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Journal articles on the topic 'Bryan Wilson'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

García Jorba, Juan M. "Entrevista a Bryan Wilson." Arxiu d'Etnografia de Catalunya, no. 9 (February 12, 2016): 191. http://dx.doi.org/10.17345/aec9.191-201.

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Bryan R. Wilson és una de les figures cabdals de la Sociologia de la Religió i tota una institució a Anglaterra. Imparteix classes de Sociologia a All Souls, Oxford, i cal destacar les seves aportacions a l'estudi del sectarisme i de la secularització. Religion in Secular Society (1966), Religious Sects (1970), Magic and the Millennium (1975), Contemporary Transformation of Religion (1976), Sects and Society (1978) i Religion in Sociological Perspective (1982), juntament amb la compilació The Social lmpact of New Religious Movements (1981), són un bon exemple de la seva excepcional producció. A continuació es detalla el contingut de l'entrevista d'hora i mitja de duració que es va mantenir a les seves habitacions privades a All Souls el dia 10 de Juny de 1993.

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2

Segal, Robert A. "Religion in Sociological Perspective. Bryan Wilson." Journal of Religion 65, no. 2 (April 1985): 303–4. http://dx.doi.org/10.1086/487251.

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3

Kennedy, Ross A. "STRATEGIC CALCULATIONS IN WOODROW WILSON'S NEUTRALITY POLICY, 1914–1917." Journal of the Gilded Age and Progressive Era 17, no. 4 (September 26, 2018): 608–18. http://dx.doi.org/10.1017/s1537781418000269.

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This article analyzes Woodrow Wilson's view of the First World War's implications for U.S. national security and the way in which he related the balance of power between the belligerents at different points in time to his diplomatic objectives. It approaches this topic, which is a subject of much debate among historians, by comparing Wilson's view of the war from late 1914 to early 1915 with that of his secretary of state, William Jennings Bryan, and by examining how those perceptions shaped the response of the two leaders to the sinking of theLusitania. Bryan and Wilson both wanted the United States to stay out of the war, both wanted the United States to mediate an end to it, and both of them saw mediation as a doorway to reforming international politics. Unlike Bryan, however, Wilson saw Germany as a potential threat to the United States and paid close attention to the balance of power between the Allies and Central Powers; he specifically believed that the Allies were likely to win the war. These views led Wilson to reject Bryan's advice to de-escalate theLusitaniacrisis and to adopt a much more confrontational policy toward Germany, one of the most consequential decisions Wilson made in the neutrality period.

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4

Jefferies, Janis. "Fray: Art and Textile Politics, by Julia Bryan-Wilson." Art Bulletin 101, no. 2 (April 3, 2019): 146–49. http://dx.doi.org/10.1080/00043079.2019.1569946.

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5

Greer, Sarah D. F. "Articulatory Phonetics by Bryan Gick, Ian Wilson, and Donald Derrick." Canadian Journal of Linguistics / La revue canadienne de linguistique 61, no. 1 (2016): 110–13. http://dx.doi.org/10.1353/cjl.2016.0004.

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6

Bruce, Steve. "Public Religion and Secularization in England: Defending Bryan R. Wilson." European Journal of Sociology 57, no. 2 (August 2016): 375–84. http://dx.doi.org/10.1017/s0003975616000138.

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AbstractMatthew Wood’s recent article in the European Journal of Sociology is a useful addition to the secularization debate. There is value in studying ways in which religious organizations now attempt to re-enter the public arena and the secularizing consequences of such activity. However, there is no justification for framing that case as an indictment of either Bryan R. Wilson’s original 1966 presentation of the modern sociological secularization theory or the subsequent work of others in the same paradigm. This rejoinder explains Wilson’s apparent assuming rather than demonstrating the declining influence of religious institutions and concludes that his work can be augmented without asserting that he had missed something which fundamentally alters the secularization approach to religious change.

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7

Pace, Enzo. "WILSON (Bryan), CRESSWELL (Jaimie), New Religious Movements. Challenge and response." Archives de sciences sociales des religions, no. 112 (December 31, 2000): 174. http://dx.doi.org/10.4000/assr.20494.

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8

McCutcheon, Tony, Eileen Barker, James Beckford, and Karel Dobbelaere. "Secularization, Rationalism and Sectarianism Essays in Honour of Bryan R. Wilson." British Journal of Sociology 46, no. 1 (March 1995): 143. http://dx.doi.org/10.2307/591628.

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9

Casanova, Jose, Eileen Barker, James A. Beckford, and Karel Dobbelaere. "Secularization, Rationalism and Sectarianism: Essays in Honour of Bryan R. Wilson." Social Forces 74, no. 2 (December 1995): 738. http://dx.doi.org/10.2307/2580504.

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10

Kus, Robert J., Eileen Barker, James A. Beckford, and Karel Dobbelaere. "Secularization, Rationalism, and Sectarianism: Essays in Honour of Bryan K. Wilson." Review of Religious Research 36, no. 1 (September 1994): 94. http://dx.doi.org/10.2307/3511660.

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11

Séguy, Jean. "Bryan R. Wilson: hommage au spécialiste des sectes de terrain protestant." Social Compass 53, no. 2 (June 2006): 133–39. http://dx.doi.org/10.1177/0037768606064281.

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12

Johnson, Benton, Eileen Barker, James A. Beckford, and Karel Dobbelaere. "Secularization, Rationalism, and Sectarianism: Essays in Honour of Bryan R. Wilson." Sociology of Religion 56, no. 1 (1995): 83. http://dx.doi.org/10.2307/3712041.

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13

Johnson, Daniel C., Eileen Barker, James A. Beckford, and Karel Dobbelaere. "Secularization, Rationalism, and Sectarianism: Essays in Honour of Bryan R. Wilson." Journal for the Scientific Study of Religion 33, no. 2 (June 1994): 190. http://dx.doi.org/10.2307/1386615.

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14

Metcalf, Franz Aubrey. "A Time to Chant: The Sōka Gakkai Buddhists in Britain. Bryan Wilson , Karel Dobbelaere." Journal of Religion 75, no. 4 (October 1995): 612–13. http://dx.doi.org/10.1086/489730.

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15

Wilson, Oscar Bryan, and Garfield W. McMahon. "An Introduction to the Theory and Design of Sonar Transducers by Oscar Bryan Wilson." Journal of the Acoustical Society of America 81, no. 6 (June 1987): 1999. http://dx.doi.org/10.1121/1.394731.

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16

Davie, Grace. "Religion in Secular Society: Fifty Years On, by BRYAN R. WILSON, edited by STEVE BRUCE." Sociology of Religion 78, no. 4 (2017): 499–500. http://dx.doi.org/10.1093/socrel/srx053.

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17

Noll, Mark A. "William Jennings Bryan, Theodore Roosevelt, Woodrow Wilson and the King James Version of the Bible." Theology 114, no. 4 (June 8, 2011): 251–59. http://dx.doi.org/10.1177/0040571x11405120.

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18

Wen, Clement Yung. "Book Review: Renewing the Relevance of Bryan R. Wilson’s Secularization Thesis: Bryan R. Wilson (ed. Steve Bruce), Religion in Secular Society: Fifty Years On." Expository Times 129, no. 2 (October 27, 2017): 98–99. http://dx.doi.org/10.1177/0014524617737673.

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19

Lindo-Fuentes, Héctor. "El Salvador vs. Imperialismo Yanqui, 1912–14." Journal of Latin American Studies 52, no. 3 (June 30, 2020): 495–519. http://dx.doi.org/10.1017/s0022216x20000644.

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AbstractWhen the United States invaded Nicaragua in 1912 the popular reaction in El Salvador was so strong that it completely upended politics. The article argues that this anti-imperialist movement, completely ignored by the current historiography, forced Salvadorean governments to make decisions regarding foreign policy that would have been unthinkable had it not been for the pressure from below. Popular pressures contributed to limit the scope of the final version of the Chamorro–Bryan Treaty between the United States and Nicaragua. The treaty did not include Platt Amendment-like provisions. Moreover, the Wilson administration abandoned the idea of extending a protectorate to all the Central American countries and building a naval base in the Gulf of Fonseca.

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20

Riesebrodt, Martin. "The Social Dimensions of Sectarianism: Sects and New Religious Movements in Contemporary Society. Bryan R. Wilson." Journal of Religion 72, no. 4 (October 1992): 596–97. http://dx.doi.org/10.1086/489002.

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21

Morton. ""It Was Bryan and Sullivan Who did the Trick" How William Jennings Bryan and Illinois' Roger C. Sullivan Brought About the Nomination of Woodrow Wilson in 1912." Journal of the Illinois State Historical Society (1998-) 108, no. 2 (2015): 147. http://dx.doi.org/10.5406/jillistathistsoc.108.2.0147.

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22

Kemp, Daren. "Wilson, Bryan and Cresswell, Jamie (Eds.). 1999. New Religious Movements: Challenge and Response. London: Routledge, pp. xviii + 284." Studies in World Christianity 6, no. 1 (April 2000): 135–36. http://dx.doi.org/10.3366/swc.2000.6.1.135.

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23

Kemp, Daren. "Wilson, Bryan and Cresswell, Jamie (Eds.). 1999.New Religious Movements: Challenge and Response. London: Routledge, pp. xviii + 284." Studies in World Christianity 6, Part_1 (January 2000): 135–36. http://dx.doi.org/10.3366/swc.2000.6.part_1.135.

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24

Reiter, Howard L. "The Bases of Progressivism within the Major Parties." Social Science History 22, no. 1 (1998): 83–116. http://dx.doi.org/10.1017/s0145553200021714.

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In the early decades of the twentieth century, for the first time in American history, a movement based on a broad agenda of political reform arose to dominate the political discourse. It inspired the growth of the regulatory state, the doubling of the size of the electorate, many reforms that were aimed at weakening the grip of machine politics, and other changes too numerous to list here. According to influential studies, the period gave us a “new American state” (Skowronek 1982) combined with the “onward march of party decomposition” (Burnham 1970).For both major parties, we are told, there were clear divisions associated with support for or opposition to the progressive movement. Within the Democratic Party, William Jennings Bryan and Woodrow Wilson held high the banner of progressivism, while Alton B. Parker, John W Davis, and other heirs of Grover Cleveland spoke for conservatives.

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25

Salgado de la Rosa, María Asunción, Javier Fco Raposo Grau, and Belén Butragueño Díaz-Guerra. "Secuencias gráficas y procesos reflexivos. Cuatro cuadernos de arquitectos." EGA Revista de Expresión Gráfica Arquitectónica 25, no. 39 (July 22, 2020): 46. http://dx.doi.org/10.4995/ega.2020.12796.

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<p>El dibujo como acción ligada al proyecto, es consustancial al arquitecto. Es un ejercicio de pensamiento que ayuda a formalizar el espacio imaginado y a investigar más allá de lo geométricamente conocido, explorando conceptos ligados a las inquietudes de su tiempo. El resultado de estos procesos, arroja una secuencia de bocetos a menudo contenidos en un cuaderno, que revelan las obsesiones propias de cada arquitecto. Pocas veces tenemos acceso a esta información procesual por entenderse como “privada”, sin embargo, en los casos en los que sí es posible su análisis, resulta esclarecedor cuando tratamos de entender en profundidad el carácter de la obra arquitectónica. Para ilustrar esta idea, este artículo se centra en los cuadernos de cuatro arquitectos, Zaha Hadid, Peter Wilson, Lebbeus Woods y Bryan Cantley. En sus páginas se reflexiona sobre problemas que atañen a la arquitectura, el urbanismo y el desarrollo social de su tiempo.</p>

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26

Greer, Sarah D. F. "Bryan Gick, Ian Wilson, and Donald Derrick 2013. Articulatory Phonetics. West Sussex: Wiley-Blackwell. Pp. xxii + 250. CDN$56.95 (softcover)." Canadian Journal of Linguistics/Revue canadienne de linguistique 61, no. 1 (March 2016): 110–13. http://dx.doi.org/10.1017/cnj.2016.7.

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27

Woodhead, Linda. "Omvärdering av offentliga religion." Religionsvidenskabeligt Tidsskrift, no. 58 (December 5, 2012): 5. http://dx.doi.org/10.7146/rt.v0i58.7658.

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Under det innevarande århundradet har det också i de mest "sekulära" samhällen i Väst blivit allt tydligare att religion spelar en roll i det offentliga livet och att det inte bara kan beskrivas som något "privatiserat". Men hur skall denna offentliga roll förstås och analyseras? Denna artikel presenterar en ram för en sådan analys som tar de olika roller, som olika slags religioner spelar i de moderna samhällenas differentierade sfärer (utbildning, juridik, välfärd osv.), på allvar. Med andra ord, den laborerar med ett antal variabler: Vilken typ av religion? Vilken är relationen mellan det religiösa och det sekulära? Inom vilken/vilka sociala sfär(er)? Vilken typ av roll spelar religon? I vilka relationer till klass, gender, etnicitet och andra utgångspunkter för ojämlikhet? Denna differentierade modell tager sin utgångspunkt i en kritik av existerande uppfattningar av offentlig religion (ex. Bryan Wilson resp. José Casanova) och de antagelser som de utgår ifrån, inklusive en insnävning till det nationella, en sammansmältning av social differentiering och en snäv kyrko- eller denominations-fokuserad syn på religion. Resultatet är ett analytiskt verktyg som är bättre utformat för att kunna taga hänsyn till olika former för offentlig religion som är finna på lokalt, nationellt och transnationellt nivå i de senmoderna konsumtionssamhällena.

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28

Hawley, Elizabeth S. "Julia Bryan-Wilson. Fray: Art + Textile Politics. Chicago: University of Chicago Press, 2017. 326 pp.; 90 color and 62 halftone illustrations, notes, index. $55.00." Winterthur Portfolio 53, no. 2-3 (June 2019): 191–93. http://dx.doi.org/10.1086/706660.

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29

Lewis, Gail. "Once More With My Sistren: Black Feminism and the Challenge of Object Use." Feminist Review 126, no. 1 (October 22, 2020): 1–18. http://dx.doi.org/10.1177/0141778920944372.

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Recent years have seen an increased interest in black feminism. Whether thinking of the explosion of activism, the reprinting of classics such as Heart of the Race (Bryan, Dadzie and Scafe, 2018 [1985]) and Finding a Voice (Wilson, 1978) or the numerous journalistic or scholarly inquiries into black feminist formations in Britain in the 1970s–1990s, black feminism is a topic of interest once again. Sometimes it goes under other names: POC feminism, Womanism, Fugitive Feminism—each of which offers a specific inflection of this thing I am calling black feminism. Given this context, my aim in this article is to consider how black feminism might be conceived—what kind of an object it is, but more importantly how it might be ‘used’ and utilised as a vibrant and well-honed tool in the armory with which we attempt to craft a politics of ethical freedom. I attempt to draw together work from the theoretical archive of black women’s writing with that of psychoanalyst Donald Winnicott and his theorisation of ‘object use’ and ‘play’, as foundation stones in the development of a capacity for ethical relating based on the detoxification of racism’s effects on ‘self’, ‘other’ and the intersubjective field that the space between these constitutes. In my mind, the piece is a ‘call’ hoping for a ‘response’, the chorus is ‘black feminism’.

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30

Fuchs, Susanne. "BRYAN GICK , IAN WILSON & DONALD DERRICK , Articulatory phonetics. Maldon, MA & Oxford: Wiley-Blackwell, 2013. Pp. xxii + 250. ISBN: 978-1-4051-9320-7." Journal of the International Phonetic Association 45, no. 3 (December 2015): 311–13. http://dx.doi.org/10.1017/s0025100315000195.

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31

O'LEARY, RICHARD. "New Religious Movements: Challenge and Response, Bryan Wilson and Jamie Cresswell (eds.), London: Routledge, 1999, (£14.99 pbk), xviii+284 pp. (ISBN: 0-415-20050-4)." Sociology 35, no. 1 (February 2001): 219–58. http://dx.doi.org/10.1017/s0038038501500152.

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32

Gill, Robin. "The Social Dimensions of Sectarianism. Sects and New Religious Movements in Contemporary Society. By Bryan R. Wilson. Oxford, Clarendon Press, 1990. Pp. xii + 299. £32.50." Scottish Journal of Theology 45, no. 4 (November 1992): 543–44. http://dx.doi.org/10.1017/s0036930600049346.

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33

Casanova, J. "Secularization, Rationalism and Sectarianism: Essays in Honour of Bryan R. Wilson. Edited by Eileen Barker, James A. Beckford, and Karel Dobbelaere. Clarendon Press, 1993. 322 pp. $55.00." Social Forces 74, no. 2 (December 1, 1995): 738–39. http://dx.doi.org/10.1093/sf/74.2.738.

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34

Starr, Larry. "RECORDING REVIEWS." Journal of the Society for American Music 1, no. 2 (May 2007): 285–89. http://dx.doi.org/10.1017/s175219630707109x.

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Brian Wilson Presents Smile. Our Prayer/Gee, Heroes and Villains, Roll Plymouth Rock, Barnyard, Old Master Painter/You are My Sunshine, Cabin Essence, Wonderful, Song For Children, Child is Father of the Man, Surf's Up, I'm in Great Shape/I Wanna Be Around/Workshop, Vega-Tables, On a Holiday, Wind Chimes, Mrs. O'Leary's Cow, In Blue Hawaii, Good Vibrations. Brian Wilson, vocals and keyboards, with accompanying musicians. Produced and arranged by Brian Wilson. Booklet includes song lyrics and notes by David Leaf. Nonesuch 79846-2, 2004.

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35

Hibbett, Ryan. "Brian Wilson Reimagines Gershwin." Popular Music and Society 34, no. 5 (December 2011): 699–701. http://dx.doi.org/10.1080/03007766.2011.626660.

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36

Jones, Carys Wyn, and David Leaf. "Brian Wilson Presents "Smile"." American Music 24, no. 3 (October 1, 2006): 375. http://dx.doi.org/10.2307/25046041.

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37

Harrison, Daniel. "Kirk Curnutt, Brian Wilson." Volume !, no. 10 : 2 (June 10, 2014): 228–33. http://dx.doi.org/10.4000/volume.4094.

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38

Birbilis, Nick. "Vale Brian Wilson Cherry." Corrosion Engineering, Science and Technology 53, no. 7 (August 14, 2018): 536–37. http://dx.doi.org/10.1080/1478422x.2018.1510086.

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39

Eisinger, Peter. "The Sustaining Hand: Community Leadership and Corporate Power. By Bryan D. Jones and Lynn W. Bachelor with Carter Wilson (Lawrence: University of Kansas Press, 1986. vii, 247 p. $27.50, cloth; $9.95, paper)." American Political Science Review 81, no. 2 (June 1987): 688–89. http://dx.doi.org/10.2307/1962048.

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40

MCQUISTON, KATE. "Brian Wilson Reimagined: The Reparative Portrait in Love & Mercy." Journal of the Society for American Music 13, no. 03 (August 2019): 359–78. http://dx.doi.org/10.1017/s1752196319000233.

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AbstractThe 50-year anniversary of the Beach Boys’ seminal album Pet Sounds and Brian Wilson's corresponding world concert tour have once again brought attention to Wilson and his creative work with the Beach Boys. These events have brought about new recording releases and publications about the band and Wilson, including the first feature-length biopic on Wilson, Love & Mercy. The following essay investigates Atticus Ross's reimaginative approach to Brian Wilson's music for the soundtrack of this film, directed by Bill Pohlad and released in 2014. The film expands recent trends in music biopics of the last couple of decades regarding the mobilization and activation of music to afford new interpretations of their subjects and new ways to hear their work. Ross's approach is distinct for its extensive recomposition of Brian Wilson's music in the film's original score, which allows director Bill Pohlad to show Wilson in a new light.Ross incorporates Beach Boys recordings (studio sessions and released tracks) into new pieces that highlight processes of manipulation, layering, and repetition, which point to the studio as a major site of Wilson's creativity. These processes furthermore portray the psychic life of the film's characters. Ross's compositions dramatize the subjectivity of hearing and rogue behaviors of auditory recollection and hallucination that characterize both Wilson's creativity and mental illness. In the context of the story of Brian Wilson and Melinda Ledbetter, Ross's compositions take on palliative associations that have direct implications for the reception of the film's original soundtrack.

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41

Shindler, J., D. White, S. Gawne, M. Hoskinson, G. H. Robb, F. Charatan, G. W. Morrison, et al. "Clifford Bryan Floyd Stanley Clucas Gawne Raymund Peter Hoskinson Michael Lawrence Johnson Robert I Levy John Wilson Morrison Archie MacDonald Revie Philip Sydney Silver Frank Philip Walt David Leonard Williams Robin David Winch." BMJ 321, no. 7274 (December 9, 2000): 1474. http://dx.doi.org/10.1136/bmj.321.7274.1474.

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42

Fusco, Maria, and Alex Farquharson. "Brian Wilson: An Art Book." Circa, no. 114 (2005): 102. http://dx.doi.org/10.2307/25564390.

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43

Hill, Kathryn. "Brian Wilson (Icons of Pop)." IASPM@Journal 4, no. 2 (December 31, 2014): 123–25. http://dx.doi.org/10.5429/2079-3871(2014)v4i2.11en.

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44

Craine, James. "Brian Wilson by Santa Barbara Bowl." Yearbook of the Association of Pacific Coast Geographers 79, no. 1 (2017): 263–66. http://dx.doi.org/10.1353/pcg.2017.0018.

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45

Levine, Brian. "Brian Wilson: A Cork on the Ocean." Scientific American 23, no. 1s (December 23, 2013): 40–47. http://dx.doi.org/10.1038/scientificamericancreativity1213-40.

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46

Batinski, Michael C. "Yankees in Michigan by Brian C. Wilson." Michigan Historical Review 35, no. 1 (2009): 137–39. http://dx.doi.org/10.1353/mhr.2009.0013.

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47

Levine, Brian. "Brian Wilson: A Cork on the Ocean." Scientific American Mind 16, no. 4 (December 2005): 36–43. http://dx.doi.org/10.1038/scientificamericanmind1205-36.

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48

KENNEDY, ROSS A. "Woodrow Wilson: United States - By Brian Morton." History 97, no. 326 (April 2012): 343–45. http://dx.doi.org/10.1111/j.1468-229x.2012.00554_35.x.

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49

Wilson, Brian. "Presentation of the Finlaison Medal to Brian Wilson." British Actuarial Journal 20, no. 1 (August 27, 2014): 239–40. http://dx.doi.org/10.1017/s1357321714000208.

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50

LAMBERT, PHILIP. "Brian Wilson’s Pet Sounds." Twentieth-Century Music 5, no. 1 (March 2008): 109–33. http://dx.doi.org/10.1017/s1478572208000625.

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AbstractPet Sounds, the landmark Beach Boys album of 1966, has received wide acclaim as one of rock’s first ‘concept albums’. It also represents a milestone in the artistic evolution of the group’s primary creative force, Brian Wilson. A thorough examination of the texts and music of the songs of Pet Sounds reveals a unified art work projecting a coherent textual narrative. Songs are associated and interrelated via recurrent motives and harmonic patterns, expressing extremely personal themes of romance and heartbreak. The musical ideas are mostly culminations of Brian Wilson’s earlier work – they are the ‘pet sounds’ that he had been raising and nurturing since the early 1960s – but they appear here in an unprecedented artistic context. Despite Wilson’s continued, if sporadic, productivity in the decades that followed, including the ill-fated Smile project, Pet Sounds stands as his crowning artistic achievement, an album with vast appeal and broad influence.

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