Relevant bibliographies by topics / (Bruce James)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic '(Bruce James)'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "(Bruce James)"

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Koltun, Daniel S. "James Bruce French." Physics Today 55, no. 9 (2002): 77–79. http://dx.doi.org/10.1063/1.1522227.

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Berinsky, Adam J. "Deliberation Dayby Bruce Ackerman and James S. Fishkin." Political Science Quarterly 120, no. 1 (2005): 138–39. http://dx.doi.org/10.1002/j.1538-165x.2005.tb01328.x.

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Marowitz, Charles. "Remembering Lenny Bruce." New Theatre Quarterly 30, no. 3 (2014): 214–17. http://dx.doi.org/10.1017/s0266464x14000451.

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On 13 October 2012, Lenny Bruce, had he not accidentally overdosed on narcotics (or committed suicide – the jury is still out on that one), would be eighty-seven years old. It is, of course, a thoroughly incredible notion – like an octogenarian Mozart, a super annuated Janis Joplin, or James Dean signing up for a senior citizen pension. Poètes maudits, doomed rock icons, and self-destructive superstars are supposed to die young. Their myth demands it, and we wouldn't have it any other way.Bruce at forty-one, perched on a toilet bowl with a spike in his right arm and his last typed words (‘conspiracy to interfere with the Fourth Amendment const—’) in the barrel of his still humming electric typewriter, died characteristically. He was always associated with toilet humour and throughout the last decade of his life ex hausted himself trying to demonstrate that the United States Constitution protected the free speech for which one court after another mercilessly prosecuted him. (The Fourth Amendment, incidentally, protects citizens from ‘unreasonable searches and seizures’ and, along with the state's First Amendment violations, was as much responsible for his downfall as the cocaine and morphine.)
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Mackenzie, John M. "Bredin, The Pale Abyssinian: A Life of James Bruce." Scottish Historical Review 80, no. 2 (2001): 284–85. http://dx.doi.org/10.3366/shr.2001.80.2.284.

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Boccaccini, Gabriele. "James Bruce's ‘Fourth’ Manuscript: Solving the Mystery of the Provenance of the Roman Enoch Manuscript (Vat. et. 71)." Journal for the Study of the Pseudepigrapha 27, no. 4 (2018): 237–63. http://dx.doi.org/10.1177/0951820718786199.

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For four centuries the book of Enoch was lost to Western Christianity and Judaism. That was until 1773, when Scottish explorer James Bruce brought back from Ethiopia ‘three’ copies of it to France and England. Yet, by the end of the eighteenth century there was another copy of the book of Enoch in Rome, in the library of Cardinal Leonardo Antonelli. This was an Ethiopic manuscript that, around 1825, would be acquired by Angelo Mai for the Vatican Library, where it is currently preserved (Vat. et. 71). The provenance of the manuscript has remained until now unknown. Through the recovery of eighteenth-century neglected letters and documents, this article uncovers a forgotten chapter in James Bruce's biography, his adventurous journey to Rome immediately after his return from Ethiopia, his meeting with Pope Clement XIV, and the ‘fourth’ Enoch manuscript he donated to the Antonelli Library. Personal and political reasons led Bruce to suppress the memory of his precious gift.
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Cullen, David. "Texas Labor History ed. by Bruce Glasrud, James C. Maroney." Southwestern Historical Quarterly 117, no. 4 (2014): 429–30. http://dx.doi.org/10.1353/swh.2014.0036.

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Hotchkiss, Duncan. "Bruce Gilkison, Walking with James Hogg: The Ettrick Shepherd's Journeys through Scotland." Northern Scotland 10, no. 1 (2019): 112–14. http://dx.doi.org/10.3366/nor.2019.0177.

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Fryer, Paul. "James Brown: the Godfather of Soul. By James Brown, with Bruce Tucker. London: Sidgwick & Jackson, 1987. 336 pp." Popular Music 7, no. 3 (1988): 354–56. http://dx.doi.org/10.1017/s0261143000003081.

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Di Clemente, Valeria. "The kingis hart: la figura di James Douglas nel Bruce di John Barbour." Il segno e le lettere - Saggi 9788879168465 (March 2018): 161–95. http://dx.doi.org/10.7359/846-2018-dicl.

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Lewis, Norman N. "Baalbek Before and After the Earthquake of 1759: the Drawings of James Bruce." Levant 31, no. 1 (1999): 241–53. http://dx.doi.org/10.1179/lev.1999.31.1.241.

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Dissertations / Theses on the topic "(Bruce James)"

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Väthjunker, Sonja. "A study of the career of Sir James Douglas : the historical record versus Barbour's Bruce." Thesis, University of Aberdeen, 1992. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=124311.

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The thesis starts from the premise that John Barbour's 14th century epic poem <i>The Bruce</i> should be viewed primarily as literature and therefore as potentially misleading where historical fact is concerned. Despite the recognition that ignoring Barbour's <i>Bruce</i> creates new gaps in accounts of the period in question, an attempt is made here to reconstruct the biography of Sir James Douglas, 'the Good Sir James', without recourse to Barbour's doubtful information. This biography forms the first part of the thesis. Douglas's rise from obscurity to fame is reflected in lack of documentation for his early years and more plentiful later records especially for the period after Bannockburn. Conflicting statements in Barbour's <i>Bruce</i> are discussed in footnotes where appropriate. The second part of the thesis examines the portrait of James Douglas presented in Barbour's <i>Bruce</i>. The analysis moves from implicit to explicit characterisation. First, I provide a brief survey of Douglas's career in <i>The Bruce</i> for easy comparison with the summarised biography supplied at the end of Part One. Next, individual episodes starring Douglas are analysed with regard to the characteristics they are designed to emphasise. Douglas's speaking parts are briefly given attention and his way of expressing himself compared to that of others in <i>The Bruce</i>. Next Douglas's relationship with other characters and their opinion of him are examined. Consideration of the statements made by detached observers finally leads to a study of direct statements made by the author, and the attributes he employs to describe his hero. A synopsis then aims to sum up the character of Douglas as presented by Barbour. The Conclusion draws together the results of the historical and the literary parts. It compares the differences and similarities between historical fact and Barbour's account, appraising Barbour's treatment of his historical subject matter. The poet is demonstrably prepared to tamper with historical details, but his account remains accurate in general terms, amplifying rather than radically reinterpreting the historical Douglas's personality traits.
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Wright, Rachel. "Literature by foot : travel writing and reportage by novelists Graham Swift, Colin Thubron, Bruce Chatwin, V.S. Naipual and poet James Fenton." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294215.

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Nonoh, James Oluoch [Verfasser], and Andreas [Akademischer Betreuer] Brune. "Archaeal diversity and community structure in the compartmented gut of highert termites / James Oluoch Nonoh. Betreuer: Andreas Brune." Marburg : Philipps-Universität Marburg, 2013. http://d-nb.info/1035502488/34.

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Jones, David Kenneth. "The music of Jeffrey Lewis." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/the-music-of-jeffrey-lewis(b712684d-e7c0-4194-9932-e484dd60a2e0).html.

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The present thesis investigates the music and career of Jeffrey Lewis (born 1942). The thesis is broadly divided into three sections. First is an account of the composer’s life, told mainly through an overview of his works, but also through a sketch of his early years in South Wales, his studies in Cardiff, Darmstadt, Kraków and Paris, his academic career in Leeds and Bangor, and his subsequent early retirement from academia. There follows a more detailed study of six works from the period 1978 – 1985, during which certain features of Lewis’s musical language came to the fore, perhaps most notably a very individual and instantly recognisable use of modal language. After an Epilogue, the thesis concludes with an Appendix in the form of a Catalogue in which all Lewis’s known compositions are listed, together with details of performances, broadcasts and recordings. Lewis’s music often plays with our temporal expectations; the close interrelationship between texture, structure, harmony and melody, and its effect upon our perception of the passage of time, are explored in the main analyses. These are conducted partly by means of comparison with other works by Lewis or his contemporaries. Memoria is examined in relation to a similarly tranquil score, Naaotwá Lalá, by Giles Swayne. The following chapter discusses the extra-musical inspiration for Epitaph for Abelard and Heloise, whose relationship to Tableau is then explored in the next. The difficulties of creating a large-scale structure that unifies the work’s various harmonic elements are also investigated. The analysis of Carmen Paschale considers it in relation to Lewis’s other choral music, whilst the final analytical chapter compares and contrasts two three-movement works, the Piano Trio and the Fantasy for solo piano. Lewis’s melodic writing in the Piano Trio is discussed in relation to that of James MacMillan, and the origins of the first movement of Fantasy in Oliver Knussen’s Sonya’s Lullaby are explored. In the Epilogue, the possible reasons for Lewis’s current neglect are explored, various influences on Lewis’s musical thinking are laid out, and his achievements are assessed.
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Parker, George. "Actor Alone: Solo Performance in New Zealand." Thesis, University of Canterbury. Theatre and Film Studies, 2008. http://hdl.handle.net/10092/1035.

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This thesis explores solo performance in New Zealand. That solo performance has been widely used in New Zealand's relatively brief theatre history is usually ascribed to the economy, manoeuvrability and adaptability of the form - common reasons for the popularity of solo performance elsewhere as well. But this thesis considers solo performance as a kind of theatre that has been suited to New Zealand in a distinctive way. In particular, I argue that solo performance has emerged on the margins of mainstream theatre in New Zealand as a means of actively engaging with a sense of isolation that typifies the post-colonial New Zealand experience. The ability of the solo performance to move between remote rural settlements and urban centres has connected these New Zealand communities in a way that is unusual for theatre in New Zealand. Furthermore, a solo performer speaking directly to an audience about the experience of living in New Zealand allows for an intimate interaction with a traditionally stoic and laconic masculine society. In this thesis, I make a case for three solo performances where it is possible to see, in the representation of a search for what it means to be a New Zealander, a theatrical contribution to nation-building: The End of the Golden Weather (1959), Coaltown Blues (1984) and Michael James Manaia (1991). However, in a subsequent chapter, I look at solo performances in New Zealand that might better be understood within global movements such as feminism and multiculturalism. I argue that this shift has depleted the power that the form once held to comment upon New Zealand identity and to assist in the search for national identity. I conclude the thesis by considering how ongoing theatre practice may be informed by the experience of solo performance in New Zealand.
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Brice, James Stuart [Verfasser]. "German holocaust literature : trends and tendencies / vorgelegt von James Stuart Brice." 2008. http://d-nb.info/98947058X/34.

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Williams, Susan Lillian. "Metamorphosis at 'the margin' : Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, five playwrights who have helped to change the face of New Zealand drama : a thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy in English at Massey University, Palmerston North, New Zealand." 2006. http://hdl.handle.net/10179/1461.

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Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. New Zealand has traditionally been regarded as being on 'the margin' in relation to the dominant culture of the colonizer (the Eurocentre). Before Bruce Mason began to challenge this 'centre' of power in the early 1950s, New Zealand playwrights were so intimidated by the Eurocentre that they usually set their plays in Europe, particularly in England, in order to make them acceptable to their audiences. Mason proposed that 'the margin' of New Zealand, rather than being seen as inferior, should be redefined as a fertile place capable of nurturing a new individual dramatic form quite distinct from colonial norms. All of my chosen playwrights have insisted upon the intrinsic value of a two-tiered concept of 'the margin.' By setting their plays (wherever possible) in the country of their birth, highlighting New Zealand social issues and in the process persuading theatre-going audiences that plays about this country are worth watching, they have given new life to 'the margin' (the culture of New Zealand as a whole). At the same time all of these five playwrights have recognized that minority groups - 'voices' from 'the outer margin' in relation to the Pakeha 'inner margin' of power - have been largely unrepresented or misrepresented in New Zealand plays. They have advocated the vital importance of women's 'voices,' Māori 'voices' and gay 'voices,' for example, in their exploration of a more sophisticated and inclusive understanding of what constitutes our national identity. Moreover, in a period of less than forty years, they have helped to facilitate the transition of New Zealand theatre from amateur to professional status and have been instrumental in providing the practical framework whereby future New Zealand playwrights may find an outlet for their work.
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Cuthill, Chris, Natasha Vandenberg, and Harry Fernhout. "Perspective vol. 37 no. 2 (Jun 2003)." 2013. http://hdl.handle.net/10756/251184.

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Cuthill, Chris, Natasja VanderBerg, and Harry Fernhout. "Perspective vol. 37 no. 2 (Jun 2003)." 2003. http://hdl.handle.net/10756/277673.

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Smolařová, Lucie. "Průzkumy veřejného mínění v Číně." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-350900.

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Based on the examination of the relevant literature and findings from academic survey research, this Master's thesis focuses on the reflection of the political development in public opinion research in China and on the contour of local collective opinion. Its theoretical part stems from James Bryce's theory of the development of public opinion and from the writings of Irving Crespi who noted that the extent and role of public opinion research in different political regimes rely on the acceptance of public opinion in the political process and on the basis of governmental legitimacy. The increasing pluralization of public opinion, which is the result of the processes tied to Chinese economic liberalization and which has been reflected in the official ideology and in the growing emphasis on public opinion polling claimed by the government, is still outweighed by the inclination of the Chinese Confucian society towards authoritarian leadership. The liberalization process is further reflected in the extent of public opinion research; however, recent studies show that the results from public opinion polls are not reported objectively and survey responses of Chinese respondents are strongly influenced by the political regime. KEYWORDS China, public opinion, polls, legitimacy, James Bryce, Irving Crespi
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Books on the topic "(Bruce James)"

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Wegener, Wilbur Richard. The descendants of James Bruce. W.R. Wegener, 1986.

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Henry, James. Pardon my delay: Letters from Henry James to Bruce Richmond. Foundling Press, 1994.

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Bredin, Miles. The pale Abyssinian: A life of James Bruce, African explorer and adventurer. HarperCollins, 2000.

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The antiquities of Africa: I disegni di architettura di James Bruce e Luigi Balugani. B. Mondadori, 2011.

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Lee, Greglon. Remembering the master: Bruce Lee, James Yimm Lee, and the creation of Jeet Kune Do. Frog, Ltd., 2006.

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Baccaglini, Manlio. Il signore delle sorgenti: Dalla Scozia al Nilo Azzurro : vita di James Bruce (1730-1794). Archinto, 2002.

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Baird, James D. Unlock the positive potential hidden in your DNA: By James D. Baird with Laurie Nadel ; foreword by Bruce Lipton. New Page Books, 2010.

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Baird, James D. Unlock the positive potential hidden in your DNA: By James D. Baird with Laurie Nadel ; foreword by Bruce Lipton. New Page Books, 2010.

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Campbell, Sid. The dragon and the tiger: The birth of Bruce Lee's Jeet Kune Do. Frog, Ltd, 2003.

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Hulton, P. H. Luigi Balugani's drawings of African plants: From the collection made by James Bruce of Kinnaird on his travels to discover the source of the Nile 1767-1773. Yale Center for British Art, 1991.

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Book chapters on the topic "(Bruce James)"

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"3. James Bruce." In Spuren der Begegnung. Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666360817.101.

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Boswell, James, and James Bruce. "Correspondence with James Bruce." In The Yale Editions of the Private Papers of James Boswell: Research Edition: Correspondence, Vol. 8: The Correspondence of James Boswell with James Bruce and Andrew Gibb, Overseers of the Auchinleck Estate, edited by Nellie Pottle Hankins and John Strawhorn. Edinburgh University Press, 1998. http://dx.doi.org/10.1093/oseo/instance.00183423.

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Boswell, James. "To Bruce, September 1778." In The Yale Editions of the Private Papers of James Boswell: Research Edition: Correspondence, Vol. 8: The Correspondence of James Boswell with James Bruce and Andrew Gibb, Overseers of the Auchinleck Estate, edited by Nellie Pottle Hankins and John Strawhorn. Edinburgh University Press, 1998. http://dx.doi.org/10.1093/oseo/instance.00183494.

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Bruce, James. "From Bruce, December 1778." In The Yale Editions of the Private Papers of James Boswell: Research Edition: Correspondence, Vol. 8: The Correspondence of James Boswell with James Bruce and Andrew Gibb, Overseers of the Auchinleck Estate, edited by Nellie Pottle Hankins and John Strawhorn. Edinburgh University Press, 1998. http://dx.doi.org/10.1093/oseo/instance.00183499.

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Boswell, James. "To Bruce, March 1782." In The Yale Editions of the Private Papers of James Boswell: Research Edition: Correspondence, Vol. 8: The Correspondence of James Boswell with James Bruce and Andrew Gibb, Overseers of the Auchinleck Estate, edited by Nellie Pottle Hankins and John Strawhorn. Edinburgh University Press, 1998. http://dx.doi.org/10.1093/oseo/instance.00183532.

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Bruce, James. "From Bruce, December 1787." In The Yale Editions of the Private Papers of James Boswell: Research Edition: Correspondence, Vol. 8: The Correspondence of James Boswell with James Bruce and Andrew Gibb, Overseers of the Auchinleck Estate, edited by Nellie Pottle Hankins and John Strawhorn. Edinburgh University Press, 1998. http://dx.doi.org/10.1093/oseo/instance.00183652.

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Boswell, James. "To Bruce, ?November 1788." In The Yale Editions of the Private Papers of James Boswell: Research Edition: Correspondence, Vol. 8: The Correspondence of James Boswell with James Bruce and Andrew Gibb, Overseers of the Auchinleck Estate, edited by Nellie Pottle Hankins and John Strawhorn. Edinburgh University Press, 1998. http://dx.doi.org/10.1093/oseo/instance.00183669.

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Boswell, James. "To Bruce, February 1790." In The Yale Editions of the Private Papers of James Boswell: Research Edition: Correspondence, Vol. 8: The Correspondence of James Boswell with James Bruce and Andrew Gibb, Overseers of the Auchinleck Estate, edited by Nellie Pottle Hankins and John Strawhorn. Edinburgh University Press, 1998. http://dx.doi.org/10.1093/oseo/instance.00183678.

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Bohls, Elizabeth A. "3. Explorers, 1790–1822." In Travel Writing 1700-1830. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537525.003.0015.

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James Bruce, Travels between the Years 1768 and 1773, Through Part of Africa, Syria, Egypt, and Arabia into Abyssinia, to Discover the Source of the Nile (1790) James Bruce (1730–94) was a Scottish laird whose profits from coal mining helped finance his travels. In 1762...
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Boswell, James. "To Bruce, early July 1766." In The Yale Editions of the Private Papers of James Boswell: Research Edition: Correspondence, Vol. 8: The Correspondence of James Boswell with James Bruce and Andrew Gibb, Overseers of the Auchinleck Estate, edited by Nellie Pottle Hankins and John Strawhorn. Edinburgh University Press, 1998. http://dx.doi.org/10.1093/oseo/instance.00183436.

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Conference papers on the topic "(Bruce James)"

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Almeida, Bruno. "A Problemática dos Afetos em Tecnologias Contemporâneas e na Ficção Científica: universos maquínicos, imaginação e vida psíquica." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.2101.

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O presente artigo investiga duas questões: os afetos presentes nas interações homens e objetos técnicos no âmbito das tecnologias atuais, e o tratamento dado por autores de ficção científica para composições homens máquinas. O primeiro eixo vale-se da obra de Gilbert Simondon e de seu trabalho sobre a evolução dos objetos técnicos, da cultura técnica e da psicossociologia da tecnicidade. O afeto faz uma espécie de mediação entre homem e objeto, bem como constitui o elo de agenciamento entre individuação, técnica e desejo. O segundo eixo trabalha com diferentes possibilidades para relações entre homens e máquinas na literatura de Philip Dick, James Ballard, Bruce Sterling, William Hodgson e Max Barry. Os afetos, nesse caso, indicam diferentes possibilidades para relações entre homens e máquinas e para os hibridismos aí implicados: robôs, cyborgs, andróides e monstros. Os universos maquínicos das tecnociências contemporâneas produzem novas subjetivações, recriando cibertemporalidades e ciberespacialidades. Os afetos mobilizam a imaginação e, portanto, estão na base do ato criativo e da vida psíquica. A autonomia dos afetos, expressão de Brian Massumi, desdobra-se na autonomia das máquinas, na redução das margens da intersubjetividade e no fim do eu. Políticas da imaginação e recriação poética da vida psíquica sinalizam a importância dos afetos na construção de novas possibilidades subjetivas.
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