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Journal articles on the topic 'Brooklyn-fiction'

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1

Miralles, Joan Jordi. "Fascination and strength: The face in the work of Ciprì and Maresco." Journal of Italian Cinema & Media Studies 12, no. 4 (2024): 523–39. http://dx.doi.org/10.1386/jicms_00282_1.

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This article explores the treatment of the face in the work of Palermo filmmakers Daniele Ciprì and Franco Maresco and proposes several considerations regarding the stark nudity of the face, its rawness and strength, and the relationships that the two filmmakers establish between face and mask. Through an analysis of the cinematic fiction of Maresco and Ciprì – Lo zio di Brooklyn (The Uncle from Brooklyn) (1995), Totò che visse due volte (Totò Who Lived Twice) (1998) and Il ritorno di Cagliostro (The Return of Cagliostro) (2003) – as well as their television work on Cinico TV (1989–96), this a
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Meyer, Ronald. "Anna Frajlich's New York City." Polish Review 67, no. 1 (2022): 119–40. http://dx.doi.org/10.5406/23300841.67.1.10.

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Abstract Anna Frajlich was exiled from her homeland in 1969 and arrived in the United States a year later. This article traces through her poetry and prose the arc of Frajlich's residence in New York, from wary foreigner, residing in windswept Brooklyn, up to her present status as retired Columbia University faculty member who has made her home on Manhattan's Upper East Side. In other words, from her earliest poem about Brooklyn in 1973 to poems in which she describes events from her apartment on the Upper East Side, published in early 2021. In the essay the author draws on his first-hand expe
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Parry, Shirley. "Subversive Invisibility during the Cold War: Paule Marshall’s “Brooklyn”." MELUS 45, no. 1 (2020): 163–84. http://dx.doi.org/10.1093/melus/mlaa001.

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Abstract This essay explores how Paule Marshall engages issues of leftist politics and homosexuality in “Brooklyn,” her only fiction set during the Cold War. On the surface, this novella, the second in Marshall’s 1961 collection Soul Clap Hands and Sing, is a story of sexual harassment that, she has explained, was based on an experience she had at Brooklyn College. Marshall’s boldness in confronting the sexual and racial politics of the 1950s in the story’s depiction of an African American woman’s sexual harassment by her white professor has been noted by many. But less remarked is the fact th
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4

Elliott, Zetta. "The Trouble with Magic: Conjuring the Past in New York City Parks." Jeunesse: Young People, Texts, Cultures 5, no. 2 (2013): 17–39. http://dx.doi.org/10.3138/jeunesse.5.2.17.

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New York City parks serve as magical sites of discovery and recovery in speculative fiction for young readers, which has gone through a process of modernization, shifting from “universal” and “generic” narratives with repetitive features (derived from Western European folklore) to a sort of “specialization” that emphasizes the particular cultural practices and histories of racially diverse urban populations. Ruth Chew uses city spaces like the Brooklyn Botanic Garden and Prospect Park to engage young readers in the magical adventures of white, middle-class children. Zetta Elliott’s African Ame
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Esteves, Marcelo Rodrigues. "Sob o signo da travessia:." Êxodos e Migrações 4, no. 6 (2019): 200–208. http://dx.doi.org/10.24168/revistaprumo.v4i6.1190.

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At becoming worldly known, in 2016, thanks to the success of his documentary I Am Not Your Negro, the Haitian Raoul Peck already possessed an extensive career as a filmmaker, with a first fiction film, Haitian Corner, released in 1987. The movie tells the story of na haitian poet, immigrant, who lives in Brooklyn, New York, tormented by the ghosts of torture suffered in Haiti in the Duvalier era. Himself marked by the sign of displacement – Peck lived in Haiti, in the Democratic Republic of Congo, in Germany, in the United States and France – the filmmaker starts with Haitian Corner a long lis
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6

Šabotić, Sead. "Documentary fiction: A comparative analysis of directorial approaches in Želimir Žilnik's 'Brooklyn-Gusinje' and Abbas Kiarostami's 'Close-Up'." Zbornik Akademije umetnosti, no. 12 (2024): 193–207. http://dx.doi.org/10.5937/zbaku2412193s.

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This paper conducts a comparative analysis of two films by internationally renowned directors made within just a few years of each other - Brooklyn-Gusinje by Serbian filmmaker Želimir Žilnik and Close-Up by Iranian director Abbas Kiarostami. Despite originating from different continents and cultures, these two films share a series of nearly identical directorial approaches, presenting stories where authentic documentary footage resembles fictional form, while the fictional elements in both films appear as documentary records. By analyzing both films, this paper will examine the fundamental pr
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7

Mukhamed Abdo, Dina. "Modern Egyptian and Russian women’s fiction and its features: M. at-Tahawi’s «Brooklyn Heights» and L. Ulitskaya’s «Sonechka» case study." Herald of Dagestan State University 33, no. 1 (2018): 52–61. http://dx.doi.org/10.21779/2542-0313-2018-33-1-52-61.

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8

Thomas, Julia Adeney, Prasannan Parthasarathi, Rob Linrothe, Fa-ti Fan, Kenneth Pomeranz, and Amitav Ghosh. "JAS Round Table on Amitav Ghosh,The Great Derangement: Climate Change and the Unthinkable." Journal of Asian Studies 75, no. 4 (2016): 929–55. http://dx.doi.org/10.1017/s0021911816001121.

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Amitav Ghosh, perhaps Asia's most prominent living author, moves among many genres and across vast territories. His fiction—The Circle of Reason(1986),The Shadow Lines(1988),The Glass Place(2000),The Hungry Tide(2004), andThe Ibistrilogy—takes us from Calcutta where he was born in 1956 to the Arabian Sea, Paris, London, and back again to the Indian Ocean, the Bay of Bengal, and beyond. His nonfiction—In an Antique Land(1992),Dancing in Cambodia and at Large in Burma(1998), andCountdown(1999)—rests on a PhD in social anthropology from Oxford. He went to Alexandria, Egypt, for his dissertation r
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9

Thiel, Tamiko. "Gardens of the Anthropocene // Jardines del Antropoceno." Ecozon@: European Journal of Literature, Culture and Environment 8, no. 2 (2017): 193–97. http://dx.doi.org/10.37536/ecozona.2017.8.2.1890.

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Augmented Reality Installation in public space by Tamiko Thiel, 2016 – 2017: http://tamikothiel.com/gota/. Originally commissioned for the Seattle Art Museum Olympic Sculpture Park in summer 2016. The augmented reality (AR) installation Gardens of the Anthropocene posits a science fiction future in which native aquatic and terrestrial plants have mutated to cope with the increasing unpredictable and erratic climate swings. The plants in the installation are all derived from actual native plants in and around the Olympic Sculpture Park that are tolerant respectively to drought on land or to war
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10

Carregal-Romero, José. ""It was important not to Ask"." Journal of English Studies, December 20, 2024. https://doi.org/10.18172/jes.6363.

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Drawing on various theories and approaches, from its application to fiction to its socio-cultural dimensions and presence within communication, this study considers Colm Tóibín’s use of silence as a key narrative element and aesthetic practice in Long Island (2024), inviting some comparisons with its prequel, Brooklyn (2009). As shall be explained, silence operates on different levels in Long Island. Thanks to Tóibín’s tightly controlled release of information, silence becomes crucial to plot development and suspense, and vividly recreates the tensions between concealment and revelation. Silen
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11

"Notes on Contributors." Philosophy 73, no. 1 (1998): 3. http://dx.doi.org/10.1017/s0031819197000120.

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Ruth Anna PutnamProfessor of Philosophy at Wellesley College, Editor of The Cambridge Companion to William James (Cambridge University Press, 1977), and author of articles on James and ethical theory.Richard GaskinHis main areas of research are metaphysics, philosophy of language, and aesthetics. He has published on the nature of predication and reference, the problem of future contingency, the scope of divine power and knowledge, fiction and truth, and Wittgenstein.Iddo LandauLecturer in Philosophy at the University of Israel. His article ‘What's Old in Derrida?‘ was published in Philosophy i
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12

Koplowitz-Breier, Anat, and David J. Zucker. "Fictional Rabbi-Sleuths." Journal of Religion and Popular Culture, 2025, 1–20. https://doi.org/10.1525/jrpc.2025.aa107.

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Although American sleuth fiction became popular in the late nineteenth century, the first clerical fictional protagonist appeared in 1910 with G. K. Chesterton’s Father Brown series. More than five decades later, in the mid-1960s, a rabbi-sleuth protagonist debuted in Harry Kemelman’s weekday Rabbi Small series (Friday the Rabbi Slept Late, Saturday the Rabbi Went Hungry, etc.). Following in Kemelman’s footsteps, several authors claim to have been influenced by his works. Rabbi-sleuths, male and female, are found across the denominational spectrum in Judaism: Orthodox, Conservative, Reconstruc
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13

Feisst, Debbie. "Lovely, Dark and Deep by A. McNamara." Deakin Review of Children's Literature 2, no. 4 (2013). http://dx.doi.org/10.20361/g2801h.

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McNamara, Amy. Lovely, Dark and Deep. New York: Simon & Schuster Books for Young Readers, 2012. Print. Lovely, Dark and Deep is Brooklyn-based poet and photographer Amy McNamara’s debut novel. The title, well-chosen and from the last stanza of Robert Frost’s poem Stopping by Woods on a Snowy Evening – The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. captures the main character’s mindset perfectly as she distances herself, both physically and emotionally, from her friends and family after a tragic car accident.
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14

Maher, Laura-Jane. "You Got Spirit, Kid: Transmedial Life-Writing across Time and Space." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1365.

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In November 2015 the progressive rock band, Coheed and Cambria, released their latest album and art-book, both titled The Color before the Sun (Color) (2015). This album deviates from their previous six releases by explicitly using a biographical frame for the art-book, the album, and their paratexts. This is a divergence from the band’s concept album approach, a transmedia storyworld, The Amory Wars (TAW) (2002-17), which fictionalised the life experiences of Claudio Sanchez, the band’s lead singer. When scholars discuss transmedia they often refer to fantastic and speculative fictions, such
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15

De Vos, Gail. "Awards, Announcements, and News." Deakin Review of Children's Literature 4, no. 2 (2014). http://dx.doi.org/10.20361/g2559b.

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Amy’s Marathon of Reading continues westward. Her Marathon of Hope project was mentioned in this column before but as it continues to gather momentum and as it relevant to the topic of this special issue, I thought it pertinent to mention it again. From her website: “ Inspired by Terry Fox’s and Rick Hansen’s Canadian journeys, Amy Mathers decided to honour her passion for reading and Canadian teen literature while working around her physical limitations through a Marathon of Books. Realising that Terry Fox could run a kilometre in six minutes during his Marathon of Hope, she figured out that
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16

Altiok, Revna. "Unveiling Ken." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3067.

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Introduction "Barbie has a great day every day, but Ken only has a great day if Barbie looks at him", states the narrator in Barbie (2023). Directed by Greta Gerwig, the film not only claimed the title of the highest-grossing film of the year but also prompted its audience to reconsider a character they had previously mostly overlooked; another one of Barbie’s many accessories: Ken. Ken's identity as Barbie's companion is fundamentally dependent upon the presence and recognition of his more prominent female counterpart. This highlights Ken's secondary role, where he serves as a supporting figu
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