Relevant bibliographies by topics / Brother Grimm

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Brother Grimm'

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Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Brother Grimm"

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Wenno, Eldaa Crystle, Henderika Serpara, and Samuel Jusuf Litualy. "ACTANTIAL SCHEMA AND FUNCTIONAL STRUCTURE OF THE FAIRY TALE "DIE GÄNSEMAGD" (THE GOOSE GIRL) OF THE BROTHERS GRIMM FAIRY TALE COLLECTION (ANALYSIS OF A. J. GREIMAS THEORY)." JURNAL TAHURI 18, no. 1 (February 5, 2021): 1–12. http://dx.doi.org/10.30598/tahurivol18issue1page1-12.

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This study aims to describe the actantial schema and functional structure of the German fairy tale "Die Gänsemagd". The method used in this research is a qualitative descriptive method. This method is used to determine the structure of actantial and functional models in the German fairy tale "Die Gänsemagd (The Goose Girl)" based on A. J. Greimas's theory. The data source in this study is a collection of German fairy tales by Brother Grimm (Deutsche Märchen von den Brüdern Grimm, Hauff, Beschstein und anderen) published by Artia Verlag, Prague in 1986. This study's data covered the unit of fairy tales that materialize in paragraphs, dialogues, and narratives of characters that show various conflicts following the research's objectives. The data were collected using documentation study techniques. Data analysis started by identifying the story's actantial and functional structure by reading the entire story content. After that, the actantial structure is determined by analyzing the characters' actions in the story to find their roles. The actantial structures that are determined are subject, object, opponent, assistant, and receiver. The analysis is continued by compiling a functional model by analyzing the story movement, which is divided into three parts; initial situation, transformation, and final situation. Based on the results of Greimas' narrative analysis of the German fairy tale "Die Gänsemagd," it can be concluded that there are two actantial schemas whose characters have several functions and roles in each schema. The first actantial schema consists of a subject, object, sender, receiver, assistant, with no opponent. Meanwhile, the second actantial schema consists of all the actants, namely, subject, object, sender, receiver, assistant, and opponent. The functional structure found in the story is the initial situation, the transformation (proficiency test stage, the main stage, and the glorious stage), and the final situation.
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Kalkaeva, Anna. "LITTLE MEN IN FAIRY TALES FROM THE BROTHERS GRIMM COLLECTION «KINDERUND HAUSMäRCHEN»: ATTRIBUTES AND FUNCTIONS." Herald of Culturology, no. 3 (2020): 119–38. http://dx.doi.org/10.31249/hoc/2020.03.08.

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The article is devoted to functions and attributes of little people which appear in plots of «Children's and Household Tales» by the brothers Grimm. The author compares tales from Grimms’ collection with texts from collections of demonology folklore, collected by German re-searchers of XX century.
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Kalkaeva, Anna. "Witches in fairy tales from the brothers Grimm collection «Kinderund Hausmärchen»: attributes and functions." Herald of Culturology, no. 2 (2021): 32–51. http://dx.doi.org/10.31249/hoc/2021.02.02.

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The article is devoted to functions and attributes of witches appearing in fairytale plots of «fairytales» from «Children's and Household Tales» by Jacob and Wilhelm Grimm. Author compares tales from Grimms’ collection with texts from collections of German demonology folklore, made by researchers of XX century.
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Dollerup, Cay. "The Grimm Tales in 19th Century Denmark1." Target. International Journal of Translation Studies 5, no. 2 (January 1, 1993): 191–214. http://dx.doi.org/10.1075/target.5.2.05dol.

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Abstract In most countries, the Tales of the brothers Grimm become known by degrees, beginning with one or two stories or a small selection. The situation in Denmark is not typical for a variety of reasons: the Grimms had close personal contacts with prominent Danes. Culturally their Tales belonged to a distant pangermanic tradition common to Danes and Germans. Therefore the first volume of tales (1812) was soon translated into Danish. The initial high esteem is felt to this day as a strong tradition of 'respectable and faithful translations'. Yet changes in market forces and reading audiences have created two more strata in the translational heritage of the Grimm Tales in Danish. The Grimm tradition has also responded to changes in Danish middle-class perception of Germany.
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Zipes, Jack. "The Enchanted Forest of the Brothers Grimm: New Modes of Approaching the Grimms' Fairy Tales." Germanic Review: Literature, Culture, Theory 62, no. 2 (April 1987): 66–74. http://dx.doi.org/10.1080/00168890.1987.9934193.

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Tokofsky, Peter, James M. McGlathery, Larry W. Danielson, Ruth E. Lorbe, Selma K. Richardson, and Jack Zipes. "The Brothers Grimm and Folktale." Western Folklore 50, no. 4 (October 1991): 435. http://dx.doi.org/10.2307/1499679.

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Veeder, Mary Harris, James M. McGlathery, and Ruth B. Bottigheimer. "The Brothers Grimm and Folktale." History of Education Quarterly 29, no. 4 (1989): 641. http://dx.doi.org/10.2307/369071.

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Huff, Steven R., James M. McGlathery, Larry W. Danielson, Ruth E. Lorbe, and Selma K. Richardson. "The Brothers Grimm and Folktale." German Studies Review 13, no. 2 (May 1990): 326. http://dx.doi.org/10.2307/1430725.

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Stein, Mary Beth, James M. McGlathery, Larry Danielson, Ruth E. Lorbe, and Selma K. Richardson. "The Brothers Grimm and Folktale." Journal of American Folklore 103, no. 408 (April 1990): 227. http://dx.doi.org/10.2307/541864.

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Panttaja, Elisabeth, James M. McGlathery, Larry Danielson, Ruth E. Lorbe, and Selma K. Richardson. "The Brothers Grimm and Folktale." Journal of American Folklore 106, no. 422 (1993): 489. http://dx.doi.org/10.2307/541914.

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Dissertations / Theses on the topic "Brother Grimm"

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Völzke, René. "Das Bedeutungsfeld der Zeit in Volks- und Kunstmärchen : Eine literarische Vergleichsstudie zum Wandel des angewandten Zeitbegriffs am Grimmschen Märchen „Die Sterntaler“ und H.C. Andersens „Das kleine Mädchen mit den Schwefelhölzern“." Thesis, Stockholms universitet, Institutionen för slaviska och baltiska språk, finska, nederländska och tyska, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182706.

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Abstract: Das Bedeutungsfeld der Zeit im literarischen Genre der zur Kurz-Epik hinzugehörenden Volksmärchen und Kunstmärchen wird in dieser literaturwissenschaftlichen Untersuchung in den Mittelpunkt gerückt. Ausgegangen vom aristotelischen Zeitbegriff, der Bewegung und Veränderung als unabdingliche Merkmale der Zeit postuliert, wird nach dem Unterschied des den Märchen der Brüder Grimm und H.C. Andersen jeweils zugrunde liegenden Zeitbegriffs der zeitlich aufeinanderfolgenden Autoren gefragt. Daraus ergibt sich eine durch die close reading Methode gestützte Untersuchung, wie sie die Zeit anhand eines Beispiels aus ihren Werken thematisch, stilistisch und narratologisch organisiert haben. Der strukturalistische Literaturtheorieansatz Gérard Genettes hilft dabei die Komposition aus erzählter Welt und Erzählwelt der Märchen zu begreifen und die Zeitorganisation der vorliegenden Werke nach Ordnung, Dauer und Frequenz zu unterscheiden. Der aus dem erkenntnistheoretischen Ansatz Käte Hamburgers entwickelte Begriff des Epischen Präteritums lenkt das Bewusstsein auch auf  die zugrunde liegenden Rahmenbedingungen der epischen Fiktion in der Dichtkunst und verhelfen die zeitliche Ansprache an die Leser in die Untersuchung mit einzubinden. In der Untersuchung wird auch der Rhythmus als ein Wechselspiel der Zeit entdeckt und ihn als eine ihr dazugehörende Qualität erkannt und miteinbezogen. Als Beispiele wird das Volksmärchen „Die Sterntaler“ und Andersens „Das kleine Mädchen mit den Schwefelhölzern“ nach einem zwischen Form und Inhalt möglich kongruenten Zeitbegriff untersucht. Ein in dieser literarischen Auseinandersetzung entstehendes Begriffsnetz der sich gegenübergestellten Werke unterstützt die Annahme des kulturgeschichtlichen Wandels der Einstellung zur Zeit bei H.C. Andersen gegenüber der der Brüder Grimm und mag zur Diskussion und fortlaufenden Forschung der Literaturgeschichte im Detail beitragen.

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Clack, Maureen. "Returning to the scene of the crime the Brothers Grimm and the yearning for home /." Access electronically, 2006. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20080807.150418/index.html.

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Ratt, Cornelia. "Brothers Grimm and sisters grimmer, the transformation of the Grimms' "Little Red Cap," "Ashputtle" and "Little Snow White" in Tanith Lee's "Bloodmantle," "When the Clock Strikes" and "Red as Blood"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ54742.pdf.

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Almeida, Guilherme Weber Gomes de. "Paganismo cristão: o processo de construção da moralidade dos contos dos irmãos Grimm." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7236.

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Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG
The Brothers Jacob and Wilhelm Grimm made a deep research of the culture and folklore from Germany in the XIX century, which is focused on the popular oral tales. The following work focuses on analyzing the construction process of the moral of the Brothers Grimm tales regarding the relation between pagan symbolism and Christian values. In sum, four Brothers Grimm’s tales were analyzed “Snow White” (“Schbeewittchen”), “The Water of Life” (“Das Wasser des Lebens”) e “Rumpelstiltskin” (“Rumpelstilzchen”) (originally published on Kinderund Hausmärchen, from 1812) e “The Pied Piper of Hamelin” (“Die Kinderzu Hameln”) (from DeustscheSagen, published in 1816). The literary analysis considered several important things such as space, time, characters, narrative structure, themes and conflicts. A deep research was necessary to understand the historical evolution of each tale. The literary analysis was done from the Portuguese translation of Kinder- und Hausmärchen, Contosmaravilhososinfantis e domésticos 1812-1815 (2012), translated by Christine Röhring, published by Cosac Naify. The Pied Piper of Hamelin was analyzed from the version translated by American scholar D. L. Ashliman from 2013, which is available in his personal academic web page. The theory base comes from several important scholars, such as Nelly Novaes Coelho (1998), Jack Zipes (2002), Maria Tatar (2004), Karin Volobuef (2011), D. L. Ashliman (2013), among others.
No século XIX, os irmãos Jacob e Wilhelm Grimm realizaram um amplo mapeamento cultural do folclore alemão com ênfase nos contos de tradição oral popular. O trabalho a seguir tem como objetivo analisar o processo de construção da moral dos contos dos irmãos Grimm, tendo em vista a relação entre o simbolismo pagão e os dogmas cristãos. Foram analisados 4 contos dos irmãos Grimm: “Branca de Neve” (“Schbeewittchen”), “A água da vida” (“Das WasserdesLebens”) e “Rumpelstiltskin” (“Rumpelstilzchen”) (publicados originalmente na coletânea Kinder- und Hausmärchen de 1812) e “O Flautista de Hamelin” (“Die KinderzuHameln”) (que consta na obra DeustscheSagen, publicada em 1816). Os contos foram analisados a partir de alguns pontos considerados como relevantes para a construção da moralidade literária: espaço, tempo, personagens, estrutura da narrativa, temática e conflitos. Foi realizada também uma profunda pesquisa de informações importantes para melhor compreender a evolução histórica de cada peça literária em questão. Os contos serão analisados a partir da primeira edição de Contos maravilhosos infantis e domésticos 1812- 1815 (2012), traduzido por Christine Röhrig, publicado pela editora Cosac Naify. O conto “O Flautista de Hamelin” foi analisado a partir das versões traduzidas pelo pesquisador americano D. L Ashliman de 2013 que constam em sua página acadêmica. A fundamentação teórica foi realizada a partir de importantes pesquisadores literários tais como Nelly Novaes Coelho (1998), Jack Zipes (2002), Maria Tatar (2004), Karin Volobuef (2011), D. L. Ashliman (2013), entre outros.
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Calamote, Catarina Guimas de Almeida. "Irmãos Grimm: Uma abordagem psicanalítica aos contos da infância e do lar." Master's thesis, ISPA - Instituto Universitário, 2012. http://hdl.handle.net/10400.12/2604.

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Dissertação de Mestrado em Psicologia Clínica, apresentada ao ISPA - Instituto Universitário
Pretendeu-se com este estudo analisar o imaginário infantil inerente aos contos de fadas, os pais e mães dos heróis dos contos infantis dos Irmãos Grimm que, apesar de ausentes ou omissos, não deixam de ser figuras relevantes. Colocou-se assim a seguinte questão de partida para a nossa investigação: Será que as figuras biológicas (pais) apesar de ausentes, ou de não terem a possibilidade de acompanharem o crescimento e desenvolvimento dos seus filhos, têm impacto na vida dos mesmos? Outras questões igualmente pertinentes foram colocadas: Estarão de facto omissos os pais biológicos nos contos infantis dos irmãos Grimm? Existirão, a par dos cuidadores biológicos, outras figuras cuidadoras? Qual a qualidade parental destas figuras parentais (biológicas ou não)? Para dar resposta a estas questões, escolhemos analisar os contos da infância e do lar escritos pelos Irmãos Grimm com o propósito de compreendermos a influência da história de vida dos autores por detrás desta obra – Jacob e Wilhelm Grimm. Como tal, os contos analisados serão: Os Doze Irmãos, Irmãozinho e Irmãzinha, Rapúncia (Rapunzel), Os Três Homenzinhos na Floresta, As Três Fiadeiras, Joãozinho e Margarida (Hänsel e Gretel), Gata Borralheira, A Menina Sem Mãos e Branca de Neve. Caracterizaremos o sistema familiar e alargado das personagens principais, com o recurso ao Genograma Familiar e ao Ecomapa, Como procedimento, recorrer-se-á à Análise de Conteúdo para criar categorias temáticas, nomeadamente, Figuras de Vinculação, Competência/Qualidade Parental e Estilo Parental, quer para os pais biológicos, quer para os substitutos parentais.
ABSTRACT: The intention of this study was to analyze a child's imagination inherent in fairy tales, the fathers and mothers of the heroes of fairy tales of the Brothers Grimm that, despite absent or missing, are nonetheless relevant figures. We put the following question to our research: Does the biological figures (parents) although absent, or not being able to monitor the growth and development of their children, have an impact in their lives? Other issues were also raised pertinent: Are indeed missing biological parents in fairy tales of the Brothers Grimm? Are there, along with biological caregivers, other caregivers figures? What is the quality of these parental figures (biological or otherwise)? To answer these questions, we chose to analyze the book “Household Tales” written by the Brothers Grimm in order to understand the influence of the life story of the authors behind this work - Jacob and Wilhelm Grimm. As such, the tales that will be analyzed are: The Twelve Brothers, Little Brother and Little Sister, Rapunzel, The Three Little Men in the Wood, The Three Spinners, Hansel and Gretel, Cinderella, The Girl Without Hands and Little Snow-White. We will characterize the extended family system and the main characters, with the use of Family Genograms and Ecomaps, As a procedure, shall be used the Content Analysis to create thematic categories, namely Figures Attachment, Competency / Quality Parenting and Parenting Style for both biological parents and parental substitutes.
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DeCius, Pamela Painter. "Mirrors, Wolves and Tornadoes-Oh My! An Intertextual Exploration of Guillermo Del Toro's Pan's Labyrinth." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002748.

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Meyer, Berry. "Representations of female sexuality in fairy tale illustrations and text, with specific reference to the Brothers Grimm's The handless maiden." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4124.

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Thesis (MPhil (Visual Arts))--University of Stellenbosch, 2010.
ENGLISH ABSTRACT: This dissertation aims to investigate, from a feminist perspective, representations of female sexuality in fairy tale text and illustrations. I conduct my analysis in the form of a case study of the Brothers Grimm’s The Handless Maiden as it appeared in the 1915 English edition of their Children and Household Tales. My investigation is prompted by the belief that fairy tales play an important role in the social construction of gender relations, a process known as ‘interpellation’ within contemporary feminist discourse. This due to the fact that fairy tales are some of the earliest narratives young children get exposed to and thus help shape their understanding of the world around them and their role as social beings in it. I start my investigation by looking exclusively at fairy tale text – The Handless Maiden by the Brothers Grimm - and how language gets used to construct a specific version of female sexuality; that which is silenced and without agency, thus repressive and problematic from a feminist perspective. Here I firmly situate my argument within a theoretical framework provided by contemporary feminist discourse with reference to the arguments of theorists Judith Butler and Luce Irigaray and their emphasis on the key role of language within processes of ‘interpellation’. I then move on to a discussion of fairy tale illustrations and the important role thereof to underscore, by making visible, the particular version of female sexuality implicit in the accompanying text. The next part of my investigation focuses on images of women in the photo-collages of the early 20th century German artist Hannah Höch. I posit these as exemplary of imagery with the potential to destabilize patriarchal notions of female sexuality. By means of this investigation I hope to provide a discursive framework in which to situate my own set of illustrations of the Grimm’s Handless Maiden, which I completed as part of the practical component of my submission for the current degree. The final part of my discussion focuses on my own illustrations of the Grimm’s Handless Maiden and here I will argue for my illustrations as a means to, not only destabilize notions of female sexuality implicit in the accompanying fairy tale text, but also a means to suggest other, alternative, readings of the nature of the female sexual subject position implicit in the text.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die feministiese tentoonstelling van vroulike seksualiteit in sprokies se illustrasie en teks. My ondersoek analiseer die Broers Grimm se The Handless Maiden soos dit verskyn het in die 1915 Engelse uitgawegenaamd, Children and Household Tales. Hierdie ondersoek word gelei deur die aan-name dat sprokies‘n belangrike rol speel in die sosiale konstruksie van geslag verwantskappe, ‘n proses bekend as “interpellasie” in die diskoers van kontemporêre feminisme. Sprokies is van die vroegste narratiewe waaraan kinders blootgestel word en beïnvloed dus hul begrip van die wêreld, ondermeer hul sosiale rol daarin. My ondersoek begin met die fokus op The Handless Maiden se teksen hoe taal gekonstrueer word rondom ‘n spesifieke weergawe van vroulike seksualiteit. Vanuit ‘n feministiese oogpunt is hierdie seksualiteit problematies, aangesien dit as swygend en sonder agentskap aanskou word. Ek struktureer my ondersoek rondom die argumente van Judith Butler and Luce Irigaray, met klem op die rol van taal in die proses van “interpellasie”. Daarna skuif my fokusna ‘n diskoers omtrent sprokies se illustrasies en die belangrike rol van onderliggende vroulike sexualiteit wat teenwoordig is in die teks sowel as die illustrasies. My ondersoek lei dan na die vroulike figure in die foto-plakskildery van die vroeg 20ste eeuse Duitse kunstenaar, Hannah Höch. My ondersoek van vroulike figure staan dan as voorbeelde van die moontlikheid om patriargale neiging van vroulike seksualiteit te destabiliseer. Ek beoog dus om ‘n diskoers raamwerk te stig waarin ek my eie illustrasies van Grimm se Handless Maiden, wat ek as ‘n deel van my praktiese komponenet voltooi het vir my huidige tesis. Die finale deel van my tesis ondersoek my eie illustrasies van Grimm se Handless Maiden. Hier plaas ek my werk in die destabieliseering raamwerk van vroulike seksualiteit wat vanselfsprekend is in die sprokie en terselfde tyd alternatiewe lesings van die vroulike seksualiteits onderwerp bied.
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Blomqvist, Agnes. "Rödluvan i ny framställning : En analys av en modern sagoadaption." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413060.

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This essay seeks to explore the relation between Crimson Bound and the fairy tale from which it derives from. Today, it is common to use fairy tales as a base for new literature, movies and tv-series and therefore it is interesting to study these new additions to our media. By applying Vladimir Propps extensive study of fairy tales to Rosamund Hodges Crimson Bound and the Brothers Grimms Little Red Cap I hope to come to an understanding of the differences and similarities that these two holds. Through this analysis I conclude that Hodges utilizes the functions that Propp states are specific to the fairy tale genre. I also conclude that, although Hodges closely follow the initial structure of Little Red Cap, she deviates from the fairy tale towards the ending. Besides the interesting similarities and the effect of the differences, the roles of the protagonist and the antagonist stands out. Therefore, a portion of this essay delves deeper into how the adaption to the fantasy genre affect these roles as well as how the relationship between then protagonist and antagonist alters due to this.
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Beier, Barbara. "Der nicht natürliche Tod und andere rechtsmedizinische Sachverhalte in den deutschen Volksmärchen unter besonderer Berücksichtigung der Kinder- und Hausmärchen der Brüder Grimm." Doctoral thesis, Humboldt-Universität zu Berlin, Medizinische Fakultät - Universitätsklinikum Charité, 1998. http://dx.doi.org/10.18452/14351.

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Die Arbeit befaßt sich mit den Formen des nicht natürlichen Todes und weiteren rechtsmedizinischen Sachverhalten wie Leichenerscheinungen, Scheintod, Identifizierung von Personen und Leichen, Selbstverstümmelungen und Spuren von Tätern und Opfern in den deutschen Volksmärchen. Rechtsmedizinische Zusammenhänge von Ursache und Wirkung werden nach ihrer Gültigkeit im Märchen hinterfragt. Wie werden beispielsweise Gewaltwirkungen auf äußere Erscheinungsbilder betroffener Märchenfiguren, Tötungsgeschehen und Tatwerkzeuge dargestellt? Inwiefern entsprechen Schilderungen der Tatbestände und ihre Bewertung im Märchen auch historischem Rechtsverständnis? Was unterliegt den epischen Gesetzen des Märchens? Für die rechtsmedizinische Fragestellung nach den Verletzungsspuren am Getöteten, dem Tötungsgeschehen und den Tatwerkzeugen sind die Märchen als Quelle des Volkswissens nur begrenzt verwertbar. Zum Beispiel sind keine Wunden, innere Blutungen oder kleinere Verletzungen nach Gewalteinwirkung beschrieben. Es wurden nahezu alle klassischen Todesarten wie Ertrinken, Vergiften, Verbrennen, Verhungern, Erhängen, Erfrieren, Selbsttötung und Tod durch scharfe und stumpfe Gewalt im Märchen vorgefunden und betreffende Textstellen unter Benutzung der "historisch-geographischen Methode" regional verglichen. Zusammenhänge von Ursache und Wirkung konnten jedoch nicht im Sinne einer rechtsmedizinischen Rekonstruktion des zum Tode führenden Geschehens nach heutigen Maßstäben aufgestellt werden. Das Märchen als Volksüberlieferung kennt keinen historisch konkreten Zeitbezug. Mit der zeitlich und regional variierenden Wiedergabe des Erzählstoffes fließen neue Motive und anderes Wissen mit ein. Daraus ergab sich für die Arbeit eine zurückhaltende Aufstellung von Vergleichen des rechtshistorischen Alltags und der geschilderten Märchenwirklichkeit. Der nicht natürliche Tod konnte bei der rechtsmedizinischen Untersuchung nicht unabhängig von seinem Zusammenhang im Märchen betrachtet werden. Er ist im Märchen oft ein Mittel, entsprechend den Moralvorstellungen Gerechtigkeit herzustellen, aber auch die Protagonisten von ihrem positiven Weg abzubringen. Seine sozialisierende Funktion in der Märchengesellschaft kann nicht übersehen werden.
This thesis reports about the types of the non-natural death and further issues of legal medicine in the German folk tales such as the sure signs of dead bodies, appearently dead people, identification of persons and corpses, mutilation of its own and traces of perpetrators and victims. Do forensic correlations between cause and effect appear in the fairy tales? How do fairy tales describe the violent effects to the concerned figures? outward appearance, the killing event and the tools of crime? How does the facts of the cases? description and their valuation in the fairy tales correspond to the historical comprehension of the rights? The folk tales are only of restricted use as a source of general knowledge for the forensic issue of the injury traces on a dead body, of the killing event or of the tools of crime. For example, there are not described any wounds, internal bleedings or smaller injuries after violence. Nearly all classical causes of non-natural death are found in the fairy tales: drowning, freezing to death, hanging, burning to death, poisoning, dying of starvation, suicid and death by sharp and blunt force. There could not be shown any correlations between cause and effect in the sense of a killing event?s forensic reconstruction after today's standards. The folk tales as an oral tradition are not exactly related to a certain historical period. With each new performance a story was influenced by new motivs or knowledge. For that reason the comparison between fairy tales and historical reality of everyday life is very restrained. The non-natural death as a forensic fact can only be interpretated in ist function in the folk tales. By means of the non-natural death the fairy tales? characters are doing justice corresponding to their moral ideas, but positive figures can also be pushed away from their good ways. The non-natural death? socializing function in the fairy tales? society is evident.
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Slatter, Angela Gaye. "Black-winged angels : theoretical underpinnings." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16351/.

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The creative work, Black-Winged Angels, is a collection of nine re-written fairytales. The collection is divided into three sections: Maiden, Mother, Crone and the three stories in each section explore various aspects of these traditional periods in a woman's life. The tales are re-written, or 're-loaded', to offer alternative views of the tales of childhood, to examine other forces that may be at work inside the stories themselves, and the possible consequences of 'living' those tales differently. The exegesis examines the colonisation and reclamation of a range of fairy tales. It traces the historical shift from oral to literary fairy tale traditions, and the ensuing patriarchal rewriting of those fairytales. The exegesis then considers the writing of Angela Carter and Emma Donoghue (specifically The Bloody Chamber and Kissing the Witch, respectively), in terms of how their work in the fairytale genre has both succeeded in, and failed to, avoid a simple inversion of gender with their revisions of the colonised literary fairytales. The exegetical work has grown, in large part, out of the process of critical reflexivity to which I have subjected my creative work. I chose Angela Carter's and Emma Donoghue's works of revisionist fairytales to act as 'bookends' for my own work; Carter as a starting point for fairytale reclamation and Donoghue as a more recent incarnation of the fairytale revisionist. In reflecting on my own work, I often looked back at what these two authors had done, to guide me in the eternal writers' struggle of what to leave in, what to leave out, and where to take the tale.
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Books on the topic "Brother Grimm"

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Russell, Craig. Brother Grimm. Toronto: McArthur, 2006.

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Zipes, Jack. The Brothers Grimm. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3.

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1786-1859, Grimm Wilhelm, ed. The Grimm Brothers Cinderella. Bath, UK: Parragon Pub., 2005.

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Brothers Grimm folk tales. Dorking: Templar, 2012.

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Grimm Brothers. The annotated Brothers Grimm. New York: W.W. Norton & Co., 2012.

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Tim, Supple, ed. More Grimm tales: Adapted from the Brothers Grimm. London: Faber and Faber, 1997.

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19---, Bonner Paul, Grimm Wilhelm 1786-1859, and Grimm Jacob 1785-1863, eds. Tales from the Brothers Grimm. Twickenham: Hamlyn, 1986.

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Mazan. Tales from the Brothers Grimm. New York: Papercutz, 2008.

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ill, Bonner Paul, ed. Tales from the brothers Grimm. Morristown, N.J: Silver Burdett Co., 1986.

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Mazan. Tales from the Brothers Grimm. New York: Papercutz, 2008.

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Book chapters on the topic "Brother Grimm"

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Zipes, Jack. "Once There Were Two Brothers Named Grimm." In The Brothers Grimm, 1–23. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_1.

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Zipes, Jack. "The Struggle for the Grimms’ Throne." In The Brothers Grimm, 231–69. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_10.

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Zipes, Jack. "The Origins and Reception of the Tales." In The Brothers Grimm, 25–64. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_2.

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Zipes, Jack. "Exploring Historical Paths." In The Brothers Grimm, 65–89. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_3.

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Zipes, Jack. "From Odysseus to Tom Thumb and Other Cunning Heroes." In The Brothers Grimm, 91–106. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_4.

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Zipes, Jack. "The German Obsession with Fairy Tales." In The Brothers Grimm, 107–33. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_5.

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Zipes, Jack. "Henri Pourrat and the Tradition of Perrault and the Brothers Grimm." In The Brothers Grimm, 135–51. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_6.

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Zipes, Jack. "Recent Psychological Approaches with Some Questions about the Abuse of Children." In The Brothers Grimm, 153–85. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_7.

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Zipes, Jack. "Semantic Shifts of Power in Folk and Fairy Tales." In The Brothers Grimm, 187–205. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_8.

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Zipes, Jack. "Fairy Tale as Myth/Myth as Fairy Tale." In The Brothers Grimm, 207–29. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-09873-3_9.

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Conference papers on the topic "Brother Grimm"

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On Thi My, Linh. "Decoding Female Characters in Grimm’s Tales and Nguyen Dong Chi’s Tales from the Socio-historical Viewpoint and Comparative Study." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.10-1.

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This article examines how the Brothers Grimm and Nguyen Dong Chi reflect cultural issues through female characters in their folktales and how researchers decode their tales from the socio-historical viewpoint. By showing some aspects such as harsh conditions and gender roles, feminine virtues, the lessons of being a good woman and the concept of feminine beauty, the article argues that by picturing female persons, the Brothers Grimm's tales and Nguyen Dong Chi’s tales encode common and different hard facts and social values of German and Vietnamese people. The article is based on ten tales of the Brothers Grimm and ten Vietnamese tales collected by Nguyen Dong Chi.
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Papa, Redi, and Halil Bashota. "Translation aspects of brothers Grimm Fairy Tales and comparison to translation between English and Albanian version." In University for Business and Technology International Conference. Pristina, Kosovo: University for Business and Technology, 2018. http://dx.doi.org/10.33107/ubt-ic.2018.142.

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