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Books on the topic 'Brook, Peter'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Ortolani, Olivier. Peter Brook. Frankfurt: Fischer Taschenbuch, 1988.

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2

Hunt, Albert. Peter Brook. Cambridge: Cambridge University Press, 1995.

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3

Peter Brook: A biography. New York: St. Martin's Press, 2005.

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4

1965-, Wemaere Séverine, ed. Peter Brook et le Vietnam: Peter Brook and the Vietnam : Tell me lies. Paris]: Capricci, 2012.

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5

Williams, David. Peter Brook and the Mahabharata. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003320418.

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6

Richard, Helfer, Loney Glenn Meredith 1928-, and Brook Peter 1925-, eds. Peter Brook: Oxford to Orghast. Amsterdam, Netherlands: Harwood Academic Publishers, 1998.

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7

1925-, Brook Peter, and Williams, David, 1957 June 4-, eds. Peter Brook: A theatrical casebook. London: Methuen, 1988.

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8

La lezione shakespeariana di Peter Brook. Roma: Bulzoni, 2002.

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9

Peter Brook: The Pennine landscape painter. Halifax: Ryburn Pub., 1992.

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10

Peter, Brook. Between two silences: Talking with Peter Brook. Dallas, Tex: Southern Methodist University Press, 1999.

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11

Dale, Moffitt, ed. Between two silences: Talking with Peter Brook. Dallas, Tex: Southern Methodist University Press, 1999.

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12

Following directions: A study of Peter Brook. New York: P. Lang, 1985.

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13

Experimental theatre: From Stanislavsky to Peter Brook. 4th ed. London: Routledge, 1989.

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14

Dale, Moffitt, ed. Between two silences: Talking with Peter Brook. London: Methun Publishing, 2000.

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15

Williams, David, 1957 June 4-, ed. Peter Brook and the Mahabharata: Critical perspectives. London: Routledge, 1991.

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16

Pizzo, Antonio. Il giardino dei ciliegi di Cechov per Peter Brook. Pisa: ETS, 2004.

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17

Bernardi, Vito Di. Mahābhārata: L'epica indiana e lo spettacolo di Peter Brook. Roma: Bulzoni, 1989.

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18

Theater als Reise zum Menschen: Der Regisseur Peter Brook. Berlin: Alexander, 2005.

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19

Oida, Yoshi. L'attore invisibile / Yoshi Oida e Lorna Marshall ; prefazione di Peter Brook. Roma: Bulzoni editore, 2000.

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20

Conference of the birds: The story of Peter Brook in Africa. New York: Routledge, 1999.

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21

Hamlet in pieces: Shakespeare reworked : Peter Brook, Robert Lepage, Robert Wilson. New York: Continuum, 2001.

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22

Leeming, David Adams. The Peter Brook/Jean-Claude Carrière Mahabarata: The great history of mankind. Lewiston, N.Y: Edwin Mellen Press, 1988.

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23

Pampiglione, Giovanni. Terminus Nord. Warszawa: Instytut Teatralny im. Zbigniewa Raszewskiego w Warszawie, 2016.

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24

Peter, Brook. The shifting point: 1946-1987. New York: Harper & Row, 1987.

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25

Anthony, Davies. Filming Shakespeare's plays: The adaptations of Laurence Olivier, Orson Welles, Peter Brook, and Akira Kurosawa. Cambridge [Cambridgshire]: Cambridge University Press, 1988.

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26

In search of the Mahabharata: Notes on travels in India with Peter Brook, 1982-1985. New Delhi: Macmillan India, 2001.

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27

Peter Brook: De Timon d'Athènes à La tempête, ou, Le metteur en scène et le cercle. [Paris]: Flammarion, 1991.

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28

Horowitz, Arthur. Prospero's "true preservers": Peter Brook, Yukio Ninagawa, and Giorgio Strehler--twentieth-century directors approach Shakespeare's The tempest. Newark: University of Delaware Press, 2004.

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29

Petruzziello, Mauro. "Perché di te farò un canto": Pratiche ed estetiche della vocalità nel teatro di Jerzy Grotowski, Living Theatre e Peter Brook. Roma: Bulzoni, 2018.

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30

1935-, Benning Achim, ed. Regie und Interpretation: Gespräche mit Achim Benning, Peter Brook, Dieter Dorn, Adolf Dresen, Boy Gobert, Hans Hollmann, Takis Mouzenidis, Hans-Reinhard Müller, Claus Peymann, Peter Stein, Giorgio Strehler und Georgij Towstonogov. 2nd ed. München: W. Fink, 1989.

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31

Gauthier, Brigitte. Harold Pinter et les dramaturges de la fragmentation: Antonin Artaud, Peter Brook, Samuel Beckett, Tom Stoppard, Peter Shaffer, Dennis Reardon, le living theatre, David Mercer, Bob Wilson, David Edgar, Harold Pinter. Paris: Harmattan, 2003.

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32

Mainusch, Herbert. Regie und Interpretation: Gespräche mit Achim Benning, Peter Brook, Dieter Dorn, Adolf Dresen, Boy Gobert, Hans Hollmann, Takis Mouzenidis, Hans-Reinhard Müller, Claus Peymann, Peter Stein, Giorgio Strehler und Georgij Towstonogov. München: W. Fink, 1985.

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33

Threads of time: A memoir. London: Mrthuen Drama, 1998.

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34

Staff, Marshall L. Peter Brook. Taylor & Francis Group, 2006.

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35

Peter Brook. Bloomsbury Publishing PLC, 2005.

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36

Banu, Georges. Peter Brook. Ediciones Artes del Sur, 2006.

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37

Croyden, Margaret. Conversations with Peter Brook. Faber and Faber, 2004.

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38

Kustow, Michael. Peter Brook: A Biography. St. Martin's Press, 2014.

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39

Peter Brook: A Biography. Bloomsbury Publishing PLC, 2006.

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40

Loney, G., and R. Helfer. Peter Brook: Oxford to Orghast. Taylor & Francis Group, 2012.

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41

Loney, G., and R. Helfer. Peter Brook: Oxford to Orghast. Taylor & Francis Group, 2012.

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42

Marshall, Lorna. Peter Brook (Routledge Performance Practitioners). Routledge, 2006.

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43

Peter Brook: Oxford to Orghast. Routledge, 2012.

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44

Loney, G., and R. Helfer. Peter Brook: Oxford to Orghast. Taylor & Francis Group, 2012.

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45

Loney, G., and R. Helfer. Peter Brook: Oxford to Orghast. Taylor & Francis Group, 2012.

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46

Marshall, Lorna. Peter Brook (Routledge Performance Practitioners). Routledge, 2006.

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47

Helfer, R., and G. Loney. Peter Brook: Oxford to Orghast. Routledge, 2012. http://dx.doi.org/10.4324/9780203059647.

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48

Williams, David. Peter Brook: A Theatrical Casebook. Methuen Publishing Ltd, 1988.

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49

Peter Brook in the Pennines. Dalesman Publishing Company Ltd, 1995.

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50

Brook, Peter. Peter Brook: Threads of Time. Methuen Drama, 1998. http://dx.doi.org/10.5040/9781350058408.

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Abstract:

"First there was the master conjurer adept at musicals, farces, opera and Shakespeare. Then there was the philosopher-king … who has devoted his energies to a quest for a theatre that was simple in form and rich in meaning." - Michael Billington The theatre's greatest contemporary director tells the story of his life. Peter Brook was the modern stage's greatest inventor. For over 50 years he held audiences spellbound with his critically acclaimed productions. This is his account of his life. Born in 1925 in London, at 21 Brook became the enfant terrible of British theatre, directing major post-war productions of Shakespeare at Stratford-upon-Avon, opera at Covent Garden and new plays in London's West End. He even made films. In 1964 he produced Peter Weiss's Marat/Sade for the RSC and his whole approach to theatre became radicalised. Throughout the 1970s and 1980s Brook began exploring the roots of non-Western theatre which once again changed his view of what theatre could be for actors and audiences. His journey took him to Paris where he founded a company at the Bouffes du Nord theatre. Brook's autobiography charts all the stages of his aesthetic and spiritual journey, and touches on all parts of a career that has been widely reported but never previously talked about from his personal perspective.

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