Relevant bibliographies by topics / Brooklyn Center for the Performing Arts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Brooklyn Center for the Performing Arts'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Brooklyn Center for the Performing Arts"

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FINK, ROBERT. "Klinghoffer in Brooklyn Heights." Cambridge Opera Journal 17, no. 2 (2005): 173–213. http://dx.doi.org/10.1017/s0954586705001989.

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Is The Death of Klinghoffer anti-Semitic? Performances of the opera at the Brooklyn Academy of Music in September 1991 were at the epicentre of a controversy that continues to this day; the New York audience was – and remains – uniquely hostile to the work. A careful reception analysis shows that New York audiences reacted vehemently not so much to an ideological position on the Israeli–Palestinian conflict, but to specific nuances in the satirical portrayal of American Jewish characters in one controversial scene later cut from the opera, a scene that must be read closely and in relation to s
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Michaels, Lloyd. "A Tree Grows in Brooklyn." Quarterly Review of Film and Video 27, no. 5 (2010): 406–7. http://dx.doi.org/10.1080/10509208.2010.494996.

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Shaomian, Armen. "Performing Arts Center Management." Journal of Arts Management, Law, and Society 48, no. 3 (2017): 221–22. http://dx.doi.org/10.1080/10632921.2017.1391728.

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Kirkegaard, R. Lawrence. "Portland Performing Arts Center." Journal of the Acoustical Society of America 115, no. 5 (2004): 2478. http://dx.doi.org/10.1121/1.4782568.

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Lucie, Sarah. "Teknopolis: BAM Fishman Space, Brooklyn, NY." PAJ: A Journal of Performance and Art 43, no. 3 (2021): 54–57. http://dx.doi.org/10.1162/pajj_a_00582.

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Liu, Cen. "Medea: BAM Harvey Theater, Brooklyn, NY." PAJ: A Journal of Performance and Art 43, no. 3 (2021): 44–46. http://dx.doi.org/10.1162/pajj_a_00579.

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Gommans, Jos. "Cosmopolitanism and Imagination in Nayaka South India." Archives of Asian Art 70, no. 1 (2020): 1–21. http://dx.doi.org/10.1215/00666637-8124961.

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Abstract Questions arising from the so-called Brooklyn kalamkari, a seven-panel, hand-painted cotton textile, have confronted art historians for decades: what do we see, who produced it for whom, what does it mean? With royal court scenes from all over the Indian Ocean world, the Brooklyn kalamkari represents a uniquely cosmopolitan worldview from early-seventeenth-century South India. In this essay I discuss the makings of this particular worldview in the context of early modern processes of globalization and state-formation. By engaging with the work of Indologists Johan Huizinga, Jan Heeste
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Hoxie, Anne-Marie E., and Lisa M. Debellis. "Engagement in Out-of-School Time: How Youth Become Engaged in the Arts." Teachers College Record: The Voice of Scholarship in Education 116, no. 13 (2014): 219–31. http://dx.doi.org/10.1177/016146811411601307.

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This chapter describes an after-school visual and performing arts program serving middle and high school youth operated in partnership between a community-based organization and two schools in Brooklyn, New York. Data collected on the program provides evidence of participants’ identity exploration and development of positive relationships and social competencies
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JEFFERS, WENDY. "HAMILTON EASTER FIELD: THE BENEFACTOR FROM BROOKLYN." Archives of American Art Journal 50, no. 1/2 (2011): 26–37. http://dx.doi.org/10.1086/aaa.50.1_2.23025821.

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Brooks, Todd L. "Fox Cities Performing Arts Center." Journal of the Acoustical Society of America 115, no. 5 (2004): 2480. http://dx.doi.org/10.1121/1.4782644.

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Dissertations / Theses on the topic "Brooklyn Center for the Performing Arts"

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Guo, Ying Ping. "Folded Intersection: a performing arts center." Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/9606.

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This project proposes a performing arts center in Chattanooga, Tennessee, a 170-year old industrial city. As part of the city revitalization, the design seeks to build up a "stage", and create a piece of edge at the city's northern boundary. Two folded bands, one made of skeletal steel and surfaced with copper connecting the river and the mountainous landscape beyond with the city, the other made of reinforced concrete folded to form a spatial intersection housing a series of activities: performing, spectating, and exhibiting. A curved metal screened circulation wall opens at the bottom to all
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Mintz, Charlotte. "Vilar Performing Arts Center: An Internship Report." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/aa_rpts/126.

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The following report documents Charlotte Mintz’s internship from January to April of 2011 at the Vilar Performing Arts Center in Beaver Creek, CO. The Vilar Performing Arts center has presented a fine array of performing arts in a mountain ski resort for the past 13 years. The Vilar Performing Arts Center offers a state of the art venue for residents and visitors to the Vail Valley to visit and see performances including plays, concerts, ballets, operas, and other various family entertainment options. This report analyzes the best practices of the Vilar along with areas with room for improveme
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Pribish, Robert E. "A performing arts center on the Potomac." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/53270.

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The nature of Architecture, as it could exist at the edge of a river, was investigated through the design of a Center for Performing Arts located on the design of a Center for Performing Arts located on the Potomac River. Site analysis, functional requirements and structural feasibility were among the considerations utilized in arriving at the proposed design. The Center is comprised of three theaters, restaurants, a marina, administration offices, guest suites, and their ancillary spaces. Six stair towers support a thick wall which is situated at the river’s edge. Stage areas for the theatre
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Lipsey, Georgina. "Where land meets water: the Alexandria Performing Arts Center." Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/53083.

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The fundamental premise for this project was the desire to explore one of my fascinations with "movement" of space and “movement” of structure. This was somewhat a reaction to “static” boxed structures which have pervaded our eastern cities for the last few decades, and moreover, a want to inspire life into a fixed object. The work presented was a process of discovery, the most enlightening being that of "contrast". It became the key to achieve meaning My original intentions combined with changes experienced over time have resulted in a building, but better, in a transformation and another
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Doyle, Jamie. "The John F. Kennedy Center for the Performing Arts: Production Department." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/aa_rpts/200.

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This academic report is the written analysis of my experience as a production intern at The John F. Kennedy Center for the Performing Arts in Washington, DC. My internship specifically involved production and this report discusses production management across the performing arts disciplines, as experienced during my 480 hour internship experience. I describe the organizational history of the Kennedy Center and the internship process. I create a SWOT analysis pertaining to factors affecting the Production Department, discuss production management best practices, and make recommendations for the
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Bossert, Paul. "A report on an Arts Administration internship at the Theatre of the Performing Arts, Summer 1987." ScholarWorks@UNO, 1987. http://scholarworks.uno.edu/aa_rpts/62.

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From May 11, 1987, through August 14, 1987, Paul Bossert interned at the Theatre of the Performing Arts. The internship was approved by the intern's Graduate Committee and confirmed by the Arts Administration Advisory Committee. It partially fulfills the requirements for the degree of Master of Arts in Arts Administration. The internship encompassed duties involved in the management of a performing arts facility. The internship was supervised by Mr. Leonard Sobel, Stage Manager of the Theatre of the Performing Arts. The following report profiles the Theatre of the Performing Arts, describes
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Rose, Miriam J. "A report on an Arts Administration internship with the Saenger Performing Arts Center, Fall 1987." ScholarWorks@UNO, 1988. http://scholarworks.uno.edu/aa_rpts/66.

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In the internship proposal submitted prior to the active internship, the area of emphasis was specified as being in the Marketing Department at the Saenger Performing Arts Center. The primary objective set forth for the intern was to act as advertising representative for Playbill -- the company under contract with the Saenger that produces and publishes the program for all of the subscription events -- and to devise a marketing strategy targeted at increasing and soliciting greater participation of businesses in program advertising. Additionally, the intern proposed to investigate the possibil
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Crowe, Andrea Michelle. "The Tennessee Performing Arts Center : a study in structure, practices, and problems." ScholarWorks@UNO, 2000. http://scholarworks.uno.edu/aa_rpts/94.

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In the Fall of 1999 I spent the semester with The Tennessee Performing Arts Center (TPAC). I gained a general knowledge of the organization as a whole and a more involved knowledge of the marketing department. I witnessed and assisted in all of TPAC's general practices, and 1 was also given several special projects and tasks. In general the organization is extremely successful, but I believe there are flaws in both structure and practices. Throughout this paper I discuss the Center's practices, challenges, successes, and problems. I have also made suggestions as to how I might have done things
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Georgi, Alexander G. "Center for the performing arts at Founders Park in Old Town Alexandria." Thesis, Virginia Polytechnic Institute and State University, 1997. http://hdl.handle.net/10919/53434.

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The topic of this thesis has been approached mainly in four fields of investigation. First it has been investigated, in which way theater developed through the ages to make some conclusion of what a theater of the 21st century will be determined, especially with its distinction from the cinema. What evolution has the theater experienced from the cart of Thespis to modern theater-machines? A second investigation has been conducted in the history of the site, being a place of human activity for more than 250 years. The third approach started from the question, what the links between architec
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Bernert, Julia M. "Reflex motion : choreographing the design of a performing arts center in Hadley, Massachusetts." Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/78970.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1987.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Includes bibliographical references (p. 101-104).<br>This thesis investigates an architectural design process through the techniques of intuitive drawing, conversation analysis, videotaping, site totems, and a reflexive journal. The design project is a performing arts complex in western Massachusetts. The program includes a performance theater for music and dance, an outdoor amphitheater, a rehearsal building, a cafe', and living space for forty performe
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Books on the topic "Brooklyn Center for the Performing Arts"

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Singer, Robert, 1953 May 30-, ed. The history of Brooklyn's three major performing arts institutions. Scarecrow Press, 2003.

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Parisi, Barbara. The history of Brooklyn's three major performing arts institutions. Scarecrow Press, 2003.

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Serafin, Steven. BAM: The complete works. The Quantuck Lane Press, 2011.

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Cook, Wayne D. Center stage: A curriculum for the performing arts. Dale Seymour Publications, 1993.

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Tanchʻe, Hanʾguk Ŭmak Yŏnju, ed. The National Center for Korean Traditional Performing Arts. National Center for Korean Traditional Performing Arts, Ministry of Culture & Tourism, 1999.

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Associates, Maki and. Mihara Performing Arts Center, Mihara, Japan, October 2007. Maki and Associates, 2007.

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Lincoln Center for the Performing Arts., ed. Live from Lincoln Center. Live from Lincoln Center, 1998.

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John F. Kennedy Center for the Performing Arts (U.S.). The John F. Kennedy Center for the Performing Arts. The Center, 2000.

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Sejong Munhwa Hoegwan Chŏnsa Pʻyŏnjip Wiwŏnhoe. and Sejong Munhwa Hoegwan, eds. Sejong Munhwa Hoegwan chŏnsa =: Sejong Center for the Performing Arts. Parhaengchʻŏ Sejong Munhwa Hoegwan, 2002.

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Espargilière, Eléonore Marie, and Anne Dreyfus. Le Générateur: 10 ans d'art et de performances. Association Arts Diffusion-Le générateur, 2016.

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Book chapters on the topic "Brooklyn Center for the Performing Arts"

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Lambert, Patricia Dewey. "Performing Arts Center Managers." In Professionalization in the Creative Sector. Routledge, 2023. http://dx.doi.org/10.4324/9781003138693-13.

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Toyota, Yasuhisa, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, and Erik Bergal. "Soka Performing Arts Center." In Concert Halls by Nagata Acoustics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42450-3_13.

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Toyota, Yasuhisa, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, and Erik Bergal. "The Conrad Prebys Performing Arts Center." In Concert Halls by Nagata Acoustics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42450-3_32.

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Toyota, Yasuhisa, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, and Erik Bergal. "Richard B. Fisher Center for the Performing Arts." In Concert Halls by Nagata Acoustics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42450-3_4.

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Toyota, Yasuhisa, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, and Erik Bergal. "Kauffman Center for the Performing Arts: Helzberg Hall." In Concert Halls by Nagata Acoustics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42450-3_12.

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Toyota, Yasuhisa, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, and Erik Bergal. "Kauffman Center for the Performing Arts: Muriel Kauffman Theatre." In Concert Halls by Nagata Acoustics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42450-3_11.

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Gotti, Roberto. "The Dynamic Sphere: Thesis on the Third State of the Vitruvian Man." In Martial Culture and Historical Martial Arts in Europe and Asia. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2037-0_4.

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AbstractThe subject of this paper is the basic principles of a martial art that has been perfected over millennia of social strata, skirmishes, and settlements, and is the amalgamation of different cultures and traditions which flourished during the Renaissance. We can learn this art today thanks to the texts written and printed during that period. In his most famous drawing, Leonardo da Vinci (1452–1519) shows a man drawn inside two geometrical shapes: the square with the center at his groin and the circle with the center at his navel. But there is another possible representation that provide
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Cohen, Matthew Isaac. "The Cultural Center." In Inventing the Performing Arts. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824855567.003.0010.

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"The Rise of the Performing Arts Center." In Building Better Arts Facilities. Routledge, 2014. http://dx.doi.org/10.4324/9781315744056-9.

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Dirksen, Rebecca, and Lois Wilcken. "The Drum and the Seed." In Performing Environmentalisms. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252044038.003.0007.

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Rebecca Dirksen and Lois Wilcken share examples of arts-based environmental activism in the Haitian diaspora in New York City and in Haiti that draw their inspiration from Vodou practices and beliefs. Vodou, which constitutes a sacred ecology, has been maligned, and the Haitian environment has become degraded, most notably through deforestation. Wilcken describes her recent theatrical collaboration with the Brooklyn-based Haitian dance group, La Troupe Makandal, whereas Dirksen follows Vodou adept Konpè Filo as he works in Haiti to simultaneously destigmatize Vodou religious practice and refor
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Conference papers on the topic "Brooklyn Center for the Performing Arts"

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XU, A., and A. PHILIPPE. "ACOUSTICS OF THE WEIWUYING PERFORMING ARTS CENTER TAIWAN." In Auditorium Acoustics 2015. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/16123.

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Head, Michael C., and Laura A. Lewis. "Dr. Phillips Center for the Performing Arts, Orlando, Florida." In Structures Congress 2013. American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784412848.094.

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Hogrefe, Jeffrey, and Scott Ruff. "Connecting to the Archive: Counter-gentrification in Central Brooklyn." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.78.

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Weeksville was founded in 1838 by formerly enslaved persons and freedmen who sought to create a self-sustaining utopian community in Brooklyn, New York. Distinguished by its urbanity, size, and relative physical and economic stability, the community provided sanctuary for self-emancipated persons from Southern slave plantations, and for free Black people escaping the violence of New York City’s Draft Riots in 1863. The second largest African American community in the U.S. was absorbed by the forces of real estate development in New York City. After almost fifty years of community led persisten
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Beane, Jeffrey A., and Rebecca Buntrock. "The John F. Kennedy Center for the Performing Arts Expansion Project." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2538.

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&lt;p&gt;The John F. Kennedy Center for the Performing Arts is located on the banks of the Potomac River in Washington, D.C. The Kennedy Center is home to the National Symphony Orchestra, the Washington National Opera and The Suzanne Farrell Ballet. In addition to being the nation's busiest arts facility, the Kennedy Center is also a "Living Memorial" to President Kennedy. The south expansion of the Kennedy Center, known as the REACH, provides much needed educational and rehearsal space, as well as a pedestrian link to the nearby Memorials.&lt;/p&gt;&lt;p&gt;The new structure combines practica
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Uluengin, Oze. "A STUDY ON CITY CENTER INSPIRED LIFESTYLE CENTERS � TWO EXAMPLES FROM TURKEY: FORUM BORNOVA AND FORUM AYDIN." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.060.

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Derick, R. Kenneth. "Mixed Foundation Design Methodology for the Dr. P. Phillips Performing Arts Center, Phase 1." In Geotechnical and Structural Engineering Congress 2016. American Society of Civil Engineers, 2016. http://dx.doi.org/10.1061/9780784479742.153.

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Feng, Xiaolin, Haijie Mao, Ruozhu Chen, and Hui Chen. "Application and Research of Monitor Pro7 Applied to Zhu Jiang Yuan Center for Performing Arts." In 2011 International Conference on Measuring Technology and Mechatronics Automation (ICMTMA). IEEE, 2011. http://dx.doi.org/10.1109/icmtma.2011.129.

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Natiola, Peejay Corpuz, and Ramir Santos Austria. "Life and Work Skills in Performing Arts: A Basis for the Developmental Guidelines of the UC – Center for Creative Productions Members." In The IAFOR International Conference on Education – Hawaii 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2189-1036.2023.10.

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Reports on the topic "Brooklyn Center for the Performing Arts"

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Wilkerson, A. M., T. C. Abell, and E. Perrin T. LED Lighting in a Performing Arts Center. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1220538.

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Ozdil, Taner R., James Richards, Ryan Brown, Justin Earl, and Dylan Stewart. AT&T Performing Arts Center: Sammons Park. Landscape Architecture Foundation, 2014. http://dx.doi.org/10.31353/cs0790.

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Milesi Ferretti, Natascha, Michael A. Galler, Steven T. Bushby, Robert W. Leader, J. Michael Whitcomb, and David W. Rush. Retro-commissioning a performing arts center using HVAC-Cx. National Institute of Standards and Technology, 2019. http://dx.doi.org/10.6028/nist.tn.2027.

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Wilkerson, Andrea M., Thomas C. Abell, and Tess E. Perrin. University of Maryland Wall Washer Retrofit - LED Modules Replace Halogen Lamps in a Performing Arts Center. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1349994.

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Ricker, R. E. Analysis of failed dry pipe fire suppression system couplings from the Filene Center at Wolf Trap Farm Park for the Performing Arts. National Institute of Standards and Technology, 1994. http://dx.doi.org/10.6028/nist.ir.5389.

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Cleary, Summers. Land Cover Summary Statistics for National Capital Region Park Units. National Park Service, 2024. http://dx.doi.org/10.36967/2301309.

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This report documents the acquisition of source data, and calculation of land cover summary statistics datasets for ten National Park Service National Capital Region park units and three custom areas of analysis: Catoctin Mountain Park, Chesapeake &amp; Ohio Canal National Historical Park, George Washington Memorial Parkway, Harpers Ferry National Historical Park, Manassas National Battlefield Park, Monocacy National Battlefield, National Capital Parks - East, Prince William Forest Park, Rock Creek Park, Wolf Trap National Park for the Performing Arts, and the three custom areas of analysis -
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