Relevant bibliographies by topics / Bucolic

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Bucolic'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Bucolic.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Bucolic"

1

Matthews, R. J. H. "A Sylloge of Minor Bucolic." Antichthon 28 (1994): 25–51. http://dx.doi.org/10.1017/s0066477400000848.

Full text
Abstract:
In this article I use ‘Minor Bucolic’ to mean ‘poems transmitted in bucolic manuscripts but not written by Theocritus’; thus the term includes, strictly speaking, pseudo-Theocritean poems, poems ascribed (correctly or otherwise) to Moschus and Bion, the Pattern Poems, and the poem called Εἰς νεκρὸν Ἄδωνιν. I use the Greek text of A.S.F. Gow in Bucolici Graeci (Oxford 1952/1958) unless otherwise stated, and follow Gow’s numbering of the so-called ‘fragments’ of Moschus and Bion in that edition; other scholars’ numerations are given on p. 186 of it. It is necessary to remember that Gow himself used a previous numeration, namely that of Wilamowitz {Bucolici Graeci, Oxford 1905/1910), when referring to Bion’s fragments in his magnum opus on (and entitled) Theocritus (Cambridge 1950/1952). The numbering of Moschus’ fragments is however the same. As poems traditionally ascribed to Moschus or Bion are mostly falsely or dubiously so ascribed, they are referred to by title or abbreviated title. Similar treatment is given to certain of the pseudo-Theocritean poems, namely Idd. 19, 20, 21, 23, as they are central to this study.
APA, Harvard, Vancouver, ISO, and other styles
2

Stover, Justin A. "The Date of the Bucolic Poet Martius Valerius." Journal of Roman Studies 107 (September 6, 2017): 301–35. http://dx.doi.org/10.1017/s0075435817000806.

Full text
Abstract:
ABSTRACTThe collection of four Latin bucolics ascribed to one Martius Valerius was only published in the twentieth century; they have been widely considered as twelfth-century compositions. Picking up on suggestions proposed by François Dolbeau, this study presents evidence that Martius drew directly on the bucolics of Theocritus, and that his poems are late antique, not medieval, literary productions, probably written in the sixth century. Such a conclusion will require a revision of the history of post-Virgilian Latin bucolic poetry.
APA, Harvard, Vancouver, ISO, and other styles
3

Reeves, Richard. "Bucolic agribot." New Scientist 216, no. 2891 (November 2012): 33. http://dx.doi.org/10.1016/s0262-4079(12)62949-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Brešar, B., J. Chalopin, V. Chepoi, T. Gologranc, and D. Osajda. "Bucolic complexes." Advances in Mathematics 243 (August 2013): 127–67. http://dx.doi.org/10.1016/j.aim.2013.04.009.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gutzwiller. "The Bucolic Problem." Classical Philology 101, no. 4 (2006): 380. http://dx.doi.org/10.2307/4620775.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Gutzwiller, Kathryn. "The Bucolic Problem." Classical Philology 101, no. 4 (October 2006): 380–404. http://dx.doi.org/10.1086/519184.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Editorial Submission, Haworth. "A Bucolic Brouhaha:." Technical Services Quarterly 3, no. 3-4 (August 29, 1985): 299–307. http://dx.doi.org/10.1300/j124v03n03_28.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kossaifi, Christine. "Et in Theocrito ego . . ." Mnemosyne 70, no. 1 (January 20, 2017): 40–57. http://dx.doi.org/10.1163/1568525x-12341987.

Full text
Abstract:
In the bucolic world, as conceived by Theocritus in some of hisIdylls, death is rarely present; thus it is all the more important when it is. In this paper I argue that death has an existential and a generic meaning. The disappearance of all people, from a beloved one to the learned poet, cannot be avoided but is paradoxically a means of ἁσυχία, an ideal way of life fundamental to Theocritus’ bucolic world. In its conflict with Mnemosyne, death gives birth to a metapoetic reflexion on the bucolic genre, on the poetic creation and the poetic reception and is thus an essential link for continuing and renewing bucolic tradition.
APA, Harvard, Vancouver, ISO, and other styles
9

Matthews, R. J. H. "The Lament For Adonis: Questions Of Authorship." Antichthon 24 (1990): 32–52. http://dx.doi.org/10.1017/s0066477400000526.

Full text
Abstract:
The Lament for Adonis or Epitaphios Adonidos has since the mid-sixteenth century commonly been known as ‘Bion 1’. In editions of Greek Bucolic it comes along with four long and four short poems allegedly by Moschus, a number of short poems or fragments by Bion of Smyrna, and a long fragment (32 lines) also since 1568 often attributed to him. This subcollection is sometimes conveniently called ‘Minor Bucolic’: ‘minor’ in relation to the much bulkier surviving work of Theocritus and ‘bucolic’ apparently only by association with him and through the clear reputation of Moschus and Bion in ancient times as bucolic writers. Editions of Minor Bucolic, i.e. Moschus and Bion published other than as an appendix to Theocritus (though sometimes combined with Callimachus, Musaeus, or ‘the Nine Poetesses’), appeared in 1565 (Meetkercke, Bruges), 1568 (Orsini, Rome), 1655 (Whitford, London), 1686 (Longepierre, Paris), and then copiously in the eighteenth century; I count at least eight in the years 1746-1795.
APA, Harvard, Vancouver, ISO, and other styles
10

Prauscello, Lucia. "Colluthus' Pastoral Traditions: Narrative Strategies and Bucolic Criticism in the Abduction of Helen." Ramus 37, no. 1-2 (2008): 173–90. http://dx.doi.org/10.1017/s0048671x00004963.

Full text
Abstract:
It is nowadays a commonplace to state that every literary genre is a highly selective segment of a broader world of potential representations, and presents itself to the reader as a complete, self-contained model of interpretable mimesis of that particular aspect of reality. Yet this is especially true of bucolic poetry, whose very act of foundation rests on a joint effort, on the part both of the poets and their readers, to ‘conjure up a pre-existing “bucolic” tradition’ in the very same act of ‘founding such a tradition’. Theocritus' pastoral universe has its own bucolic hallmarks: landscape, gods and ‘professional’ accessories such as those required of a rustic life (milk-pails, shepherd's staffs, goatskin-coats and the like) are appropriately paraded and customised, and these hyper-‘realist’ markers are casually made to exist on the same level as the most unrealistic aspects of bucolic life (Theocritus' shepherds sing their time away while occasionally looking after their flocks). But it is especially in later imitators and interpreters that the possibilities of Theocritus' pastoral microcosm become necessities: generic consistency and recognisability are constantly pointed out and alluded to by obsessive repetition and normalisation of Theocritus ‘open’ pastoral world. The aim of the present paper is to read Colluthus' exploitation and, I would say, mobilisation of such a crystallised pastoral world against the background of ancient exegesis on the ‘bucolic problem’. In particular, it will be shown how bucolic criticism and Homererklärung (together with some important Hesiodic elements) are indissolubly intertwined in Colluthus' interpretation and reception of Theocritus' pastoral world. Comprehensiveness in charting Colluthus' critical response to such reading practices will not be attempted here: instead attention will be focused on those passages where Colluthus' scholarly engagement with bucolic generic conventions and their later accretions has a more direct impact on his narrative strategy.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Bucolic"

1

Sidhe, Wren. "Bodies, books and the bucolic : Englishness, literature and sexuality, 1918-1939." Thesis, University of Gloucestershire, 2001. http://eprints.glos.ac.uk/3380/.

Full text
Abstract:
The hypothesis this thesis tests is that interwar hegemonic discourses of Englishness located it as originating in the heterosexual bond between a masculine national subject and a feminine nature/landscape. Discursively, this left little space for women to insert themselves in to such a cultural formation. However, a paradox of this heterosexualising cultural matrix may have been to give a voice to lesbian subjectivity, since If 'women' might not be English, could lesbians be? If national land was figured as feminine, and women desired identification with their country-as-land, to become English might mean for some women that they should become lesbian. In order to explore this, three main questions are examined. Firstly, to what extent did the dominant discourse of the rural in the interwar period define 'Englishness' as masculine and 'Nature' as feminine? Secondly, if women were excluded from this discursive heterosexual relationship, can it be seen paradoxically to have opened up a space for alternative sexualities to emerge? If lesbianism were an instance of the latter, then what writing strategies were adopted in order to articulate a relationship between Englishness and lesbianism? Thirdly, what can censored and other literary texts of the period reveal about the relations between such an English masculine national subject, the meaning and powers attributed to literature, and forbidden sexualities and subjectivities? In its analysis of the relationship between national identity, geographical location and sexuality, this thesis contributes to studies of England and Englishness through the addition of the concept of 'sexuality' to an understanding of their construction. It also contributes to lesbian and gay critical theory by examining the national processes which impinge of the construction of the homosexual subject. Beyond that, the importance of the materiality of the locations offered to different subjectivities shows how national identifies are both enabled and limited by these same locations.
APA, Harvard, Vancouver, ISO, and other styles
2

Sargeant, P. "Bucolic politics : the administration of Sir Robert Walpole and the rise of the country interest." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3007867/.

Full text
Abstract:
Through an examination of a variety letters and printed works, this thesis argues that the political influence of the Country interest during the administration of Robert Walpole has been systematically underestimated in the historiography. New and previously neglected archival sources have been uncovered to form a better understanding of how the Country interest operated during the period. The emergence of the Country helps to address wider historical issues, such as why a ‘rage of party’ under Queen Anne disappeared during the reigns of George I and George II, only to be replaced by shifting associations of power. This examination of the Country platform in the eighteenth century challenges the notion of Walpole's adept mastery of party and patronage in developing a Whig oligarchy. This thesis is concerned primarily with the traditional, textbook treatments of Walpole’s tenure in office and how orthodox views (most notably of the Whiggish variety) continue to permeate into the present historiography, affecting how the eighteenth century is interpreted. A variety of methodological approaches have been deployed to answer how the Country rose to prominence and why they became effective in their opposition to Walpole's administration. Inspiration has been drawn from the prosopographical approach to scholarship, frequently associated with Sir Lewis Namier. In this instance, prosopography was an effective tool to reveal that there is important evidence to be examined concerning the role of the Country outside of London. Micro-historical practices favoured by historians such as Steve Hindle are also utilised, with emphasis placed on tracing the methods in which individuals used language to demonstrate their alignment with Country politics, alongside how they implored others to join them. Finally, the Cambridge school of political thought, linked with the analysis of changing linguistic practice and most associated with Quentin Skinner and John Pocock is also adopted to place the ideas mentioned above in context. The emphasis on language used in private correspondence provides important insights when examining the link between political motivations and action.
APA, Harvard, Vancouver, ISO, and other styles
3

Nwachukwu, Precious Tobechukwu Toby. "A comparison study of challenges facing effective social work practice and administration in bucolic areas in both South Africa and Nigeria." Thesis, University of Zululand, 2017. http://hdl.handle.net/10530/1579.

Full text
Abstract:
A dissertation submitted to the Faculty of Arts in fulfilment of the requirements for the Degree of Doctor of Philosophy in the Department of Social Work at the University of Zululand, 2017
An analysis of the social service practitioners’ practice tools in Africa towards the enhancement of professional responsibility to the client system is essential including investigating the ethical dilemmas experienced by the practitioners daily. These tools serve as sources of evaluating social work practice and administration that spur practitioners to provide a virtuous professional service and as enlightenment for the effective, efficient and reflective practice. The National Association of Social Workers (2008) and the South African Council of Social Service Professional (SACSSP, 2005) and their ethical values and principles served as this study principal document that directed this research venture. The researcher sought to understand the nature and extent of the challenges facing social work practitioners and administrators and compared their experiences within two different geo-political zones of Africa. Hence, the research philosophy engaged the “diamond metaphor,”in the sense it is multifaceted and within a blended research paradigm. It depicts the uniqueness and value of each study area. The study employed the comparison-evaluative approach depicting a Multi-Phase-Transformative mixed methods research design characterised by a six way dimensionalapproach of explorative, evaluative, descriptive, comparative, qualitative and quantitative approaches in order to reconnoiter the experiences of social work practitioners 135 and 47 administrators which in total 182 respondents from three different regions namely: KwaZulu-Natal (South Africa) and Lagos State and Imo State (Nigeria). Each setting for data collection differs within a multi-level mode and each data including the tested hypotheses were refined to actualise the subject situation and the analytical discussion of the methodology components. Data that was gleaned from the dispersed research tools used for the study were analysed by the utilisation of descriptive statistics, multiple comparisons and post hoc test correlations in testing the stated hypotheses with the Statistical Programme for Social Sciences (SPSS Version 21.0). However, the thematic gleaning of the responses was deciphered through discourse analysis (Soini and Birkeland, 2014:215-216; Gross, Alba, Glass, Schellenberg and Obrist, 2012:3). The findings of the study revealed that rural social work interventions are directly weakened by a poor support system that the social workers experience, thus, the lack of proper literacy and qualification levels in the rural areas largely contributes to weaker social work interventions in both Nigeria and South Africa. Furthermore, the study revealed that administrators avail themselves to more continuous professional development than the social workers do, while the overall qualification attributes for the respondents needed upgrading to cater for specialised areas. The study revealed that the lack of the analysed and aligned training needs of individual practitioners serves in fact to clog personal development plans which the subsequently affects the development of work plans and the signing of performance agreement job descriptions, thus, the policies are not then applied. The study’s results indicated that the administrators’ gendered pattern impacted significantly on the ethical code outcome in the study areas. Outcome analysis confirmed that thesocial workers’ understanding of ethical code application has significantly correlated with their integer years of practice experience, whereas, the perceived difficulties presumably had partial correlations within the study areas. Moreover, the ethics concerning the integrity of profession, the professional responsibility, the service delivery and the competence/confidentiality explained for the integer years of practice experience. Furthermore, the integer years significantly ensure that social workers are coping with ethical dilemmas on familiarity and their professed complaint anxieties on the Ethical Code in the three study areas. Conversely, the study advocated for the assimilation of interactional justice approach that would enhance advocacy on social justice, human rights and professional accountability as well as stimulate competence within the bucolic social worker’s career. Social justice cognizance should be visible within the equity on performance. The study’s recommendations included advocating for quality rural social work interventional support and improvement on qualification and literacy level in the rural areas; also that there should be the recognition of a greater prioritisation of NASW/SACSSP ethical codes. As such, experienced practitioners should mentor newer practitioners to enhance effective and efficient professional responsibility with client-systems. Additional studies should explore the professional responsibility of practitioners amid the Service Charter for Victims of Crime (victims’ charter) designed to uphold social justice and to nurture a human rights philosophy in guaranteeing the material, psychosocial and emotional needs of victims. Hence, further research on utilising the study’s finding models for urban domain and proper professional training, adherence to these models and awareness of legal ethics is recommended. Further studies should focus on examining administrators-practitioners relationship outcome to policies regulations as they are geared towards the Code; likewise to inspect social entrepreneurial activity using the Service Delivery Model to re-bolster industrial social work.
APA, Harvard, Vancouver, ISO, and other styles
4

Mitchell, B. W. "A study of the figure of the herdsman in Greek myth, with reference to the background and origins of literary bucolic poetry." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371713.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Talbot, Allison Elizabeth. "Aubade from the Woman No Longer Asleep." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523116303582954.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Ntanou, Eleni. "Ovid and Virgil's pastoral poetry." Thesis, University of Manchester, 2018. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748040.

Full text
Abstract:
This thesis explores the generic interaction between Virgilian pastoral and Ovidian epic. My primary goal is to bring pastoral, substantially enriched by important critical work thereupon in recent decades, more energetically into the scholarly discussion of the Metamorphoses, whose multifaceted generic interplay is often limited to the study of its interaction with elegy. Secondarily, I hope to show how the Metamorphoses plays a pivotal role in the re-reading of the Eclogues. The fact that both epic and pastoral are written in hexameters facilitates the interaction between the two and enables the Metamorphoses’ repeated short-term transformations into pastoral poetry, which often end abruptly. I will try to show that although the engagement with pastoral occasionally appears to threaten the epic code of the poem, pastoral is ultimately integrated in the Metamorphoses’ generic self-definition as epic and partakes in Ovid’s dynamic recreation of the genre. My primary method is that of intertextuality, resting on the premise that all readings of textual relationships, as the one suggested here, are acts of interpretation. I also explore pastoral in the Metamorphoses intratextually by joining together various pastoral episodes of the Metamorphoses and arguing how similar thematics are replayed and rewritten throughout the poem. The main perspectives from which I examine pastoral in the Ovidian epic are those of fiction and the development of the thematics of the Golden Age. In the first part, I explore instances of song performances in the Metamorphoses, i) musical contests, ii) solo performances and iii) laments, in which I argue that pastoral is extensively at work. I suggest that the Metamorphoses employs pastoral’s overriding generic self-obsession and its tendency to create its own fiction internally, significantly through the means of singing performance and repetition. I argue that the mythopoetic means of pastoral are applied and reworked in the Metamorphoses for the creation of its epic world and heroes. In the second part, I explore the repeated occurrences of the Golden Age theme in the Metamorphoses and suggest that the remarkable engagement with pastoral is employed both to invite a political reading of the Golden Age, as set by Eclogue 4 and its post-Eclogues occurrences, and to recap the introversion of the pastoral enclosure and its seclusion from politics.
APA, Harvard, Vancouver, ISO, and other styles
7

Pölzer-Nawroth, Jule [Verfasser], and Peter Paul [Akademischer Betreuer] Schnierer. "Creating Identity and Uniting a Nation - The Development of the Water Motif from Ancient Greek Bucolic to Early Modern English Pastoral Poetry / Jule Pölzer-Nawroth ; Betreuer: Peter Paul Schnierer." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://d-nb.info/1205071989/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Borges, Cassio. "A engenhosa bucolica seiscentista." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269891.

Full text
Abstract:
Orientador: Alcir Pecora
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-14T10:25:38Z (GMT). No. of bitstreams: 1 Borges_Cassio.pdf: 1198025 bytes, checksum: 23f8e56dc63b31be33fce159c54c1b3a (MD5) Previous issue date: 2008
Resumo: Ao reler a Fábula de Polifemo y Galatea de Góngora, esta Engenhosa Bucólica Seiscentista, tendo em vista os regimes retóricos de representação letrada, assim como a especificidade aguda da preceptiva poética coetânea, procura delinear um viés interpretativo que se esquiva tanto do paradigma psico-sociológico, empreendido, de modo exemplar, na fortuna crítica de Góngora, por Robert Jammes, quanto da linhagem estilística postulada por Dámaso Alonso. Recuperando categorias interpretativas forjadas pelas principais Artes de Engenho, sobretudo as de Emanuele Tesauro e Baltasar Gracián, o presente estudo, em convergência com os novos trabalhos dedicados às retóricas ibéricas, como, por exemplo, o de Antonio Martí e o de Luisa López Grigera, examina a atualização gongórica da fábula greco-latina, atendo-se, por um lado, ao procedimento tropológico-analítico que particulariza a elocução de Góngora e, por outro, ao incremento cortês, que ali afeta o arranjo convencional do argumento fabular, concebendo ambos sob o signo de uma emulação, que, ao pressupor o aprimoramento da língua romance, empenha-se na institucionalização, via consenso erudito, de um decoro agudo, ou seja, de um uso que, ao restringir seus campos de interlocução, imagina uma companhia engenhosamente discreta.
Abstract: In reading once more the Góngora's Fable of Polyphemus and Galatea, having in mind the oratorical procedures of erudite representation, as well as the acute specificity of the coetaneous preceptive poetry, this Sixteenth-century-Ingenious Bucolic searches for delineating an interpretative bias that takes away as much from the psycho-sociological paradigm undertaken exemplarily by Robert Jammes' critical review of Góngora, as from the stylistic linage postulated by Dámaso Alonso. In recuperating the interpretative categories established by Emanuele Tesauro's and, above all, Baltasar Gracián's Artes de Engenho (Art of Inventiveness), the current research, along the new studies devoted to the sixteenth-century Iberian rhetoric, like those of Antonio Martí and of Luisa López Grigera, on the one hand it examines the Gongoristic review of the Greco-roman fable focusing on the tropologic and analytical procedure that particularizes the Góngora's elocution; on the other hand, it focuses on the courteous increment that affects the conventional arrangement of the fabled argument, conceiving both of them under the signal of a emulation that, in presupposing the improvement of the Romance language, it is committed to the institutionalization, via scholarly consensus, of an acute decorum, in other words, of a use that, in limiting its fields of interlocution, imagines a ingeniously discreet companionship.
Universidade Estadual de Campi
Teoria e Critica Literaria
Doutor em Teoria e História Literária
APA, Harvard, Vancouver, ISO, and other styles
9

Tudesque, Andrée. "Marcel Pagnol : aspects bucoliques, poétiques et classiques de son oeuvre." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0137.

Full text
Abstract:
RésuméLa notoriété de Marcel Pagnol n’est plus à attester, mais force est de reconnaître que les universitaires ne manifestent généralement pas de considération pour lui. Ce magicien des mots, ce conteur héritier de la tradition orale provençale, joue avec virtuosité de la parole, et sa création est le résultat d’interférences littéraires. Les différentes perspectives de l’œuvre de Marcel Pagnol, qui prend sa source dans sa formation classique, ont déterminé cette recherche, laquelle se concentre sur une analyse de certains de ses écrits. Ainsi vise-t-elle à une reconnaissance de son capital symbolique et de son apport à la littérature. Le classicisme qui imprègne l’éducation qu’il a reçue, a orienté l’ensemble de ses réalisations littéraires, théâtrales et cinématographiques; en conséquence, il en a déterminé sa réception, car le caractère de son œuvre, enrichie par l’héritage antique et le patrimoine culturel provençal, est d’avoir atteint l’universel. Ce travail porte sur les aspects de ses écrits qui reflètent non seulement l’éducation, mais surtout la capacité de l’auteur d’utiliser des genres différents tels que la bucolique et ses ramifications qui vont de la poésie au roman et au théâtre, puis au cinéma avec lequel il entretiendra des rapports étroits et complémentaires. Influencé par la musique et par la culture latine et provençale, Marcel Pagnol est sorti des sentiers battus de la littérature de son époque, en mettant son originalité créatrice au service de la poésie, de la prose, du théâtre et du cinéma
AbstractThe notoriety of Marcel Pagnol is no longer to be attested to, but it is clear academics do not generally show any consideration for him. This magician of words, this storyteller heir to the Provencal oral tradition, plays as a virtuose with speech, and his creation is the result of literary interferences. The different perspectives of the work of Marcel Pagnol, which has its source in his classical training, have determined this research, which focuses on analysis of some of his writings. Thus, this aims at recognizing his symbolic capital and contribution to literature. The classicism that permeates the education he received has guided all his literary, theatrical and cinematographic achievements; consequently, it determined his reception because the character of his work, enriched by the ancient heritage and the Provençal cultural patrimony, is to have reached universality. This thesis focuses on aspects of his creations, which reflect not only his education, but especially the ability of the author to use different genres such as the pastoral and its ramifications, which range from poetry to novel and to theater, then to film with which he will maintain close and complementary relations. Influenced by Music, Latin and Provençal culture, Marcel Pagnol diverged from the beaten track of literature of his time, by putting his creative originality at the service of poetry, prose, theater and film
APA, Harvard, Vancouver, ISO, and other styles
10

Richer, Jean-Camille. "Théocrite et la création de la pastorale : entre mime et idylle." Thesis, Lyon, École normale supérieure, 2015. http://www.theses.fr/2015ENSL1057.

Full text
Abstract:
Dans cette thèse est proposée une définition du genre poétique bien connu qu’est la poésie bucolique. Son point de départ réside dans le double statut qui la caractérise : c’est à la fois un titre (les Bucoliques) et un genre (la poésie bucolique). Le fait de privilégier l’un ou l’autre de ces statuts oriente la définition qui est retenue. Nous avons donc examiné les sources antiques et tenté d’inverser la perspective habituellement retenue : alors que l’on considère souvent que c’est le genre qui a engendré le titre, nous pensons que c’est le titre (Bucoliques) qui a engendré le genre. En d’autres termes, à l’origine, un poème bucolique n’est pas un « poème de bouviers », mais un poème contenu dans un recueil intitulé Βουκολικά. Ce n’est que dans un second temps que le sens du titre originel (Βουκολικά) se serait restreint au genre tel que nous le connaissons aujourd’hui (une « poésie de bouviers », souvent réduite à une « poésie de pâtres ») et qui aurait entraîné, à la fin de l’Antiquité, le remplacement de ce titre par les mots « idylles » et « églogues », qui à l’origine n’avaient aucun rapport avec la poésie bucolique. La définition du poème bucolique que nous proposons est fondée sur la rencontre entre deux personnes et l’interprétation d’un chant, car ce schéma s’observe dans la plupart des poèmes bucoliques, y compris post-théocritéens. Dès lors opère une loi de variation censée varier le genre des chants insérés. Cela créée une hiérarchie entre les genres : le poème bucolique n’est pas un poème de bouviers, mais un poème comportant l’interprétation d’un chant dont le genre est appelé à varier. La notion de « mime » n’est ici étudiée qu’à titre de variante de la bucolicité. En effet, trois poèmes de Théocrite sont ainsi décrits parce qu’ils n’appartiennent ni au monde de la campagne (poèmes bucoliques), ni au monde des héros (epyllia). Nous analysons la manière dont cette catégorie s’est constituée, puis sa pertinence : si elle permet à n’en pas douter de constater des codes communs entre les poèmes de Théocrite et ceux d’Hérondas, elle ne doit pas faire oublier que la différence métrique entre les deux auteurs implique une différence d’esthétique
The aim of this study is a definition of Bucolic poetry. Nowadays it can be analized as a title (Bucolics) or as a poetry genre (bucolic poetry). The choice which is made between these two categories has consequences on the way bucolic poetry is theorised. I try to demonstrate that the genre was invented out of the title : at first, a bucolic poem was no more than a poem included in collection entitled Βουκολικά. At the end of Antiquity this title had been changed into Idylls in the Greek-speaking World and into Eglogues in the Latin-speaking world because the definition has changed. « Bucolicity » is based not on the cowherd, but on a scenario which is repeated from a poem to another : two people meet, a song is sung, and the people leave each other. Any poetic genre could be included in the song which is sung, so I distinguish the bucolic poem from the inserted song which lies inside. I then compare Theocritus to Herodas and Sophron because some bucolic poems are nowadays called « urban mimes ». The name of this categorie is modern, so it shows how new definitions (and new termes) are constantly proposed for poetic genres
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Bucolic"

1

Kilmer-Purcell, Josh. The Bucolic Plague. New York: HarperCollins, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Paehlke, Robert. Bucolic myths: Towards a more urbanist environmentalism. Toronto: Centre for Urban and Community Studies, University of Toronto, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Parthenope: The interplay of ideas in Vergilian bucolic. Leiden: Brill, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Richard, Strauss. Daphne: Bucolic tragedy in one act : opus 82. [New York: Richard Strauss Opera Festival, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Kegel-Brinkgreve, E. The echoing woods: Bucolic and pastoral from Theocritus to Wordsworth. Amsterdam: J.C. Gieben, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

The bucolic plague: How two Manhattanites became gentlemen farmers: an unconventional memoir. New York: Harper, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Hernández-Pecoraro, Rosilie. Bucolic metaphors: History, subjectivity and gender in the early modern Spanish pastoral. Chapel Hill, NC: North Carolina Studies in the Romance Languages, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kilmer-Purcell, Josh. The bucolic plague: How two Manhattanites became gentlemen farmers: an unconventional memoir. New York: Harper, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hernández-Pecoraro, Rosilie. Bucolic metaphors: History, subjectivity, and gender in the early modern Spanish pastoral. Chapel Hill: U.N.C. Department of Romance Languages, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kilmer-Purcell, Josh. The bucolic plague: The definitive memoirs of the world's most famous drag queen turned goat farmer. New York: Harper, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Bucolic"

1

Payne, Mark. "The Bucolic Fiction of Theocritus." In A Companion to Hellenistic Literature, 224–37. Oxford, UK: Blackwell Publishing Ltd, 2014. http://dx.doi.org/10.1002/9781118970577.ch16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Harden, Alastair. "Bucolic Ideals and the Golden Age." In Animals in the Classical World, 110–21. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137319319_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Reed, J. D. "Idyll6 and the Development of Bucolic after Theocritus." In A Companion to Hellenistic Literature, 238–50. Oxford, UK: Blackwell Publishing Ltd, 2014. http://dx.doi.org/10.1002/9781118970577.ch17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Cope, David. "Bucolics." In On the Bridge, 10. Totowa, NJ: Humana Press, 1986. http://dx.doi.org/10.1007/978-1-4612-4830-9_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mannsperger, Brigitte. "Vergil: Bucolica." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22202-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Wilson, James, and John Clare. "Bucolics op. 28 (1968)." In New Vocal Repertory, 53–56. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18494-1_18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Prill, Ulrich, and Thomas Haye. "Petrarca, Francesco: Bucolicum carmen." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15320-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"Bucolic." In Divagations, 266–70. Harvard University Press, 2009. http://dx.doi.org/10.2307/j.ctv1pdrpr1.55.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"How Bucolic are Theocritus’ Bucolic Singers?" In Brill's Companion to Greek and Latin Pastoral, 53–73. BRILL, 2006. http://dx.doi.org/10.1163/9789047408536_004.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Bucolic Epigram." In Brill's Companion to Hellenistic Epigram, 333–51. BRILL, 2007. http://dx.doi.org/10.1163/9789047419402_018.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Bucolic"

1

Benbihi, Assia, Stephanie Arravechia, Matthieu Geist, and Cedric Pradalier. "Image-Based Place Recognition on Bucolic Environment Across Seasons From Semantic Edge Description." In 2020 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 2020. http://dx.doi.org/10.1109/icra40945.2020.9197529.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Bucolic' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography