Academic literature on the topic 'Brother Beyond (Group)'

This study sought to identify the predictive power of social influences on smoking behavior among Asian American adults. A cross-sectional self-report survey method and stratified-cluster proportional sampling technique was used. The survey was conducted at the 26 randomly selected Asian American community organization locations in the Delaware Valley region. A sample of 1374 was recruited from 26 selected organizations and 1174 completed the survey with an average response rate of 83%. Social influences were measured by examining the predictive power of parental, other important family members’ and friends’ tobacco use prevalence on smoking behavior, and the perception of the number of people who smoke in the U.S. A Chi-Square test and logistic regression models were used to analyze the data. Current smoking father/brother, number of smoking friends, and gender were positively associated with current tobacco use. Asians who had an ever and current smoking father/brother and those who had current smoking friends were more likely to be current smokers. The youngest age group were more likely to be influenced by an ever and current smoking father/brother, by having close friends who smoke, and perceived the highest amount of peer pressure. The smoking rate was highest among the 22-45 age group. Successful smoking prevention and cessation programs designed for Asian Americans must take into consideration male parental tobacco use because it represents the primary source of learned behavior and this influence continues beyond adolescence

This study sought to identify the predictive power of social influences on smoking behavior among Asian American adults. A cross-sectional self-report survey method and stratified-cluster proportional sampling technique was used. The survey was conducted at the 26 randomly selected Asian American community organization locations in the Delaware Valley region. A sample of 1374 was recruited from 26 selected organizations and 1174 completed the survey with an average response rate of 83%. Social influences were measured by examining the predictive power of parental, other important family members’ and friends’ tobacco use prevalence on smoking behavior, and the perception of the number of people who smoke in the U.S. A Chi-Square test and logistic regression models were used to analyze the data. Current smoking father/brother, number of smoking friends, and gender were positively associated with current tobacco use. Asians who had an ever and current smoking father/brother and those who had current smoking friends were more likely to be current smokers. The youngest age group were more likely to be influenced by an ever and current smoking father/brother, by having close friends who smoke, and perceived the highest amount of peer pressure. The smoking rate was highest among the 22-45 age group. Successful smoking prevention and cessation programs designed for Asian Americans must take into consideration male parental tobacco use because it represents the primary source of learned behavior and this influence continues beyond adolescence

“Socialism,” Régis Debray has written, “was born with a printers’ docket around its neck. . . . Book, school, newspaper: for the party militant, the greatest emphasis lay on the third.” This essay addresses the imagination of an underground press in the Turkish communist Nâzım Hikmet’s autobiographical novel Life’s Good, Brother, published posthumously in 1964. Taking into consideration Nâzım’s recently published correspondence and reports in the Turkish Communist Party (TKP) archive, it aims to move beyond the perfunctory, generalizing study of the relation between Nâzım’s literary aesthetics and revolutionary activism, suggesting that V. I. Lenin (more than Vladimir Mayakovksy) was a key influence on his literary writings. I argue that this novel, about the failure of a group of Turkish communists to establish an effective underground press, should be read alongside a report titled “Newspaper: A Collective Organizer,” which Nâzım submitted to the TKP in 1925. If Nâzım closely followed Lenin’s 1901 pamphlet “Where to Begin” and 1902 booklet What Is to Be Done? in his youthful writings, I suggest that in Life’s Good, Brother, he broke with Lenin and with his own earlier formulations. The novel’s imagination of a nonteleological revolutionary temporality and of a discontinuous, transnational communist writing may be understood as anticipating and interrupting the “postcommunism” of our own time.

Despite the prevalence of studies showing increased stress among mothers of individuals with autism spectrum disorders, few studies have examined general stress among typically developing siblings. This study used an online survey to compare the levels of self-reported stress between adolescent siblings of individuals with autism spectrum disorder and Down syndrome. Sibling of individuals with autism reported significantly more overall stress than did siblings of individuals with Down syndrome, as well as more stress specifically attributed to the brother/sister with autism. The two groups did not differ on perceived social support from family and friends. In linear regression models, the disability group (autism vs Down syndrome) was significantly related to sibling stress above and beyond target child behavior problems, perceived social support, and demographic factors. These results help shed light on the daily experiences of adolescent siblings of individuals with autism and call for more research into potential interventions to address increased stress levels.

Information is provided for 38 genus-group names in Mutillidae, of which 13 have been proposed as new since 2008. For 14 names, additional information is provided beyond that given in Lelej & Brothers (2008), including a new synonymy (Cameronilla Lelej in Lelej & Krombein, 2001 = Spilomutilla Ashmead, 1903). One additional nomen nudum and ten additional incorrect spellings discovered since 2008 are also included. Corrections to the dating and/or numbering of references and addition of references found to have been omitted in the earlier paper are also provided.

That murmur, soon replies, “God doth not need Either man’s work or his own gifts; who best Bear his mild yoke, they serve him best. His state Is Kingly. Thousands at his bidding speed And post o’er Land and Ocean without rest: They also serve who only stand and wait.”1 1John Milton, Sonnet 19 The COVID-19 Pandemic has brought out most of the best (and some of the worst) in us. Much has been said, shared, even sung about health care workers as frontline heroes. Whether we indeed form the frontline, or man the last line of defense, due credit is being given to all “front-liners” – essential-service workers, drivers and delivery personnel, security guards, the military and police who literally serve in the trenches of this invisible war. Indeed, it is heartening to read the inspiring messages, hear the encouraging words, listen to the uplifting (sometimes funny) music and songs, witness the moving memes and cartoons, watch the refreshing dances and tributes, and receive the healing blessings and prayers on various media and social media platforms. Indeed, we are motivated to continue to work, so that others may safely stay home. Some of us have even been called upon to die, so that others may live. But so much less is and has been said about those who make our battle possible, who selflessly and silently took it upon themselves to clothe us with personal protective equipment, feed us, transport us, and even shelter us as we engage the unseen enemy. It is these heroes I wish to thank today. I certainly cannot thank them all, but I sincerely hope that those I do mention will represent the many others I cannot. Early on, my brother Elmer Lapeña and his Team Twilight group of “golfing enthusiasts and friends” (“company owners, executives, managers, engineers, technicians, entrepreneurs, and expats in the electronics, semiconductor, metalworking, automotive, aerospace, and packaging manufacturing industries”) responded to the call for better protection for frontliners with door-to-door deliveries of Personal Protective Equipment (PPE) to over 40 hospitals in the National Capitol Region, Rizal, Cavite, Laguna and Batangas including the Philippine General Hospital (PGH).2 On a personal note, Elmer and my sister-in-law Annette were closely monitoring our situation, going out of their way to obtain difficult-to-find PPEs for my wife Josie and myself, and our respective Departments of Family and Community Medicine (DFCM) and Otorhinolaryngology (ORL) at the PGH. For her part, our very dear friend Gigi Bautista Rapadas organized Project #HelpCovid19Warriors(HCW), to “go where the virus goes” and “help where help is needed and requested,” harnessing donations from ‘family, friends, and friends of friends” to procure PPE (as well as disinfectants, even canned goods) that were distributed “from Metro Manila to the provinces: Tuguegarao, Bataan, Bulacan, La Union, Nueva Vizcaya, Cavite,” moving from hospitals and health centers to correctional institutes.3 It is because of them that our PGH Department of ORL obtained very expensive but essential respirator hoods for added protection from aerosolized virus when conducting airway procedures, in addition to head-to-foot PPEs for use of the PGH DFCM in attending to PGH staff at the UP Health Service. Meanwhile, without fanfare, our dear friends Popot and Agnes (also my DLSU ’79 classmate) Lorenzana provided cooked meals for 1,000 persons daily. Working with on-the-ground social workers and with the 2KK Tulong sa Kapwa Kapatid Foundation, their Feeding Program “A thousand meals for poor communities” reached Payatas, Talayan, Pinyahan, Smokey Mountain, Maisan, Bagong Silang, Old Balara, Tatalon, Sta. Teresita, Sampaloc, and Sta. Ana, among more than 50 other communities. They generously responded to my wife’s request to provide meals for her community patients of the Canossa Health Center in Tondo. They have also provided meals for hospital staff of Amang Rodriguez Memorial Medical Center, the Medical City Hospital, Veterans Memorial Medical Center, Dr. Jose Fabella Memorial Hospital, Dr. Jose Rodriquez Memorial Hospital, Quezon City General Hospital, the San Lazaro Hospital, Valenzuela City Emergency and Lung Center of the Philippines. They continue this service which to date has provided for more than 32,000 meals, with corporate partners and private individuals joining the effort.4 Other De La Salle University (DLSU) College ‘79 batchmates who wish to remain anonymous obtained board approval of their endorsement to channel all the social development funds of their Maritime Multipurpose Cooperative for the next 3 years to the Philippine General Hospital. Adding their personal funds (and those solicited by their daughter and nephew), they took on the daunting task of sourcing and proving Powered Air Purifying Respirators (PAPRs) for our use. Another DLSU batchmate has been providing PPEs to various hospitals including PGH through their family corporation, Nobleland Ventures, Inc. Even their high school batch ’75 of Saint Jude Catholic School has donated boxes and boxes of PPEs to the PGH and other hospitals. Other DLSU ’79 classmates Bel and Bong Consing, and Timmy, Joy (and Tita Linda) Bautista have personally donated PPEs and funds for our COVID-19 operations, while classmate Fritz de Lange even sent over sweet mangoes for us to enjoy with our fellow frontliners. Generous donations also poured in from La Salle Green Hills (LSGH) High School ’76 friends Cris Ibarra, Norman Uy, Class 4E, and batchmates Tito and Pepper who wish to remain anonymous, as well as Menchit Borbon and her St. Theresa’s College Quezon City (STCQC) - Section 1 classmates. We even received overseas support from my LSGH 4B classmate Bingo Pantaleon from Yangon; my mom Libby, brother Bernie and Lilli, and friend Soyanto from Singapore, and sister Sabine from Germany. And how can we forget the regular frozen food deliveries of Jollibee chicken drumsticks and home-made Bulgogi and Tapa from our dear friends Ed and Aning Go? Perhaps the most touching gifts of all came from my eldest and youngest daughters Melay and Jica, who lovingly prepared and delivered much-appreciated meals to us, and middle child Ro-an, who with our son-in-law Reycay serenaded us with beautiful music that was appreciated by no less than Vice President Leni Robredo and featured by the Philippine Philharmonic Orchestra.5 Their musical fund-raising campaign started with another haunting piece featuring my sister Nina and brother-in-law Kiko.6 As if that was not enough, Ro-an bakes cookies to raise funds for our ongoing COVID-19 operations at PGH, while Melay and Jica keep asking us what we want to eat next. These three count among those who have least, yet “put in everything ” from what little they have.7 These are but a few examples of those known personally to me- my family and friends. And there are many more. In the same way, every other doctor and front liner will have their own stories to tell, of friends, family even mere acquaintances who have come out of the shadows to help, to care, to share in whatever way they can, in fighting this battle with us. Let this be their tribute as well. Those of us who serve in the Philippine General Hospital have been called People Giving Hope.8,9 I believe that we do give hope because others give us hope in turn. I like to think that the inscription in the PGH lobby “They Also Serve Who Care and Share” honors these others in a special way who go over and beyond the call of duty. With apologies to John Milton, our heroes go way over and beyond “they also serve who only stand and wait.”

Our current and very urgent goal is to transform Medieval Studies into Global Medieval Studies, a thorny, challenging, maybe also daunting task, but one that we cannot turn away if we want to progress in our field. In fact, it does not matter whether we want to go that route or not; if we want to understand the Middle Ages both holistically and in specifics, we must simply accept that many people (merchants, soldiers, diplomats, artists, craftsmen, preachers, rulers, scholars, etc.) traveled not only throughout Europe, but also far beyond those limits, and encountered in that way countless other people who arrived from other directions. One most promising area of investigation that has already been long recognized is the group of merchants traveling to the Mongol court, prime among them Marco Polo. But he, his brothers, and numerous other individuals were, after all, only exceptions, and the Chinese, for instance, did not demonstrate any real interest in the West, apart from the Arabic world. However, if we turn to the Black Sea, an entirely different situation emerges that proves to be highly promising for future research.

AbstractA lost painting by Jan van Scorel (1495-1562), Hercules besieged by the Pygmies, is reconstructed with the aid of epigrams by the brothers Nicolaus Grudius Nicolai ( 1504-70) and Hadrianus Marius Nicolai (1509-68) (see Note 1 and Appendix B) . The epigrams themselves are based on an Icon by the 2nd-century Greek writer Philostratus (see Appendix A). Van Scorel's painting gives a full representation of Philostratus' Icon, as does a painting by Frans Floris (1519/2O-70), now known from an engraving in reverse of 1563 by Cornelis Cort (Note 2). The famous member of the Nicolai family is a third brother, the Latin poet Janus Secundus (1511-36), but Grudius and Marius were good poets too. Van Scorel will have painted the Hercules picture for the collection of Grudius himself, who was a man of wealth and standing until 1554. After that he became involved in the financial scandal attendant on the reclamation of De Zijpe near Schoorl initiated by his friend, and was forced to flee in 1561, dying in penury in Venice in 1570 (Note 3). Van Scorel also painted two portraits of Secundus (Note 4), while Marius wrote epigrams on two pictures by Van Scorel. All these paintings are now lost (Note 5). Philostratus' descriptions convey much more than can ever been seen in a picture. Such descriptions were common in Antiquity (Note 7). In Grudius' epigram the actual description starts half way through the poem: Hercules was shown asleep on a green sward, while the dead Antaeus lay on yellow sand. Sleep is fanning the hero with his dark blue wings, his nebulous body veiled by a black robe. The Pygmies, of youthful appearance and in countless numbers, took advantage of Hercules' sleep to overcome him. Some tried to roll away his club, a scene shown in the foreground. Since Hercules will have had his club in his right hand, he must have lain with his head to the left and Antaeus with his to the right, i.e. the picture will have had the same composition as that by Floris (Fig. 5). It seems, then, that Grudius provided the scholarly initiative behind Van Scorel's painting, while Floris drew his inspiration either from the epigram or from the picture. Grudius knew Floris and wrote an epigram on a painting by him too (Note 8). Philostratus describes the Pygmies' attack as a well organized siege, but Van Scorel's painting showed, according to Grudius and Marius, an attack by unthinking, cowardly youth with no king to lead them; the Pygmies are as nervous as when the cranes, the 'birds of Palamedes', attack their country and destroy their harvest. The moral turns on Hercules' situation and is a warning never to rest on one's laurels. The combination of illustration with moralistic epigram derives from the emblem Hercules besieged by Pygmies by Alciati. His moral is directed to the Pygmies, 'who venture on something beyond their powers'. It could be more specifically related to the poor who rise against the powerful, or to fools who try to defame the reputation of the learned (Note 11). In the 1534 woodcut (Fig. 1), in which Hercules figures twice, he appears to let the Pygmies have their way. This momentarily good-natured aspect was imitated by Dosso and Battista Dossi in a painting made in about 1540 during the reign of Ercole 11 of Ferrara (Fig. 2, Note 12). Hercules exhibits the features of Ercole as the clement ruler, while the Pygmies, in contemporary costume, behave like harmless fools. Alciati taught in Ferrara from 1542 to 1546 and it will have been these Pygmies that inspired him to have depicted them as lansquenets in the new edition of his Emblemata published in Lyon in 1548 (Fig. 3, Note 13). In 1552 Lucas Cranach the Younger made two paintings on the subject on the basis of this woodcut (Note 14). Floris and Van Scorel were the only artists to follow Philostratus fully by including Antaeus and Sleep. Like Floris, Van Scorel will presumably have shown the Pygmies as small naked men rather than as misshapen dwarves. Some influence from Alciati's emblems can be detected: both painters show the rolling away of the club, an incident which can be detected in the 1534 woodcut, while Floris' painting has the tree in common with that of 1548. Grudius' poem shows the Pygmies in the usual unfavourable light, but his Hercules too falls prey to a moment of weakness. Grudius compares Hercules in this respect with Polyphemus. Such a comparison is also drawn in the emblem on Polyphemus in Sambucus' Emblemata, published in Antwerp in 1564 (Fig. 4, Note 15), where the text reveals that Hercules and Polyphemus stand for the good and the bad ruler. Grudius' comparison makes it clear how seriously Hercules' lapse must be taken. In Van Scorels case we have the meaning, but not the picture, in that of Floris, we know the painting, but not yet the detailed meaning. The engraving (Fig. 5) shows the beginning and end of the story as well as the main episode. Sleep here reveals himself by his bat wings and the strange snake growing out of one of them, cf. Floris' Battle against the Rebel Angels for a similar motif (Note 16). He is the Devil in disguise. Hercules lies in the seductive pose of Ariadne, or rather of Endymion visited by Sleep, as seen on a Roman sarcophagus (Fig. 6), which Floris could have studied while in Rome (Note 17). The tree under which Hercules lies has bare branches, while the part above his head looks like the head of an adder, symbols of his sinister situation. Antaeus lies with his arm on a root near a hollow tree from which a new shoot is sprouting, for Hercules has not conquered e v ilf or ever. Floris' Pygmies are naked, but they are not all youthful, like Van Scorel's. Nor are they all rash and unthinking. Admittedly one group swarming out of caves at bottom right and centre are foolishly trying to roll away the club with their bare hands and one is about to throw a stone, but the king leading out his orderly army appears to come from a well-run country, while gesticulating Pygmy philosophers have wisely decided that it is better not to fight the hero at all.

The Lower Oxford Clay, a marine formation of Middle Jurassic (Callovian) age exposed in central and southern England, merits the attention of paleontologists and geochemists for several reasons. It was the subject of a classic of biostratigraphic and evolutionary paleontology by Brinkmann on the ammonites; sexual dimorphism and bioprovinciality in the same group has since been intensively studied by Callomon and others. Its exploitation by the brick industry has enabled the assembly of one of the most extensive collections of marine vertebrates by the Leeds brothers and later workers; these include the world's largest ever fish, and superbly preserved ichthyosaurs, plesiosaurs and crocodiles now dispersed to museums throughout Europe and beyond. Dinosaurs, while rare, are also diverse. The benthic fauna is dominated by abundant but not diverse molluscs, believed tolerant of soupy bottom conditions and periodic dysoxia. Coccoliths and dinoflagellates represent the phytoplankton. Aragonite, calcite and phosphate biominerals are excellently preserved. In our main study area burial did not exceed 500m.; organic matter is immature. Early diagenesis resulted in the formation of carbonate concretions that preserve original sediment fabrics elsewhere destroyed by compaction; later diagenesis brought about further mineralogical changes.Work since the 1970's has resulted in much improved understanding of the Lower Oxford Clay biota and its trophic relationships. It is useful to compare it to the more calcareous Middle and Upper Oxford Clay. The biostratigraphy is extremely well-known. The well-preserved fossils invite microstructural and geochemical studies. Economic concerns add impetus to the study of actual or potential hydrocarbon source rocks. Yet the Lower Oxford Clay is full of enigmas and questions still. It looks quiet-water but has many diastems, not all recognizable by classic criteria like shell beds. The fossil preservation might imply a high sediment delivery rate, but the sediment accumulation rate is low. It is organic-rich, but not anoxic. Where did the enigmatic ‘pendent’ bivalves live? Whence the nutrients to support the rich biota? To what extent do organic compounds survive from the primary producers, or does heterotrophic reworking dominate? Can we refine or quantify trophic relationships? We should also be able to use our ‘laboratory’ for experiments of wider significance for paleotemperatures or paleo-CO2 levels.In the Oxford Clay group of papers we attempt to summarize where traditional paleoecological analysis has led us to so far, and to show how the new approaches made possible by advances in isotopic and biomolecular paleontology can revise and refine our ideas, solve old problems and, no doubt, raise new ones. We believe our collaborative approach has much to offer for paleontologists and geochemists, as also exemplified by the other contributions to the symposium.

Haitian carnival offers a lens into popular power and politics. Political demonstrations in Haiti often manifest as musical performances. Studying carnival and political protest side by side brings insight to the musical engagement that ordinary citizens and celebrity musicians often cultivate and revere in contemporary Haiti. This book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation’s highest office while methodically crafting a political product inherently entangled with his musical product. It provides deep historical perspective on the characteristics of carnivalesque verbal play—and the performative skill set of the artist (Sweet Micky) who dominated carnival for more than a decade—including vulgarities and polemics. It moreover demonstrates that the practice of leveraging the carnivalesque for expedient political function has precedence in Haiti’s history. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public’s discussions of what civic participation and citizenship in Haiti can and should be. Author Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm.

Chapter 7 examines the theoretical sources of current Chinese policies on minority rights. It traces a complex combination of various intellectual inheritances, combining echoes of Confucian ideas of paternalistic guardianship over “backward groups” or "younger brothers" with echoes of Marxist/Leninist ideas of ethnic autonomy, mixed with further echoes of liberal ideas of minority rights and affirmative action policies for minority groups.

This chapter examines the intersection of the domestic and international developments that shaped the creation of black-led movements that looked beyond the borders of the United States for support and legitimacy in the 1960s. By the mid-1960s, the notion that black Americans should seek solidarity with the Third World rather than looking to Washington for help had attracted advocates ranging from Williams to Malcolm X, Lorraine Hansberry, Amiri Baraka, Vicki Garvin, Harold Cruse, and groups such as the Revolutionary Action Movement (RAM). The successes—and failures—of these pioneering figures helped pave the way for a new generation of activists, including key figures in the birth and development of the Black Panther Party.

Corporate-backed philanthropic groups have become increasingly involved in political processes in the past ten years. The Koch Brothers’ and their political advocacy groups, have become particularly prominent players. Their influence extends beyond high-profile state-level elections and increasingly have begun investing in municipal affairs of small cities and towns, such as school board elections like Kenosha, Wisconsin and Jefferson County, Colorado in the US. This chapter asks, why do groups like Americans for Prosperity care about small-town school board elections? This chapter highlights two particularly significant local examples in the United States: school board elections in Kenosha, Wisconsin, in 2014 and Jefferson County, Colorado in 2015. Through documentary analysis of school board records, news reports, and district evaluations, in both Wisconsin and Colorado, we chronicle the political contest for control of each school board. Our findings illustrate the ideological and political project of corporate, conservative influence in public education in the United States.

In 1916, a group of ambitious artists set out to dismantle traditional art and its accompanied bourgeois culture. Living in Zurich, these artists—among them the Romanians Marcel Janco and Tristan Tzara, and the Germans Emmy Hennings and Hugo Ball—formulated the new Dada movement that would awaken new artistic and literary forms through a fusion of sound, theater, and abstract art. With absurd performances at Cabaret Voltaire, they mocked rationality, morality, and beauty. Within the Dada movement in Zurich, I would like to focus on the artists whose Romanian and Jewish heritage played a central role in Cabaret Voltaire and other Dada related events. Art historical scholarship on Dada minimized this heritage in order to situate Dada within the Western avant-garde canon. However, I argue that the five young Romanians who were present on the first night of Cabaret Voltaire on February 5, 1916 brought with them from their home country certain Jewish and Romanian folk traditions, which helped form Dada’s acclaimed reputation. The five Romanians—Tristan Tzara, Marcel Janco and his brothers Georges Janco and Jules Janco, and Arthur Segal—moved to Zurich either to escape military conscription or to continue their college studies. By the start of the twentieth-century, Romania’s intellectual scene was already a transcultural venture, with writers and artists studying and exhibiting in countries like France and Germany. Yet, Zurich’s international climate of émigrés from all over Europe allowed the young Romanians to fully expand beyond nationalistic confines and collaborate together with other exiled intellectuals. Tom Sandqvist’s book Dada East from 2007 is the most recent and most comprehensive study of the Romanian aspect of Dada. Sandqvist traces Janco’s and Tzara’s prolific, pre-Dada time in Bucharest, along with the folk and Jewish sources that Sandqvist claims influenced their Dada performances. For instance, Tzara’s simultaneous poems, which he performed at Cabaret Voltaire, may derive from nineteenth century Jewish theater in Romania and from Hasidic song rituals. Moreover, the Dada performances with grotesque masks created by Janco relate to the colinde festival in Romania’s peasant folk culture. In my paper, I aim to analyze Sandqvist’s claim and answer the following questions: to what extent did Janco and Tzara incorporate the colinde festival and Jewish theater and ritual? Was their Jewish identity more important to them than their Romanian identity? And, lastly, how did they carry Dada back to Romania after the war ended and the Dadaists in Zurich moved on to other cities?