Academic literature on the topic 'Bruce (1949-....)'

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Journal articles on the topic "Bruce (1949-....)"

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CARROLL, KATHLEEN M. "Bruce Rounsaville (1949-2011)." Addiction 106, no. 7 (2011): 1363–64. http://dx.doi.org/10.1111/j.1360-0443.2011.03474.x.

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Clausen, Henrik, Edward Nudelman, and Sen-itiroh Hakomori. "Obituary: Steven Bruce Levery (1949–2014)." Glycoconjugate Journal 31, no. 5 (2014): 339–40. http://dx.doi.org/10.1007/s10719-014-9531-0.

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Entessar, Nader. "Yellow Ribbon: The Secret Journal of Bruce Laingen: L. Bruce Laingen." Digest of Middle East Studies 1, no. 4 (1992): 37–40. http://dx.doi.org/10.1111/j.1949-3606.1992.tb00392.x.

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Slobodian, R. O., Yu V. Kychyliuk, and N. M. Soroka. "Species of the Family Eimeriidae (Coccidia, Apicomplexa) Parasitic in Cattle at Dairy Farms in Kyiv and Zhytomyr Regions of Ukraine." Vestnik Zoologii 51, no. 2 (2017): 151–60. http://dx.doi.org/10.1515/vzoo-2017-0021.

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Abstract The results of identification of Eimeria spp. oocysts based on fecal examination of cattle of the first year of life from 7 farms of Zhytomyr and Kyiv regions of Ukraine are presented in article. Nine species of Eimeria, namely, Eimeria zuernii (Rivolta, 1878) Martin, 1909; E. bovis (Zublin, 1908) Fiebiger, 1912; E. ellipsoidalis Becker and Frye, 1929; E. bukidnonensis Tubangui, 1931; E. cylindrica Wilson, 1931; E. canadensis Bruce, 1921; E. auburnensis Christensen and Porter, 1939; E. brasiliensis Torres and Ramos, 1939; E. wyomingensis Huizinga and Winger, 1942 were identified. Species of E. canadensis, E. auburnensis, E. brasiliensis and E. wyomingensis were found in calves for the first time in Ukraine.
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Simon, Rachel. "Historical Dictionary of Libya (Third Edition): Ronald Bruce St John." Digest of Middle East Studies 8, no. 1 (1999): 76–78. http://dx.doi.org/10.1111/j.1949-3606.1999.tb00793.x.

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El-Aswad, El-Sayed. "Egypt after Mubarak: Liberalism, Islam, and Democracy in the Arab World - By Bruce K. Rutherford." Digest of Middle East Studies 19, no. 2 (2010): 318–21. http://dx.doi.org/10.1111/j.1949-3606.2010.00043.x.

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Ovendale, Ritchie. "The Arab Bureau: British Policy in the Middle East, 1916-1920: Bruce Westrate." Digest of Middle East Studies 1, no. 4 (1992): 28–30. http://dx.doi.org/10.1111/j.1949-3606.1992.tb00389.x.

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BRUCE, A. J. "Additions to the genus Phycomenes Bruce, 2008 (Crustacea: Decapoda: Pontoniinae)." Zootaxa 2372, no. 1 (2010): 367–68. http://dx.doi.org/10.11646/zootaxa.2372.1.28.

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The genus Phycomenes was recently described by Bruce (2008)) for a small sea-grass inhabiting shrimp, Phycomenes zostericola Bruce, 2008, from south-east Queensland, Australia. The close similarity of this species to Periclimenes indicus (Kemp 1915) was noted. Subsequently specimens of Kemp’s species from the type locality, Chilka Lake, Orissa, India, were examined and the most characteristic features of the genus Phycomenes were found to be present, i.e., a transverse triangular median process on the fourth thoracic sternite and the greatly reduced size of the second pereiopods in comparison with other Periclimenes species, with a very well developed ocular ocellus. Periclimenes indicus is therefore transferred to the genus Phycomenes Bruce. Periclimenes cobourgi Bruce & Coombes, 1995 has also been noted as closely similar to Periclimenes indicus, showing the same major features and should also be considered as congeneric with Phycomenes zostericola. Similarly, examination of specimens of Periclimenes sulcatus Ďuriš, Horká, & Marin, 2008, and P. siankaanensis Martínez-Mayén, & Román-Contreras, 2006, kindly donated by Dr Zdenek Ďuriš and Dr Mario Martinez-Mayén to the Queensland Museum, Brisbane, show the same features and should be similarly placed in the genus Phycomenes. Martínez-Mayén and Román-Contreras (2006) considered P. siankaanensis to be a member of the “iridescens” species complex, including also P. iridescens Lebour, 1949, P. platalea Holthuis, 1951, P. antipathophilus Holthuis & Eibl-Eibesfeldt, 1964, P. patae Heard & Spotte, 1991, and P. mclellandi Heard & Spotte, 1997. Periclimenes platalea has recently been removed from this complex and placed in the genus Rapipontonia Marin by Marin (2007). No examples of these species have been examined but it seems likely that some may possibly be better placed in Phycomenes. Some of these taxa have been reported as associates of coelenterate hosts rather than from sea-grass habitat, but such a coelenterate association has also been reported in the case of the holotype specimen of P. cobourgi found on a gorgonian host. The specimens of P. indicus were kindly donated by the Zoological Survey of India, Calcutta (ZSI). The specimens examined are deposited in the collections of the Northern Territory Museum, Darwin (NTM) and Queensland Museum, Brisbane (QM).
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Divine, Donna Robinson. "Religious Radicalism in the Greater Middle East; Bruce Maddy-Weitzman and Efraim Inbar, Editors." Digest of Middle East Studies 7, no. 2 (1998): 78–80. http://dx.doi.org/10.1111/j.1949-3606.1998.tb00315.x.

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Chan, Adrian. "A Research Guide to Central Party and Government Meetings in China 1949- 1986.Kenneth G. Lieberthal , Bruce J. Dickson." Australian Journal of Chinese Affairs 24 (July 1990): 395–96. http://dx.doi.org/10.2307/2158909.

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Dissertations / Theses on the topic "Bruce (1949-....)"

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Chouana, Khaled. "Vers une redéfinition de la protest song ? Réflexions sur la chanson contestataire aux États-Unis : le cas de Bruce Springsteen et la reflective song." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30005/document.

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Ce travail constitue une réflexion sur la chanson contestataire contemporaine aux États-Unis à travers les chansons et l’engagement politique et social de Bruce Springsteen. Nous défendons la thèse que Springsteen renouvelle le genre de la protest song en s’adaptant à l’époque contemporaine. Pour ce faire, le chanteur adopte quatre stratégies artistiques. Elles consistent à chanter sur les gens ordinaires et leur quotidien, aborder le désenchantement et le désespoir des plus exclus, composer des chansons qui remplissent une fonction cathartique en ayant recours à l’imitation et enfin à militer dans la sphère politique et sociale en soutenant des candidats lors des élections présidentielles américaines tout en offrant des dons aux organisations caritatives qui aident les plus démunis. La thèse démontre que Springsteen arrive à se hisser au sommet du classement des meilleures ventes aux États-Unis et à travers le monde grâce à ces stratégies. Elles lui ont permis de mobiliser un public et d’avoir des millions de fans. Nous proposons d’appeler les chansons engagées de Springsteen des chansons méditatives (reflective songs). La chanson méditative de Springsteen est, sans doute, l’outil culturel de contestation le plus adapté à l’époque contemporaine où il est difficile pour un artiste engagé de protester efficacement du fait de la marchandisation de l’acte même de sa contestation. Il se peut que la reflective song de Bruce Springsteen ne change pas le monde, mais elle peut en revanche permettre aux gens de croire en un monde meilleur et donc de les dissuader de se révolter<br>This work is a study of contemporary protest song in the USA through the songs and social and political activism of Bruce Springsteen. It contends that Springsteen has been able to reexamine American protest songs and frame a new genre under the umbrella of rock music by adapting his music to the social and political context of contemporary America. The thesis that I defend shows that the reason behind the commercial success of Springsteen can be explained by the fact that he has adopted several artistic strategies which have brought him an audience composed of dedicated fans who admire him. I argue that Springsteen adopts four main strategies: firstly, singing about ordinary people and reporting their daily hardships; secondly, composing somber songs that deal with the despair of blue collars and marginalized Americans; thirdly, adopting mimesis (imitation) which has a cathartic effect on Springsteen’s audience; and finally, getting involved in social and political activism. The thesis contends that Springsteen is among the top selling rock singers in the USA and several other countries thanks to these four strategies. Springsteen has reinvented protest song as a genre and has become a reference in a world where everything is co-opted including the very act of rebellion. I, therefore, suggest a new term, reflective songs, to describe the songs of Bruce Springsteen when they reflect on the condition of the socially excluded instead of protesting pointlessly. Springsteen’s reflective song is undoubtedly the most relevant artistic medium to shed light on the most deprived people of contemporary America. Perhaps, the reflective song of Bruce Springsteen will not change the world, but at least it gives people a reason to hope for a better future
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Graves, Matthew. "Dépaysement et ressourcement dans l'oeuvre de Bruce Chatwin." Paris 4, 1993. http://www.theses.fr/1993PA040087.

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Complexe, hétéroclite, mêlant autobiographie, récit de voyage, et roman, l'œuvre de Bruce Chatwin (1940-89) est difficilement classable. Mais elle trouve sa cohérence dans la théorie chatwinienne selon laquelle l'homme est "naturellement nomade", l'histoire de la civilisation un conflit immuable entre nomadisme et sédentarité. La théorie s’articule au fil des livres autour d'une dialectique entre « dépaysement » et « ressourcement », avec d'une part les thèmes récurrents de l'exil, du voyage-guérison, de la fuite de l'histoire, et de l'autre ceux de l'enracinement, du voyage-quête et du retour aux sources. Or, cette dialectique constitue la véritable dynamique de l'œuvre. Elle reflète le débat jamais résolu chez Chatwin entre l'ascète et l'esthète, l'errant et l'intellectuel, le voyageur et le chercheur. Dans les derniers récits, elle s'oriente vers une exploration de l'alchimie entre écriture et voyage, création et réalité, et l'éternelle dualité entre état et devenir<br>Complex, heteroclite, a mixture of autobiography, travel-writing, and novel, the work of Bruce Chatwin (1940-89) is hard to classify. It derives its coherence from the author's theory that man is a born nomad, and the history of civilization an unending conflict between nomadism and settlement. Over successive narratives, the theory is structured around a dialectic between 'disorientation' and 'renewal', with on the hand the recurrent themes of exile, of the journey-as -curative, and the retreat from history, and on the other those of rootedness, of the journey-as-quest, and the return to origins, this dialectic constitutes the real dynamic of Chatwin's work. It reflects the unresolved debate between the ascetic and the aesthete, the wanderer and the intellectual, the traveller and the researcher within him. With the last books, it opens out into an exploration of the alchemy between writing and travel, creation and reality, and the eternal duality between being and becoming
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Victorri, David. "Alfredo Bryce Echenique et son oeuvre, le genre (masculin/féminin) comme enjeu romanesque : du "je" perdu au "je" retrouvé." Perpignan, 2005. http://www.theses.fr/2005PERP0642.

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"Dans cette thèse j'envisage l'œuvre de l'écrivain péruvien Alfredo Bryce Echenique sous l'angle du genre, entendu comme questionnement de ce que sont le masculin et le féminin. Á travers les écrits de Pierre Bourdieu, d'Élisabeth Badinter, de Françoise Héritier et de Simone de Beauvoir, notamment, ainsi qu'à l'aide de la psychanalyse, je définis la problématique du genre comme essentielle dans l'œuvre d'Alfredo Bryce Echenique. Je m'appuie sur l'aspect "autobiographique" de cette œuvre pour tenter de mettre en lumière un cycle qui correspond aux ouvrages écrits par l'auteur alors qu'il se trouve en Europe, c'est-à-dire entre 1964 et 1999. Ce cycle, tel que je le conçois, montre comment l'écrivain se dévoile progressivement à ses lecteurs pour finir par affirmer une identité " genrée ", marquée par la remise en question des catégories génériques tranchées. J'envisage le parcours littéraire de cet auteur comme une revendication pour le droit à la différence et comme remise en question des attitudes et qualités considérées, traditionnellement, comme convenant " naturellement " aux hommes et aux femmes. Dans mon hypothèse, cette affirmation progressive de soi de la part de l'auteur, facilite son retour au Pérou, qu'il avait quitté à cause, entre autres, de l'opposition de son père à sa vocation d'écrivain. "<br>In this thesis, I envisage the Peruvian writer Alfredo Bryce Echenique's work from the angle of a questioning about what masculine and feminine genders are. Through the writings of Pierre Bourdieu, Elisabeth Badinter, Francoise Héritier and Simone de Beauvoir; and with the help of psychoanalysis, I define the problem of the gender as essential in Alfredo Bryce Echenique 's work. I rely on the "autobiographical " aspect of this work to try to bring to light a cycle that corresponds to the works the writer wrote while he was in Europe, that is to say between 1964 and 1999. This cycle, as I conceive it, shows how the writer progressively reveals himself to the reader, to finally assert a "gendered" identity which is marked by the calling into question of definite generic categories. I envisage the writer's literary route as the claiming of a right to difference, and as a calling into question of qualities and attitudes traditionally considered as "naturally" suitable for men and women. According to my hypothesis, this progressive assertiveness facilitates his return to Peru, his country he left because, among other things, of his father's opposition to his vocation for writing
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Matysiak, Stefan. "Die Entwicklung der ostdeutschen Tagespresse nach 1945 - Bruch oder Übergang?" [S.l. : s.n.], 2004. http://webdoc.sub.gwdg.de/diss/2004/abstracts/matysiak_abs_de.pdf.

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Encrevé, Lucile. "Brice Marden, opacité et transparence." Paris 4, 2005. http://www.theses.fr/2005PA040159.

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L'œuvre de l'artiste abstrait américain Brice Marden, né en 1938, est constitué de deux parties distinctes en apparence: des peintures à panneaux monochromes et des tableaux parcourus de lignes, qu'annonçaient, plus tôt dans sa carrière, des œuvres sur papier. Il est en réalité très cohérent, soumis à l'opacité comme à la transparence. Si cette dernière est une tentation, l'opacité triomphe toujours. Deux gestes de l'artiste sont essentiels à cet égard: le recouvrement et l'effacement. Ses œuvres, dont les titres font référence au réel ou à l'histoire de l'art dans son ensemble mais dont les sujets sont d'abord la mort, la mélancolie, la mémoire et la présence, interrogent les possibilités de la peinture abstraite et affirment sa vitalité<br>The work of the American abstract artist Brice Marden, born in 1938, is made up of two parts outwardly distinct: paintings with monochromatic panels and pictures with a network of lines, which earlier works on paper announced. It is actually very coherent, subjected to opacity and to transparency alike. If the latter is a temptation, the opacity is always triumphant. Two actions of the artist are essential in connection with that: recovering and erasing. His works, whose titles refer to reality or to the whole art history but whose real subjects are death, melancholy, memory and presence, question the possibilities of abstract painting and declare its vitality
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Gülcher, Nina [Verfasser]. "Zwischen Kontinuität und Bruch. Generationenverhältnisse in der deutschsprachigen Literatur nach 1945 / Nina Gülcher." Berlin : Freie Universität Berlin, 2017. http://d-nb.info/114167839X/34.

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Meiser, Inga [Verfasser], Eckart [Akademischer Betreuer] Henning, and Rüdiger vom [Akademischer Betreuer] Bruch. "Die Deutsche Forschungshochschule : (1947 – 1953) / Inga Meiser. Gutachter: Eckart Henning ; Rüdiger vom Bruch." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät I, 2013. http://d-nb.info/1036680363/34.

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Meiser, Inga [Verfasser], Eckart [Akademischer Betreuer] Henning, and Bruch Rüdiger [Akademischer Betreuer] Vom. "Die Deutsche Forschungshochschule : (1947 – 1953) / Inga Meiser. Gutachter: Eckart Henning ; Rüdiger vom Bruch." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät I, 2013. http://nbn-resolving.de/urn:nbn:de:kobv:11-100210683.

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Sallée, Frédéric. "Sur les chemins de terre brune : voyages et voyageurs dans l'Allemagne nationale-socialiste (1933-1939)." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENH007.

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Dans la lignée des travaux de l'historien allemand Peter Reichel sur la notion de fascination totalitaire et du mouvement historique initié en France par Fred Kupferman, François Hourmant ou encore Sophie Cœuré autour du voyage des intellectuels en Union soviétique dans les années 1930, cette thèse a pour objectif de dénouer les rouages du voyage en terre nazie, de l'accession d'Adolf Hitler à la chancellerie jusqu'à la déclaration du second conflit mondial. Thématique délaissée par l'historiographie du national-socialisme préférant voir dans le voyage une évidence anecdotique relevant des nécessités diplomatiques, elle s'impose cependant à l'historien devant la masse d'archives léguées. Engluée et limitée jusque-là dans la représentation classique d'un Brasillach devant la « cathédrale de lumière » de Nuremberg ou du sort des délégations étrangères aux Jeux olympiques de Berlin 1936, la pratique du voyage ne peut se résumer à une vision archétypale voulant que seul le « fasciste en formation » ne parcoure un IIIème Reich réduit à quelques points névralgiques. A partir de sources issues du Ministère des Affaires étrangères, de périodiques, de récits de voyages et d'ouvrages rétrospectifs (mémoires, correspondances, écrits privés), ce travail s'articule autour de trois axes allant de l'intérêt de l'étude du déplacement dans la compréhension d'un phénomène totalitaire, aux temps du voyage (accueil, séjour sur place, réception du voyage) tout en analysant le rôle du voyage et son degré d'implication dans la formation d'une bienveillance personnelle ou d'un rejet du totalitarisme. Un des intérêts fondamentaux de l'étude du voyage en Allemagne hitlérienne réside dans les motivations préalables conduisant au déplacement. Le voyage est avant tout objet d'histoire vécu et perçu par ceux qui l'entreprennent. Cette conscience du « moment d'histoire » entrepris amène à étudier les motivations structurelles du voyage (intérêt pour la modernité politique, déconstruction de son propre modèle national, naissance d'une diplomatie parallèle) comme existentielles (inspiration morale, dépassement de la frontière de la germanité), tout en mettant en avant l'étonnante diversité des voyageurs (origine géographique, culturelle et sociale), signe de l'attraction magnétique du national-socialisme au-delà des frontières (insertion dans le débat de la place de la spécificité nationale dans le cadre d'un minimum fasciste). Préalable indispensable à toute compréhension du phénomène, les temps du voyage permettent d'éclairer la construction d'une véritable politique nazie à l'égard du voyageur étranger d'une part, de souligner la prégnance des réseaux et contacts d'autre part. L'étude du temps sur place sera orientée autour de l'impression de l'accessible rencontrée par les voyageurs. Le temps du retour d' « Hitlérie », fait d'une variété de la forme et de l'usage, permettra de mettre en avant l'obligation naturelle, morale - voire politique - de relayer les impressions de la « chose vue ». Enfin, le voyage comme maçon d'une nouvelle image de l'Allemagne dans les mentalités collectives étrangères viendra clore ce travail. La construction de l'image totalitaire semble aller de pair avec une tentative de rationalisation de l'aveuglement rencontré quand, pour d'autres, le voyage est un mécanisme de résistance. La place du voyageur face à la question juive devient également nécessité. D'une tribune offerte à l'antisémitisme aux premiers actes de dénonciation, le voyage devient un outil de la pensée intellectuelle. La conscience d'un totalitarisme naissant fait du voyageur un homme éclairé, noyé dans la masse de la dérive fasciste transnationale ayant fait ses armes idéologiques dans le Reich<br>In line with the studies by German historian Peter Reichel concerning the fascination of totalitarianism and the historical movement initiated in France by Fred Kupferman, along with the studies by François Hourmant and Sophie Coeuré regarding intellectuals traveling in Soviet union in the 1930's, the objective of this thesis is to describe the experience of the voyage on Nazi territory, from Hitler's accession to power to the beginning of World War II. This theme has been disregarded in the national-socialism historiography, due to the fact that they viewed the voyage as an anecdotic evidence of diplomatic duty. However, the amount of archives bequeathed on this topic led historians to believe that it is more relevant than previously thought. Limited to the classical image of Brasillach in front of the “Cathedral of Light” of Nuremberg as well as the image of foreign delegations during the Olympic Games of Berlin in 1936, the act of traveling shouldn't be reduced to this archetypal vision implying that only the “future fascists” would travel and discover the IIIrd Reich. Using sources from the Ministry of Foreign Affairs, newspapers, travel logs, essays, and letters, this work hinges on three parts covering the significance to study the voyage with the goal to understand the totalitarianism phenomenon, the different stages of the voyage (the reception, their stay, the return to their countries of origin), and to analyze the role and the importance of the voyage in the development of either an acceptance or a rejection towards the totalitarianism. One of the main interests in studying the voyage in Hitler's Germany is the reasoning behind the motivation for the voyage to take place. Traveling is at first a moment in history lived and perceived by those who experience it. This awareness of the experienced moment in history leads us to study the structural motivations of this voyage (interest for modern politics, deconstruction of our own national model, beginning of a parallel diplomacy) and also the existential motivations (moral inspiration, surpassing the line of “germanity”) while underlining the surprising diversity of the travelers (geographical, cultural and social origin), which shows the power of attraction of the national-socialism far across the borders. Prior to understanding this phenomenon, the different phases of the voyage help to enlighten the construction of a specific Nazi policy towards the foreign traveler on one hand, and to underline the existence and development of a real network of contacts on the other. This component will examine how the model of national-socialism seemed attainable for the travelers. The return from Germany will bring to the forefront the feeling of obligation for the travelers to explain and describe what had been experienced during the travel. Finally, the voyage as propagator of a new image of Germany in foreigner's minds will complete this study. The shaping of the totalitarian image seems to go hand in hand with an attempt to rationalize the obliviousness of a part of the population, while for others the voyage is a mechanism of resistance. The standpoint of the travelers towards the Jew's situation is also necessary to broach. Like a window that offers a view on anti-Semitism and the first acts of denunciation, the voyage becomes a tool of intellectual thinking. The awareness of this rising totalitarianism makes the traveler a knowledgeable man, lost in the masses, sliding in this transnational fascism first learned in the Reich
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Valladares, Ruiz Patricia. ""Déjame que te cuente" : oralidad e intertextualidad en La última mudanza de Felipe Carrillo de Alfredo Bryce Echenique." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33318.

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This thesis offers an analysis of the novel La ultima mudanza de Felipe Carrillo of the Peruvian writer Alfredo Bryce Echenique. It is an approach to the narrative strategies which allow the reader to recreate an oral atmosphere through writing, and which propose, consequently, new perspectives to reading fiction.<br>First, the distinctive features of the Post-boom novel are studied so that the links which associate Bryce's work with this literary period can be established (chapter one). Second, the narrative techniques presented in the novel are studied, namely, orality, musical and literary intertexts, digression, and dialogic unstableness (chapter two). These elements---especially orality and intertextuality---make possible the construction of a conversational dynamic in which the author develops the different thematic axes of his work: search for love (chapter three), search of a national, as well as a social and creative identities (chapter four), and literary self-consciousness (chapter five).
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Books on the topic "Bruce (1949-....)"

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Bruce Springsteen. Lerner Publications Co., 1986.

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Heart of darkness: Bruce Springsteen's Nebraska. Cherry Red, 2011.

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Springsteen: Point blank. Da Capo Press, 1999.

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Alterman, Eric. It Ain't No Sin to Be Glad You're Alive. Little, Brown and Company, 2010.

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Alterman, Eric. It ain't no sin to be glad you're alive: The promise of Bruce Springsteen. Little, Brown, 1999.

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Alterman, Eric. It ain't no sin to be glad you're alive: The promise of Bruce Springsteen. Back Bay Books, 2001.

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Marsh, Dave. Bruce Springsteen: Two hearts : the definitive biography, 1972-2003. Routledge, 2004.

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Dave, Marsh, and Marsh Dave, eds. Bruce Springsteen: Two hearts : the definitive biography, 1972-2003. Routledge, 2004.

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Kirkpatrick, Rob. Magic in the night: The words and music of Bruce Springsteen. St. Martin's Griffin, 2009.

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Rob, Kirkpatrick, ed. Magic in the night: The words and music of Bruce Springsteen. St. Martin's Griffin, 2009.

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Book chapters on the topic "Bruce (1949-....)"

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Geva, Dan. "1933: Harry Bruce Woolfe." In A Philosophical History of Documentary, 1895–1959. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79466-8_19.

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Kriechbaumer, Robert. "1945 – Bruch und Rückbruch." In Politik im Wandel. Böhlau Verlag, 2018. http://dx.doi.org/10.7767/9783205201090.371.

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Stråth, Bo. "Der Nachkriegsboom in Schweden: Zur Frage von Kontinuität und Bruch im Gesellschaftswandel." In Der Boom 1948–1973. Vieweg+Teubner Verlag, 1992. http://dx.doi.org/10.1007/978-3-322-90631-1_7.

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Bauer, Kurt. "1945: Kontinuität trotz Bruch in lebensgeschichtlichen Erzählungen von zwölf Nationalsozialisten." In Epochenbrüche im 20. Jahrhundert. Böhlau Verlag, 2017. http://dx.doi.org/10.7767/9783205205838-009.

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Pardiñas, Blanca Navarro. "Exile and Writing: Alfredo Bryce Echenique and the Decadence of the Myth of Paris." In Decadence in Literature and Intellectual Debate since 1945. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137431028_10.

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Effron, Malcah. "Edmund Crispin (Pseudonym of Robert Bruce Montgomery, 1921–1978), 1944: The Case of the Gilded Fly." In 100 British Crime Writers. Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-31902-9_46.

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Mülberger, Annette. "Bruch und Kontinuität in der Psychologie in Spanien vor und nach dem Bürgerkrieg (1936–1939)." In Wandlungen und Brüche. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737009140.71.

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Black, Samuel J., and Cynthia L. Baldwin. "Impact assessment of immunology and immunoparasitology research at ILRAD and ILRI." In The impact of the International Livestock Research Institute. CABI, 2020. http://dx.doi.org/10.1079/9781789241853.0164.

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Abstract This book chapter assesses the research on bovine immunology and immunoparasitology conducted over 42 years, from 1973 to 2015, first at ILRAD (1973-1994) and subsequently at ILRI, which was formed by merging ILRAD and the International Livestock Centre for Africa (ILCA) in 1995. This assessment covers the approaches taken, the performance of research teams, the scientific truths uncovered, the cost-effectiveness of the research undertaken and the practical outcomes achieved, notably, the development of monoclonal antibodies (mAbs) and other tools to better define the bovine immune system. The chapter makes extensive use of citation data along with the personal reflections of scientists who participated in the research and surveys of opinion leaders in the field. The specific scientific goals and achievements of ILRI and its predecessors were as follows: making a substantive contribution to bovine immunology was realistic and has been substantially achieved, measuring the diversity of strains of Theileria parva, Trypanosoma brucei, Trypanosoma vivax and Trypanosoma congolense was realistic and has been substantially achieved, identifying mechanisms of immunity that kill parasites or limit the growth of the above parasites was realistic and has been substantially achieved, and developing an effective subunit vaccine against any of the parasites was an ambitious goal and so far has not been achieved.
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"III. Der Bruch (1945–1949)." In Das schlesische Riesengebirge. Böhlau Verlag, 2012. http://dx.doi.org/10.7788/boehlau.9783412215521.46.

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"I. Bruch mit der Vergangenheit (1945-1949)." In Anfänge Westdeutscher Sicherheitspolitik. Oldenbourg Wissenschaftsverlag, 2001. http://dx.doi.org/10.1515/9783486823004-029.

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Conference papers on the topic "Bruce (1949-....)"

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Becherelli, Alberto. "Hrvatska historija, jezik i kultura u izvještaju talijanskog konzula Brune Zuculina (1943)." In Intelektualci i rat 1939. – 1947.: zbornik radova s međunarodnog skupa Desničini susreti 2012. Dio 1. Filozofski fakultet u Zagrebu, FF-Press, 2013. http://dx.doi.org/10.17234/desnicini_susreti2012_1.dio.13.

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Reports on the topic "Bruce (1949-....)"

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Carpenter, Robert T. Distances Traveled by our Four Oldest RTG-Powered Spacecraft, DOE Memo to Al Newhouse, Bob Lange, Ed Mastal, Art Mehner, Bev Cook & V. Cassella of DOE. Attached is a copy of letter from Hazel R. O'Leary, Secretary of Energy to Admiral Bruce Demars, Secretary of the Navy dated 5/4/1994, subject: 100 Million Mile Milestone on Nuclear Power. Attached is a copy of letter from President Bill Clinton to Hazel Rollins O'Leary, Secretary of Energy dated 4/25/1994. Office of Scientific and Technical Information (OSTI), 1994. http://dx.doi.org/10.2172/1033424.

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