Relevant bibliographies by topics / Browning, Robert. My Last Duchess

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  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic 'Browning, Robert. My Last Duchess'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Browning, Robert. My Last Duchess"

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Linares González, Gabriel. "“My Last Duchess”, de Robert Browning." Anuario de Letras Modernas 21 (October 31, 2019): 235–39. http://dx.doi.org/10.22201/ffyl.01860526p.2018.21.1204.

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Nichols, Dr Kenneth. "Case Study #9: My Last Duchess by Robert Browning." Public Voices 14, no. 2 (January 5, 2017): 137. http://dx.doi.org/10.22140/pv.16.

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The poem is the duke’s side of a conversation about the duchess with an emissary who has come representing a family potentially interested in having their daughter marry the duke and become his next duchess.The duke and duchess rule the mythical duchy of Ferrara in an Italy of long ago. That makes them the executive officers, chief administrators, and designated heads of government over the people within the duchy: A pair of top cats. For us, what is interesting about this pair is the strong contrast of their leadership styles. The duke is autocratic and direct; the duchess he describes is quite the opposite — and, at least for the duke, unsettlingly effective. Through his conversation, the duke gives us many clues with regard to how they both rule. Who do you think is the better leader?
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Crowder, Ashby Bland. "The Piece in Robert Browning’s ‘My Last Duchess’." Notes and Queries 59, no. 3 (June 27, 2012): 390–91. http://dx.doi.org/10.1093/notesj/gjs075.

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Wang, Yue. "Cavafy as a Reader of Browning: The Role of Art in Their Poems." Journal of English Language and Literature 10, no. 3 (December 31, 2018): 1034–38. http://dx.doi.org/10.17722/jell.v10i3.402.

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In this paper, a comparative analysis of four poems by Robert Browning and C. P. Cavafy will be provided. It first compares ‘Protus’ and ‘Orophernes’, and then analyses ‘My Last Duchess’ and ‘Sculptor from Tyana’ in the same way. Through the analysis, it aims to figure out the role of art in their poems. It discusses how Cavafy is influenced by Browning in this topic, and where he diverges from the predecessor.
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Qahtan Sulaiman, Maha. "Insanity and Murder in Robert Browning’ and Robert Lowell’s Dramatic Monologues." Arab World English Journal For Translation and Literary Studies 5, no. 1 (February 15, 2021): 201–9. http://dx.doi.org/10.24093/awejtls/vol5no1.14.

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The study aims at fathoming Robert Browning’ and Robert Lowell’s intentions of choosing the dramatic monologue as a means of exploring human psyche. Significantly, the themes of insanity and murder are not ideal from an esthetic perspective, but for Browning and Lowell it provides the key to probe into human character and fundamental motives. This study examines Browning’ and Lowell’s dramatic monologues that address crime and the psyche of abnormal men. Browning’ and Lowell’s poetry in this regard unravels complicated human motivations and delineates morbid psychologies. Their monologues probe deep down into the mind-sets of their characters and dissect their souls to the readers. The main character of each of Browning’s dramatic monologues, My Last Duchess and Porphyria’s Lover; discloses his true self, mental health, and moral values through his monologue in a critical situation. Ironically, each monologue invites the reader to detect the disparity between what the character believes the story to be and the reality of the situation detected through the poem. In Lowell’s The Mills of the Kavanaughs, the monologue is delivered by the victim herself. Yet, the fact that the poem reflects Lowell’s individual experience and trauma indicates that the monologue is delivered by the poet-victimizer as well
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Melrose, Robin. "Sites and parasites of meaning: Browning’s ‘My Last Duchess’." Language and Literature: International Journal of Stylistics 15, no. 2 (May 2006): 123–40. http://dx.doi.org/10.1177/0963947006063742.

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Robert Browning’s so-called dramatic lyric ‘My Last Duchess’ has been interpreted differently by different critics, some seeing the Duke as shrewd and others seeing him as witless. This article attempts to account for these differing interpretations by analysing indeterminacies in the language of the poem. Starting out with the work of Derrida on speech act theory, and findings on the role of the right hemisphere in language processing, it goes on to propose techniques of linguistic analysis based on systemic-functional linguistics and the concept of particle-waves of language first discussed in Melrose (1996). The article then analyses a number of these so-called particle-waves in ‘My Last Duchess’, and concludes that opposing interpretations of the Duke can be traced to the indeterminacies of language in the particle-waves.
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Gardner, Kevin J. "John Betjeman's "Bristol and Clifton": Echoes of Robert Browning's "My Last Duchess"." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 19, no. 3 (May 2006): 35–38. http://dx.doi.org/10.3200/anqq.19.3.35-38.

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Afsari, Nasim, and Elham Omrani. "Demon Lovers versus Damsels in Distress: An Archetypal Reading of Robert Browning’s My Last Duchess and Porphyria’s Lover." International Letters of Social and Humanistic Sciences 64 (November 2015): 10–16. http://dx.doi.org/10.18052/www.scipress.com/ilshs.64.10.

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Each literary work has a world of its own and discovering this world may seem undemanding and straightforward. By contrast, the realm of a literary work might be loaded with hints for a reader who has established a harmonious relationship with that world. The world depicted by the work may well encourage this reader to pass from the surface meaning toward the heart of the idea. This paper tries to reveal the secondary layer of meaning in two poems by Robert Browning, My Last Duchess and Porphyria’s Lover, by focusing on the archetypal elements implemented in them. The recent study explores the archetypal characters playing their roles in the poem by focusing on old archetypes such as the Soul Mate, Damsel in Distress, Innocent youth and Demon Lover. Then it elaborates on the archetypal motifs or patterns such as immortality and scapegoat. Furthermore, the last part of discussion elaborates on Jung’s principal archetypes (shadow, persona, and anima) and his theory of individuation.
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URUK, Ahmet. "A Beloved or A Devil?: Toxic Masculinity in Robert Browning's “My Last Duchess’’ and “Porphyria's Lover’’." İnsan ve Sosyal Bilimler Dergisi 4, no. 1 (May 30, 2021): 207–19. http://dx.doi.org/10.53048/johass.901194.

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10

Stone, Marjorie. "Constructing the Archive and the Nation in “Italy! world’s Italy!”, “My Last Duchess,” Aurora Leigh, and an Unpublished Manuscript by Elizabeth Barrett Browning." Victorian Review 33, no. 2 (2007): 35–57. http://dx.doi.org/10.1353/vcr.2007.0051.

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Dissertations / Theses on the topic "Browning, Robert. My Last Duchess"

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De, Reuck Jennifer Anne. "The immanent voice : an aspect of unreliable homodiegetic narration." Thesis, 1988. http://hdl.handle.net/10413/8725.

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Unreliable homodiegetic narration presents a unique mode of narrative transmission which demands the encoding within the text of 'translational indices', that is, signifiers of several kinds which justify the reader/receiver in over-riding the sincere first person avowals of the apparent mediator of the discourse. The argument establishes the presence of an epistemologically primary 'immanent' narrative situation within an ostensibly unitary narrative situation. Such a stereoscopic perspective upon the presented world of the literary 'work provides the reader/receiver with a warrant for a rejection of the epistemological validity of the homodiegetic narrator's discourse. Moreover, the thesis advances a typology of such translational indices as they occur in the dense ontology of the literary work of art. The narratological theory of unreliable homodiegetic narration developed in the first half of the dissertation is applied in the second half to selected exemplars of such narrative transmissions, demonstrating thereby the theoretical fecundity of the model for the discipline of narratology.
Thesis (Ph.D.)-University of Natal, Durban, 1988.
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Book chapters on the topic "Browning, Robert. My Last Duchess"

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Hühn, Peter. "Browning, Robert: My Last Duchess." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8105-1.

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"My Last Duchess." In Robert Browning: Selected Poems, 227–30. Routledge, 2013. http://dx.doi.org/10.4324/9781315834450-15.

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"Chapter Three. ‘Why need I speak, if you can read my thought?’: The Unacted Drama, ‘My Last Duchess,’ and‘“Childe Roland”’." In Robert Browning's Language. Toronto: University of Toronto Press, 1999. http://dx.doi.org/10.3138/9781442679412-006.

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