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Journal articles on the topic 'Bronzetür'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Bönsch, Regine. "Bronzener Abendschatten." VDI nachrichten 74, no. 49-50 (2020): 40. http://dx.doi.org/10.51202/0042-1758-2020-49-50-40-5.

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2

Flora, Silvio De, and Lynnette R. Ferguson. "Giorgio Bronzetti (1939–2005)." Mutation Research/Fundamental and Molecular Mechanisms of Mutagenesis 591, no. 1-2 (2005): 1–2. http://dx.doi.org/10.1016/j.mrfmmm.2005.07.004.

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3

Schutz, Bernhard. "Zum ursprunglichen Anbringungsort der Bronzetur Bischof Bernwards von Hildesheim." Zeitschrift für Kunstgeschichte 57, no. 4 (1994): 569. http://dx.doi.org/10.2307/1482715.

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4

Moran, Edgar M. "IN MEMORIAM: Professor Giorgio L. Bronzetti." Journal of Environmental Pathology, Toxicology and Oncology 24, no. 1 (2005): 1–2. http://dx.doi.org/10.1615/jenvpathtoxoncol.v24.i1.10.

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5

Fabiano Fiorello Di Bella. "Un bronzetto arcaico dall’acropoli di Cuma." Quaderni di ACMA, no. 2 (September 25, 2024): 307–27. http://dx.doi.org/10.69590/kk13xr74.

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Il bronzetto è stato rinvenuto nel corso dei nuovi scavi (2023) condotti dall’Università degli Studi della Campania ‘Luigi Vanvitelli’ e dalla Scuola Superiore Meridionale all’acropoli di Cuma, presso il Santuario Inferiore, in uno strato di riempimento. In base all’analisi stilistico-formale, se ne propone l’inquadramento tra la fine del VII e gli inizi VI sec. a.C., coevo a una delle prime fasi di monumentalizzazione della terrazza, caratterizzata dalla presenza di piccoli sacelli. Il bronzetto trova precisi confronti nell’artigianato artistico greco-orientale (samio e cipriota) e si configu

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6

Weil, Mark S. "A "BRONZETTO" OF SCIPIONE BORGHESE BY BERNINI." Source: Notes in the History of Art 8/9, no. 4/1 (1989): 34–39. http://dx.doi.org/10.1086/sou.8_9.4_1.23202695.

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7

Consoli, Sylvie G. "Bronzer au risque de sa vie." Champ psychosomatique 26, no. 2 (2002): 115. http://dx.doi.org/10.3917/cpsy.026.0115.

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8

Manus, Jean-Marie. "L’Académie et les cabines à bronzer." Revue Francophone des Laboratoires 2012, no. 441 (2012): 13. http://dx.doi.org/10.1016/s1773-035x(12)71386-2.

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9

Nau, Jean-Yves. "Bronzer est désormais un acte politique." Revue Médicale Suisse 8, no. 344 (2012): 1254–55. http://dx.doi.org/10.53738/revmed.2012.8.344.1254.

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10

Işık, Cengiz. "Tische und Tischdarstellungen in der Urartäischen Kunst." Belleten 50, no. 197 (1986): 413–46. http://dx.doi.org/10.37879/belleten.1986.413.

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Darstellungen in der urartäischen Kunst und zahlreiche Funde von Möbelteilen aus Bronze und Holz beweisen, dass das urartäische Möbelhandwerk in der Tat grosses Geschick und einen ebenso hohen Qualitätsstandart wie das der neuassyrischen Welt erreicht hatte. Die zutage geförderten, sicher als urartäisch bestimmbaren Möbelstücke ergeben leider nicht mehr als zwei vollständige Exemplare; das eine davon ist ein hölzerner Tisch aus Adilcevaz und das andere ist ein in Nimrud gefundener bronzener Thron ohne Rücklehne. Ich würde gerne auch einen hervorragend rekonstruierten runden, dreibeinigen Tisch

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11

Civatte, Jean, and Jacques Bazex. "À propos de l’utilisation des cabines à bronzer." Bulletin de l'Académie Nationale de Médecine 193, no. 5 (2009): 1195–96. http://dx.doi.org/10.1016/s0001-4079(19)32507-5.

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12

Smith, Federica. "Apoteosi di Tolemeo III quale Ermete in un bronzetto di Vienna." Mélanges de l’École française de Rome. Antiquité 107, no. 2 (1995): 1153–63. http://dx.doi.org/10.3406/mefr.1995.1915.

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13

Nau, Jean-Yves. "Le pouvoir politique, la santé publique et les cabines à bronzer." Revue Médicale Suisse 14, no. 624 (2018): 1916–17. http://dx.doi.org/10.53738/revmed.2018.14.624.1916_1.

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14

Rescigno, Carlo. "Un suonatore di cetra venduto all’asta e due bronzetti dall’acropoli di Cuma. Amare riflessioni." Mélanges de l'École française de Rome. Antiquité, no. 130-2 (November 5, 2018): 523–26. http://dx.doi.org/10.4000/mefra.6801.

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15

Nocco, Carlo, Antonio Brunetti, and Sergio Augusto Barcellos Lins. "Monte Carlo Simulations of ED-XRF Spectra as an Authentication Tool for Nuragic Bronzes." Heritage 4, no. 3 (2021): 1912–19. http://dx.doi.org/10.3390/heritage4030108.

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The high artistic and cultural relevance of particular objects, in this case from the Nuragic civilization, have stimulated the growth of a forgery industry, replicating small bronze boats (navicelle), statues (bronzetti), and other objects. It is often the case where the forgeries are of such quality that it becomes difficult to distinguish them from authentic artifacts without a proper chemical analysis. In this research, a Monte Carlo simulation algorithm for X-ray interactions with matter is used to obtain the chemical composition from the bulk of each object from a set of five. The method

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16

Nocco, Carlo, Antonio Brunetti, and Lins Sergio Augusto Barcellos. "Monte Carlo Simulations of ED-XRF Spectra as an Authentication Tool for Nuragic Bronzes." Heritage 4, no. 3 (2021): 1912–19. https://doi.org/10.3390/heritage4030108.

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The high artistic and cultural relevance of particular objects, in this case from the Nuragic civilization, have stimulated the growth of a forgery industry, replicating small bronze boats (navicelle), statues (bronzetti), and other objects. It is often the case where the forgeries are of such quality that it becomes difficult to distinguish them from authentic artifacts without a proper chemical analysis. In this research, a Monte Carlo simulation algorithm for X-ray interactions with matter is used to obtain the chemical composition from the bulk of each object from a set of five. The method

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17

Silva, Lucas Gabriel Lopes, Nidya Oliveira de Moraes, Nasciane Corrêa Devotte, et al. "INVESTIGAÇÃO SOBRE AS CARACTERÍSTICAS E PRESENÇA DE FATORES DE RISCO SOBRE A INCIDÊNCIA DO MELANOMA MALIGNO EM CIDADES DO INTERIOR DE MATO GROSSO E GOIÁS." Revista Ibero-Americana de Humanidades, Ciências e Educação 1, no. 4 (2025): 138–44. https://doi.org/10.51891/rease.v1i4.18491.

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O câncer de pele é um problema de saúde global, incluindo elevada prevalência na população brasileira. A compreensão sobre a epidemiologia do melanoma maligno em populações específicas se faz necessária, para que medidas preventivas sejam propostas. Este estudo objetivou caracterizar fatores de risco quanto a incidência de melanoma maligno. Trata-se de um estudo observacional realizado por meio da aplicação de questionário online enviado aos moradores das cidades selecionadas. Foram incluídos 512 participantes, de ambos os sexos. A partir dos dados apresentados, conclui-se que a maioria dos pa

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18

Brunetti, Antonio, Marta Porcaro, Sergio Lins, et al. "The Strange Case of the Nuragic Offerers Bronze Statuettes: A Multi-Analytical Study." Materials 15, no. 12 (2022): 4174. http://dx.doi.org/10.3390/ma15124174.

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The Nuragic civilization (Sardinia, Italy, XVIII–VIII B.C) developed a flourishing bronze metallurgy with strong connections with other civilizations from the Mediterranean basin. Within the large bronze production, there are some peculiar representations of human figures, known in the archaeological environment of Sardinia as bronzetti, depicting warriors, priests, and offerers. In this paper, an interesting couple of Nuragic statuettes representing offerers, one from the Pigorini Museum in Rome and another from the Musei Reali in Turin, were analyzed. They have been investigated with X-ray f

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19

Souza, Sonia R. P. de, Frida M. Fischer, and José M. P. de Souza. "Bronzeamento e risco de melanoma cutâneo: revisão da literatura." Revista de Saúde Pública 38, no. 4 (2004): 588–98. http://dx.doi.org/10.1590/s0034-89102004000400018.

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Estudos epidemiológicos sugerem a relação entre comportamentos relacionados ao bronzeamento e risco elevado de melanoma. Nesse sentido, realizou-se revisão sobre essa temática que abrangeu o período correspondente aos anos de 1977 a 1998. Foram pesquisadas as bases de dados Medline e Embase (Excerpta Medica). A análise mostrou que entre os jovens, apesar do conhecimento sobre os riscos da exposição excessiva à radiação ultravioleta e sobre as práticas visando à proteção da pele, prevalece o hábito de expor-se intencionalmente ao sol. Esse hábito é alimentado por crenças e atitudes em relação a

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20

Gregory, Isabelle Vella. "Ralegh Radford Rome Scholarship: A study of Sardinian bronzetti and archival material in central Italian and Sardinian collections." Papers of the British School at Rome 76 (November 2008): 319–20. http://dx.doi.org/10.1017/s0068246200000593.

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21

Mégier, Elisabeth. "Isabelle Marchesin, L’arbre et la colonne. La porte de bronze d’Hildesheim, mit einem Vorwort von Herbert L. Kessler Paris: Éditions A. et J. Picard, 2017, 232 S., 3 s/w und 195 farb. Abb." Mediaevistik 31, no. 1 (2018): 374–76. http://dx.doi.org/10.3726/med012018_374.

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Ein monumentales Werk mittelalterlicher Kunst hat hier eine ebenfalls monumentale Interpretation/Wiedergabe gefunden: auf <?page nr="375"?>großformatigem Glanzpapier wechselt der Text mit einer fast erdrückenden Fülle von manchmal lebensgroßen, sich oft, ihrer mehrfachen Betrachtung in der Argumentation zuliebe, wiederholenden Abbildungen. Mit seinem Umfang und Gewicht hätte das Buch auf dem Lesepult einer mittelalterlichen Bibliothek einen geeigneten Platz gefunden – einen Platz, den man ihm aber auch auf Grund seiner geistigen Verwandtschaft mit der geistlichen Literatur des Mittelalte

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22

Girgenti, G. M., and A. Alessio. "A 3D REWORKING OF THE URBAN TRANSFORMATIONS OF PALERMO IN RECENT HISTORY FOR A HYPOTHESIS OF A "CITY MUSEUM" BASED ON DIGITAL VISUALIZATIONS." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences VIII-M-1-2021 (August 27, 2021): 81–87. http://dx.doi.org/10.5194/isprs-annals-viii-m-1-2021-81-2021.

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Abstract. The objective that drives this research is given by a multitude of information which, in addition to the contribution of technology, allows us to study, analyze, verify and remodel the sites, monuments and evolutions of the city through graphic processes of perspective restitution that start from the analysis of historical photos. The drawing methods, the digital graphic rendering and through the aid of geometric techniques, contribute to the reconstruction of projects and architectures that are now lost, this is possible thanks to the methods of perspective, axonometry and three-dim

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23

Hanoune, Roger. "M. Cavalieri , Dei, eroi ed offerenti. La collezione di bronzetti etrusco-italici del Museo archeologico nazionale di Parma . Rome, Institut historique belge, 2006, 260 p., ill. (Institut historique belge de Rome). (Études de philologie, d’archéologie et d’histoire anciennes , 54). ISBN 90-74461-62-X." Revue du Nord 368, no. 5 (2006): I. http://dx.doi.org/10.3917/rdn.368.0231a.

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24

Cinquantaquattro, Teresa Elena, and Carlo Rescigno. "Una suonatrice di lira e un guerriero. Due bronzetti dagli scavi sull’acropoli di Cuma." Mélanges de l'École française de Rome. Antiquité, no. 129-1 (February 23, 2017). http://dx.doi.org/10.4000/mefra.4214.

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25

"Retraction: Dopamine receptor immunohistochemistry in the rat choroid plexus." Autonomic and Autacoid Pharmacology 37, no. 4 (2017). http://dx.doi.org/10.1002/aap.12061.

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Retraction: F. Mignini, E. Bronzetti, L. Felici, A. Ricci, M. Sabbatini, S. K. Tayebati, F. Amenta (2000), Dopamine receptor immunohistochemistry in the rat choroid plexus. Journal of Autonomic Pharmacology, 20: 325‐332. https://doi.org/10.1046/j.1365-2680.2000.00198.xThe above article, published online on 09 October 2008, in Wiley Online Library (wileyonlinelibrary.com), has been retracted by the Publisher John Wiley and Sons Ltd. This journal is no longer published by Wiley. Concerns were raised by a third party regarding suspected duplication and fabrication of elements within Figure 1. The

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26

Adornato, Gianfranco. "Locri Epizefiri. Apollo nel santuario di Casa Marafioti? Sul bronzetto ritrovato dagli scavi di Honoré Théodoric d’Albert, Duc De Luynes." ANNALI SCUOLA NORMALE SUPERIORE - CLASSE DI LETTERE E FILOSOFIA, June 23, 2023, 139. https://doi.org/10.2422/2464-9201.202202_29.

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27

Melheim, Lene, Christopher Prescott, and Nils Anfinset. "Bronze casting and cultural connections: Bronze Age workshops at Hunn, Norway." Praehistorische Zeitschrift 91, no. 1 (2016). http://dx.doi.org/10.1515/pz-2016-0003.

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ZusammenfassungDie Autoren präsentieren zwei separierte Metallwerkplätze auf dem Gräberfeldareal von Hunn in Østfold, südöstliches Norwegen. Diskutiert werden Produktionsumfang, -charakter und kultureller Kontext der Funde. Eine dieser Örtlichkeiten, der Fundplatz von Midtfeltet, repräsentiert den für Skandinavien umfangreichsten bronzezeitlichen Metallwerkplatz. Die Fundstellen befinden sich in einer Region, aus der kaum vergleichbare Bronzeartefakte vorliegen, was aber auf die paradoxe Situation innerhalb der norwegischen Bronzezeit hinweist, dass Örtlichkeiten der Herstellung und Verarbeitu

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28

Richardson, Sarah Catherine. "“Old Father, Old Artificer”: Queering Suspicion in Alison Bechdel’s Fun Home." M/C Journal 15, no. 1 (2012). http://dx.doi.org/10.5204/mcj.396.

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Halfway through the 2006 memoir comic Fun Home, the reader encounters a photograph that the book’s author, Alison Bechdel, found in a box of family snapshots shortly after her father’s death. The picture—“literally the core of the book, the centrefold” (Bechdel qtd. in Chute “Interview” 1006)—of Alison’s teenaged babysitter, Roy, erotically reclining on a bed in only his underwear, is the most tangible and direct evidence of her father’s sexual affairs with teenage boys, more confronting than his own earlier confession. Through this image, and a rich archive of familial texts, Bechdel chronicl

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