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Journal articles on the topic 'Buchenwald Concentration Camp'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Röll, Wolfgang. "Homosexual Inmates in the Buchenwald Concentration Camp." Journal of Homosexuality 31, no. 4 (1996): 1–28. http://dx.doi.org/10.1300/j082v31n04_01.

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2

Monteath, Peter. "Buchenwald Revisited: Rewriting the History of a Concentration Camp." International History Review 16, no. 2 (1994): 267–83. http://dx.doi.org/10.1080/07075332.1994.9640676.

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Zawodna-Stephan, Marta. "Strefy umierania w systemie niemieckich nazistowskich obozów koncentracyjnych na przykładzie Małego Obozu w Buchenwaldzie." Kultura i Społeczeństwo 67, no. 1 (2023): 59–87. http://dx.doi.org/10.35757/kis.2023.67.1.3.

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The article focuses on death zones in concentration camps and those that in themselves were purely death camps. In 1944–1945, in the concentration camp system, these places were spaces of dying, where emaciated and sick prisoners were locked away, thus condemning them to death. Although mass murders were also committed in these places, the majority of the inmates died due to the inaction of camp personnel, who out of their passivity made yet another way of killing prisoners deemed “useless”. The first section of the paper presents the findings of historians, and strives to show on their basis

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Kaynar-Kissinger, Gad. "Shylock in Buchenwald." European Judaism 51, no. 2 (2018): 165–74. http://dx.doi.org/10.3167/ej.2018.510223.

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Abstract Can The Merchant of Venice be performed in Germany after the Holocaust, and if so, how? Is the claim that the play is a touchstone for German-Jewish relations, with a philosemitic tradition – and therefore eligible to be performed today – verifiable? The article begins by briefly surveying this tradition from the Jewish emancipation in the mideighteenth century, which, with a few relapses, continued – especially in productions directed by Jews and/or with Jewish actors in the role of Shylock – until the rise of the Nazi regime, to be resumed after the Second World War. The main part a

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Kaynar-Kissinger, Gad. "Shylock in Buchenwald." European Judaism 51, no. 2 (2018): 165–74. http://dx.doi.org/10.3167/ej.2017.510223.

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Can The Merchant of Venice be performed in Germany after the Holocaust, and if so, how? Is the claim that the play is a touchstone for German-Jewish relations, with a philosemitic tradition – and therefore eligible to be performed today – verifiable? The article begins by briefly surveying this tradition from the Jewish emancipation in the mid-eighteenth century, which, with a few relapses, continued – especially in productions directed by Jews and/or with Jewish actors in the role of Shylock – until the rise of the Nazi regime, to be resumed after the Second World War. The main part analyses

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6

Rodden, John. "“Here There Is No ‘Why’”: Journey to the Buchenwald Concentration Camp." Journal of Human Rights 4, no. 2 (2005): 283–97. http://dx.doi.org/10.1080/14754830590952198.

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7

Hirschman, Elizabeth C., and Ronald Paul Hill. "On human commoditization and resistance: A model based upon Buchenwald Concentration Camp." Psychology and Marketing 17, no. 6 (2000): 469–91. http://dx.doi.org/10.1002/(sici)1520-6793(200006)17:6<469::aid-mar3>3.0.co;2-3.

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Mauriello, Christopher E. "Evidential remains." Human Remains and Violence 6, no. 1 (2020): 57–83. http://dx.doi.org/10.7227/hrv.6.1.5.

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This article utilises the theoretical perspectives of the forensic turn to further expand our historical understandings and interpretations of the events of the Holocaust. More specifically, it applies a theory of the materialities of dead bodies to historically reconstruct and reinterpret the death march from Buchenwald to Dachau from 7 to 28 April 1945. It focuses on dead bodies as ‘evidence’, but explores how the evidential meanings of corpses along the death-march route evolved and changed during the march itself and in the aftermath of discovery by approaching American military forces. Wh

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Zisman, Laine Halpern. "A Spark of Freedom." TDR: The Drama Review 65, no. 3 (2021): 8–23. http://dx.doi.org/10.1017/s1054204321000290.

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“From the ovens we rise with our fists in the air. Now is the time.” My grandfather, Dovid Zisman, was a Yiddish playwright and poet, writing and performing while in the Łódz´ Ghetto and Buchenwald concentration camp. Poetry, song, and performance were his way to speak the unspeakable. A messy assemblage of theories, memoirs, verses, images, and recordings reveal what we can inherit through writing as resistance and through the creative mappings of space and time.

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Rouhart, Jean-Louis. "The (self?)liberation of the Buchenwald concentration camp prisoners as viewed by German historians." Témoigner. Entre histoire et mémoire, no. 120 (April 30, 2015): 150–59. http://dx.doi.org/10.4000/temoigner.2259.

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Mönch, Walter. "The Buchenwald Concentration Camp and Mittelbau-Dora Memorials—Special Museums with Special Security Problems." Museum Management and Curatorship 19, no. 1 (2001): 27–40. http://dx.doi.org/10.1080/09647770100301901.

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Bidaux, Mathieu. "André Marie, homme d’État, résistant et déporté." Études Normandes 13, no. 1 (2020): 62–67. http://dx.doi.org/10.3406/etnor.2020.3554.

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Il y a soixante-quinze ans, André Marie retrouvait la liberté après avoir survécu seize mois en camp de concentration. Homme d’État ayant fortement marqué la vie politique locale et nationale de 1923 à 1974, il était aussi l’auteur d’oeuvres littéraires, dont certaines sont encore inédites. Pour les commémorations de la libération des camps nazis, les Éditions des Falaises font paraître ses Poèmes de Buchenwald. C’est l’occasion de resituer l’héritage de l’un des hommes politiques les plus en vue et influents de la IVe République.

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13

Dian Oktapiana, Dewa Ayu. "The Analysis of Plot in The Novel In His Father’s Footsteps by Danielle Steel." Udayana Journal of Social Sciences and Humanities (UJoSSH) 7, no. 1 (2023): 1. http://dx.doi.org/10.24843/ujossh.2023.v07.i01.p01.

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This study is an analysis of Danielle Steel work entitled In His Father's Footsteps that has a historical setting before the World War II, when the Buchenwald concentration camp operated until the three generations of family's life after being liberated from Buchenwald and starting life as an immigrant which is settling in America. This data is the main data source that discusses how Danielle Steel composes the storyline and presents conditions in it. The nature of this study is literary analysis with descriptive qualitative approach to answer the problems posed. In completing the problem form

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Hirschman, Elizabeth, and Ronald Paul Hill. "Human Rights Abuses by the Third Reich: New Evidence from the Nazi Concentration Camp Buchenwald." Human Rights Quarterly 18, no. 4 (1996): 848–67. http://dx.doi.org/10.1353/hrq.1996.0044.

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15

KUBY, EMMA. "IN THE SHADOW OF THE CONCENTRATION CAMP: DAVID ROUSSET AND THE LIMITS OF APOLITICISM IN POSTWAR FRENCH THOUGHT." Modern Intellectual History 11, no. 1 (2014): 147–73. http://dx.doi.org/10.1017/s147924431300036x.

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In 1949, French intellectual David Rousset publicly called on Nazi camp survivors to bear witness to the existence of a “concentration camp universe” in the Soviet Union. Rousset, a former Buchenwald internee and an influential author, demanded that his fellow survivors identify in unqualified terms with the suffering of Soviet prisoners. Even as he colluded with Cold War governmental agencies, Rousset claimed that the imperative to oppose concentration camps existed “beyond” political or ideological commitments. This essay analyzes the arguments about suffering, politics, and memory made by R

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Jurgenson, Luba. "The case of Robert Antelme." Sign Systems Studies 34, no. 2 (2006): 441–54. http://dx.doi.org/10.12697/sss.2006.34.2.09.

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An analysis of the mnemonic mechanisms at work in the narrative of the concentration camp experience, based on the case of Robert Antelme. This survivor of the Buchenwald camp gave a first spoken version of what was to become his major work, l’Espèce humaine (The Human Species), to his friend Dionys Mascolo. Mascolo’s testimony concerning the narrative that was told to him and his reception, some time later, of the written narrative (with the transition between the two versions marked by forgetting), question the notion of loss — in particular, the loss of a “0” text which is the text of death

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Rouhart, Jean-Louis. "L’(auto ?)-libération des prisonniers du camp de concentration de Buchenwald vue par les historiens allemands." Témoigner. Entre histoire et mémoire, no. 120 (April 30, 2015): 150–59. http://dx.doi.org/10.4000/temoigner.2235.

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Chernobay, Olga L. "The Anti-Fascist Underground in the Buchenwald Concentration Camp in the Testimony of N.S. Simakov (1946–1947)." Historical Courier, no. 3 (June 28, 2021): 191–99. http://dx.doi.org/10.31518/2618-9100-2021-3-22.

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19

Tragbar, Klaus. "Die Bauhäusler Franz Ehrlich und Fritz Ertl." Architectura 48, no. 1-2 (2018): 76–118. http://dx.doi.org/10.1515/atc-2018-1006.

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Abstract The Bauhaus not only had the period of its existence in common with the Weimar Republic, but also many of its internal social, cultural and political contradictions. These contradictions become clear through the biographies of two Bauhaus graduates, Franz Ehrlich (1907 –1984) and Fritz Ertl (1908 –1982), who both studied with Hannes Meyer at the Bauhaus Dessau. After graduating, Ehrlich joined the KPD and worked with Walter Gropius and Hans Poelzig. In 1934, he was arrested as a resistance fighter and imprisoned in the Buchenwald concentration camp. After the Second World War, he beca

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20

Falldorf, Ella. "The Many Faces of the Inmate as a Worker: Artworks of Political Prisoners in the Buchenwald Concentration Camp." Journal of Holocaust Research 35, no. 4 (2021): 257–81. http://dx.doi.org/10.1080/25785648.2021.1991752.

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Kondziella, Daniel, Klaus Hansen, and Lawrence A. Zeidman. "Scandinavian Neuroscience during the Nazi Era." Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 40, no. 4 (2013): 493–503. http://dx.doi.org/10.1017/s0317167100014578.

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AbstractAlthough Scandinavian neuroscience has a proud history, its status during the Nazi era has been overlooked. In fact, prominent neuroscientists in German-occupied Denmark and Norway, as well as in neutral Sweden, were directly affected. Mogens Fog, Poul Thygesen (Denmark) and Haakon Sæthre (Norway) were resistance fighters, tortured by the Gestapo: Thygesen was imprisoned in concentration camps and Sæthre executed. Jan Jansen (Norway), another neuroscientist resistor, escaped to Sweden, returning under disguise to continue fighting. Fritz Buchthal (Denmark) was one of almost 8000 Jews e

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22

Guth, Suzie. "L'appréhension de l'Allemagne d'après-guerre par Everett C. Hughes." Revue des sciences sociales 71 (2024): 124–31. http://dx.doi.org/10.4000/11uxv.

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On peut penser que le concept de « sale boulot » ait été conceptualisé par E. C. Hughes lors d’un séjour à Francfort en 1948. C’est en véritable moraliste que le sociologue américain s’exprime dans son Journal d’Allemagne de 1948 et donne à son Memorandum (un chapitre introductif destiné à son éditeur) un titre inspiré du livre de Mark Twain traitant du pèlerinage en Terre sainte : Le voyage des Innocents ou comment se comporter en Allemagne occupée. Il y évoque la tentation omniprésente d’absoudre les Allemands et le nazisme de leurs crimes. C’est en écoutant le conférencier allemand Eugen Ko

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23

Drumbl, Mark, and Solange Mouthaan. "‘A Hussy Who Rode on Horseback in Sexy Underwear in Front of the Prisoners’: the Trials of Buchenwald’s Ilse Koch." International Criminal Law Review 21, no. 2 (2021): 280–312. http://dx.doi.org/10.1163/15718123-bja10047.

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Abstract Ilse Koch’s trials for her role in atrocities at the Nazi Buchenwald concentration camp served as visual spectacles and primed her portrayal in media and public spaces. Koch’s conduct was credibly rumored to be one of frequent affairs, simultaneous lovers, and the sexual humiliation of prisoners. The gendered construction of her sexual identity played a distortive role in her intersections with law and with post-conflict Germany. Koch’s trials revealed two different dynamics. Koch’s actions were refracted through a patriarchal lens which spectacularized female violence and served as a

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24

Chandler, Andrew. "The Death of Dietrich Bonhoeffer." Journal of Ecclesiastical History 45, no. 3 (1994): 448–59. http://dx.doi.org/10.1017/s0022046900017085.

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Early in April 1945 a little collection of political prisoners, including a British secret agent, a Russian air force officer and a German general, were driven by their guards across the diminishing face of the Third Reich. Among them was the thirty-nine year old theologian, Dietrich Bonhoeffer. It was curious company for a German pastor. Bonhoeffer had joined the group at Buchenwald concentration camp on 7 February. In April he and his new friends were moved to Regensburg, and from there to Schönberg. On 8 April 1945 Bonhoeffer was abruptly separated from the other prisoners. As he was about

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Baars, Suzanne. "Introduction." Integratus 2, no. 1 (2024): 64. http://dx.doi.org/10.1521/intg.2024.2.1.64.

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It is a privilege to be able to introduce the readers of Integratus to the life and work of my father, Catholic psychiatrist Conrad Baars. A survivor of Buchenwald Concentration Camp, he became disillusioned with the secular Freudian approach to therapeutic intervention. Through the hand of Providence, he was introduced to the work of Dr. Anna Terruwe, which changed the trajectory of his life and career. Terruwe, a Dutch Catholic psychiatrist, had been successful in pioneering the rational psychology of St. Thomas Aquinas as the foundation for her work with clients with obsessive compulsive sy

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Scheichl, Birgit. "À la rencontre d’un inconnu." Austriaca 67, no. 1 (2008): 229–42. http://dx.doi.org/10.3406/austr.2008.4851.

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Dans l’histoire des relations franco-autrichiennes, Félix Kreissler occupe une place centrale. Né à Vienne en 1917, Kreissler devient militant du parti communiste en 1934 et lutte contre le régime fasciste en Autriche. Quelques années après son émigration en France en 1937, il rejoint la Résistance. Ayant survécu à la déportation au camp de concentration de Buchenwald, Kreissler, après un bref retour en Autriche, embrasse une carrière universitaire en France dans les années 1960. Devenu professeur à l’université de Rouen, il a créé le CERA et fondé la revue semestrielle Austriaca. On doit à Fé

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27

Sergiej, Dominika. "Doświadczenie krzywdy w życiu i twórczości Józefa Szajny." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 16, no. 1/2 (2019): 183. http://dx.doi.org/10.17951/l.2018.16.1/2.183-202.

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<p>Prace Józefa Szajny są niezaprzeczalnie związane z jego niewyobrażalnym doświadczeniem bólu, głodu i traumy, które stały się częścią jego obozowego życia w Auschwitz i Buchenwaldzie. Śmierć wielu ludzi, ich upokorzenie i dehumanizacja sprawiły iż Szajna dorósł szybciej niżby tego oczekiwał. Wszystkie te doświadczenia odbijają się w jego sztuce, zarówno rysunku jak i dramatach. W swoich pracach wielokrotnie używał fragmentów ubrań, butów, lin, ziemi, plastikowych ludzkich korpusów, fotografii. </p><p>Trauma drugiej wojny światowej dotknęła go bardzo mocno ale nie złamała. S

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Blumenthal-Barby, Martin. "The Surveillant Gaze: Michael Haneke's The White Ribbon." October 147 (January 2014): 95–116. http://dx.doi.org/10.1162/octo_a_00168.

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Michael Haneke's 2009 The White Ribbon is set in the village of “Eichwald.” Eichwald cannot be found on any German map. It is an imaginary place in the Protestant North of Eastern Germany in the early twentieth century. What is more, Haneke tells his black-and-white tale as the flashback narration of a voice-over narrator—a series of defamiliarizing techniques that lift the diegetic action out of its immediate sociohistorical context, stripping it of its temporal and topographical coordinates. Against this backdrop, is it possible to hear the name “Eichwald” without being reminded of, on the o

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29

Reid, Donald. "Pièces de résistance: The Dramas of Resistance and Torture in the Work of Jorge Semprún." French Forum 48, no. 1 (2023): 81–92. http://dx.doi.org/10.1353/frf.2023.a932969.

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Abstract: Contemporary Western society has taken its ideas and representations of resistance from the French resistance in World War II. But these are more often evoked than elucidated. Participation in the resistance in France and at Buchenwald and in the Communist underground in Franco's Spain shaped Jorge Semprún. Analysis of what he took from these experiences is revealing. Semprún began with resistance as an existential choice that challenged individuals' identities, a question he explored in the resistance of Jews and, in his case, of a bourgeois man of letters in the making. Semprún cam

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de Zayas, Alfred-Maurice. "The Wehrmacht bureau on war crimes." Historical Journal 35, no. 2 (1992): 383–99. http://dx.doi.org/10.1017/s0018246x00025851.

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AbstractOn September 4, 1939, a special bureau was established within the legal department of the Wehrmacht with the task of ‘ascertaining violations of international law committed by enemy military and civilian persons against members of the German armed forces, and investigating whatever accusations foreign countries should make against the Wehrmacht’. The purpose of this article is to provide a brief overview of the material collected by the Germans during the war, to test the credibility of the German investigations, review case-studies and inquire into the integrity of the judges carrying

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Robinson-Self, Elizabeth. "‘Ein Strudel der Selbstauflösung’: The Contested Role of Form in Poetry from the Concentration Camps." Forum for Modern Language Studies, May 31, 2024. http://dx.doi.org/10.1093/fmls/cqae029.

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Abstract German-language concentration camp poetry has been frequently criticized for its formal failings, particularly its lack of innovation and overreliance on traditional forms. In this article, I undertake close readings of three formally conventional texts: Alfred Kittner’s ‘Molotschna’ (composed in Obodowka, a Transnistrian extermination camp, in 1943), Fritz Löhner-Beda’s ‘Sonett auf das Revier im KZ-Buchenwald’ (composed in Buchenwald in 1940) and Heinrich Steinitz’s ‘Wo bist Du, Gott?’ (composed in Buchenwald between 1938 and 1942). I will demonstrate how traditional forms provided s

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Leard, Layla Dawn. "Chimneys in the Night: A Comparative Analysis of Elie Wiesel’s Night and Olga Lengyel’s Five Chimneys." Mount Royal Undergraduate Humanities Review (MRUHR) 4 (March 9, 2017). http://dx.doi.org/10.29173/mruhr334.

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This essay aims to evaluate some of the similarities and differences in the experiences of two Holocaust survivors, Olga Lengyel and Ellie Wiesel. The essay will explore the experiences of these two survivors in Auschwitz, Birkenau, and Buchenwald and examine why some of their experiences may have been different. The purpose of the essay is not to belittle the experiences of one gender or the other, but to identify how gender and sexuality made their experiences different. Wiesel’s and Lengyel's haunting memories of their experiences in these concentration camps offers a lense through which to

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López Vilar, Marta. "La mirada como reconstrucción del acontecimiento en La escritura o La vida de Jorge Semprún = The gaze as reconstruction of the event in La escritura o la vida of Jorge Semprún." HISPANIA NOVA. Primera Revista de Historia Contemporánea on-line en castellano. Segunda Época, April 25, 2019, 264. http://dx.doi.org/10.20318/hn.2019.4728.

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Resumen: Este artículo expone la importancia de la mirada en la novela La escritura o la vida de Jorge Semprún. Tras su estancia en el campo de concentración de Buchenwald, Semprún inicia un recorrido visual a través de los pasajes del horror y la vergüenza del exterminio. Por ello, en el artículo se mostrará cómo la aparente inefabilidad del dolor de la experiencia se vuelve un tránsito de reconocimiento de lo trágico para aproximarse al acontecimiento pasado. De esta forma, la palabra y el silencio articulan un movimiento traducido en el acto de escritura desde la figura del testigo. Aquí se

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Urralburu, Marcelo. "La polifonía del universo concentracionario en “El largo viaje” de Jorge Semprún." Cartaphilus. Revista de investigación y crítica estética 17 (January 11, 2020). http://dx.doi.org/10.6018/cartaphilus.409551.

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En este trabajo de investigación abordamos los mecanismos narrativos de la novela El largo viaje (1963), escrita por Jorge Semprún a modo de cierre vital de su experiencia en el campo de concentración nazi de Buchenwald. De esta manera, identificamos dos elementos fundamentales en la estructuración de la novela y que tienen una dimensión funcional insoslayable: las trampas de la memoria y la clandestinidad en el exilio. Cada uno de ellos, además, orientados hacia desvirtuar continuamente cualquier sentido único o cualquier certeza irrevocable. Por así decirlo, todas las categorías de las escri

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Rodríguez Richart, José. "La literatura como fuente de la historia : los republicanos españoles en los campos de concentración." Espacio Tiempo y Forma. Serie V, Historia Contemporánea, no. 12 (January 1, 1999). http://dx.doi.org/10.5944/etfv.12.1999.2972.

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Al terminar en 1939 la Guerra Civil española, centenares de miles de republicanos se refugiaron en Francia, muchos de ellos lucharon después contra las tropas de ocupación nazis y contra el régimen de Vichy, muchos de ellos fueron detenidos y deportados a campos de concentración alemanes (caso de Max Aub, internado en Le Vernet primero y en Djelfa en Argelia después). Como hicieron otros republicanos españoles en esas circunstancias, Semprún reconstruyó su permanencia en Buchenwaid en varios de sus libros pero especialmente en Aquel domingo con el propósito de transmitir un testimonio históric

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"Development and Human Testing of Chemical Warfare Agents and Means of Treatment of Lesions in Germany in 1933–1945." Journal of NBC Protection Corps 5, no. 2 (2021): 173–98. http://dx.doi.org/10.35825/2587-5728-2021-5-2-173-198.

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Despite serious attention to the issues of war crimes and crimes against humanity, committed on an unprecedented scale in concentration camps in Nazi Germany, the problem of medical experiments on prisoners appears to be one of the least-studied in modern Russian historiography. Moreover, no special attention was paid to testing chemical weapons on humans. The aim of this work is to review the history of the development and testing of chemical warfare agents (CWA) in Germany in 1933–1945. During the First World War, Germany was one of the leading countries in the sphere of military chemistry i

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Harrison, Paul. "Remaining Still." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.135.

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A political minimalism? That would obviously go against the grain of our current political ideology → in fact, we are in an era of political maximalisation (Roland Barthes 200, arrow in original).Barthes’ comment is found in the ‘Annex’ to his 1978 lecture course The Neutral. Despite the three decade difference I don’t things have changed that much, certainly not insofar as academic debate about the cultural and social is concerned. At conferences I regularly hear the demand that the speaker or speakers account for the ‘political intent’, ‘worth’ or ‘utility’ of their work, or observe how spea

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