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Books on the topic 'Brood composition'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Ji bźin brjod paʼi rtsom yig la ʼjug tshul. Mtsho-sṅon mi rigs dpe skrun khaṅ, 2001.

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2

Canada. Dept. of Fisheries and Oceans. Spatial and temporal characterization of suspended sediments and substrate composition in Catamaran Brook, New Brunswick. Dept. of Fisheries and Oceans, 1997.

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3

Kenlan, Peter H. Composition and biomass of forest floor vegetation in experimentally acidified paired watersheds at the Bear Brook Watershed in Maine. Maine Agricultural & Forest Experiment Station, University of Maine, 2009.

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4

Emison, Patricia. Moving Pictures and Renaissance Art History. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724036.

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Film, like the printed imagery inaugurated during the Renaissance, spread ideas – not least the idea of the power of visual art – across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, from the 1920s to the mid-1960s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, between the demands of narrative and thos

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5

Mahler, Lena. Composition Notebook: Brood Shirt Cookies Gothel Danzig Difficult Mistake Bracelet Mother Notebook Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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6

Weores, Tivadar. Composition Notebook: Brood Shirt Cookies Gothel Danzig Difficult Mistake Bracelet Mother Notebook Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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7

1964-, St-Hilaire André, and Canada. Dept. of Fisheries and Oceans. Science., eds. Spatial and temporal characterization of suspended sediments and substrate composition in Catamaran Brook, New Brunswick. Fisheries and Oceans Canada, 1997.

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8

Hewitt, Alisha. Composition Notebook: Broad St Squad Eagles, Journal 6 X 9, 100 Page Blank Lined Paperback Journal/Notebook. Independently Published, 2020.

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9

Dutcaun, Evelan. Composition Notebook: Brook Jolly Roger One Piece Tapestry Pants Lovely Jewelry Decor Headbands Costumes Bandana Hippie Notebook. pdf. Independently Published, 2020.

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10

Journals, Broom. Broom Hair Don't Care: 120 College Lined Pages - 6 X 9 - Planner, Journal, Notebook, Composition Book, Diary for Women, Men, Teens, and Children. Independently Published, 2020.

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11

bell, adam patrick, ed. The Music Technology Cookbook. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197523889.001.0001.

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The Music Technology Cookbook is a practitioner-oriented collection of lesson plans outlining step-by-step music-making activities with music technology. Featuring fifty-six lessons by forty-nine authors from around the world, The Music Technology Cookbook covers a broad range of music technology topics including: composition (with digital audio workstations such as Ableton, Soundtrap, GarageBand); production skills such as recording, editing, and equalization; creating multimedia (ringtones, soundscapes, audiobooks, sonic brands, jingles); beatmaking; DJing; programming (Minecraft, Scratch, S

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12

Journals, Broom. Broom Hair Don't Care: 120 Dot Grid/Bullet Pages - 6 X 9 - Planner, Journal, Notebook, Composition Book, Diary for Women, Men, Teens, and Children. Independently Published, 2020.

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13

Oskarson, Maria. The Never-Ending Story of Class Voting in Sweden. Edited by Jon Pierre. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199665679.013.13.

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This chapter presents a broad description of the development of class voting in Sweden. The aim of the study goes beyond simple description, however, in that it presents and applies a wider frame for understanding the development of the relationship between class position and party choice. The chapter begins with a reflection on the theoretical basis for class voting as representing the relation between a social and a political cleavage. It then examines developments in voting patterns in constituencies of different social and political composition and as an expression of class identification,

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14

Margulis, Elizabeth Hellmuth. Psychology of Music: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780190640156.001.0001.

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There is a long tradition of thinking about music as a product of the human mind. Whether considering composition, performance, listening, or appreciation, the constraints and capabilities of the human mind play a formative role. The field that has emerged around this approach is known as the psychology of music. It seeks to answer fundamental questions of broad and enduring interest—questions like “What is musicality?” and “How does music move us?” The Psychology of Music: A Very Short Introduction explores how the psychology of music confronts these questions. It connects the science to larg

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15

Quick, Laura. Deuteronomy 28 and the Aramaic Curse Tradition. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198810933.001.0001.

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This study considers the relationship of Deuteronomy 28 to the curse traditions of the ancient Near East. It focuses on the linguistic and cultural means of the transmission of these traditions to the book of Deuteronomy. The author considers a broad range of materials, including Old Aramaic inscriptions, attempting to show the value of these Northwest Semitic texts as primary sources to reorient our view of an ancient world usually seen through a biblical or Mesopotamian lens. By studying these inscriptions alongside the biblical text, this study aims to increase our knowledge of the early hi

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16

Shaw, James R., Bradley Armour-Garb, and Bradley Armour-Garb. Semantics for Semantics. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199896042.003.0009.

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This chapter argues that certain important lessons about truth can only be appreciated by approaching semantic circularity from the perspective of a compositional semanticist. It explains our need for a compositional semantics for semantic vocabulary like ‘true’. These reflections stress the need to explain, consistently with linguistic productivity facts, truth-value judgments concerning two classes of semantic circularities. The first involves claims like ‘Everything I say today will be true’, made when all other utterances by the speaker that day are true. The second involves claims about b

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17

Grimshaw-Aagaard, Mark, Mads Walther-Hansen, and Martin Knakkergaard, eds. The Oxford Handbook of Sound and Imagination, Volume 1. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780190460167.001.0001.

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The Oxford Handbook of Sound and Imagination is a two-volume anthology that covers the topic of imagination in the context of sound and music. There are 70 chapters in 10 parts across two volumes that present thinking and research on the topic from a broad multi-disciplinary perspective, and the fields of study represented include (but are not limited to): music (composition, improvisation, philosophy, therapy, and so forth); sound studies; acoustics and bioacoustics; cognition and neurology; psychology; literature, poetry, and comics; heritage studies; anthropology; branding and advertising;

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18

Grimshaw-Aagaard, Mark, Mads Walther-Hansen, and Martin Knakkergaard, eds. The Oxford Handbook of Sound and Imagination, Volume 2. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780190460242.001.0001.

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The Oxford Handbook of Sound and Imagination is a two-volume anthology that covers the topic of imagination in the context of sound and music. There are seventy chapters in ten parts across two volumes that present thinking and research on the topic from a broad multidisciplinary perspective, and the fields of study represented include (but are not limited to): music (composition, improvisation, philosophy, therapy, and so forth); sound studies; acoustics and bioacoustics; cognition and neurology; psychology; literature, poetry, and comics; heritage studies; anthropology; branding and advertis

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19

Kroll, Paul W. Anthologies in the Tang. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.20.

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The importance and influence of anthologies during the Tang dynasty is evident in their increasing numbers and broad variety. The names of over a hundred Tang anthologies are known, and over a score have been preserved in whole or part. These include general anthologies of verse and prose, some conceived of as sequels to pre-Tang anthologies, as well as anthologies devoted only to verse, to choice extracts, or to particular periods or occasions, particular groups of writers, particular topics, or even particular areas from which writers hailed. They range in size from those with barely two doz

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20

Beal, Amy C. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039157.003.0012.

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This introductory chapter recounts Johanna Beyer's arrival in New York City. Beyer first lived in New York from April 1911 until June 1914. She then sang for three years in the Leipziger Singakademie and graduated from a German music conservatory in September 1923. She returned to New York on November 14, 1923. In the years following her arrival in New York, Beyer earned two degrees from the Mannes School of Music, and she took additional classes at Mannes through 1929. During her life after 1927 and until her passing in 1944, she composed all of the music available today: works for piano, per

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21

Chodat, Robert. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682156.003.0001.

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Literary works since the rise of high modernism have been intensely hostile to abstract generalization, and have focused attention on the unique experience and singular expression. This nominalist impulse—summed up in the cry “show, don’t tell!”—has encouraged a deep wariness toward broad normative concepts: “good,” “bad,” “courage,” “justice,” etc. More than is often recognized, however, this literary skepticism parallels the skepticism toward such concepts in the natural sciences, which accords no place to such abstract “high words” in a world of matter and calculable motions. Against this d

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22

Cook, Nicholas. Making music together. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199347803.003.0002.

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This first chapter of Music as Creative Practice sets out a social and performative approach to creativity in music. It develops the idea of emergence, the generation of unpredicted and unpredictable outcomes, within the context of collaborative performance, but extends it into a broad concept of real-time musical creativity. This is achieved through the idea of the musical assemblage, in which interactions between people are extended through the role of instruments, scores and other ‘outside the room’ factors: creativity is a property of the total human and nonhuman system. The argument is de

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23

Attridge, Harold W. John and other Gospels. Edited by Judith M. Lieu and Martinus C. de Boer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198739982.013.3.

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Early Christians found many ways to proclaim their ‘good news’, prominently including the kind of popular biography represented by the Gospels of Mark, Matthew, and Luke. The relationship of the Fourth Gospel to those texts has long intrigued readers. The patristic claim that John supplemented the Synoptics gave way in the twentieth century to the opinion that John was independent. Opinion has recently shifted. While the compositional process complicates the picture, the Fourth Evangelist probably did draw on the Synoptics. He did so creatively, shaping his account to make distinctive theologi

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24

Devine, A. M., and Laurence D. Stephens. Pragmatics for Latin. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190939472.001.0001.

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Latin is often described as a free word order language, but in general each word order encodes a particular information structure: in that sense, each word order has a different meaning. This book provides a descriptive analysis of Latin information structure based on detailed philological evidence and elaborates a syntax-pragmatics interface that formalizes the informational content of the various different word orders. The book covers a wide ranges of issues including broad scope focus, narrow scope focus, double focus, topicalization, tails, focus alternates, association with focus, scrambl

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25

Najdowski, Cynthia, and Margaret Stevenson, eds. Criminal Juries in the 21st Century. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190658113.001.0001.

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The jury is often celebrated as an important symbol of American democracy. Yet much has changed since 1791 when the Sixth Amendment guaranteed all citizens the right to a jury trial in criminal prosecutions. Psychological and legal scholars have empirically evaluated many claims about the strengths and limitations of the jury system. Now, scientific attention is focusing on new challenges that contemporary juries face. The authors of the chapters in this volume consider myriad legal issues that arise when jurors decide criminal cases while reviewing cutting-edge psychological research and ways

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26

Hazzard, Oli. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198822011.003.0001.

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This is an account of John Ashbery’s career in which, as he puts it in ‘Grand Galop’, the ‘minor eras / Take on an importance all out of proportion to the story’.1 The ‘minority’ of any part of any story is, of course, a relational status always open to dispute, but in the available narratives of Ashbery’s life and work his personal and textual engagements with contemporaneous English poets have, up to this point, occupied a certifiably marginal position. This is unsurprising. When compared with the most ambitious, compelling narratives of Ashbery’s place within literary history—portraying him

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