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Books on the topic 'Brothers of Our Lady of Mercy'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Maes, A. Glorieux en zijn volgelingen: Een bibliografie over leven en werk van Stephanus Modestus Glorieux, de Broeders van O.L. Vrouw van Lourdes en de Zusters van Barmhartigheid. Oostakker: Commissie Archief Glorieux, 2000.

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2

Michalenko, Sophia. Mercy my mission : life of Sister Faustina H. Kowalska. Stockbridge, Mass: Marian Press, 1987.

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3

Foundation, Riehle. I am your Jesus of mercy: Lessons and messages to the world from Our Lord and Our Lady. Milford, Ohio: Riehle Foundation, 1989.

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4

Duvall, Chanson. Our lady of dreams: A prophecy for the new age. 2nd ed. Toluca Lake, CA: Beaux Reves Reves Pub., 2009.

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5

Our Lady of Dreams: A prophecy for the new age : a novel. Cambria, CA: Beaux Rêves Pub., 2007.

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6

Veen, Annemiek van der. We agreed to be different: Sisters of Charity of Our Lady Mother of Mercy 1960-2000. Hilversum: Verloren, 2005.

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7

Veen, Annemiek van der. We agreed to be different: Sisters of Charity of Our Lady Mother of Mercy 1960-2000. Hilversum: Verloren, 2005.

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8

The frontier mission and social transformation in western Honduras: The Order of Our Lady of Mercy, 1525-1773. Leiden: E.J. Brill, 1995.

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9

Espinoza, Angela María Caballero. Viaje a territorio prójimo: La fiesta de la Virgen de la Merced en Cota-Cota : identidad social y estrategias de etnicidad urbanas en una comunidad compuesta por tres generaciones. La Paz: UMSA, 2004.

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10

Walford, Stephen. Heralds of the Second Coming: Our Lady, the Divine Mercy, and the Popes of the Marian Era from Blessed Pius IX to Benedict XVI. Tacoma: Angelico Press, 2013.

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11

Fondazione Cassa di risparmio di Imola, ed. La Madonna della Misericordia: L'iconografia della Madonna della Misericordia e della Madonna delle frecce nell'arte di Bologna e della Romagna nel Tre e Quattrocento. Imola [Bologna]: Mandragora, 2011.

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12

Our Lady of Mercy Hymnal (1927). Scholars Facsimilies & Reprint, 1992.

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13

I Am Your Jesus of Mercy, Vol II (Lessons and Messages to the World from Our Lord and Our Lady, Volume II). Queenship Publishing Co., 1990.

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14

Fathers, Marian, ed. The Promise: The story of the film Divine mercy--no escape. Stockbridge, Mass: Congregation of Marians of the Immaculate Conception, Marian Press, 1987.

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15

The Promise: The story of the film Divine mercy--no escape. Congregation of Marians of the Immaculate Conception, Marian Press, 1987.

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16

Black, Nancy Johnson. The Frontier Mission and Social Transformation in Western Honduras: The Order of Our Lady of Mercy, 1525-1773 (Studies in Christian Mission). Brill Academic Publishers, 1997.

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17

The visit and enthronement of the images of Our Lady of Guadalupe, divine mercy and the holy face of the Shroud of Turin in the Diocese of Buea. [Buea, Cameroon: s.n., 2009.

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18

The visit and enthronement of the images of Our Lady of Guadalupe, divine mercy and the holy face of the Shroud of Turin in the Diocese of Buea. [Buea, Cameroon: s.n., 2009.

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19

The visit and enthronement of the images of Our Lady of Guadalupe, divine mercy and the holy face of the Shroud of Turin in the Diocese of Buea. [Buea, Cameroon: s.n., 2009.

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20

Pastoral letter of His Lordship the Administrator, to promote the worship of the Blessed Virgin, in the Church of Our Lady of Victories, of the lower town of Quebec: Charles Francis Baillargeon, by the mercy of God, and the grace of the Holy Apostolic See, Bishop of Tloa, Administrator of the diocess [sic] of Quebec, to the clergy, secular and regular, and to all the faithful, in the diocess [sic] of Quebec, greeting, and benediction in the Lord. [S.l: s.n., 1985.

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21

Lamberti, Edward. Performing Ethics Through Film Style. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474444002.001.0001.

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Abstract:
Emmanuel Levinas’s ethical philosophy has had a significant influence on film theory in recent years. This book proposes a relationship between Levinasian ethics and film style. It argues that films can convey Levinasian ethics not just through their subject matter but also through their use of style. The book brings this relationship between ethics and style into a productive dialogue with theories of performativity, such as J. L. Austin’s speech-act theory, Jacques Derrida’s notion of originary performativity and Judith Butler’s reconfiguration of performativity within the socio-political sphere. It explores Levinas’s influence on film through the study of three directorial bodies of work: those of the Dardenne brothers, Barbet Schroeder and Paul Schrader. The book focuses on a range of films, including the Dardennes’ Je Pense à Vous (1992), La Promesse (1996), Le Fils (2002) and The Kid with a Bike (2011), Schroeder’s Maîtresse (1975), Reversal of Fortune (1990), Terror’s Advocate (2007) and Our Lady of the Assassins (2000) and Schrader’s American Gigolo (1980), Mishima: A Life in Four Chapters (1985), The Comfort of Strangers (1990), Dominion: Prequel to the Exorcist (2005) and Adam Resurrected (2008). In doing so, it demonstrates how films can perform a Levinasian ethics through different styles.
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