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Journal articles on the topic 'Brooch'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Stead, I. M., and N. D. Meeks. "The Celtic Warrior Fibula." Antiquaries Journal 76 (March 1996): 1–16. http://dx.doi.org/10.1017/s0003581500047399.

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In 1960 and 1961 Ole Klindt-Jensen published two short notes about a golden statuette of a Celtic warrior, soldered to a fine brooch. He was convinced that the warrior did not belong to the brooch, and thought that they had been combined fairly recently. J. M. de Navarro added a comment to the 1961 note, concluding: ‘My impression (from photographs only) is that the brooch might date from the fourth century BC and the figure not before the latter half of the third or the second century BC, i.e. that it was added later.’ Klindt-Jensen's notes were accompanied by plates, and at the same time another photograph was published on the front cover ofCelticum, volume I. A decade later the brooch was shown at the Royal Scottish Museum, Edinburgh, and at the Hayward Gallery, London, as item no. 35 in the Early Celtic Art exhibition held in 1970. The catalogue entry was based on Klindt-Jensen's note, but no photograph was published. In the mid 1970s R. M. Rowlett prepared a paper on the authenticity of the brooch, including metal analyses and a comparison of its proportions with those of some La Tène II brooches: Rowlett considered that the figure of the warrior was contemporary with the rest of the brooch, which he accepted as an authentic antiquity. His paper was eventually published about twenty years later.

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2

Christie, A. V. "Eye Brooch." Iowa Review 23, no. 3 (1993): 167. http://dx.doi.org/10.17077/0021-065x.4345.

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3

Mackreth, D. F. "An Unusual Romano-British Brooch from Norfolk, with a Note upon its Probable Affnities." Britannia 40 (November 2009): 137–49. http://dx.doi.org/10.3815/006811309789785936.

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ABSTRACTA brooch from Marham, Norfolk, is identifed as being a hybrid Colchester Derivative and its relationship with other Colchester Derivatives is discussed. An examination of the basic distribution of the parent of the Marham brooch, the Rearhook, shows that it is of Icenian origin. Discussion of other rare hybrids along with the dating of the parent reveals that, alone of British brooches, the Rearhook has what may be described as an abrupt cut-off date which can be equated with the suppression of the Iceni. Only one hybrid has any development, and that is the one to which the Marham brooch belongs. The fantail foot found on many Rearhooks also has a later history which is examined. The discussion focuses on the dating and distribution of what may be described as ultimate Rearhook derivatives. The early post-Boudiccan history of the Iceni is alluded to and a case presented for the probable deliberate plantation of Icenians at Castleford.

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4

Silicani Ribeiro, Rogerio, and Reinaldo Perrone Furlanetto. "The Cameo Brooch Thyroid." Thyroid 15, no. 9 (2005): 1103–4. http://dx.doi.org/10.1089/thy.2005.15.1103.

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5

Hamerow, Helena, Anni Byard, Esther Cameron, et al. "A HIGH-STATUS SEVENTH-CENTURY FEMALE BURIAL FROM WEST HANNEY, OXFORDSHIRE." Antiquaries Journal 95 (March 4, 2015): 91–118. http://dx.doi.org/10.1017/s0003581514000742.

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In 2009, a metal-detector find of a rare garnet-inlaid composite disc brooch at West Hanney, Oxfordshire, led to the excavation of an apparently isolated female burial sited in a prominent position overlooking the Ock valley. The burial dates to the middle decades of the seventh century, a period of rapid socio-political development in the region, which formed the early heartland of the Anglo-Saxon kingdom of Wessex. The de luxe brooch links the wearer to two other burials furnished with very similar brooches at Milton, some 10km to the east and onlyc1km from the Anglo-Saxon great hall complex at Sutton Courtenay / Drayton, just south of Abingdon. All three women must have been members of the region’s politically dominant group, known as theGewisse. The burial’s grave goods and setting add a new dimension to our understanding of the richly furnished female burials that are such a prominent feature of the funerary record of seventh-century England.

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6

Prokopenko, Yury, and Svetlana Kravtsova. "Fibula-Brooch with Pendants from the Barrow Studied in the Northern Surrounding Areas of Cherkessk." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 5 (October 2019): 19–33. http://dx.doi.org/10.15688/jvolsu4.2019.5.2.

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Introduction. The article is devoted to characterizing the decorative features of the fibulabrooch discovered during the study of the mound in the northern surrounding areas of Cherkessk (territory of the Republic of Karachay-Cherkessia) and stored in the collection of the Stavropol State Museum. The aim of the publication is to introduce the poorly known scientific material into scientific use. A full set of illustrations and accurate measurements will further avoid confusion with the description of the specific artifact (in existing publications there are no drawings; conclusions are based only on photos). Explanations relate to the history of the brooch and details of its decoration. Methods. The comparative typological method is used as a working one. It is based on the classification by material, processing method, form, ornamentation, as well as identifying and studying types of brooches with pendants. The comparative analysis of the decor of the brooch from the Stavropol museum and similar brooches with pendants found in the western part of the North Caucasus shows the variety of polychrome decoration production technologies in the region in the 3rd – 1st centuries BC: preserving the traditions of Bosporan jewelry art; distribution of the elements of Colchian toreutics. Analysis. The paper considers design features of brooches from the Stavropol museum and monuments of the Western Ciscaucasia: details of zoomorphic figurines; characteristics of caste design; wire inlay; form and features of enamel inserts; character of pendant weaving and features of the design of suspended discs. Results. In the production of hollow zoomorphic images of the 3rd – 1st century BC there were two lines of development: 1) simplified modeling of figurines modeled on the pattern of Colchian products of the 5th – 4th centuries BC (Psenafa and others); 2) continuation of the tradition of producing jewelry with enamel (brooch from the mound in the land of Rodina state farm). In the first case, the simplicity and negligence of execution evidence established local production of imitations of Colchian images. In the second case, elegance of images and refinement of execution emphasize the creation of brooches of Karachay-Cherkessia in one of the centers of Bosporus toreutics which was under the influence of Colchian jewelry.

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7

Parfitt, Keith. "A Late Iron Age Burial from Chilham Castle, near Canterbury, Kent." Proceedings of the Prehistoric Society 64 (January 1998): 343–51. http://dx.doi.org/10.1017/s0079497x00002279.

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During the spring of 1993 Mr Darren Nichols was searching land near Canterbury with his new metal detector when he made a most interesting discovery. At a shallow depth he unearthed a burial, containing a decorated bronze mirror, a bronze brooch, and the remains of a pot holding cremated bone. The mirror was subsequently identified as being of Iron Age date, bearing a characteristic engraved Celtic design on its reverse. Realising the importance of the find, Mr Nichols reported the discovery to local archaeologists who were able to visit the site and re-excavate the find-spot. These investigations produced a second brooch and further sherds from the very fragmented cinerary urn.In July 1994 the metalwork from the burial was passed to Dr Ian Stead of the British Museum for detailed study and recording. A year later the finder sold the mirror and brooches at a Sotheby's auction (Sale LN5398, Lot 3) to a private collector, who has very kindly agreed to details of the objects being published here.

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8

Webster, Janet. "An Unusual Brooch from Caerleon." Britannia 21 (1990): 297. http://dx.doi.org/10.2307/526309.

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9

Curtis, Dana. "Lulu’s Veil and Jocasta’s Brooch." Colorado Review 37, no. 1 (2010): 101. http://dx.doi.org/10.1353/col.2010.0031.

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10

Sáró, Csilla. "A thistle brooch/distelfibelfrom Brigetio." Acta Archaeologica Academiae Scientiarum Hungaricae 69, no. 2 (2018): 299–310. http://dx.doi.org/10.1556/072.2018.69.2.4.

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11

Mcintosh, Frances, and Matthew Ponting. "The Wirral Brooch: The Form, Distribution and Role of a Regional Romano-British Brooch Type." Archaeological Journal 171, no. 1 (2014): 111–50. http://dx.doi.org/10.1080/00665983.2014.11078264.

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12

Bourke, Cormac, Thomas Fanning, and Niamh Whitfield. "An Insular Brooch-Fragment from Norway." Antiquaries Journal 68, no. 1 (1988): 90–98. http://dx.doi.org/10.1017/s0003581500022502.

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A silver-gilt ornament of Insular origin from a Viking age burial in Norway is here identified for the first time as the pin-head of a ring brooch of pseudo-penannular form. The decoration and typology of the pin-head are discussed in relation to Insular metalwork, and its iconography is considered in the context of Early Christian art. The pin-head and an associated ringed pin are dated to the eighth or ninth century.

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13

Stevick, Robert D. "The Form of the Hunterston Brooch." Medieval Archaeology 47, no. 1 (2003): 21–39. http://dx.doi.org/10.1179/med.2003.47.1.21.

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14

Greenway, Kate. "Resisting Indifference Through the Brooch of Bergen Belsen." Brock Education Journal 28, no. 1 (2018): 32–48. http://dx.doi.org/10.26522/brocked.v28i1.780.

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In this extract from, and commentary on, my master’s thesis, “The Brooch of Bergen Belsen: A Journey of Historiographic Poiesis” (winning York University Department of Education Best Major Research Paper 2010), I explore a single aesthetic experience, an encounter with a small hand-made floral cloth brooch donated to the Holocaust Memorial Museum. At the start of my inquiry, I had only the object—the brooch itself—my emotional reaction to it, and the few lines of text on a curated museum card. I wondered, how do we create “spaces for remembrance” (Simon 2005) and what are the implications for teaching, learning and living in a just society? How arewe accountable to Simon’s (2004) demand for “non-indifference?” Arts-based research methodologies such as historiographic poiesis have allowed me to merge the scholar and artist, to engage in research as an iterative process where deeper questions engender more complex and embodied responses, and to create an aesthetic intervention: an open, dialogic text and artworks that provoke new understandings of narratives previously overlooked.

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15

THORNBURY, E. V. "THE GENRE OF THE SUTTON BROOCH VERSES." Notes and Queries 48, no. 4 (2001): 375–77. http://dx.doi.org/10.1093/nq/48.4.375.

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16

Vynnychuk, M. S., M. V. Kolosnichenko, D. V. Vydolob, and D. V. Stonoga. "ARTISTIC AND STYLISTIC FEATURES OF MODERN BROOCHES." Art and Design, no. 3 (December 5, 2019): 9–19. http://dx.doi.org/10.30857/2617-0272.2019.3.1.

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The development of generalized classification of varieties of adornments (on the example of brooches) in order to create the harmonious images. Methodology. The complex of scientific researches is used, namely: visual analytical method, system and informational method, and method of classifications. Results. The retrospective analysis of the prerequisites for the introduction, formation and development of the forms of brooches and the elements of their decoration is made, and the specificity of means of their artistic expressiveness is studied. The existing types of brooches have been analyzed and summarized. The peculiarities of designing of handmade brooches are described, and the basic materials used for their manufacture are characterized. Scientific novelty. Different types of brooches are classified according to different classification groups. The modern aspects of their use in the context of decoration for “costumes” are revealed. The information about existing types of brooches is summarized, and the features of their designing and manufacturing from different materials are characterized. Practical significance. The information base of various types of brooches is formed, the main and specific features of manufacturing of adornments in the form of brooches is characterized. The basic stages of manufacturing of brooch are illustrated and a bird-shaped adornment is manufactured, which is in line with the fashion trends.

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17

Roxburgh, Marcus, Stijn Heeren, Hans Huisman, and Bertil Van Os. "Early Roman copper-alloy brooch production: a compositional analysis of 400 brooches from Germania Inferior." Journal of Roman Archaeology 29 (2016): 411–21. http://dx.doi.org/10.1017/s1047759400072202.

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We present here a compositional study of a large number of copper-alloy brooches, undertaken in 2014 using Handheld X-ray Fluorescence Spectrometry (HHpXRF). The brooches, which come from the area of Nijmegen, date from the Late Iron Age until the 2nd c. A.D. Our aim is to explore the ways in which artefact production was organized both in the context of Roman centres and in the countryside. The link between alloys and workshop organization will be elucidated before the methodology and results are presented. The results will then be discussed, leading to the formation of several hypotheses regarding the organization of workshops that produced metal artefacts.Scientific interest in the composition of ancient artefacts has existed for well over two centuries. Roman brooches in particular have been in the forefront of this research both because of their ease of categorization and because they are found in large numbers on archaeological sites. Much work has been done on how they were made and on the technical choices available to the craftsmen. In particular, the choice of alloying agents (tin, lead, zinc) added to copper demonstrated a complex relationship between composition and typology, especially in the debate over Roman or local production. The technological restraints imposed on these artefacts by different alloy ratios have been studied in some detail, especially in terms of casting in liquid form, into a mould, or being wrought through beating with a hammer.

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18

Labaune-Jean, Françoise. "Nouvelle mention du Quoit Brooch Style en Bretagne." Archeopages, no. 37 (April 1, 2013): 86–87. http://dx.doi.org/10.4000/archeopages.366.

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19

Hunter, Fraser. "Some Evidence for Brooch Manufacture in Roman Scotland." Britannia 44 (July 3, 2013): 257–64. http://dx.doi.org/10.1017/s0068113x13000251.

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20

Kohler, Michelle. "Ancient Brooch and Loaded Gun: Dickinson's Lively Objects." ESQ: A Journal of Nineteenth-Century American Literature and Culture 63, no. 2 (2017): 227–68. http://dx.doi.org/10.1353/esq.2017.0009.

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21

FARLEY, JULIA, KEITH PARFITT, ANDREW RICHARDSON, DANIEL ANTOINE, RACHEL POPE, and CHRISTOPHER SPAREY-GREEN. "A Late Iron Age Helmet Burial from Bridge, near Canterbury, Kent." Proceedings of the Prehistoric Society 80 (June 13, 2014): 379–88. http://dx.doi.org/10.1017/ppr.2014.5.

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A rare find was made in 2012 when a metal-detectorist on land near Bridge, a few miles south of Canterbury, Kent, recovered a copper alloy brooch, other metal items, and a quantity of burnt bone contained in a near complete, probably imported Gallic, helmet of Iron Age type. Excavation was undertaken to ascertain the immediate context of the helmet, confirm that it represented a cremation burial, and determine if it formed part of a larger funerary deposit. The helmet and brooch suggest a burial date in the mid-1st centurybcand the apparently isolated cremation burial, of a possibly female adult, can be broadly placed within the Aylesford–Swarling tradition; the helmet taking the place of a more usual pottery cinerary urn. Cropmark evidence suggests that the burial was made within a wider landscape of Iron Age occupation.

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22

Cool, H. E. M., and M. J. Baxter. "Brooches and Britannia." Britannia 47 (February 19, 2016): 71–98. http://dx.doi.org/10.1017/s0068113x16000039.

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AbstractRegional and temporal patterns in brooch use in Britannia are studied, confirming and challenging ‘received wisdoms’ about ‘regionality’. The complexity of the ‘Fibula Event Horizon’ is brought into sharp focus; a similarly complex and unexplained ‘Fibula Abandonment Horizon’ is also clearly demonstrated. Conclusions are insensitive to assumptions about use-life. Detailed analysis for the family of trumpet brooches casts light on hitherto unappreciated features of ‘regionality’. Comparison with continental data suggests the British temporal patterns may be reflecting a wider north-western province pattern. Under-studied aspects of bias in metal-detected finds and their implications for studies of this kind are noted. The Supplementary Material available online (http://journals.cambridge.org/bri) contains tabular information on the data used in the study and additional analyses that support some of the assertions made in the main text.

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23

유미현. "Background of American Enamel Brooch and It’s Formative Expression." Journal of Digital Design 14, no. 3 (2014): 697–706. http://dx.doi.org/10.17280/jdd.2014.14.3.069.

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24

Bayless, Martha. "The Fuller Brooch and Anglo-Saxon depictions of dance." Anglo-Saxon England 45 (December 2016): 183–212. http://dx.doi.org/10.1017/s0263675100080261.

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AbstractThe scattered nature of references to dance and the ambiguity of its vocabulary have obscured Anglo-Saxon dance practices, but evidence suggests that dance was a significant cultural phenomenon. The earlier centuries of the Anglo-Saxon period saw the depiction of weapon dances, and later sources also allow us a glimpse of lively secular dance. Performance traditions may have included dance combined with satirical songs, as well as possible secular ritual dance. Finally, scripture provided examples of both holy dance and lascivious female dance. Contemporary iconography of these dance practices, combined with continued associations between dance and music, allow us to understand the conventions in the depiction of dance, and in turn these suggest that the figure of ‘Hearing’ on the Fuller Brooch, traditionally regarded as running, is in fact dancing.

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25

Campbell, J. "The Quoit Brooch Style and the Anglo-Saxon Settlement." English Historical Review 117, no. 470 (2002): 149–50. http://dx.doi.org/10.1093/ehr/117.470.149-a.

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26

Inker, Peter. "Technology as Active Material Culture: The Quoit-brooch Style." Medieval Archaeology 44, no. 1 (2000): 25–52. http://dx.doi.org/10.1179/med.2000.44.1.25.

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27

Łuczkiewicz, Piotr. "On the chronology of the Late Pre-Roman Iron Age in eastern Germania in the light of selected types of brooches." Archeologické rozhledy 72, no. 2 (2020): 238–59. http://dx.doi.org/10.35686/ar.2020.8.

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On the basis of selected types of supra-regional brooches (A.65, Nauheim, Schüsselfibeln, A.18), an attempt was made to check whether they appeared in the eastern part of Germania in the same chronological rhythm as in their home zones. The service life of A.65 brooch and post-oppidial forms A.18 north of the Carpathians corresponds to the chronology in the primary distribution zone, no significant differences can be seen. Another picture – obtained, however, from a small number of finds – is drawn for Nauheim type brooches, which seem to remain in use a little longer in the zone between the Carpathian Mountains and the Baltic coast, until the younger stage of the LT D2 phase. Similarly, bowl-shaped brooches (Schüsselfibeln), probably made mostly in local workshops, were worn in the north for several decades longer than in the zone south of the Carpathian Mountains. In Pomerania they came into use probably slightly earlier than in the area of Przeworsk culture and probably went out of fashion a little faster. This indicates a slightly different rhythm of stylistic and fashion changes between southern and central Poland (Przeworsk culture) and the north – the region of the lower Vistula and the Gulf of Gdańsk. Late La Tène period – Late Pre-Roman Iron Age – chronology – brooches – Przeworsk culture – imports

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28

Harte, Robin. "Exactness, invertibility and the Love Knot." Filomat 29, no. 10 (2015): 2347–53. http://dx.doi.org/10.2298/fil1510347h.

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The "Love Knot" is a little brooch made out of three interlocking circular arcs; an image is incorporated in the familiar Venn diagram of three circular discs in the plane. The Love Knot offers a thread upon which to hang a little minuet between invertibility of the factors of a product, and concepts of ?exactness?.

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29

Fallgren, Jan-Henrik, and John Ljungkvist. "The Ritual Use of Brooches in Early Medieval Forts on Öland, Sweden." European Journal of Archaeology 19, no. 4 (2016): 681–703. http://dx.doi.org/10.1080/14619571.2016.1147318.

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In 2010, the largest find of exquisite gilded silver brooches ever made in Scandinavia came to light during a metal detector survey in a small fort on Öland in the Baltic Sea. It consisted of five hoards buried in five different houses within the fort. The brooches were of the Dreiknopfbügelfbeln/radiate-headed and relief types. Three of the hoards also contained large quantities of beads and pendants, some quite exclusive and rare. In addition, the upper part of another relief brooch probably belonged to a sixth hoard ploughed up in the late nineteenth century. In 2011, Kalmar County Museum excavations at the site of these hoard finds also revealed the traces of a massacre. Though a connection between the deposition of the hoards and the massacre is plausible, several elements suggest that the deposits are ritual in character and unrelated to the attack on the fort. The regular placing of the hoards in the right corner inside the entrance of the houses suggests ritual acts, and the composition of the hoards demonstrates that the deposits are symbolic. We conclude that the hoards and the brooches are props belonging to the interior of the forts and to activities conducted inside them; they may have been worn by some women during rituals. Why these hoards were left in the Sandby fort is, however, no doubt related to its destruction.

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30

Bayley, Justine, D. F. Mackreth, and Heather Wallis. "Evidence for Romano-British Brooch Production at Old Buckenham, Norfolk." Britannia 32 (2001): 93. http://dx.doi.org/10.2307/526952.

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Shaw, Ken. "The Chemical Adventures of Sherlock Holmes: Mrs. Hudson's Golden Brooch." Journal of Chemical Education 86, no. 4 (2009): 443. http://dx.doi.org/10.1021/ed086p443.

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PEDERSEN, UNN, and ELNA SIV KRISTOFFERSEN. "A Scandinavian Relief Brooch: Artistic Vision and Practical Method Combined." Medieval Archaeology 62, no. 2 (2018): 219–36. http://dx.doi.org/10.1080/00766097.2018.1535384.

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33

Hughes, Evan Gwilym. "An Iron Age Barrow Burial at Bromfield, Shropshire." Proceedings of the Prehistoric Society 60, no. 1 (1994): 395–402. http://dx.doi.org/10.1017/s0079497x00003480.

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Excavation of a small ring-ditch in advance of gravel extraction at Bromfield, Shropshire, produced rare evidence for an Iron Age inhumation burial associated with a barrow. The burial, identified from a soil stain, was associated with fragments of a La Tene I iron brooch and a penannular iron bracelet with adhering textiles, and a bronze pendant, suggesting a date in the 5th–4th century BC.

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Hikmah, Hikmah, and Ade Wilda Damanik. "PEMBINAAN IBU RUMAH TANGGA UNTUK MENDUKUNG PEREKONOMIAN KELUARGA MELALUI USAHA PEMBUATAN BROS." Jurdimas (Jurnal Pengabdian Kepada Masyarakat) Royal 2, no. 1 (2019): 1–6. http://dx.doi.org/10.33330/jurdimas.v2i1.276.

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Some housewives in Batam City do not work, relying solely on income from their husbands. During this time, housewives use their free time to socialize and have a good time with their neighbors without producing anything useful, so it's time to take advantage of these habits in order to produce something to support their family's economy. In order for income housewives to have new knowledge and abilities, crafting activities are carried out by using patchwork. This training is carried out to use patchwork to have more selling value such as hijab accessories. This training was carried out twice, which was given the understanding of housewives about the use of patchwork and then given the practice of learning by doing. In the implementation of the service carried out by practicing directly how to make a brooch with several models of patchwork. Aside from the guidance of making brooches from patchwork, researchers also provide assistance in managing financial management, so that in the future it can be used as a home business that can help support the family's economy. From the results of the evaluation at the service of the mothers, thousands of households have been able to make patchwork brooches with several variations and models

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35

SWIFT, ELLEN. "Re-evaluating the Quoit Brooch Style: Economic and Cultural Transformations in the 5th Century ad, with an Updated Catalogue of Known Quoit Brooch Style Artefacts." Medieval Archaeology 63, no. 1 (2019): 1–55. http://dx.doi.org/10.1080/00766097.2019.1588533.

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36

MacDougall, Bruce. "The Market Overt Method to Obtain Ownership of Lost or Stolen Goods: Comment on Manning v. Algard Estate, [2008] BCSC 1129." International Journal of Cultural Property 16, no. 1 (2009): 85–93. http://dx.doi.org/10.1017/s0940739109090018.

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Stephanie Manning's mother, Marina Ovsenek, had a penchant for garage sales. In 2000 the daughter was driving the mother to the hospital for her cancer treatment when they stopped at one of these garage sales. The mother paid $5 to buy a box containing a brooch and five gold-colored coins. She kept these in the room in her house that was used to store various items, including other trinkets bought at garage sales.

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37

Philpott, Robert A. "A Romano-British Brooch Type from North-Western and Northern England." Britannia 30 (1999): 274. http://dx.doi.org/10.2307/526683.

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38

Harrington, Sue. "The Cruciform Brooch and Anglo-Saxon England, by Toby F. Martin." Archaeological Journal 173, no. 2 (2015): 379. http://dx.doi.org/10.1080/00665983.2015.1112667.

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39

Bae, Jung-Who, and Kyoung-Hee Lee. "The Study of the Relationship between Clothes and Brooch in Fashion Collection." Journal of the Korean Society for Clothing Industry 14, no. 5 (2012): 739–48. http://dx.doi.org/10.5805/ksci.2012.14.5.739.

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40

Kristoffersen, Elna Siv. "Toby F. Martin:The Cruciform Brooch and Anglo-Saxon England. Anglo-Saxon Studies." Norwegian Archaeological Review 49, no. 1 (2016): 92–95. http://dx.doi.org/10.1080/00293652.2016.1164750.

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41

Raub, Christoph J. "Reaction soldering with copper on an early Medieval disc brooch from Germany." Gold Bulletin 29, no. 1 (1996): 27–30. http://dx.doi.org/10.1007/bf03214739.

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42

McEvansoneya, P. "The purchase of the 'Tara' brooch in 1868: Collecting Irish antiquities for Ireland." Journal of the History of Collections 24, no. 1 (2011): 77–88. http://dx.doi.org/10.1093/jhc/fhr013.

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FERN, CHRIS. "AN ANGLO-SAXON DISC BROOCH FROM BLETCHINGDON, OXFORDSHIRE, WITH STYLE II ANIMAL ART." Oxford Journal of Archaeology 25, no. 3 (2006): 311–16. http://dx.doi.org/10.1111/j.1468-0092.2006.00263.x.

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Etchingham, Colmá, and Catherine N. Swift. "English and Pictish Terms for Brooch in an 8th-century Irish Law-Text." Medieval Archaeology 48, no. 1 (2004): 31–49. http://dx.doi.org/10.1179/007660904225022799.

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Hedegaard, Ken Ravn. "The Gotlandic box brooch from Fyrkat grave IV. A research into the casting technique and work methods associated with multi-piece brooches." Danish Journal of Archaeology 5, no. 1-2 (2016): 3–18. http://dx.doi.org/10.1080/21662282.2016.1199235.

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Baxter, M. J., and H. E. M. Cool. "Reinventing the wheel? Modelling temporal uncertainty with applications to brooch distributions in Roman Britain." Journal of Archaeological Science 66 (February 2016): 120–27. http://dx.doi.org/10.1016/j.jas.2015.12.007.

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Blajer, Wojciech, Paweł Micyk, Marcin Biborski, Anna Kraszewska, and Paweł Valde-Nowak. "The hoard of bronze objects from site 8 at Zagórze, Wadowice District." Recherches Archéologique Nouvelle Serie 9 (December 31, 2018): 319–38. http://dx.doi.org/10.33547/rechacrac.ns9.14.

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Abstract:

During rescue excavations carried out in 2012 in site 8 at Zagórze, Comm. Mucharz, Dist. Wadowice, a hoard of bronze objects was discovered, comprising a binocular brooch of the Strzebielinko type, three spiral bracelets made of thick bronze sheet of triangular cross-section, and three twisted necklaces with flattened and rolled ends. The deposit should be dated to HaD and linked with the Górnośląsko-Małopolska (Upper Silesian-Lesser Polish) group of the Lusatian culture. The spiral bracelets and the decoration featuring on the ends of one of the necklaces find the closest analogies in the hoard from Krásna Hôrka, Dist. Tvrdošín, in Slovakia. All metal objects originating from site 8 at Zagórze were subjected to chemical and technological analysis (XRF spectrometer of the Spectro-MIDEX type).

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Burleigh, Gilbert, Vincent Megaw, Helen Ashworth, and Mansel Spratling. "The Iron Age Mirror Burial at Pegsdon, Shillington, Bedfordshire: An Interim Account." Antiquaries Journal 87 (September 2007): 109–40. http://dx.doi.org/10.1017/s0003581500000858.

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In November 2000 metal detectorists located a decorated copper-alloy mirror, a single silverKnotenfibelbrooch and some pottery sherds at Pegsdon, Shillington, Bedfordshire. Subsequent excavation of the findspot uncovered a Late Iron Age cremation burial pit associated with further pot sherds and a single fragment of calcined bone. The opportunity is taken in this preliminary account to revisit both the occurrence in southern England of the brooch type and to discuss the mirror's decoration in relation to the variation of views as to the British mirror series as a whole, and in particular with regard to other recent mirror discoveries. The burial is discussed in its local context and the possible significance of the topography in relation to the site is highlighted.

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Johnson, Ruth. "The development of Irish brooch forms and pins in the Viking age, c.850–1170." Peritia 15 (January 2001): 321–62. http://dx.doi.org/10.1484/j.peri.3.442.

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Okeme, Joseph O., Linh V. Nguyen, Maria Lorenzo, et al. "Polydimethylsiloxane (silicone rubber) brooch as a personal passive air sampler for semi-volatile organic compounds." Chemosphere 208 (October 2018): 1002–7. http://dx.doi.org/10.1016/j.chemosphere.2018.05.196.

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