Relevant bibliographies by topics / Brutus

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Brutus'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2024

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Journal articles on the topic "Brutus"

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Strunk, Thomas E. "Conspicuous by Their Presence: Brutus, Cassius, and Cato the Younger in the Writings of Tacitus." Polis: The Journal for Ancient Greek and Roman Political Thought 39, no. 2 (May 11, 2022): 346–67. http://dx.doi.org/10.1163/20512996-12340369.

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Abstract Tacitus is an unlikely source for our study of Brutus, Cassius, and Cato, as they stand outside the chronological framework of Tacitus’ writings; nonetheless, they do appear a number of times throughout his works, and Tacitus portrays them with nuance and significance. As Brutus, Cassius, and Cato are rarely the precise focus for Tacitus, they are often referred to obliquely or in dialogue or speeches typically regarding treason and liberty. This paper will explore Tacitus’ depiction of Brutus, Cassius, and Cato in his major and minor works, including the oblique references to Cato, Brutus as an orator and writer, Brutus and Cassius as commanders in civil war, and lastly their memory as it pertains to liberty and treason. Tacitus’ contribution to our understanding of Brutus, Cassius, and Cato comes from both his own use of them as markers of political memory and liberty and his examination of how others used Brutus, Cassius, and Cato to make arguments for political liberty or for the basis of accusations of treason.
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Cheetham, Dominic. "Rhetorical Flaws in Brutus’ Forum Speech in Julius Caesar: A Carefully Controlled Weakness?" Advances in Language and Literary Studies 8, no. 3 (June 30, 2017): 126. http://dx.doi.org/10.7575/aiac.alls.v.8n.3p.126.

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In Julius Caesar Shakespeare reproduces one of the pivotal moments in European history. Brutus and Mark Antony, through the medium of their forum speeches, compete for the support of the people of Rome. In the play, as in history, Mark Antony wins this contest of language. Critics are generally agreed that Antony has the better speech, but also that Brutus’ speech is still exceptionally good. Traditionally the question of how Antony’s speech is superior is argued by examining differences between the two speeches, however, this approach has not resulted in any critical consensus. This paper takes the opening lines of the speeches as the only point of direct convergence between the content and the rhetorical forms used by Brutus and Antony and argues that Brutus’ opening tricolon is structurally inferior to Marc Antony’s. Analysis of the following rhetorical schemes in Brutus’ speech reveals further structural weaknesses. Shakespeare gives Brutus a speech rich in perceptually salient rhetorical schemes but introduces small, less salient, structural weaknesses into those schemes. The tightly structured linguistic patterns which make up the majority of Brutus’ speech give an impression of great rhetorical skill. This skilful impression obscures the minor faults or weaknesses that quietly and subtly reduce the overall power of the speech. By identifying the weaknesses in Brutus’ forms we add an extra element to the discussion of these speeches and at the same time display how subtly and effectively Shakespeare uses rhetorical forms to control audience response and appreciation.
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Hemelrijk, Emily. "‘Slaap je, Brutus?’." Tijdschrift voor geschiedenis 131, no. 1 (March 1, 2018): 35–50. http://dx.doi.org/10.5117/tvgesch2018.1.heme.

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Johnson, Katie N. "Brutus Jones's Remains:." Eugene O'Neill Review 36, no. 1 (March 1, 2015): 1–28. http://dx.doi.org/10.5325/eugeoneirevi.36.1.1.

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Abstract Jules Bledsoe, one of the great African American singers, composers, actors, and activists in twentieth-century US culture, is often missing from historical reports of his time. Yet he originated the role of Joe in Show Boat, performed in the first European tour of the operatic version of The Emperor Jones, and composed and arranged important operas, spirituals, and an “Ode to America,” dedicated to President Roosevelt. In spite of these accomplishments, Jules Bledsoe has not been given the attention he deserves as an artist of talent, determination, and indomitable spirit. This article seeks to write Bledsoe back into the historical record more broadly and into O'Neill studies in particular. In so doing, I show that the role of Brutus Jones haunted Bledsoe throughout his career, from his rise to stardom abroad as an opera singer to his untimely death at the age of forty-three. In excavating the Emperor's remains, it becomes clear that Bledsoe was a key figure in the rise of modern American theater, opera, and in the struggle for racial equality.
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Johnson. "Brutus Jones's Remains:." Eugene O'Neill Review 36, no. 1 (2015): 1. http://dx.doi.org/10.5325/eugeoneirevi.36.1.0001.

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McLuckie, Craig. "Dennis Brutus: A Groundswell from the Silence Dennis Brutus (1924-2009)." Journal of the African Literature Association 4, no. 1 (January 2009): 112–13. http://dx.doi.org/10.1080/21674736.2009.11690132.

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Ostertag, Gary. "Two aspects of propositional unity." Canadian Journal of Philosophy 43, no. 5-6 (December 2013): 518–33. http://dx.doi.org/10.1080/00455091.2013.870725.

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The paper builds upon familiar arguments against identifying the proposition that Brutus stabbed Caesar with a given sequence containing Brutus, Caesar, and the stabs relation. It identifies a further problem, one that affects not only traditional Russellian accounts of propositions, but also the recent act-theoretic approach championed by Scott Soames and Peter Hanks. The problem is that there is no clear content to the idea that the pair < Brutus, Caesar> instantiates the stabs relation. It is argued that this further problem presents a decisive objection to the act-theoretic approach to propositions.
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González-González, Marta. "Tragic Elements in Dion 55.2 and Brutus 36.7." Ploutarchos 14 (October 30, 2017): 35–46. http://dx.doi.org/10.14195/0258-655x_14_2.

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According to Plutarch, the daimon which appears to Dion and announces to him his imminent death looks as a Tragic Erinys (Dion 55.2). Plutarch says also that a vision which identifies itself as “your evil daimon” appears to Brutus, just before the battle of Philippi, to announce to him his death (Brutus 36.7). We find this last motive also in Caesar. This paper focuses on the similarities between these episodes which announce the death to Dion and Brutus in a similar way, establishing intertextual links between these Lives. Secondly, I’ll pay attention to the relationship between these texts and the tragedy.
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Fratantuono, Lee. "Brutus: The Noble Conspirator." Classical Journal 114, no. 2 (2018): 249–51. http://dx.doi.org/10.1353/tcj.2018.0025.

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FOLLI, ROSE. "DENNIS BRUTUS: EROTIC REVOLUTIONARY." English Studies in Africa 39, no. 2 (January 1996): 17–25. http://dx.doi.org/10.1080/00138399608691247.

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Dissertations / Theses on the topic "Brutus"

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Tate, Nahum Craven Robert R. "A critical old-spelling edition of Nahum Tate's Brutus of Alba." New York : Garland Pub, 1987. http://books.google.com/books?id=Dh1aAAAAMAAJ.

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Almeida, Olavo Vinicius Barbosa de. "O Brutus de Marco Túlio Cícero: estudo e tradução." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-06052015-121442/.

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Este trabalho divide-se em duas partes: a primeira consiste em um estudo sobre o diálogo Brutus de Marco Túlio Cícero, a segunda apresenta uma tradução completa da obra. Guardando características do diálogo filosófico, do relato histórico e da laudatio funebris, o Brutus pode ser resumido como uma história da oratória romana. Seguindo certa ordem cronológica, Cícero menciona e forma juízo sobre as qualidades oratórias de oradores e magistrados romanos, fazendo referência à história política de Roma, ao desenvolvimento das letras latinas, bem como a pontos de doutrina oratória. O Brutus é um diálogo (sermo) entre as personagens Bruto, Ático e o próprio Cícero. No estudo, discutem-se as características da obra enquanto diálogo, laudatio funebris, memoria e historia da oratória romana.
This dissertation is divided into two parts: the first one is a study about the Brutus, a dialogue by Marcus Tullius Cicero; the second one presents its complete translation into Portuguese. The Brutus shows features of philosophic dialogue, of historical narrative and of laudatio funebris, and can be summarized as a history of Roman oratory. In chronological order, Cicero mentions and assesses the oratorical qualities of Roman orators and magistrates, while at the same time dealing with Romes political history, with the development of Latin literature and with oratorical doctrine. The Brutus is a dialogue (sermo) between Brutus, Atticus and Cicero. This study discusses its features as a dialogue, laudatio funebris, memoria and history of Roman oratory.
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August, Tyrone Russel. "Out of place: a re-evaluation of the poetry of Dennis Brutus." University of the Western Cape, 2014. http://hdl.handle.net/11394/4111.

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Philosophiae Doctor - PhD
The main aim of my dissertation is to re-evaluate the poetry of the South African writer Dennis Brutus (1924-2009). Even though he produced a substantial number of poems over more than half a century, his work continues to receive limited attention in South African literary criticism. One of the main reasons is the perception that he was primarily a political activist who wrote poetry with the purpose of advancing his political objectives. However, even though he wrote extensively on political issues, his themes include a wide range of subjects. In addition, he paid close attention to the craft of poetry. Due to the tendency to foreground the political content of his writing, the complexity and diversity in the language and style of his poetry are seldom examined. Refocusing attention on the aesthetic features of his work is a key aspect of my dissertation. I also contend that, despite the political content of much of his poetry, Brutus remains, first and foremost, a writer of lyric poetry. What makes his writing different from the conventional lyric, though, is his quest to find ways of using a very personal mode of poetic expression to make statements on public matters. How he pursues this objective is a major focus of my dissertation. I examine various literary influences on his writing as well. Brutus initially drew extensively on the traditional English literary canon he was taught at school and at university. Later, in order to communicate more directly and accessibly, he drew on traditional Chinese poetry. For the same reason, he subsequently wrote some poems with the specific objective of public performance. My re-evaluation of Brutus’ poetry is primarily based on a contextual reading of his work. Such an approach is based on the notion that the context within which a writer lives and writes is vital in order to gain a more informed understanding of his or her writing. In addition, my dissertation draws on Homi K. Bhabha’s elaboration of Freud’s notion of the “unheimlich” (“unhomely”) to examine Brutus’ life and poetry. Bhabha pays particular attention to the sense of estrangement which is embedded in Freud’s theory. His elaboration provides an important conceptual tool with which to analyse Brutus’ writing, and makes it possible to identify links among his various poetic personae and to identify common features in the themes of his poetry. I argue that Brutus’ unhomelineness lies at the centre of his poetic personae – the troubadour, the exile and the cosmopolitan – and of most of the themes of his poetry. Another important focus of my dissertation is how Brutus responds to this state of unhomeliness. The central aspect of my argument is that he redefines his sense of self during different periods of his life: he evolves from initially being a patriot in South Africa into a rooted cosmopolitan in exile; he then, finally, becomes a rootless cosmopolitan. I explore the reasons behind this evolution, and contend that these shifts were essentially attempts to regain agency over his life.
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Hagmaier, Andreas. "M. A. Muret, "Iulius Caesar" - M. Virdung, "Brutus" : zwei neulateinische Tragödien /." München : K. G. Saur, 2006. http://catalogue.bnf.fr/ark:/12148/cb409445126.

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Texte remanié de: Dissertation--Philosophische Fakultät IV Sprach- und Literaturwissenschaften--Regensburg, 2005.
Textes en latin avec traduction allemande en regard et commentaire en allemand. Bibliogr. p. 333-336.
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Martin, Susannah Jill. "Heinrich Bullinger's Lucretia and Brutus : a translation with introduction and annotations /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2003. http://uclibs.org/PID/11984.

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Pini, Mariana 1988. "Política e Latinitas : o Brutus de Cícero e os fins da eloquência romana." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270892.

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Orientador: Marcos Aurelio Pereira
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-25T05:07:13Z (GMT). No. of bitstreams: 1 Pini_Mariana_M.pdf: 615255 bytes, checksum: 51467bd71b14bb047c5105dea6592413 (MD5) Previous issue date: 2014
Resumo: A obra Brutus, de Marco Túlio Cícero, conduz uma reflexão sobre a história da eloquência e uma avaliação sobre os grandes nomes da retórica, desde suas origens dentro da cultura grega antiga até suas contribuições romanas, cuja glória máxima é depositada sobre o próprio autor. No ocaso da República sob a tirania de César, o Arpinate apresenta seu panteão de oradores, associado a um conjunto de preceitos sobre o latim. Este trabalho advoga que a preceptiva ciceroniana dialoga com a obra De analogia, de César (por sua vez, dedicada a Cícero como resposta a seu influente De oratore). O estudo se dedica a investigar como Cícero formula suas concepções sobre o bom latim de forma incompatível, em numerosos aspectos, com as concepções de César. A discussão sobre a Latinitas é tomada como oportunidade, no Brutus, para que Cícero articule seu próprio ethos como um personagem, bem como o de César, também presente no diálogo. O latim é um campo de batalha que se tinge de tonalidades políticas: o orador concebe a Latinitas como questão de educação elementar e hábito alcançado através da prática com boas famílias. Júlio César, por sua vez, tinha por objetivo democratizar a Latinitas. Assim, a defesa do general, em favor de uma forma restrita de oratória, é regida pela ratio, isto é, de um método racional. A Latinitas está ligada à ideia de identidade propriamente romana; contudo, o debate sobre a fala adequada envolve inevitavelmente pontos de vista diferentes. O Brutus se inicia com a morte de Hortênsio, mas o eclipse do debate forense público imposto pelo general César representa, para Cícero, a morte da República; dessa forma, o texto compõe uma reflexão sobre a morte não apenas de um orador, mas de numerosos princípios caros ao Arpinate na Roma que se desenhava sob o domínio da censura
Abstract: The work Brutus, by Marcus Tullius Cicero, builds a reflection upon the history of eloquence and an evaluation about the greatest names of Rhetoric, since its emergence within the ancient Greek culture until its Roman contributions, whose most glorious representative is Tully himself. At the end of the Republic, under Caesarian tyranny, the Arpinate displays his pantheon of speakers, associated with a set of precepts about the Latin language and culture. The present study advocates that the Ciceronian perceptive is related to De analogia, a work by Julius Caesar (and dedicated to Cicero, as a reaction to his influential De oratore). This dissertation aims at investigating how Cicero formulates his conceptions about Latin in a way incompatible with Caesar¿s convictions. The discussion about Latinitas is seen as an opportunity, in Brutus, for Cicero to articulate his own ethos as a character, as well as Caesar¿s (also included in the dialogue). Latin is a battlefield tinted with political hues: The Roman orator conceives Latinitas as a matter of basic education and a habit reached through practice with worthy families. Julius Caesar, on the other hand, aims to democratize Latinity. Hence, the general¿s standpoint, favoring a restricted understanding of oratory, is governed by ratio ¿ in other words, by a rational method. Latinitas is connected to the idea of a properly Roman identity; the adequate speech is understood differently according to those different perspectives. The Brutus begins with the death of Hortesius, but the obliteration of public forensic debate (enforced by Caesar) represents, for Cicero, the death of Republic. Therefore, the text composes a reflection on death ¿ not merely the death of a speaker, but also the death of a number of principles cherished by the Arpinate in a Rome which had been recently brought under control by means of censorship
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Flamarion, Edith. "Théâtre jésuite néo-latin et Antiquité : sur le "Brutus" de Charles Porée, 1708 /." Rome : Paris : École française de Rome ; diff. de Boccard, 2002. http://catalogue.bnf.fr/ark:/12148/cb39009126r.

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Texte remanié de: Th.--Lettres--Paris 3, 1994. Titre de soutenance : Le théâtre néo-latin dans les collèges de Jésuites en France au début du XVIIIe siècle.
Contient le texte latin et la trad. française de la pièce "Brutus" de C. Porée. Bibliogr. p. 479-516. Index.
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Bec, Catherine. "La tragédie à sujet romain, du Brutus de Voltaire à la Lucrèce de Ponsard." Toulouse 2, 2007. http://www.theses.fr/2007TOU20074.

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Les tragédies romaines des XVIIIe et XIXe siècles n’ont qu'une piètre place dans les histoires littéraires. L'exceptionnelle longévité du genre, qui, depuis le XVIIe siècle, allie une forme fixe à des sujets qui empruntent aux mêmes pages d'histoire, tend à donner une impression de monotonie et d'usure, à laquelle on conclut trop vite. C'est oublier que ces tragédies sont au centre d'une vie théâtrale intense, où se reflètent les questions philosophiques et politiques du temps. Étroitement lié à la politique, le théâtre tragique devient un lieu de débat, puis une tribune, un instrument à la gloire du pouvoir ou un moyen de contestation. Nourries d'influences diverses, les tragédies romaines s'éloignent peu à peu de l'univers de convention auquel la critique moderne les restreint pour se rapprocher du naturel : grâce au jeu, à la déclamation, à la mise en scène, dont les codes ont été bouleversés, c'est une Rome bien vivante qui apparaît sur la scène tragique, témoignant des multiples nuances d'un genre qui a hésité longtemps entre classicisme et romantisme
The Roman tragedies of XVIIIth and XIXth centuries have only one poor place in the literary studies. The exceptional longevity of the genre, which, since the XVIIth century, combines a fixed form on subjects which draw their inspiration from the same pages of history, seems to give an impression of monotony and wear, to which one conclude too quickly. One must not forget that these tragedies are in the middle of an intense theatrical life, which reflects philosophical and political questions. Closely related to the policy, the tragic theatre becomes a place of debate, then of propaganda, an instrument to celebrate the government or a means of disputation. Receiving various influences, the roman tragedies leave progressively the universe of convention to which modern criticism restricts them, to become more natural : thanks to the actors and dramatists who transformed codes, Rome is really alive on the tragic scene, testifying to the multiple nuances of a genre which hesitated a long time between classicism and romanticism
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Lilja, Eva. "Annelie Bränström Öhman, Kärlekens ödeland. Rut Hillarp och kvinnornas fyrtiotalsmodernism. Brutus Östlings Bokförlag Symposion. Stockholm/Stehag 1998." Uppsala : Svenska Litteratursällskapet, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200749.

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Aaslestad, Petter. "Anna Forssberg Malm, Kollisioner. Aksel Sandemose som outcast och monument. Brutus Östlings Bokförlag Symposion. Stockholm/Stehag 1998." Uppsala : Svenska Litteratursällskapet, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200751.

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Books on the topic "Brutus"

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Eggleton, Jill. Brutus. Oxford: Heinemann Educ., 1994.

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Jim, Storey, ed. Brutus. Bothell, WA: Wright Group, 1996.

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Barrie, J. M. Dear Brutus. London: Samuel French, 1998.

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Barrie, J. M. Dear Brutus. Studio City, CA: Players Press, 2007.

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Gobbell, John J. The Brutus lie. New York: Scribner's, 1991.

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Mandel, Doris. Brutus der Höllenhund. Halle (Saale): D. Mandel, 1998.

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Sargent, Dave. Brutus the bear. Prairie Grove, Ark: Ozark Pub., 1996.

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Gondosch, Linda. Brutus, the wonder poodle. New York: Random House, 1990.

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Gondosch, Linda. Brutus, the wonder poodle. New York: Random House, 1990.

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Sheryl, Sloan, and Reynolds Pat, eds. Brutus learns to fetch. Littleton, MA: Sundance, 1996.

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Book chapters on the topic "Brutus"

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Davis, Geoffrey V. "Brutus, Dennis." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8109-1.

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Vaculínová, Marta. "Brutus, Stephanus Junius." In Encyclopedia of the Philosophy of Law and Social Philosophy, 346–48. Dordrecht: Springer Netherlands, 2023. http://dx.doi.org/10.1007/978-94-007-6519-1_986.

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Honigmann, E. A. J. "Sympathy for Brutus." In Shakespeare: Seven Tragedies Revisited, 30–53. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230503038_4.

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Vaculínová, Marta. "Brutus, Stephanus Junius." In Encyclopedia of the Philosophy of Law and Social Philosophy, 1–3. Dordrecht: Springer Netherlands, 2022. http://dx.doi.org/10.1007/978-94-007-6730-0_986-1.

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Fox, Matthew. "Brutus." In Cicero's Philosophy of History, 177–208. Oxford University Press, 2007. http://dx.doi.org/10.1093/acprof:oso/9780199211920.003.0007.

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"Brutus." In Bayle: Political Writings, 29–35. Cambridge University Press, 2000. http://dx.doi.org/10.1017/cbo9781139163866.007.

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"BRUTUS." In Bibliothek der Alten Welt, 63–126. De Gruyter, 2010. http://dx.doi.org/10.1515/9783112466681-003.

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"Preface." In Brutus, ix—xiii. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300231267-002.

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"List of Illustrations and Maps." In Brutus, vi—viii. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300231267-001.

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"2. Independent Operator." In Brutus, 33–55. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300231267-006.

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Conference papers on the topic "Brutus"

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Boxwell, Stephen A., Dennis Mehay, and Chris Brew. "Brutus." In the Joint Conference of the 47th Annual Meeting of the ACL and the 4th International Joint Conference. Morristown, NJ, USA: Association for Computational Linguistics, 2009. http://dx.doi.org/10.3115/1687878.1687885.

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Rainey, R. M. "Brutus Project Overview: "Challenges and Results"." In Offshore Technology Conference. Offshore Technology Conference, 2002. http://dx.doi.org/10.4043/13990-ms.

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Corbetta, Giovanni. "BRUTUS: The Rigid Spoolpiece Installation System." In Offshore Technology Conference. Offshore Technology Conference, 1999. http://dx.doi.org/10.4043/11047-ms.

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Rowland, L. R., K. G. Bowen, R. F. Figgers, and V. E. Gibson. "Integration Schedule Reduction of the Brutus TLP." In Offshore Technology Conference. Offshore Technology Conference, 2002. http://dx.doi.org/10.4043/13992-ms.

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Smith, Chris, Roger Wintermute, James Duran, Ken Broussard, and Frank Spillman. "Brutus Operational Readiness: Building on Past Projects." In Offshore Technology Conference. Offshore Technology Conference, 2002. http://dx.doi.org/10.4043/13995-ms.

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Rowland, L. R., and L. A. Dominick. "Application of PMI PMBOK on the Shell Brutus Deepwater Project." In Offshore Technology Conference. Offshore Technology Conference, 2001. http://dx.doi.org/10.4043/12981-ms.

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Morandi, Alberto, Diego Martinez, and Charles Smith. "Statistics of TLP Tendon Tension Behaviour During Hurricane Lili." In ASME 2004 23rd International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2004. http://dx.doi.org/10.1115/omae2004-51445.

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Hurricane Lili permitted an assessment of the global performance of several deepwater structures under a major environmental event. The US Minerals Management Service (MMS) commissioned American Global Maritime Inc. (AGMI) to collect and assess information on the performance of the deepwater production facilities that were impacted by Lili. The Shell Brutus Tension Leg Platform (TLP) provided comprehensive measurements of winds, motions and tendon tensions during Lili. The tendon tension data recorded was analyzed in both the time and frequency domain and tendon tension statistics were comparable to the relevant design values. Other relevant comparisons included natural period and damping estimates. Overall the design ‘recipe’ adopted for Brutus was sufficient to prevent exceedance of design capacities and damage to the hull structure and tendons during Hurricane Lili. The lessons learned from the analyses and recommendations for further work are also summarized in this paper.
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Wincheski, Rick, Craig Bertrand, Brent Dampman, and Danny Eisenhauer. "Brutus Export Pipelines - Improvement Opportunities and Challenges in Deepwater Pipeline Installation." In Offshore Technology Conference. Offshore Technology Conference, 2002. http://dx.doi.org/10.4043/13994-ms.

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Fair, P. S., R. I. McNeil, G. Nitters, S. R. Stroman, and C. L. Davis. "Formation Damage Resulting From Unexpexted Acid Incompatibilities At Brutus, Gulf Of Mexico." In SPE European Formation Damage Conference. Society of Petroleum Engineers, 2003. http://dx.doi.org/10.2118/82262-ms.

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Das, Mithun, Punyajoy Saha, Ritam Dutt, Pawan Goyal, Animesh Mukherjee, and Binny Mathew. "You too Brutus! Trapping Hateful Users in Social Media: Challenges, Solutions & Insights." In HT '21: 32nd ACM Conference on Hypertext and Social Media. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3465336.3475106.

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Reports on the topic "Brutus"

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Coavas-Blanquicet, Sami Gabriel, Celene Margarita Romero Haddad, and Guillermo David Ruíz Padilla. El producto interno bruto (PIB). Ediciones Universidad Cooperativa de Colombia, November 2023. http://dx.doi.org/10.16925/gcnc.76.

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Esta nota de clase proporciona una visión completa sobre el producto interno bruto (PIB), abordando su definición, componentes, formas de medir y limitaciones. El PIB se presenta como un indicador clave para medir la actividad económica de un país y evaluar su desempeño. Se explican detalladamente los componentes del PIB, que incluyen el consumo, la inversión, el gasto público y las exportaciones netas. Además, se exploran las distintas metodologías utilizadas para medir el PIB, como el enfoque del gasto, el ingreso y el valor agregado. También se destacan las limitaciones del PIB, como su incapacidad para capturar aspectos como la distribución del ingreso o el impacto ambiental. Este documento será una valiosa fuente de consulta para los estudiantes del curso de Agregados Económicos de la Facultad de Ciencias Administrativas, Contables y Afines, brindándoles un entendimiento sólido sobre el PIB y su importancia en el análisis económico. Les proporcionará una base para evaluar el desempeño económico, identificar áreas de mejora y tomar decisiones informadas en el ámbito empresarial y gubernamental. Asimismo, al abordar las limitaciones del PIB, los estudiantes adquirirán una perspectiva crítica que les permitirá considerar otros indicadores complementarios para una evaluación más completa de la economía. Lo anterior se realiza a través de ejemplos sencillos que vinculan lo teórico y práctico.
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Venera Cruz, Luis Enrique, and Carlos Enrique Escalante Pérez. Elaboración del presupuesto de utilidad bruta. Ediciones Universidad Cooperativa de Colombia, December 2022. http://dx.doi.org/10.16925/gcgp.66.

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Esta guía práctica de clase expondrá todos los pasos para el desarrollo de un presupuesto de utilidad bruta. Tiene como finalidad abordar los diferentes conceptos y procedimientos presupuestales con el ánimo de que los estudiantes pongan en práctica lo aprendido durante el desarrollo del curso de Elaboración de Presupuesto. En una primera parte se desarrollarán los principales conceptos relacionados con costos. Allí se abordarán definiciones de conceptos como materia prima, mano de obra directa, costos indirectos de fabricación y presupuesto. Posteriormente, se detallarán todos los procedimientos con sus respectivas tablas para realizar cada una de las cédulas presupuestarias para la vigencia de un año, incluyendo cada una de las fórmulas para su desarrollo. Con esto se busca que los estudiantes del curso de Elaboración de Presupuesto de la Universidad Cooperativa de Colombia desarrollen las competencias del Hacer, que busca cómo realizar un presupuesto de compras, ventas, inventarios, costos de producción y de utilidad bruta.
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Posada, Carlos Esteban. Señoreaje, impuesto inflacionario y utilidades brutas) del Emisor: definiciones y medidas del caso colombiano reciente. Bogotá, Colombia: Banco de la República, February 2000. http://dx.doi.org/10.32468/be.140.

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Caliskan, Adil, and Servet Caliskan. Evenaged Cone Pair Formation in Calabrian Pine (Pinus brutia Ten.). "Prof. Marin Drinov" Publishing House of Bulgarian Academy of Sciences, August 2019. http://dx.doi.org/10.7546/crabs.2019.08.05.

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Mathiassen, Charlotte, and Hanne Knudsen. Samarbejdskultur i fængsler: Når uddannelse og facilitering bruges til organisationsudvikling. Aarhus University Library, 2016. http://dx.doi.org/10.7146/aul.160.128.

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Melo-Velandia, Luis Fernando, Hernán Rincón-Castro, and Jorge Hernán Toro-Córdoba. Flujos brutos de capital de portafolio de no residentes y residentes y el rol de la política monetaria. Banco de la República Colombia, March 2023. http://dx.doi.org/10.32468/be.1224.

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El objetivo del estudio es evaluar los principales determinantes de los flujos brutos de entradas y salidas de capital de portafolio de Colombia de los inversionistas no residentes y residentes y, en particular, estudiar el rol de la tasa de interés de política monetaria interna. El marco conceptual es el modelo estándar de portafolio aumentado con variables que miden factores de expulsión y atracción y medidas de sorpresas macroeconómicas. El modelo de regresión es una vector autorregresivo con variables exógenas o VAR-X y la información es de frecuencia mensual del periodo 2011 a 2020. Los resultados principales indican que la tasa de interés de política no resulta ser un determinante estadísticamente significativo de los flujos de portafolio de los inversionistas no residentes ni de los residentes con las estadísticas y durante el periodo analizados. Adicionalmente, las estimaciones evidencian diferencias importantes en las respuestas de los inversionistas no residentes y residentes ante otras perturbaciones macroeconómicas internas y externas. Finalmente se comprueba que existe hasta cierto grado una sustitución entre las salidas de capital de portafolio de los no residentes y las entradas de capital de los residentes. Esto significa que los movimientos de unos amortiguan los efectos cambiarios, de balanza de pagos y, probablemente financieros y macroeconómicos de los otros.
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Weinzierl, Matthew. Popular Acceptance of Inequality due to Brute Luck and Support for Classical Benefit-Based Taxation. Cambridge, MA: National Bureau of Economic Research, July 2016. http://dx.doi.org/10.3386/w22462.

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Ortega, Julio, and Roberto Ramos. Estimaciones paramétricas del impuesto sobre la renta en 2019. Madrid: Banco de España, June 2024. http://dx.doi.org/10.53479/36756.

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Este artículo ofrece una actualización para el año 2019 de las estimaciones de funciones paramétricas del impuesto sobre la renta de las personas físicas, llevadas a cabo por García-Miralles, Guner y Ramos (2019), que se circunscribían a 2015, para el caso de los contribuyentes individuales y a 2013, para el caso de los hogares. De este modo, se proporcionan las estimaciones que sintetizarían dicho impuesto en la situación previa a la pandemia y, en particular, incluirían, para el caso de los hogares, la reforma del impuesto sobre la renta del año 2015. Estas funciones son útiles a la hora de calibrar modelos macroeconómicos de equilibrio general con el fin de simular reformas tributarias o de computar la renta después de impuestos en encuestas cuya información se recoge solo en términos brutos.
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Corlin Christensen, Rasmus, Martin Hearson, and Tovony Randriamanalina. Une tablée plus grande, mais toujours le même menu ? Evaluer l’inclusion des pays en développement dans les négociations fiscales mondiales. Institute of Development Studies, December 2020. http://dx.doi.org/10.19088/ictd.2020.006.

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Depuis 2013, la structure officielle de l’organe de décision sur les politiques fiscales mondiales au niveau de l’OCDE a changé. Les décisions ne sont plus prises par les 37 membres de l’OCDE, mais par 137 pays représentant toutes les régions du monde et tous les niveaux de développement à travers le ‘cadre inclusif’. Les documents officiels insistent sur le fait que tous les pays participent sur un pied d’égalité, mais certains participants et observateurs ont souligné que les pays en développement se heurtent à des obstacles d’ordre pratique qui engendrent, dans les faits, une participation inégale. Dans cette publication, nous évaluons ces déclarations principalement à partir de 48 interviews menées avec des négociateurs, des décideurs politiques et autres acteurs impliqués dans les discussions mondiales sur la fiscalité. Nous observons que l’explosion du nombre des adhésions formelles des pays en développement n’a pas suscité un changement radical sur l’influence des ces derniers. Ce que les chiffres bruts laissaient présager. Nous observons que l’explosion du nombre d’adhésions formelles n’a pas suscité le changement radical dans l’influence des pays en développement que les chiffres bruts laissaient présager. Cela s’explique par une combinaison d’obstacles structurels non spécifiques au cadre inclusif et d’aspects problématiques dans le mode de fonctionnement de l’OCDE. À ce jour, les pays à faible revenu ont tout de même obtenu quelques modestes résultats et on observe les signes d’un acheminement progressif vers une présence plus efficiente. Nous développons une typologie de mécanismes ayant engendré des résultats positifs : l’association avec les efforts des États plus puissants, l’anticipation des besoins des pays à faible revenu par le secrétariat de l’OCDE et par d’autres entités, la collaboration pour former des coalitions plus puissantes, et l’émergence de négociateurs experts ayant une autorité individuelle.
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Martínez Linero, Omaira. Incidencia de la política monetaria y la tasa de cambio en el crecimiento económico de Colombia. Ediciones Universidad Cooperativa de Colombia, November 2021. http://dx.doi.org/10.16925/gclc.19.

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La política monetaria es un instrumento de la política económica de un país que, junto con la política fiscal, la política cambiaria y la política de comercio, utilizan los gobiernos para alcanzar los objetivos económicos de aumentar la riqueza nacional, y contribuir al desarrollo y al bienestar de todos sus nacionales. En este sentido, la política monetaria contribuye a través de la estabilización del valor del dinero en el tiempo y de la balanza de pagos para procurar un crecimiento del producto interno bruto.
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