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Books on the topic 'Brusivo'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Guinot, Juan. Descenso brusco. Cazador de Ratas, 2014.

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2

Semanov, Sergeĭ Nikolaevich. General Brusilov: Dokumentalʹnoe povestvovanie. Voen. izd-vo, 1986.

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3

Brusina prirodoslovac: Spiridion (Špiro) Brusina (1845-1908) : k 80. obljetnici njegove smrti. Hrvatski prirodoslovni muzej, 1988.

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4

Kralj, Lado. Kosec koso brusi. Študenska založba, 2010.

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5

Shchemerova, Valentina Semenovna. Ėrzi͡a︡nʹ-ruzonʹ valks =: BRussko-ėrzi͡a︡nskiĭ slovarʹ. Mordovskoĭ knizhnoĭ izdatelʹstvasʹ, 1993.

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6

Bello, Arnaldo Acosta. Agadón, o, El brusco pavor de los tréboles. Dirección de Cultura, Universidad Central de Venezuela, 1990.

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7

Argentina) Congreso de Lengua y Literatura Italianas (18th 2002 Mendoza. Le candide farine e il rosso vino: Los alimentos en la lengua y la literatura italianas. Il brusio degli dei e degli angeli : mito y religión en la lengua y la literatura italianas. Editorial de la Facultad de Filosofía y Letras de la Universidad Nacional de Cuyo, 2003.

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8

Saura, Víctor. La Crisi d'identitat del Brusi: 1972-1992 vint anys d'història d'un Diari de Barcelona a la recerca del lector fidel perdut. Diputació de Barcelona, 1993.

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9

In the land of white death: An epic story of survival in the Siberian Arctic. Modern Library, 2000.

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10

Alʹbanov, Valerian Ivanovich. In the Land of White Death. Random House Publishing Group, 2001.

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11

Mendelssohn-Bartholdy, Felix. Il Signor Bruscino: Kalmus Edition. Alfred Publishing Company, 1985.

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12

The Brusilov Offensive (Twentieth-Century Battles). Indiana University Press, 2008.

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13

Portate Bien No Seas Brusco - Pooh. Grupo Editorial Norma, 2000.

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14

Viva Tradiciones: South Texas Cooks from Brushto Bay. Wimmer Cookbooks, 1996.

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15

General A.A. Brusilov: Ocherki o vydai︠u︡shchemsi︠a︡ russkom polkovodt︠s︡e. Institut rossiĭskoĭ istorii RAN, 2010.

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16

Portate Bien No Seas Brusco - Figuras Disney. Grupo Editorial Norma, 1997.

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17

Ltd, ICON Group. KRAFTWERKE BRUSIO AG: Labor Productivity Benchmarks and International Gap Analysis (Labor Productivity Series). 2nd ed. Icon Group International, Inc., 2000.

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18

Ltd, ICON Group. KRAFTWERKE BRUSIO AG: International Competitive Benchmarks and Financial Gap Analysis (Financial Performance Series). 2nd ed. Icon Group International, Inc., 2000.

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19

Brusko Pink : King Kong Barbies & Other Queer Files. Milflores Publishing Manila, 2005.

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20

1949-, Monigatti Dario, and Società storica Val Poschiavo, eds. Brusio e la Casa Besta: Una dimora signorile nel suo contesto storico e architettonico. Casa Besta, 2007.

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21

Brusio e la Casa Besta: Una dimora signorile nel suo contesto storico e architettonico. Casa Besta, 2007.

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22

Brusio e la Casa Besta: Una dimora signorile nel suo contesto storico e architettonico. Casa Besta, 2007.

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23

Josip, Balabanić, Maštrović Tihomil, and Bloch Marcus Elieser 1723-1799, eds. Ex libris in honorem Spiridionis Brusinae =: In honor of Spiridion Brusina. Croatian Natural History Museum, 1990.

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24

1845-1908, Brusina Spiridion, and Balabanić Josip, eds. Spiridion (Špiro) Brusina (1845-1908): 80. obljetnica smrti hrvatskoga prirodoslovca : zbornik radova sa znanstvenoga skupa održanoga u Zadru 4. i 5. listopada godine 1989. Matica hrvatska, 1991.

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25

Albanov, Valerian, and Linda Dubosson. In the Land of White Death : An Epic Story of Survival in the Siberian Arctic. Modern Library, 2000.

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26

Noguera Palau, Carolina. Furias. Para violín y piano. Editorial EAFIT, 2020. http://dx.doi.org/10.17230/9790801635198lr0.

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Abstract:

El título de esta obra está inspirado en las Erinias de la mitología griega –llamadas Furias por los romanos–, deidades femeninas de venganza o personificaciones sobrenaturales de la ira ante el parricidio y algunos otros crímenes. Sin embargo, Furias no es sobre venganza, sino sobre energía frenética, esa que en ocasiones puede ser semejante a la ira. Los gestos del violín evocan el espíritu brusco y libre de una danza folclórica, y contrastan con el sonido del piano, caracterizado por imitar tanto una máquina vieja y averiada como una multitud de escarabajos. Las tres imágenes a las que alud

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