2010.

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Book chapters on the topic "Broadway Bank (New York)"

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Schwarz, Daniel R. "Runyon’s New York." In Broadway Boogie Woogie. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403973504_2.

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Jaffee, David. "Crossing Broadway." In New York: Art and Cultural Capital of the Gilded Age. Routledge, 2018. http://dx.doi.org/10.4324/9781351027588-11.

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Shearer, Martha. "Fabulous Invalids: Broadway and Times Square." In New York City and the Hollywood Musical. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56937-0_5.

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Aerni, Peter, and Georg Junge. "Cross-border emerging market bank lending." In The New York University Salomon Center Series on Financial Markets and Institutions. Springer US, 1998. http://dx.doi.org/10.1007/978-1-4615-6197-2_17.

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Altman, Edward I., and Anthony Saunders. "The Role of Credit Ratings in Bank Capital." In The New York University Salomon Center Series on Financial Markets and Institutions. Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0999-8_7.

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Carey, Mark. "A Guide to Choosing Absolute Bank Capital Requirements." In The New York University Salomon Center Series on Financial Markets and Institutions. Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0999-8_8.

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Ellenberger, Allan R. "To New York and Back." In Miriam Hopkins. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813174310.003.0017.

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After the stress of Old Acquaintance, Hopkins returns to Sutton Place for a rest. She is asked to replace Tallulah Bankhead in the smash Broadway hit The Skin of Our Teeth and begins an affair with writer John Gunther. Shortly after the play ends, she goes into rehearsals for the play The Perfect Marriage, which is a financial but not a critical success, and costar Joyce Van Patten shares her memories of working with Hopkins. Her relationship with Gunther cools as she begins another one with war correspondent Ray Brock. After a brief romance, they marry in Virginia. Hopkins then appears in two
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Crow, Bill. "Slim Gaillard, Stan Getz." In From Bird land to Broadway. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069884.003.0017.

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Abstract I went back to Toronto and finished out Teddy Charles’ s last week at the Town Tavern. With nothing else booked, we were ready to return to New York and scuffle until something else turned up, but then Slim Gaillard arrived in Toronto to do two weeks at the Colonial Tavern, and he came without a rhythm section. Slim had been traveling with a bassist and drumm r from the West Indies. They discovered at the Canadian border that if they left the country, they would have to start their U.S. immigration process all over again. Slim sent them back to New York and came to Toronto looking for
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Crow, Bill. "Tupper Lake." In From Bird land to Broadway. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069884.003.0011.

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Abstract Playing the bass wasn’ t my idea. It was Buzzy Bridgford’ s. While I was drifting penniless around the Lower East Side that first spring in New York, Buzzy was also trying to get something going for himself. He found a few short gigs, but Betty’ s piano playing was paying the rent on their apartment. Buzzy sat in a few times with Gene Roland’ s rehearsal band, and in June, Roland hired him for a summer job he found for a quartet in the Adirondacks. Buzzy came over to Monroe Street to say goodbye, and said he’ d be at the Altamont Hotel in Tupper Lake, New York, for the next two months
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Crow, Bill. "Claude Thornhill." In From Bird land to Broadway. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069884.003.0021.

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Abstract In April 1953, Stan Getz changed bass players. He and Brookmeyer decided they would like to try Teddy Kotick, who had worked and recorded with Charlie Parker. Stan broke the news to me at the end of a week we played in Philadelphia. I was bitterly disappointed, but accepted the news realistically. Stan certainly deserved the best bass player he could get. His quintet went on to Kansas City and California, and I went back to New York.
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Conference papers on the topic "Broadway Bank (New York)"

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Davis, Felecia. "Memorial and Museum for the African Burial Ground, New York, New York." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.67.

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In 1991 excavation for a 34 story Federal office tower at Broadway between Duane and Reade streets in lower Manhattan unearthed for the public a site titled on colonial maps as the "Negro Burial Ground." This place which occupied the margins of the Dutch colonial city, later the edge of the encroaching palisade construction, was the final resting place for free Africans, slaves and other impoverished people. In the seventeenth century the grounds were the only space where Africans free and slave could meet together so that the burial ground was also a political rallying space. This burial grou
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Marzella, Frank. "Restoration of Two Historic Movable Bridges." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2263.

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&lt;p&gt;The Murray Morgan Lift Bridge in Tacoma WA was constructed in 1913. In 2007, the bridge was closed to vehicular and pedestrian traffic for advanced deterioration of structural systems, mechanical and electrical components. The bridge was scheduled for demolition. In 2010 after acquiring funding, the City of Tacoma awarded a design‐build contract to reconstruct this historic bridge. The restoration work included structural steel strengthening repairs, seismic improvements, roadway deck, and stringer replacement, complete paint system removal/re‐coating, as well as modernization of the
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Monteiro, Ricardo. "Integrated seismic risk in developing countries: the case-studies of Palestine and Algeria." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2566.

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&lt;p&gt;This paper presents dedicated frameworks, developed within European-funded projects, to create integrated seismic risk models from scratch for developing countries and raise the awareness of the general society. Focusing on the case-studies of Nablus in Palestine and Blida in Algeria, the different components of the risk model (hazard, exposure and vulnerability) are described. In specific, details are provided on: improved Hazard models (considering historical and instrumental catalogues for the West Bank and Northern Algeria); the collection of exposure and fragility data on buildin
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Wollmann, Gregor, Ryan Woodward, and Gavin Daly. "A Gathering Place for Tulsa – Taking the Midland Valley Trail Across Riverside Drive." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2023.

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&lt;p&gt;Opened in September of 2018, the Gathering Place is a spectacular 27-hectare (66 acre) public park located two miles from downtown Tulsa, Oklahoma and nestled along the eastern bank of the Arkansas River. This paper focuses on design and construction of a footbridge spanning across busy Riverside Drive to integrate the river into the park landscape.&lt;/p&gt;&lt;p&gt;As part of the park development the highway itself was transformed into an iconic feature. To meet this challenge, architectural considerations took an important role in the selection of the structure type for the new cro
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Koch, Renate. "Marcel Prawy und das erste Broadway-Musical im Österreich der Nachkriegszeit." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.57.

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Marcel Prawy, born in Vienna, graduated in law. In 1936, the couple Kiepura/Eggerth engaged him as private assistant. Two years later Jan Kiepura helped him to emigrate to New York. In 1943, after his employment ended, Prawy joined the US Army. Finally he returned as an elite soldier to Vienna and began his pioneering work for ‘Broadway Musicals’. In 1955, he was appointed dramaturge at the ‘Wiener Volksoper’. One year later in February, Kiss Me, Kate was performed in two Austrian theatres. The Viennese version was produced by Prawy himself and staged by Heinz Rosen. In Graz André Diehl direct
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Wąchalski, Krzysztof. "Bridge over the Vistula river in Toruń (Poland)." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0307.

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&lt;p&gt;The construction of the arch bridge in Toruń was one of the greatest and more spectacular engineering projects implemented during the recent years. In December 2013 the Poland’s largest arch bridge was completed and opened. The bridge has two spans, 270m long each, and is used as a bridge crossing over the Vistula river (Fig.1). The bridge is over 1.9 km long counting the access overbridges (viaducts). The erection procedure of the bridge was unique and individual, as the structural scale suggests. Generally, the assembly covered junction of arch elements on the assembly site near the
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Ruge, Johanna, Lennart Fahnenmueller, and Annette Bögle. "Effects of Problem Formulation on Engineering Innovativeness." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.1809.

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&lt;p&gt;Any building project requires the formulation of boundary conditions and expectations, the so-called problem formulation. Hereby, quality and scope of the problem formulation significantly set the frame for innovative and sustainable solutions by structural engineers. While recent problem formulation research scrutinized strategic organizational issues, this paper focuses on problem formulation influencing the work of structural engineers from two aspects: (1) who is responsible for the problem formulation and (2) what is the quality and scope of the problem formulation (does it descr
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Hasbargen, Leslie, Peter T. Booth, Derek Walling, and David Busby. "FLOOD RECORDS, BANK EROSION MECHANISMS AND MEANDER MIGRATION IN BUTTERNUT CREEK, NEW YORK." In 51st Annual Northeastern GSA Section Meeting. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016ne-272702.

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Egendorf, Sara Perl, Zhongqi Cheng, Zhongqi Cheng, et al. "HUMAN AND NATURAL SYSTEM INTERACTIONS: MODELING BIOGEOSOCIOCHEMISTRY FOR THE NEW YORK CITY CLEAN SOIL BANK." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-306212.

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Chen, Yanwei, S. K. Bhatia, James Buchanan, Doug DeKoskie, and Rene' VanSchaack. "Effectiveness of Stream Restoration in Reducing Stream Bank Erosion: The Case of Batavia Kill Stream Restoration Projects, New York." In Watershed Management Conference 2005. American Society of Civil Engineers, 2005. http://dx.doi.org/10.1061/40763(178)122.

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Reports on the topic "Broadway Bank (New York)"

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Bodenhorn, Howard. Free Banking and Bank Entry in Nineteenth-Century New York. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10654.

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Bodenhorn, Howard, and Eugene White. The Evolution of Bank Boards of Directors in New York, 1840-1950. National Bureau of Economic Research, 2014. http://dx.doi.org/10.3386/w20078.

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Bodenhorn, Howard. Bank Chartering and Political Corruption in Antebellum New York: Free Banking as Reform. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10479.

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Richardson, Gary, and Patrick Van Horn. Intensified Regulatory Scrutiny and Bank Distress in New York City During the Great Depression. National Bureau of Economic Research, 2008. http://dx.doi.org/10.3386/w14120.

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Rousseau, Peter. The Market for Bank Stocks and the Rise of Deposit Banking in New York City, 1866-1897. National Bureau of Economic Research, 2010. http://dx.doi.org/10.3386/w15770.

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Sun, S., F. R. Brunton, T. R. Carter, et al. Porosity and permeability variations in the Silurian Lockport Group and A-1 carbonate unit, southwestern Ontario. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331902.

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Abstract:
This is the first regional porosity/permeability study to incorporate petroleum industry laboratory core analyses submitted to the Ontario government and managed by Ontario's Oil Gas and Salt Resources Library. This study comprises 11,759 analyses for the Early Silurian Lockport Group of southwestern Ontario from 150 drill cores. The Lockport Group consists of a cyclic succession of dolostones and minor limestones comprising, in ascending order: Gasport, Goat Island, Eramosa, and Guelph formations. This stacked carbonate succession was deposited on an eastward-deepening carbonate ramp, extendi
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Commonwealth Bank of Australia - New York - General Correspondence - Federal Reserve Bank of New York - 1927 - 1929. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_2006/23118.

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Commonwealth Bank of Australia - New York - General Correspondence - National City Bank of New York - 1927 - 1929. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_2006/23123.

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Commonwealth Bank of Australia - New York - General Correspondence - State of New York Banking Department - Licence - 1927 - 1929. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_2006/23104.

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Commonwealth Bank of Australia - New York - General Correspondence - State of New York Banking Department - Licence - Licences - 1927 & 1928. Reserve Bank of Australia, 2023. http://dx.doi.org/10.47688/rba_archives_2006/23109.

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